FOOTNOTES:
[5] A certain small proportion of children are backward in music, but the possibility of teaching them to sing has long since been satisfactorily demonstrated. They need special attention which it is difficult to give in public schools. They should, I think, never be taken from their seats in the room and placed at one side, but should be asked to listen to the other children, and occasionally to sing with them, the teacher standing near for help and encouragement.
[6] I do not mean by the foregoing that I consider a fair degree of expertness in reading music “at sight” an impossible attainment for children. What I have said has been entirely in reference to our public schools as they are at present constituted, and to the arrangements now made for the teaching of music. The teaching of sight-singing requires the services of an expert, more time than our schools now give, and a more scientific method than that now employed.
[7] Now published by the Boston Music Company, 26 West Street, Boston, Massachusetts.
[8] Counterpoint, for example, is, strictly, note against note, two melodies parallel to each other; æsthetically, counterpoint consists in illuminating, illustrating, or developing, a phrase or theme by parts of itself—what in architecture would be described as making the ornament grow out of the structure.