694. ST. JEROME IN HIS STUDY.
School of Giovanni Bellini.[168] See under 189.
Besides translating the Bible, St. Jerome (see 227) is famous as one of the founders of the monastic system, "of the ordered cell and tended garden where before was but the desert and the wild wood," and he died in the monastery he had founded at Bethlehem. This picture shows us the inside of monastic life. St. Jerome, with the scholar's look of quiet satisfaction, is deep in study; his room has no luxury, but is beautiful in its grace and order; the lion, who seems here to be sharing his master's meditation, and the partridge peering into the saint's slippers, speak of the love of the old monks for the lower animals; and the beautiful landscape seen through the open window recalls the sweet nooks which they everywhere chose and tended for their dwelling. The effect of the whole picture is to suggest the peaceful simplicity of the old religious life in contrast to the "getting and spending" with which we now "lay waste our powers."
The picture belongs to what Ruskin has called the "Time of the Masters," who desire only to make everything dainty and delightful. "Everything in it is exquisite, complete, and pure; there is not a particle of dust in the cupboards, nor a cloud in the air; the wooden shutters are dainty, the candlestick is dainty, the saint's blue hat is dainty, and its violet tassel, and its ribbon, and his blue cloak, and his spare pair of shoes, and his little brown partridge—it is all a perfect quintessence of innocent luxury—absolute delight, without one drawback in it, nor taint of the Devil anywhere" (Verona and other Lectures, § 26). For another specimen of this "pictorial perfectness and deliciousness," see 288 (especially the compartment with Raphael and Tobit).
As for the partridge, this is frequently introduced into sacred pictures, especially those of the Venetian School. There is a pretty legend of St. John which perhaps accounts for it, and which makes its introduction very appropriate in the picture of a recluse. St. John had, it is said, a tame partridge, which he cherished much, and amused himself with feeding and tending. A certain huntsman, passing by with his bow and arrows, was astonished to see the great apostle, so venerable for his age and sanctity, engaged in such an amusement. The apostle asked him if he always kept his bow bent. He answered that would be the way to render it useless. "If," replied St. John, "you unbend your bow to prevent its being useless, so do I thus unbend my mind for the same reason" (Mrs. Jameson: Sacred and Legendary Art, p. 100).