TO NATHANIEL MACON.
Monticello, January 22, 1816.
Dear Sir,—Your favor of the 7th, after being a fortnight on the road, reached this the last night. On the subject of the statue of General Washington, which the legislature of North Carolina has ordered to be procured, and set up in their capitol, I shall willingly give you my best information and opinions.
1. Your first inquiry is whether one worthy the character it is to represent, and the State which erects it, can be made in the United States? Certainly it cannot. I do not know that there is a single marble statuary in the United States, but I am sure there cannot be one who would offer himself as qualified to undertake this monument of gratitude and taste. Besides, no quarry of statuary marble has yet, I believe, been opened in the United States, that is to say, of a marble pure white, and in blocks of sufficient size, without vein or flaw. The quarry of Carara, in Italy, is the only one in the accessible parts of Europe which furnishes such blocks. It was from thence we brought to Paris that for the statue of General Washington, made there on account of this State; and it is from there that all the southern and maritime parts of Europe are supplied with that character of marble.
2. Who should make it? There can be but one answer to this. Old Canova, of Rome. No artist in Europe would place himself in a line with him; and for thirty years, within my own knowledge, he has been considered by all Europe as without a rival. He draws his blocks from Carara, and delivers the statue complete, and packed for transportation, at Rome; from thence it descends the Tiber, but whether it must go to Leghorn, or some other shipping port, I do not know.
3. Price, time, size, and style? It will probably take a couple of years to be ready. I am not able to be exact as to the price. We gave Houdon, at Paris, one thousand guineas for the one he made for this State; but he solemnly and feelingly protested against the inadequacy of the price, and evidently undertook it on motives of reputation alone. He was the first artist in France, and being willing to come over to take the model of the General, which we could not have got Canova to have done, that circumstance decided on his employment. We paid him additionally for coming over about five hundred guineas; and when the statue was done, we paid the expenses of one of his under workmen to come over and set it up, which might, perhaps, be one hundred guineas more. I suppose, therefore, it cost us, in the whole, eight thousand dollars. But this was only of the size of life. Yours should be something larger. The difference it makes in the impression can scarcely be conceived. As to the style or costume, I am sure the artist, and every person of taste in Europe, would be for the Roman, the effect of which is undoubtedly of a different order. Our boots and regimentals have a very puny effect. Works of this kind are about one-third cheaper at Rome than Paris; but Canova's eminence will be a sensible ingredient in price. I think that for such a statue, with a plain pedestal, you would have a good bargain from Canova at seven or eight thousand dollars, and should not be surprised were he to require ten thousand dollars, to which you would have to add the charges of bringing over and setting up. The one-half of the price would probably have to be advanced, and the other half paid on delivery.
4. From what model? Ciracchi made the bust of General Washington in plaster. It was the finest which came from his hand, and my own opinion of Ciracchi was, that he was second to no sculptor living except Canova; and, if he had lived, would have rivalled him. His style had been formed on the fine models of antiquity in Italy, and he had caught their ineffable majesty of expression. On his return to Rome, he made the bust of the General in marble, from that in plaster; it was sent over here, was universally considered as the best effigy of him ever executed, was bought by the Spanish Minister for the king of Spain, and sent to Madrid. After the death of Ciracchi, Mr. Appleton, our Consul at Leghorn, a man of worth and taste, purchased of his widow the original plaster, with a view to profit by copies of marble and plaster from it. He still has it at Leghorn; and it is the only original from which the statue can be formed. But the exterior of the figure will also be wanting, that is to say, the outward lineaments of the body and members, to enable the artist to give to them also their true forms and proportions. There are, I believe, in Philadelphia, whole length paintings of General Washington, from which, I presume, old Mr. Peale or his son would sketch on canvas the mere outlines at no great charge. This sketch, with Ciracchi's bust, will suffice.
5. Through whose agency? None so ready or so competent as Mr. Appleton himself; he has had relations with Canova, is a judge of price, convenient to engage the work, to attend to its progress, to receive and forward it to North Carolina. Besides the accommodation of the original bust to be asked from him, he will probably have to go to Rome himself, to make the contract, and will incur a great deal of trouble besides, from that time to the delivery in North Carolina; and it should therefore be made a matter of interest with him to act in it, as his time and trouble is his support. I imagine his agency from beginning to end would not be worth less than from one to two hundred guineas. I particularize all these things, that you may not be surprised with after-claps of expense, not counted on beforehand. Mr. Appleton has two nephews at Baltimore, both in the mercantile line, and in correspondence with him. Should the Governor adopt this channel of execution, he will have no other trouble than that of sending to them his communications for Mr. Appleton, and making the remittances agreed on as shall be convenient to himself. A letter from the Secretary of State to Mr. Appleton, informing him that any service he can render the State of North Carolina in this business, would be gratifying to his government, would not be without effect.