INDEX TO VOL. I.
ARTICLES. | |
|---|---|
| PAGE. | |
| ALBUM, A FAMOUS WIGMAKER'S FAMOUS. By Gavin Macdonald.Illustrated by Facsimiles | 356 |
| BALLOON JOURNEY, A GIRL'S, OVER LONDON. By Gertrude Bacon.Illustrated by Photographs | 400 |
| BEAUTIES, IRISH. By Ignota.Illustrated by Photographs | 484 |
| BLOODHOUNDS, A MAN HUNT WITH. By Alfred Arkas.Illustrated by Photographs | 383 |
| CHESHIRE TOWN, IN A DISAPPEARING. By Percy L. Parker.Illustrated by Photographs | 166 |
| "CHRYSANTHEMUMS CURLED HERE." A Chat with a Floral Barber.By Alfred Arkas. Illustrated by Photographs | 579 |
| CRACKERS, COSTLY CHRISTMAS. The Romance of Christmas Presents.Illustrated by Photographs | 439 |
| CRICKET AND CRICKETERS. Words by M. Randall Roberts.Pictures by Mr. "Rip" | 212 |
| CRICKET MATCH, A VERY QUEER. Mr. Dan Leno's Eleven v. CamberwellUnited C.C. By Gavin Macdonald. Illustrated by Photographs | 323 |
| CYCLIST, THE CLEVEREST AMATEUR, IN THE WORLD. Remarkable TrickRiding by a Military Officer | 493 |
| DANGER SIGNALS, NATURE'S. A Study of the Faces of Murderers.By J. Holt Schooling. Illustrated by special Photographs | 656 |
| [DARLINGS, LITTLE. By Somers J. Summers.Photographic Illustrations by W. J. Byrne] | [99] |
| DOCUMENTS, INCRIMINATING.With Facsimiles of Fatal Writings | 304 |
| DOOR-KNOCKERS, FAMOUS LONDON.Illustrated by Photos specially taken. | 216 |
| [DOUBLES IN REAL LIFE, NOTABLE.With Photographic Evidence] | [5] |
| ENGINE MATCH BETWEEN ENGLAND AND AMERICA, AN. By F. A. Talbot.Illustrated by Photographs | 651 |
| [EXCUSE, OUR, FOR THE ISSUE OF A SIXPENNY MAGAZINEAT THREEPENCE] | [3] |
| FIRE BRIGADE HEROES, TRAINING OUR. By Alfred Arkas.Illustrated by Photographs | 243 |
| FIRES, SOME SENSATIONAL. By Frederick A. A. Talbot.Illustrated by Photographs | 529 |
| FOOTBALL, MAKING A. An Essential Part of a Great Game.Illustrated. | 444 |
| FORTRESS, THE MOST REMARKABLE, IN THE WORLD. By Percy L. Parker.Illustrated by Photographs | 274 |
| [MAN-OF-WAR, HOME LIFE ON BOARD A.Illustrated by Photographs] | [86] |
| MAN IS MADE OF WHAT? By T. F. Manning.Illustrated by Photographs | 339 |
| MEDICAL DETECTIVE AND HIS WORK, THE. By T. F. Manning.Illustrated by A. Morrow and by Diagrams | 144 |
| MICE WORTH THEIR WEIGHT IN GOLD. By Gavin Macdonald.Illustrated by Photographs | 631 |
| MINIATURE CRAZE, THE MODERN. By H. M. Tindall.Illustrated by Charming Examples | 197 |
| MONEY, STRANGE KINDS OF. By Robert Machray.Illustrated by Photographs | 639 |
| MURDERS, LONDON'S UNDISCOVERED. By Lincoln Springfield.Illustrated by Photographs | 515 |
| [NEWSPAPER, MAKING A MODERN.By Alfred C. Harmsworth] | [38] |
| "PERPETUAL MOTION" SEEKERS.With Illustrations of Machines recently invented | 315 |
| PHOTOGRAPHIC LIES. With Remarkable Photos, provingthe Uselessness of the Camera as a Witness | 259 |
| [POISON DEVICES.Illustrated] | [106] |
| POSTAGE STAMPS WORTH FORTUNES.Illustrated by Facsimiles of Valuable Stamps | 327 |
| RAILWAY SMASHES, FAMOUS. By Frederick A. Talbot.Illustrated by Photographs | 227 |
| ROYALTIES, LITTLE.Illustrated with Photographs by Speaight | 590 |
