IV.

Captain Edward Walters sits on the door-step of the old house; and through a curtain of honeysuckle vines, which he draws aside, is watching the fawn-like motions of

"A six years loss to Paradise!"

Is it little Bell come back again? It is very like her. Walters thinks so, as the child runs from flower to flower like a golden-belted bee, and a mist comes over his fine eyes, and he can scarcely see his grandchild for tears.

His lips move, and perhaps he is saying: "Little Bell! Little Bell!"

And he thinks of the angel whom he left years ago, playing on the partarré, in front of the gate. He hears her clear, crystal laugh, and sees her golden ringlets floating among the flowers, and cannot tell if they be curls or sunshine!

The child in the garden resembles the dead Bell as one white lily does another. She has the same wavy tresses, shading the same dreamy eyes, with their longing, languid expression. Her form has the abandon of childhood, with a certain shadow of dignity that is charming. She is very fragile and spiritual; and it seems to us as if Heaven, in moulding the child, had hesitated whether to make her an Angel or a Flower, and so gave her the better parts of each!

Let us take one more look at her sweet young face—

"A thing of beauty is a joy forever!
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing."

Little Bell holds an armful of lilacs against her bosom; and, with her eyes running over with childish merriment, trips toward the house; but two arms stretching out from the vines catch her. She utters a pretty scream, and then sits quietly on Walters' knee. He kisses her laughingly; but his face grows serious as his eyes fall on a string of almond-shaped pearls which encircle the child's delicate neck; on the innocent white bosom lies a

It is Daisy's Necklace; that is What Came of it; and here, gentle reader, is

The End of the Chain.