CONTENTS

PART I. BIOLOGY
CHAPTER I
The Argument from Design
PAGE

Paley and the Watch

[1]

The Analogy Inapplicable

[4]

Paley’s Conception of Design

[8]

The Evolutionary Conception

[11]

Conquest of Nature by the Evolution Theory

[16]

The Philosophic Basis of Nature-study

[17]
CHAPTER II
The Wheel of Life

Continuity of Animal, Vegetable, and Mineral Life

[21]

Characters of Organic Life

[23]

Living Matter: Its Functions

[24]

Its Substance

[27]

Its Structure

[28]
CHAPTER III
De Minimis

Growth and Development

[32]

Development a Cell-problem

[33]

The Mechanical Conception of Life

[34]

The Cell and its Structure

[34]
Cell-division and Heredity[40]

Reproductive Cells and Body-cells

[45]

The Origin of Conjugation

[46]

The Mechanism of Conjugation

[51]

Significance of Elementary Vital Processes

[59]

Adaptability, a Fundamental Character of Life

[63]
CHAPTER IV
The Mechanical Theory of Evolution: the Darwin-Lamarck Explanation

The Fixity of Species, how Maintained

[66]

The Mutability of Species

[67]

Lamarck’s Explanation of the Origin of Species

[68]

Natural Selection of Innate Variations

[72]

Difficulties of Lamarckism

[77]

Need of a deeper Explanation

[89]
CHAPTER V
The Mechanical Theory of Evolution: theDarwin-Weismann Explanation

Lamarck, or ‘Metaphysics’?

[91]

Weismann’s Escape

[93]

The Struggle among the Determinants

[95]

Chance-Variations and Co-adaptation

[97]

Other Difficulties of the Chance-Variation Theory

[99]

Natural Selection

[103]

Impossible before Competition Existed

[104]

Co-operation and Competition

[104]

Protective Mimicry, Inexplicable by Chance-Variations and Natural Selection

[106]

Innate Capacities of Life

[109]

Outline of Preceding Arguments

[111]
CHAPTER VI
The Directive Theory of Evolution

Nature’s Power of Response

[115]

Reinke’s Theory of Dominants

[120]

Cases of their Action in Evolution

[123]

Law and Directivity

[128]

Intelligence and Directivity

[130]

The Analogy of Social Evolution

[131]

The Analogy of Language

[133]

Synthetic Movement of the Cosmic Reason

[137]

Objections from Imperfect Adaptations and Regressive FormsStated

[143]

Mechanical and Psychic Agencies, how Distinguished

[146]

Science versus ‘Mysticism’

[150]

Reply to Objection from Imperfect Adaptations, etc.

[152]

Man, the Growing-point of Earthly Life

[154]

Immanence or Transcendence of the Cosmic Reason?

[155]

Man’s Relations to the Whole

[157]
PART II. ETHICS
CHAPTER VII
Law, Free Will, Personality

Free Will and Determinism

[161]

The Determinist Position

[163]

The Free Will Position

[164]

Conditions necessary for Free Will

[168]

Has the Will an Ethical Bias?

[169]

Limitations of Free Will

[172]

Evolution of the Will

[174]

Free Will and Monism

[176]

Free Will and Brain-structure

[177]

Relations of Mind and Matter

[186]

Immortality

[189]
CHAPTER VIII
The Ethical Criterion

The Visible and the Invisible Worlds

[194]

Dualism and Monism

[195]

Monism and the Moral Law

[198]

The Hedonistic Basis of Morals

[200]

The Natural Basis of Morals

[203]
CHAPTER IX
The Ethical Sanction

The Individual and the Whole

[208]

A Scale of Motives

[210]

Conscience and its Commands, how respectively Derived

[211]

Results of Duty and of Self-indulgence Compared

[212]

The False and the True Asceticism

[214]

Ethics for Life: Implications of this Doctrine

[220]

Is Life Dependent on Matter?

[222]

The Cosmic Life gives Immortality to the Individual

[225]

And Demands his Allegiance

[226]

Ethics Originates in the Visible Order, but does not end there

[228]

Hence, Ethics is for Death as well as Life

[229]

The Martyrdoms of Socrates and of Christ

[230]

Outline of the Conclusions arrived at

[233]
PART III. ART
CHAPTER X
Art and Life

Tolstoy’s Account of the Nature of Art

[236]

Of the Standard of Art

[241]

Of the Purpose of Art

[241]

Criticism of his Conclusions

[245]
Art, Man’s expression of Life[246]

Art and Beauty

[251]

Order and Change as Principles of Life and Art

[253]

Classification of the Arts

[254]
Examples of the Presentative Arts—(a) Architecture[256]
(b) Ornament[259]
(c) Music[261]
The Representative Arts—(a The Plastic Arts[265]
(b) Dancing[270]

The Evocative Art: Literature

[271]

The Union of Music and Poetry

[272]

Conclusion

[273]
APPENDIX A
Sum ergo Cogito[275]
APPENDIX B

Co-operation and Competition

[279]
APPENDIX C

Is Life worth Living?

[282]
APPENDIX D

St. Francis the Poet

[285]
APPENDIX E

Isabella and Claudio

[288]
Index[295]