EXERCISES
A. Complete the partial outline given for the paragraph below. Which of the illustrations might be omitted from a recitation? For which can you furnish different illustrations?
Mountain ranges have great influence upon climate, political geography, and commerce. Many of them form climatic boundaries. The Cordilleras of western America and the Scandinavian mountains arrest the warm, moist, western winds which rise along those great rock barriers to cooler altitudes, where their water vapor is condensed and falls as rain, so that the country on the windward side of the mountains is wet and that on the leeward side is dry. Mountain chains stretching east and west across central Asia protect the southern part of the continent from frigid arctic winds. The large winter tourist traffic of the Riviera is due to the mountains that shield this favored French-Italian coast from the north and northeast continental winds, giving it a considerably warmer winter's temperature than that of Rome, two and a half degrees farther south. As North America has no mountain barriers across the pathway of polar winds, they sweep southward even to the Gulf of Mexico and have twice destroyed Florida's orange groves within a decade. Mountain ranges are conspicuous in political geography because they are the natural boundary between many nations and languages, as the Pyrenees between France and Spain, the Alps between Austria and Italy, and the Himalayas between Tibet and India. Mountains sometimes guard nations from attack by the isolation they give, and therefore promote national unity. Thus the Swiss are among the few peoples in Europe who have maintained the integrity of their state. Commercially, mountains are of great importance as a source of water, which they store in snow, glaciers, and lakes. Snow and ice, melting slowly on the mountains, are an unfailing source of supply for perennial rivers, and thus promote navigation. Mountains are the largest source of water-power, which is more valuable than ever now that electricity is employed to transmit it to convenient centers for use in the industries. A large part of the mining machinery in the United States is run by water power. Switzerland, which has no coal, turns the wheels of its mills with water. Mountains supply most of the metals and minerals, and are therefore the scene of the largest mining industry. They are also among the greatest sources of forest wealth. Though the slopes are not favorable for agriculture they afford good pasturage, and the débris of the rocks washed into the valleys and plains by mountain torrents supplies good soil. Thus the Appalachians have been worn down to a comparatively low level, and the soil formed from their rock particles is the basis of large husbandry. The scenic attractions of many mountain regions is a source of large revenue. The Alps attract crowds of tourists, who spend about twenty million dollars a year in Switzerland and Austria, and give to many thousands of persons.
—Adams: Commercial Geography.
OUTLINE (to be completed)
Mountain ranges have great influence upon—
I. Climate.
Why?
Where?
a, b, etc.
II. Political geography.
Why?
Where?
a, b, etc.
III. Commerce.
Why?
Where?
a, b, etc.
B. Make an outline of the following paragraph:—
1. The armor of the different classes was also accurately ordered by the law. The first class was ordered to wear for the defense of the body, brazen helmets, shields, and coats of mail, and to bear spears and swords, excepting the mechanics, who were to carry the necessary military engines and to serve without arms. The members of the second class, excepting that they had bucklers instead of shields and wore no coats of mail, were permitted to bear the same armor and to carry the sword and spear. The third class had the same armor as the second, excepting that they could not wear greaves for the protection of their legs. The fourth had no arms excepting a spear and a long javelin. The fifth merely carried slings and stones for use in them. To this class belonged the trumpeters and horn blowers.
—Gilman: Story of Rome.
C. In preparing your other lessons for to-day, make outlines of the paragraphs.
+Theme XIX.+—Reproduce the thought of some paragraph read to you by the teacher.
(Do not attempt to remember the language. Try to get the main thought of what is read and then write a paragraph which sets forth that same idea. Use different illustrations if you can.)
NOTE.—This theme may be repeated as many times as seems desirable.
+40. Importance of the Paragraph.+—Emphasis needs to be laid upon the importance of the paragraph. Our ability to express our thoughts clearly depends, to a large extent, upon our skill in constructing paragraphs. The writing of correct sentences is not sufficient. Though each of a series of sentences may be correct, they may, as a whole, say but little, and that very poorly; while another set of sentences, which cluster around some central idea, may set it forth most effectively. It is only by giving our sentence groups that unity of thought which combines them into paragraphs that we make them most effective. A well-constructed paragraph will make clear some idea, and a series of such paragraphs, related to each other and properly arranged, will set forth the sum of our thoughts on any subject.
+41. Paragraph Length.+—The proper length of a paragraph cannot be determined by rule. Sometimes the thought to be presented will require several sentences; sometimes two or three will be sufficient. A single illustration may make a topic statement clear, or several illustrations may be required. The writer must judge when he has included enough to make his meaning understood, and must avoid including so much that the reader will become weary. Usually a paragraph that exceeds three hundred words will be found too long, or else it will contain more than one main idea, each of which could have been presented more effectively in a separate paragraph.
+42. Indentation.+—In written and printed matter the beginning of a paragraph is indicated by an indentation. Indentation does not make a paragraph, but we indent because we are beginning a new paragraph. Indentation thus serves the same purpose as punctuation. It helps the reader to determine when we have finished one main thought and are about to begin another. Beginners are apt to use indentations too frequently. There are some special uses of indentation in letter writing, printed conversation, and other forms, but for ordinary paragraph division the indentation is determined by the thought, and its correct use depends upon clear thinking. Can the following selection be improved by reparagraphing?