| ROYALTY, TATTOOED. By R. J. Stephen.Illustrated by Photographs | 472 |
| [SANDOW, HOW, MADE ME STRONG.Illustrated with Photographs] | [23] |
| SECRET CHAMBERS, REMARKABLE.Written and illustrated by Allan Fea | 416 |
| [SERMONS WITHOUT WORDS. A Marvellous Performance in Dumb Show.By Alfred Arkas] | [67] |
| [SKELETONS, MODERN FAMILY. By Beatrice Knollys.Illustrated by A. S. Hartrick] | [17] |
| SLEIGHS FOR CHRISTMAS. By J. E. Whitby.Illustrated by Photographs | 558 |
| SMOKER'S MUSEUM, FROM A. By T. C. Hepworth.With Illustrations | 370 |
| SPORT, THE MOST CRUEL, IN THE WORLD. By Sidney Gowing.Illustrated by Photographs | 182 |
| STATISTICS GONE MAD. By J. E. Grant.Illustrated by Diagrams | 609 |
| TEA, HOME OF FOUR O'CLOCK, THE.Illustrated by Photographs | 605 |
| TOY, A £10,000. Complete Working Railway in a Room.By Robert Machray. Illustrated by Photographs | 125 |
| [WEATHER, HOW WE GET OUR. By Gavin Macdonald.Illustrated by Photographs] | [55] |
| WHISTLER, THE WORLD'S CHAMPION.Illustrated by Photographs and Musical Examples | 546 |
| WHITE "ZOO," A. Lord Alington's Hobby. By Alfred Arkas.Illustrated by Photographs | 154 |
| WIVES, AMERICAN, OF ENGLISH HUSBANDS.Illustrated by Portraits | 289 |
| 1898. Your Everyday Life in the past Twelve Months.By Alfred Arkas | 455 |
| 3,000 MILES ON RAILWAY SLEEPERS. One Aspect of a Bicycle TourRound the World. By Edward Lunn. Illustrated by Photographs | 619 |
STORIES. | |
| BABY SANTA CLAUS, A. The Story of a Christmas Reconciliation.By Marion Elliston. Illustrated by Harold Copping | 521 |
| BEHAVIOUR OF WARRINGTON, V.C., THE. By Percy E. Reinganum.Illustrated by W. B. Wollen, R.I. | 236 |
| [CHANCELLOR'S WARD, THE. By Richard Marsh.Illustrated by F. H. Townsend] | [73] |
| CHOLERA SHIP, THE. By Cutcliffe Hyne.Illustrated by Richard Jack | 159 |
| CLEVER MRS. BLADON. By E. Burrowes.Illustrated by Sydney Cowell | 645 |
| COUNT AND I, THE. The Story of a Stolen Letter.By James Barratt. Illustrated by Robert Sauber | 447 |
| COURTSHIP BY PROXY. By H. A. Therrauld.Illustrated by Fred Pegram | 461 |
| CROWDED HOUR, A. By Clarence Rook.Illustrated by B. E. Minns | 634 |
| CURSE OF THE CATSEYE, THE. By Alfred Slade.Illustrated by E. Prater | 623 |
| DAPHNE. By Walter E. Grogan.Illustrated by Harold Copping | 361 |
| DESCENT OF REGINALD HAMPTON, THE. By Halliwell Sutcliffe.Illustrated by W. Rainey, R.I. | 189 |
| DESPATCHES FOR GIBRALTAR, THE. By Gilbert Heron.Illustrated by D. B. Waters | 389 |
| DESTINY, MY. A Wayside Romance. By C. K. Burrow.Illustrated by Fred Pegram | 347 |
| EDITOR'S ESCAPADE, THE. By Archibald Eyre.Illustrated by S. H. Vedder | 405 |
| FACE AT THE DOOR, THE. By Walter D. Dobell.Illustrated by S. H. Vedder | 373 |
| FAIR NEIGHBOUR'S PIANO, MY, AND WHAT CAME OF IT.By Henry Martley. Illustrated by F. H. Townsend | 281 |
| "FINDER WILL BE REWARDED, THE." A Bachelor's Romance.By Gerald Brenan. Illustrated by Sydney Cowell | 489 |
| FIVE HUNDRED POUND PRIZE, THAT. By Richard Marsh.Illustrated by John H. Bacon | 172 |
| GASCOYNE'S TERRIBLE REVENGE. A Story of the Indian Mutiny.By J. F. Cornish. Illustrated by Vereker M. Hamilton. R.P.E. | 265 |
