SWEENEY ERECT

And the trees about me

Let them be dry & leafless; let the rocks

Groan with continual surges; & behind me

Make all a desolation. Look, Look, wenches!

aint me a cavernous waste shore

Cast in the unstilled Cyclades,

Paint me the bold anfractuous rocks

Faced by the snarled and yelping seas.

Display me Æolus above

Reviewing the insurgent gales

Which tangle Ariadne’s hair

And swell with haste the perjured sails.

Morning stirs the feet and hands

(Nausicaa and Polypheme);

Gesture of orang-outang

Rises from the sheets in steam.

This withered root of knots of hair

Slitted below and gashed with eyes,

This oval O cropped out with teeth;

The sickle motion from the thighs

Jackknifes upward at the knees

Then straightens down from heel to hip

Pushing the framework of the bed

And clawing at the pillow slip.

Sweeney addressed full-length to shave

Broadbottomed, pink from nape to base,

Knows the female temperament

And wipes the suds around his face.

(The lengthened shadow of a man

Is history, says Emerson,

Who had not seen the silhouette

Of Sweeney straddled in the sun).

Tests the razor on his leg

Waiting until the shriek subsides;

The epileptic on the bed

Curves backward, clutching at her sides.

The ladies of the corridor

Find themselves involved, disgraced;

Call witness to their principles

Deprecate the lack of taste

Observing that hysteria

Might easily be misunderstood;

Mrs. Turner intimates

It does the house no sort of good.

But Doris towelled from the bath

Enters padding on broad feet,

Bringing sal volatile

And a glass of brandy neat.

MR. ELIOT’S SUNDAY
MORNING SERVICE

Look, look master, here comes two of the religious caterpillars”.

JEW OF MALTA

olyphiloprogenitive

The sapient sutlers of the Lord

Drift across the window-panes.

In the beginning was the Word.

In the beginning was the Word,

Superfetation of το εν

And at the mensual turn of time

Produced enervate Origen.

A painter of the Umbrian school

Designed upon a gesso ground

The nimbus of the Baptised God.

The wilderness is cracked and browned

But through the water pale and thin

Still shine the unoffending feet

And there above the painter set

The father and the Paraclete.


The sable presbyters approach

The avenue of penitence;

The young are red and pustular

Clutching piaculative pence,

Under the penitential gates

Sustained by staring Seraphim

Where the souls of the devout

Burn invisible and dim.

Along the garden-wall the bees

With hairy bellies pass between

The staminate and pistilate:

Blest office of the epicene.

Sweeney shifts from ham to ham

Stirring the water in his bath.

The masters of the subtle schools

Are controversial, polymath.