642. CHRIST'S AGONY IN THE GARDEN.
Garofalo (Ferrarese: 1481-1559). See 81.
It is interesting to compare this with other versions of the subject in the Gallery—e.g. 76, 726, 1417. What we may call the necessary component parts of the picture are all present—the angel with cup and cross, the sleeping apostles, a crowd with torches approaching. But Garofalo's picture seems cold and unimaginative as compared with Correggio's, Bellini's, or Mantegna's.