| [GOLDEN CIRCLET, THE. By Charles Kennett Burrow.Illustrated by Ralph Peacock] | [11] |
| [HER LETTER! By J. Harwood Panting.Illustrated by W. B. Wollen, R.I.] | [61] |
| HIS HIGHNESS THE RAJAH. The Quest of the Yellow Diamond.By Beatrice Heron-Maxwell. Illustrated by E. J. Sullivan | 549 |
| [HIS SOVEREIGN REMEDY. By Clarence Rook.Illustrated by B. E. Minns] | [94] |
| HOW THE BURGLAR HELPED AT CHRISTMAS. By Lucian Sorrel.Illustrated by H. M. Brock | 476 |
| HOW THE MINISTER'S NOTES WERE RECOVERED.By Beatrice Heron-Maxwell. Illustrated by Fred Pegram | 250 |
| IAN'S SACRIFICE. By Alick Munro.Illustrated by Ralph Peacock | 309 |
| "KLONDYKE, OFF TO." By George A. Best.Illustrated with Novel Life Photographs | 583 |
| LONDON'S LATEST LION. By Gilbert Dayle.Illustrated by Fred Pegram | 595 |
| "MAN OVERBOARD!" An Episode of the Red Sea.By Winston Spencer Churchill. Illustrated by Henry Austin | 662 |
| MISSING Q.C.'s, THE. By John Oxenham.Illustrated by Frank Craig and T. Robinson | 497 |
| [MOTOR-CAR ELOPEMENT, AND HOW IT ENDED, THEIR. By Edgar Jepson.Illustrated by H. R. Millar] | [49] |
| PRINCESS IN GREEN AND TAN, A. By Arthur Preston.Illustrated by A. Rackham | 611 |
| SHORT MEMORY OF MR. JOSEPH SCORER, THE VERY.By John Oxenham. Illustrated by H. M. Brock | 131 |
| STIR OUTSIDE THE CAFÉ ROYAL, THE. By Clarence Rook.Illustrated by Hal Hurst, R.B.A. | 319 |
| [STONE RIDER, THE. By Nellie K. Blissett.Illustrated by Max Cowper] | [30] |
| TELEGRAPH MYSTERY, A. By W. B. Northrop.Illustrated by H. H. Flère. | 539 |
| TRAGEDY OF A THIRD SMOKER, THE. By Cutcliffe Hyne.Illustrated by J. Finnemore. R.B.A. | 297 |
| TRAVELLING COMPANION, MY. By Catherine Childar.Illustrated by Fred Pegram | 115 |
FULL PAGE ILLUSTRATIONS. | |
| "ANDRÉE, INDEED! I WAS THERE LONG AGO."From the Painting by T.C. Hepworth | 669 |
| BURDEN OF LOVE, A.From the Painting by N. Sichel | 224 |
| CHARLES I. ON HIS WAY TO EXECUTION.From the Painting by Ernest Crofts, R.A. | 331 |
| CHRISTMAS, THE FIRST.From the Painting of H. J. Sinkel | 434 |
| CUBAN BELLE, A.From the Painting by Gabriel Ferrier | 219 |
| DAUGHTER OF CANADA, A.Photographic Study | 565 |
| DECEMBER DAY IN THE OLDEN TIME, A.From the Painting by A. Perez | 568 |
| DRAGON AND GEORGE, THE.From the Painting by R. Holyoake | 333 |
| EMPTY CHAIR, THE.From the Painting by Briton Rivière, R.A. | 336 |
| EVERYBODY'S FAVOURITE.Photographic Study | 561 |
| [FAVOURITE, THE.From the Painting by Arthur J. Elsley] | [110] |
| FOR DEAR LIFE.From the Painting by Stanley Berkeley | 329 |
| GIRL OF THE PERIOD.From the Painting by Heywood Hardy | 668 |
| [GOOD NIGHT!From the Painting by G. Hom] | [112] |
| GORDONS AND GREYS TO THE FRONT.From the Painting by Stanley Berkeley | 430 |
| GREEK GIRLS PLAYING BALL.From the Painting by the late Lord Leighton | 577 |
| GREUZE'S MASTERPIECES, ONE OF.Now in the National Gallery | 425 |
| HAPPY AS A KING.Photographic Study | 671 |
| ["HUSH!"From the Painting by Maud Goodman] | [109] |
| IN RUSSIA—THE TERROR OF THE PLAIN.From the Painting by A. Von W. Kowalski | 672 |
