ILLUSTRATIONS

GEORGE DU MAURIER, from a Portrait in Water-colour by Himself[Frontispiece]
ILLUSTRATION FOR "RECOLLECTIONS OF AN ENGLISH GOLD-MINE": Once a Week, 1861Facing p. [8]
"THE CILICIAN PIRATES": The Cornhill, 1863[18]
ILLUSTRATION FOR "WIVES AND DAUGHTERS": The Cornhill, 1864[26]
ILLUSTRATION FOR "WIVES AND DAUGHTERS": The Cornhill, 1865[30]
SKETCH FOR ABOVE[36]
PENCIL STUDIES FROM THE ARTIST'S SKETCH-BOOK[50]
ILLUSTRATION FOR "A LEGEND OF CAMELOT"—PART III: Punch, 1866[56]
INITIAL LETTER FROM The Cornhill[64]
ILLUSTRATION FOR "THE STORY OF A FEATHER": 1867[68]
ILLUSTRATION FOR "THE STORY OF A FEATHER": 1867[76]
"CAUTION": Punch, 1867[84]
BERKELEY SQUARE, 5 P.M.: Punch, 1867[92]
ILLUSTRATION FOR "ESMOND"[98]
ILLUSTRATION FOR "THE ADVENTURES OF HARRY RICHMOND": The Cornhill, 1870[106]
ILLUSTRATION FOR "THE ADVENTURES OF HARRY RICHMOND": The Cornhill, 1871[114]
"PROXY": Punch's Almanack, 1874[120]
QUEEN PRIMA-DONNA AT HOME: Punch, 1874[130]
HONOUR WHERE HONOUR is DUE: Punch, 1880[138]
CANON AINGER, from a Portrait in Water-colour by du Maurier[144]
THE MUTUAL ADMIRATIONISTS: Punch, 1880[148]
MANUSCRIPT[156]
GEORGE DU MAURIER, from a Photograph[164]
SPEED THE PARTING GUEST: Punch, 1883[172]
SKETCH FOR INITIAL LETTER IN The Cornhill, 1883[176]
"Sic TRANSIT GLORIA MUNDI!" Punch, 1884[182]
POST-PRANDIAL PESSIMISTS: Punch, 1892[188]
THINGS ONE WOULD RATHER HAVE EXPRESSED DIFFERENTLY: Punch, 1893[194]

There are also several Tailpieces, chronologically arranged