THE CAPTIVI
AND
THE MOSTELLARIA OF PLAUTUS
Literally Translated with notes
By Henry Thomas Riley, B. A.
CONTENTS
[ THE ACROSTIC ARGUMENT {1}. ]
[ SCENE II.—Enter, from his house, HEGIO and a SLAVE. ]
[ SCENE II.—Enter HEGIO, from his house, speaking to those within. ]
[ SCENE III.—Enter PHILOCRATES, from the house. ]
[ SCENE II.—Enter HEGIO and ARISTOPHONTES. ]
[ SCENE III.—Enter TYNDARUS, from the house. ]
[ SCENE IV.—Enter HEGIO, ARISTOPHONTES, and SLAVES, from the house. ]
[ SCENE V.—HEGIO, TYNDARUS, ARISTOPHONTES, and SLAVES. ]
[ SCENE VI.—HEGIO and ARISTOPHONTUS. ]
[ SCENE II.—Enter HEGIO, at a distance. ]
[ SCENE III.—ERGASILUS, alone. ]
[ SCENE II.—Enter HEGIO, PHILOPOLEMUS, PHILOCRATES, and behind them, ]
[ SCENE III.—HEGIO and STALAGMUS. ]
[ SCENE IV.—Enter PHILOCRATES, from the house. ]
[ SCENE V.—Enter TYNDARUS, in chains, led in by the SERVANTS. ]
[ MOSTELLARIA OR, THE HAUNTED HOUSE. ]
[ ACT I.—SCENE I. Enter, from the house of THEUROPIDES, GRUMIO, ]
[ SCENE II.—Enter PHILOLACHES, from the house of THEUROPIDES. ]
[ SCENE III.—Enter PHILEMATIUM and SCAPHA, with all the requisites ]
[ SCENE IV.—Enter CALLIDAMATES, at a distance, drunk, and DELPHIUM, ]
[ SCENE V.—Enter TRANIO, at a distance. ]
[ SCENE II.—Enter SIMO, from his house. ]
[ SCENE II.—Enter TRANIO and THEUROPIDES, from the house of SIMO. ]
[ SCENE III.—THEUROPIDES, PHANISCUS, and another SERVANT. ]
[ SCENE II.—Enter CALLIDAMATES, at a distance. ]