Outside in the darkness, gray with whirling snowflakes, he saw the wet lamps of cabs shining, and he darted along the line of hansoms and coupés in frantic search for his own.
"Oh, there you are," he panted, flinging his suit case up to a snow-covered driver. "Do your best now; we're late!" And he leaped into the dark coupé, slammed the door, and sank back on the cushions, turning up the collar of his heavy overcoat.
There was a young lady in the farther corner of the cab, buried to her nose in a fur coat. At intervals she shivered and pressed a fluffy muff against her face. A glimmer from the sleet-smeared lamps fell across her knees.
Down town flew the cab, swaying around icy corners, bumping over car tracks, lurching, rattling, jouncing, while its silent occupants, huddled in separate corners, brooded moodily at their respective windows.
Snow blotted the glass, melting and running down; and over the watery panes yellow light from shop windows played fantastically, distorting vision.
Presently the young man pulled out his watch, fumbled for a match box, struck a light, and groaned as he read the time.
At the sound of the match striking, the young lady turned her head. Then, as the bright flame illuminated the young man's face, she sat bolt upright, dropping the muff to her lap with a cry of dismay.
He looked up at her. The match burned his fingers; he dropped it and hurriedly lighted another; and the flickering radiance brightened upon the face of a girl whom he had never before laid eyes on.
"Good heavens!" he said, "where's my sister?"
The young lady was startled but resolute. "You have made a dreadful mistake," she said; "you are in the wrong cab—"
+Theme XX.+—Write a theme using one of the subjects below:—
1. A personal incident.
2. The advantages and disadvantages of recesses.
3. Complete the story commenced in the selection just
preceding.
(Make a note of the different ideas you may discuss. Which are important enough to become topic statements? Which may be grouped together in one paragraph? In what order shall they occur? After your theme is written, consider the paragraphs. Does the definition apply to them? Are any of them too short or too long?)
+43. Reasons for Studying Paragraph Structure.+—A knowledge of the way in which a paragraph is constructed will aid us in determining the thought it contains. There are several methods of developing paragraphs, and usually one of these is better suited than another to the expression of our thought. Attention given to the methods used by others will enable us both to understand better what we read, and to employ more effectively in our own writing that kind of paragraph which best expresses our thought. Hence we shall give attention to the more common forms of paragraph development.
+44. Development by Giving Specific Instances.+—If you hear a general statement, such as, "Dogs are useful animals," you naturally think at once of some of the ways in which they are useful, or of some particular occasion on which a dog was of use. If a friend should say, "My dog, Fido, knows many amusing tricks," you would expect the friend to tell you some of them. A large part of our thinking consists of furnishing specific instances to illustrate general ideas which arise. Since the language we use is but the expression of the thoughts we have, it happens that many of our paragraphs are made up of general statements and the specific instances used to illustrate these statements. When the topic sentence is a general statement, we naturally seek to supply specific instances, and the writer will most readily make his meaning clear by furnishing such illustrations. Either one or many instances may be used. The object is to explain the topic statement or to prove its truth, and a good writer will use that number of instances which best accomplishes his purpose.
In the following selection notice how the topic statement, set forth and repeated in the first part of the paragraph, is illustrated in the last part by means of several specific instances:—
Nine tenths of all that goes wrong in this world is because some one does not mind his business. When a terrible accident occurs, the first cry is that the means of prevention were not sufficient. Everybody declares we must have a new patent fire escape, an automatic engine switch, or a high-proof non-combustible sort of lamp oil. But a little investigation will usually show that all the contrivances were on hand and in good working order; the real trouble was that somebody didn't mind his business; he didn't obey orders; he thought he knew a better way than the way he was told; he said, "Just this once I'll take the risk," and in so doing, he made other people take the risk too; and the risk was too great. At Toronto, Canada, not long ago, a conductor, against orders, ran his train on a certain siding, which resulted in the death of thirty or forty people. The engineer of a mill, at Rochester, N.Y., thought the engine would stand a higher pressure than the safety valve indicated, so he tied a few bricks to the valve to hold it down; result—four workmen killed, a number wounded, and a mill blown to pieces. The City of Columbus, an iron vessel fitted out with all the means of preservation and escape in use on shipboard, was wrecked on the best-known portion of the Atlantic coast, on a moonlight night, at the cost of one hundred lives, because the officer in command took it into his head to save a few ship-lengths in distance by hugging the shore, in direct disobedience to the captain's parting orders. The best-ventilated mine in Colorado was turned into a death trap for half a hundred miners because one of the number entered with a lighted lamp the gallery he had been warned against. Nobody survived to explain the explosion of the dynamite-cartridge factory in Pennsylvania, but as that type of disaster almost always is due to heedlessness, it is probable that this instance is not an exception to the rule.
—Wolstan Dixey: Mind Your Business.