LANGLAND.
It has been disputed amongst the critics whether this poet preceded or followed Chaucer. Mrs. Cooper, author of the Muses Library, is of opinion that he preceded Chaucer, and observes that in more places than one that great poet seems to copy Langland; but I am rather inclined to believe that he was cotemporary with him, which accounts for her observation, and my conjecture is strengthened by the consideration of his stile, which is equally unmusical and obsolete with Chaucer's; and tho' Dryden has told us that Chaucer exceeded those who followed him at 50 or 60 years distance, in point of smoothness, yet with great submission to his judgment, I think there is some alteration even in Skelton and Harding, which will appear to the reader to the best advantage by a quotation. Of Langland's family we have no account. Selden in his notes on Draiton's Poly Olbion, quotes him with honour; but he is entirely neglected by Philips and Winstanly, tho' he seems to have been a man of great genius: Besides Chaucer, few poets in that or the subsequent age had more real inspiration or poetical enthusiasm in their compositions. One cannot read the works of this author, or Chaucer, without lamenting the unhappiness of a fluctuating language, that buries in its ruins even genius itself; for like edifices of sand, every breath of time defaces it, and if the form remain, the beauty is lost. The piece from which I shall quote a few lines, is a work of great length and labour, of the allegoric kind; it is animated with a lively and luxurious imagination; pointed with a variety of pungent satire; and dignified with many excellent lessons of morality; but as to the conduct of the whole, it does not appear to be of a piece; every vision seems a distinct rhapsody, and does not carry on either one single action or a series of many; but we ought rather to wonder at its beauties than cavil at its defects; and if the poetical design is broken, the moral is entire, which, is uniformly the advancement of piety, and reformation of the Roman clergy. The piece before us is entitled the Vision of Piers the Plowman, and I shall quote that particular part which seems to have furnished a hint to Milton in his Paradise Lost, b. 2. 1. 475.
Kinde Conscience tho' heard, and came out of
the planets,
And sent forth his sorrioues, fevers, and fluxes,
Coughes, and cardicales, crampes and toothaches,
Reums, and ragondes, and raynous scalles,
Byles, and blothes, and burning agues,
Freneses, and foul euyl, foragers of kinde!
* * * * *
There was harrow! and help! here cometh Kinde
With death that's dreadful, to undone us all
Age the hoore, he was in vaw-ward
And bare the baner before death, by right he it
claymed!
Kinde came after, with many kene foxes,
As pockes, and pestilences, and much purple
shent;
So Kinde, through corruptions killed full many:
Death came driving after, and all to dust pashed
Kyngs and bagaars, knights and popes.
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MILTON.
—————Immediately a place
Before his eyes appear'd, sad, noisom, dark,
A lazar-house it seem'd; wherein were laid
Numbers of all diseased: all maladies
Of ghastly spasm, or racking torture, qualms
Of heartsick agony, all fev'rous kinds,
Convulsions, epilepsies, fierce catarrhs,
Intestine stone and ulcer, cholic-pangs
Demoniac phrenzy, moping melancholy
And moon-struck madness, pining atrophy,
Marasmus, and wide-wasting pestilence,
Dropsies and asthmas, and joint-racking rheums;
Dire was the tossing! deep the groans! despair
Tended the sick, busiest from couch to couch:
And over them, triumphant death his dart
Shook. P. L. b. xi. 1. 477.
