SARTOR RESARTUS

[BOOK I]

CHAP. PAGE

  1. [Preliminary] [1]
  2. [Editorial Difficulties] [5]
  3. [Reminiscences] [9]
  4. [Characteristics] [20]
  5. [The World in Clothes] [25]
  6. [Aprons] [31]
  7. [Miscellaneous-historical] [34]
  8. [The World out of Clothes] [37]
  9. [Adamitism] [43]
  10. [Pure Reason] [47]
  11. [Prospective] [52]

[BOOK II]

  1. [Genesis] [61]
  2. [Idyllic] [68]
  3. [Pedagogy] [76]
  4. [Getting under Way] [90]
  5. [Romance] [101]
  6. [Sorrows of Teufelsdröckh] [112]
  7. [The Everlasting No] [121]
  8. [Centre of Indifference] [128]
  9. [The Everlasting Yea] [138]
  10. [Pause] [149]

[BOOK III]

  1. [Incident in Modern History] [156]
  2. [Church-Clothes] [161]
  3. [Symbols] [163]
  4. [Helotage] [170]
  5. [The Phœnix] [174]
  6. [Old Clothes] [179]
  7. [Organic Filaments] [183]
  8. [Natural Supernaturalism] [191]
  9. [Circumspective] [201]
  10. [The Dandiacal Body] [204]
  11. [Tailors] [216]
  12. [Farewell] [219]

[ON HEROES, HERO-WORSHIP, AND THE HEROIC IN HISTORY]

[LECTURE I]

The Hero as Divinity. Odin. Paganism: Scandinavian Mythology [239]

[LECTURE II]

The Hero as Prophet. Mahomet: Islam [277]

[LECTURE III]

The Hero as Poet. Dante; Shakspeare [311]

[LECTURE IV]

The Hero as Priest. Luther; Reformation: Knox; Puritanism [346]

[LECTURE V]

The Hero as Man of Letters. Johnson, Rousseau, Burns [383]

[LECTURE VI]

The Hero as King. Cromwell, Napoleon: Modern Revolutionism [422]

[Index] [469]