FOOTNOTES:
[68] The character of Antonio is a satire upon Sir Anthony Ashley-Cooper (b. 1621), one of the greatest Liberal statesmen of his time, but unscrupulous, machiavellic, and shifty. Mulgrave (Essay on Satire) calls him our little Machiavel; for his was the "fiery soul which, working out its way, Fretted the pigmy body to decay, And o'er-informed the tenement of clay" (Dryden's Absalom). He was first a Royalist, then a Parliamentarian, later contributed to the Restoration; after this a Tory, and finally a Whig. He was a member of the "Cabal" administration, and was created by Charles II. first Baron Ashley, and then Earl of Shaftesbury. He was Lord Chancellor in 1672, and to him we owe the Habeas Corpus Act; he also contributed materially to make our judges independent of the Crown. He persecuted the Catholics under pretext of the Popish Plot; promoted the Exclusion Bill against the Duke of York, afterwards James II., as a Catholic; and advocated Monmouth's (son of Charles II. by Lucy Walters) claim to legitimacy. In 1681 he was impeached and sent to the Tower on a charge of high treason, but acquitted. He was, however, forced to retire to Holland, where he died in 1683.
[69] This was precisely the age of Lord Shaftesbury. He died in the following year.
[70] Judgest.
[71] i.e. Cuckold.
[72] This scene, particularly the charge of Renault, is closely imitated from Saint-Réal.
[73] Alloys.
