FOOTNOTES:
[9] I stated in the first chapter what justification there is for using the word “intellectual” in regard to music, and I speak here of thought in that sense.
[10] As examples of melodies with finely adjusted rhythms I may cite the theme of the slow movement of Beethoven’s pianoforte sonata, opus 13, and that of the slow movement of Brahms’s pianoforte quartette, opus 60.
[11] In the “wood-wind” group, so called, there are flutes, oboe, clarinets, bassoons, English horn, etc.; in the brass, there are trumpets, French horns, trombones, tubas, etc.