A PLAY-WRITER
Of our times is like a fanatic, that has no wit in ordinary easy things, and yet attempts the hardest task of brains in the whole world, only because, whether his play or work please or displease, he is certain to come off better than he deserves, and find some of his own latitude to applaud him, which he could never expect any other way, and is as sure to lose no reputation, because he has none to venture:--
Like gaming rooks, that never stick
To play for hundreds upon tick,
'Cause, if they chance to lose at play,
They've not one halfpenny to pay;
And, if they win a hundred pound,
Gain, if for sixpence they compound.
Nothing encourages him more in his undertaking than his ignorance, for he has not wit enough to understand so much as the difficulty of what he attempts; therefore he runs on boldly like a foolhardy wit, and Fortune, that favours fools and the bold, sometimes takes notice of him for his double capacity, and receives him into her good graces. He has one motive more, and that is the concurrent ignorant judgment of the present age, in which his sottish fopperies pass with applause, like Oliver Cromwell's oratory among fanatics of his own canting inclination. He finds it easier to write in rhyme than prose, for the world being over-charged with romances, he finds his plots, passions, and repartees ready made to his hand, and if he can but turn them into rhyme the thievery is disguised, and they pass for his own wit and invention without question, like a stolen cloak made into a coat or dyed into another colour. Besides this, he makes no conscience of stealing anything that lights in his way, and borrows the advice of so many to correct, enlarge, and amend what he has ill-favouredly patched together, that it becomes like a thing drawn by counsel, and none of his own performance, or the son of a whore that has no one certain father. He has very great reason to prefer verse before prose in his compositions; for rhyme is like lace, that serves excellently well to hide the piecing and coarseness of a bad stuff, contributes mightily to the bulk, and makes the less serve by the many impertinences it commonly requires to make way for it, for very few are endowed with abilities to bring it in on its own account. This he finds to be good husbandry and a kind of necessary thrift, for they that have but a little ought to make as much of it as they can. His prologue, which is commonly none of his own, is always better than his play, like a piece of cloth that's fine in the beginning and coarse afterwards; though it has but one topic, and that's the same that is used by malefactors, when they are to be tried, to except against as many of the jury as they can.