1251. PORTRAIT OF A MAN.
Frans Hals (Dutch: 1580-1666). See 1021.
It is only at Haarlem that the full power of Hals can be seen; but this picture shows something of his dash and facility. There is, indeed, upon it a stamp of power and individuality, alike in conception and treatment, which makes it one of the most interesting portraits in the Gallery. It is signed with the painter's monogram, and dated 1633. Possibly it is a portrait of the painter himself; and certainly it shows the type of a man to which Hals belonged—Hals, the dashing volunteer who fought in the military guilds, the good-for-nothing, daredevil fellow who loved his glass and was none too faithful in his domestic relations, whose excesses brought him finally to penury, but whose high spirit and unfailing dash enabled him to remain true, through it all, to the calling of his art.