Contents
| Introduction | [ix] |
| The Perfect Critic | [1] |
| Imperfect Critics— | |
| Swinburne as Critic | [15] |
| A Romantic Aristocrat | [22] |
| The Local Flavour | [29] |
| A Note on the American Critic | [34] |
| The French Intelligence | [39] |
| Tradition and the Individual Talent | [42] |
| The Possibility of a Poetic Drama | [54] |
| Euripides and Professor Murray | [64] |
| Rhetoric and Poetic Drama | [71] |
| Notes on the Blank Verse of Christopher Marlowe | [78] |
| Hamlet and His Problems | [87] |
| Ben Jonson | [95] |
| Phillip Massinger | [112] |
| Swinburne as Poet | [131] |
| Blake | [137] |
| Dante | [144] |