| [JOHN BULL FOR EVER—WHAT WE HAVE WE'LL HOLD.From the Painting by Maud Earl] | [56] |
| JUDITH.From the Painting by N. Sichel | 334 |
| LAKE WINDERMERE IN THE WINTER OF 1885.From a Photograph | 564 |
| LAST ELEVEN AT MAIWAND, THE.From the Painting by Frank Feller | 566 |
| LAST MINUTE, THE. NOW OR NEVER.From the Painting by T. M. Hemy | 443 |
| LITTLE DEAR, A.Photographic Study | 667 |
| LIVE AND LET LIVE.From the Painting by A. W. Strutt | 332 |
| MAKING A MARRIAGE IN THE OLDEN TIME.From the Painting by A. T. Vernon | 221 |
| MANNERS AT TABLE.From the Painting by A. J. Elsley | 330 |
| [MEDITATION.From the Painting by N. Sichel] | [111] |
| MIRIAM THE PROPHETESS.From the Painting by N. Sichel | 574 |
| MOTHER'S DARLING.Photographic Study | 569 |
| NAPOLEON'S FLIGHT AFTER WATERLOO.From the Painting by A. C. Gow, R.A. | 666 |
| OPPORTUNITY FOR FLATTERY, AN.From the Painting by D. Hernandez | 575 |
| OVERTAKEN!From the Painting by John A. Lomax | 280 |
| [PETS, SOME COSTLY.From Photographs] | [85] |
| PRINCE, OUR.From the Painting by A. Stuart Wortley | 567 |
| PUSHING FAMILY, A.From the Painting by G. A. Holmes | 428 |
| RUSSIAN BELLE, A.Photographic Study | 571 |
| SALMON POACHER, THE.From the Painting by Douglas Adams | 335 |
| SON AND HEIR, THE.From the Painting by L. Schmutzler | 427 |
| [SPAIN, A FLOWER OF.From the Painting by N. Sichel] | [108] |
| SPAIN, A LITTLE MAID FROM.Photographic Study | 338 |
| SPANISH PEACE COMMISSIONER, A.From the Painting by Hal Hurst, R.B.A. | 665 |
| SUMMER.From the Painting by W. Reynolds Stephens | 220 |
| [SWEET AND TWENTY.From the Painting by G. L. Seymour] | [2] |
| TALLY HO!From the Painting by Heywood Hardy | 572 |
| TIME TO GET UP.From the Painting by A. J. Elsley | 426 |
| TURNER'S GREAT WORK—THE FIGHTING TEMERAIRE.Now in the National Gallery | 429 |
| VERY OLD, OLD STORY, A.From the Painting by L. Alma Tadema, R.A. | 670 |
| WAITS, THE.From the Painting by W. H. Trood | 570 |
| WATER CARRIER, THE.From the Painting by J. W. Godward | 222 |
| WHICH WINS?From the Painting by Arthur J. Elsley | 223 |
| WHY NO. I. WAS SO POPULAR.Head, from the Painting by A. Seifert | 563 |
| WHY THE ANTELOPES STAMPEDED.From the Painting by William Strutt | 226 |
| WILL HE COME?From the Painting by Marcus Stone, R.A. | 114 |
| YORKSHIRE LASS, A.Photographic Study | 573 |
POETRY. | |
| BABY BELLE. By Bernard Malcolm Ramsay.Illustrated by Harold Copping | 482 |
| BABY, IN PRAISE OF. By Barrington McGregor.Illustrated by C. Robinson | 661 |
| GOLDEN HAIR AND CURLYHEAD. By Allan Upward.Illustrated by J. H. Bacon | 435 |
| LITTLE MAID.Illustrated by C. Robinson | 258 |
| ROGUEY MAN, THE.Illustrated by H. H. Flère | 346 |
| [ROSE AT LAST, A. By Clifton Bingham.Illustrated by Harold Nelson] | [22] |
| SAD FATE OF MISTRESS PRUE, THE.Illustrated by Robert Sauber | 399 |
| SHOE, A TINY.Illustrated by Archie Watkins | 308 |
| SUNSET, BEYOND THE. By Clifton Bingham.Illustrated by Charles Robinson | 235 |
| THREE SCORE AND TEN.Illustrated by T. Walter West | 388 |
| TO A BLANK SPACE. By the Rev. J. Hudson, M.A.Illustrated by Robert Wallace | 576 |
SWEET AND TWENTY.