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Sir JOHN GOWER
Flourished in the reign of Edward III, and Richard II. He was cotemporary with Chaucer and much esteemed and honoured by him, as appears by his submitting his Troilus and Cressida to his censure. Stow in his Survey of London seems to be of opinion that he was no knight, but only an esquire; however, it is certain he was descended of a knightly family, at Sittenham in Yorkshire. He received his education in London, and studied the law, but being possessed of a great fortune, he dedicated himself more to pleasure and poetry than the bar; tho' he seems not to have made any proficiency in poetry, for his works are rather cool translations, than originals, and are quite destitute of poetical fire. Bale makes him Equitem Auratum & Poetam Laureatum, but Winstanly says that he was neither laureated nor bederated, but only rosated, having a chaplet of four roses about his head in his monumental stone erected in St. Mary Overy's, Southwark: He was held in great esteem by King Richard II, to whom he dedicates a book called Confessio Amantis. That he was a man of no honour appears by his behaviour when the revolution under Henry IV happened in England. He was under the highest obligations to Richard II; he had been preferred, patronized and honoured by him, yet no sooner did that unhappy prince (who owed his misfortunes in a great measure to his generosity and easiness of nature) fall a sacrifice to the policy of Henry and the rage of rebellion, but he worshiped the Rising Sun, he joined his interest with the new king, and tho' he was then stone-blind, and, as might naturally be imagined, too old to desire either riches or power, yet he was capable of the grossest flattery to the reigning prince, and like an ungrateful monster insulted the memory of his murdered sovereign and generous patron. He survived Chaucer two years; Winstanly says, that in his old age he was made a judge, possibly in consequence of his adulation to Henry IV. His death happened in the year 1402, and as he is said to have been born some years before Chaucer, so he must have been near fourscore years of age: He was buried in St. Mary Overy's in Southwark, in the chapel of St. John, where he founded a chauntry, and left money for a mass to be daily sung for him, as also an obit within the church to be kept on Friday after the feast of St. Gregory. He lies under a tomb of stone, with his image also of stone over him, the hair of his head auburn, long to his shoulders, but curling up, and a small forked beard; on his head a chaplet like a coronet of roses; an habit of purple, damasked down to his feet, and a collar of gold about his neck. Under his feet the likeness of three books which he compiled; the first named Speculum Meditantis, written in French; the second Vox Clamantis, in latin; the third Confessio Amantis, in English; this last piece was printed by one Thomas Berthalette, and by him dedicated to King Henry VIII. His Vox clamantis, with his Chronica Tripartita, and other works, both in Latin and French, Stow says he had in his possession, but his Speculum Meditantis he never saw. Besides on the wall where he lies, there were painted three virgins crowned, one of which was named Charity, holding this device,
En toy quies fitz de Dieu le pere,
Sauve soit, qui gist fours cest pierre.
The second writing MERCY, with this device;
O bene Jesu fait ta mercy,
A'lame, dont la corps gisticy.
The third writing PITY, with this decree;
Pour ta pitie Jesu regarde,
Et met cest a me, en sauve garde.
His arms were in a Field Argent, on a Chevron Azure, three Leopards heads or, their tongues Gules, two Angels supporters, and the crest a Talbot.
His EPITAPH.
Armigeri soltum nihil a modo fert sibi tutum,
Reddidit immolutum morti generale tributum,
Spiritus exutum se gaudeat esse solutum
Est ubi virtutum regnum sine labe est statum.
I shall take a quotation from a small piece of his called the Envious
Man and the Miser; by which it will appear, that he was not, as
Winstanley says, a refiner of our language, but on the other hand,
that poetry owes him few or no obligations.
Of the Envious MAN and the MISER.
Of Jupiter thus I find ywrite,
How, whilom, that he woulde wite,
Upon the plaintes, which he herde
Among the men, how that it farde,
As of her wronge condition
To do justificacion.
And, for that cause, downe he sent
An angel, which aboute went,
That he the sooth knowe maie.
Besides the works already mentioned our poet wrote the following:
De Compunctione Cordi, in one book.
Chronicon Ricardi secundi.
Ad Henricum Quartum, in one book.
Ad eundem de Laude Pacis, in one book.
De Rege Henrico, quarto, in one book.
De Peste Vitiorum, in one book.
Scrutinium Lucis, in one book.
De Regimine Principum.
De Conjugii Dignitate.
De Amoris Varietate.
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