HISTORIC MUSICAL INTERESTS OF PHILADELPHIA
Academy of Music, Broad and Locust Streets. Seats 3000; established, 1857, for representation of operas in English, and distinguished entertainments; opened with a magnificent ball, such as was never before witnessed in Philadelphia; now home of the Philadelphia Orchestra, which has had three conductors since its organization in 1900, Fritz Scheel, Carl Pohlig, and Leopold Stokowski; all of whom have brought the splendid body of players to a high standard of musical excellence. Dr. Stokowski has said of the Academy: “The architect must have had great knowledge of the laws governing sound, as the volumes are marvelously arranged.”
The Mahler Symphony was given here in 1916, first time in America, Stokowski, director, with chorus of 1000 voices. A memorial to Siegfried Behrens will be in wall of lobby, portrait figure in relief, with Muse of Music holding laurel wreath, Cararra marble, seven feet high, on base of dark marble; sculptor, Guiseppe Donato.
The Maennerchor Society, 1643 North Broad Street. A men’s chorus of active and associate members, founded, 1835, by Philip Mathias Wolsieffer, director for eighteen years. The Maennerchor was the first men’s chorus in America; they have sung for twenty-eight years at opening of the German-American Charity Ball, in the Academy of Music. They sang with the Vocal Union, choral parts of Beethoven’s Ninth Symphony in 1874, first time given in America, William W. Wolsieffer conducting. Won three prizes at National Saengerfest in Brooklyn, Baltimore, and Newark.
Musical Fund Hall, Locust Street, west of Eighth Street, built, 1824. Acoustic properties unsurpassed. Jenny Lind sang here. Now used by a Labor Organization.
Philadelphia has over two hundred singing societies, and a long list of very prominent musical organizations.
The Presser Foundation of Philadelphia, organized 1916, is the first institution of its kind to be established in America. All of its resources have been given by Mr. Theodore Presser. It includes a Home for Retired Music Teachers, suggested by the Founder’s visit to the Verdi “Casa di Riposo per Musicisti,” in Milan in 1899. Scholarships to institutions of learning, the students to be selected by the President, and Directors of the Musical Departments, and emergency aid relief to musicians.