From the Painting by G. L. Seymour.
OUR EXCUSE . . .
FOR THE ISSUE OF A SIXPENNY MAGAZINE AT THREEPENCE.
. . . SOME REASONS WHY.
THE beginning of a new Magazine, once an event, is now so much a commonplace that the ancient excuse of the "long felt want" no longer serves.
In the days of the Nabobs, the gentle shaking of the Pagoda tree sufficed to bring great stores of wealth, but these be the times of the fallen rupee. Your modern Anglo-Indian toils out his existence for a bare pittance. And it is so in the making of Magazines. One hundred and fifty years ago the mere issue of the "Gentleman's" stirred to their depths the Coffee Houses and the Clubs, not only here in the Old Country, but in our North American Colonies as well.
Times are changed, alas! "The Harmsworth Magazine," though, indeed, it appeals to an English-speaking audience of over one hundred millions, will at best provoke a little favourable comment in the train and the library, for the Magazine field has been vastly exploited, and especially of late. A modern buyer of periodical publications rises as warily to a new lure as a twice-shot-over partridge to the gun.
The reader of Magazines has of late years been harried by a direct, by an enfilading, and a ricochetting fire of new adventures, some honestly and avowedly frivolous, others portentously literary, a few loftily artistic. Every imaginable plan has been adopted whereby his capture might be effected. Projectiles calculated to vanquish by size and weight of paper have been hurled at him; there have even been surreptitious and spy-like attempts to enter his domestic circle by seeking the favour of his wife and daughters by means of "Women's Departments," all frocks, furbelows, and complexion cures; and worse, his very children have been attacked by page on page of "Nursery Chat" and "Tiny Tales for Little Listeners."
Last straw of all, he has been patronised by the vast army of "Great Authors" of the period. And if the chit-chat of the press is to be believed there never were in Rome, in Athens, or in the days of Elizabeth herself, so many distinguished litterateurs as at present. The unfortunate victim has trembled at the solemn pomp of
"The editor of the 'Monster Magazine' has pleasure in announcing he has been so fortunate as to secure the masterpiece of Mr. ——."
or,
"It is rumoured that Mr. —— has been induced to enter into an agreement to contribute an important series of short stories to the "Monster Magazine" during the Spring of 1905. Mr. —— is entirely occupied in the fulfilment of various contracts until that time."
It is "right here," as our American kinsmen have it, that "The Harmsworth Magazine" comes in.
Together with a great many other people, we came to the conclusion long since that a good deal of the literary wares that are foisted on the public by means of the ordinary advertising methods of personal paragraphs and "interviews" is mainly rubbish. Frankly and openly do we, therefore, declare that mere "names" will never command an entrance to the pages of this Magazine. As with our "Daily Mail" and our other journals, we shall rely on new writers. The public is weary of the reiteration of the same contributors to each of the monthly publications. He (and she) wants something new. It is our desire, for the sake of the public, for the benefit of young artists and others, and for our own profit, to avoid the productions of the professional "ring" of much advertised mediocrity which most assuredly dominates many of our Magazines to-day, though the work of really representative men and women will always be secured, without regard to its cost.
In selecting the price at which "The Harmsworth Magazine" should be issued to the British, Canadian, Australasian, South African, and Anglo-Indian public, we choose that of the two most distinguished journals in our language, "The Times" and "Punch."
Can such a publication as this be sold for 3d.? Provided we reach a gigantic circulation, we can do it. We are enabled to issue a threepenny Magazine containing more expensive literary matter, more numerous pictures, and more pages than the sixpenny Magazines of a few months back, at so ridiculous a price, because this Magazine is only a small incident in an organization controlling four daily journals and nearly thirty weekly periodicals; because we already possess and are now building printing machinery of an entirely novel and labour-saving nature.
The Magazine will be cheap as to price only. In every respect, save, perhaps, mere bulk, "The Harmsworth Magazine" will compete frankly, and without reserve, with older friends in the same field.
The experiment, largely due to a devoted band of workers, headed by my brother Cecil, is at least an interesting one. Will it succeed? Much depends upon the good word of those who read it. If it meets with your approval, if you consider that the enterprise is worthy of commendation, will you make our effort known to your circle?
Alfred C. Harmsworth.