580, 580a and b. THE ASCENSION OF ST. JOHN THE EVANGELIST.
Jacopo Landini (Florentine: about 1310-1390).
Jacopo Landini was born at Prato Vecchio, in the Casentino; whence his common designation, Jacopo da Casentino. This picture was formerly in the Church of St. John at the painter's native place. He was a pupil of Taddeo Gaddi, and the master of Spinello Aretino.
Another of the altar-pieces (cf. 579, above), which aimed at giving the whole story of some subject, and thus recall the time when sacred pictures were (as it has been put) a kind of "Scripture Graphic." In the predella pictures (580b) are, on the left, (1) St. John distributing alms and baptizing, (2) his vision of Revelation in the island of Patmos, (3) his escape from the cauldron of boiling oil; and then, as the subject of the principal picture, his ascension to heaven, for, "according to the Greek legend, St. John died without pain or change, and immediately rose again in bodily form and ascended into heaven to rejoin Christ and the Virgin." In the central picture, Mr. Gilbert finds "a glimpse of true landscape feeling in the brown platform of rock, carefully gradated in aerial perspective, in the colouring, coarse though it be, and especially in the long dark sea-line beyond" (Landscape in Art, p. 184). In the other small pictures and in the pilasters are various saints, and immediately over the central picture are (1) the gates of hell cast down, (2) Christ risen from the dead, (3) the donor of the picture and his family, being presented by the two St. Johns. Of the cuspidi, or upper pictures (580a), the centre piece is a symbolic representation of the Trinity (seen best on a large scale in 727); at the sides are the Virgin and the Angel of the Annunciation, divided as explained under 1139.