Christopher Columbus and His Monument Columbia / being a concordance of choice tributes to the great Genoese, his grand discovery, and his greatness of mind and purpose

by Unknown

THE LAKE FRONT PARK STATUE OF COLUMBUS.

The World's Fair city is a close competitor with the historic cities of the Old World for the grandest monument to Columbus and the fittest location for it. At Barcelona, on the Paseo Colon, seaward, a snowy marble Admiral looks toward the Shadowy Sea. At Genoa, 'mid the palms of the Piazza Acquaverde, a noble representation of the noblest Genoese faces the fitful gusts of the Mediterranean and fondly guards an Indian maid. A lofty but rude cairn marks the Admiral's first footprints on the shores of the wreck-strewn Bahamas, and many a monument or encomiastic inscription denotes spots sacred to the history of his indomitable resolve. These all commemorate, as it were, but the inception of the great discovery. It remains for Chicago to perpetuate the results, and most fitly to place an heroic figure of the first Admiral viewing, and in full view of all.

On the Lake Front Park, in full view of the ceaseless commercial activity of the Great Lakes, and close by the hum of the hive of human industry, grandly will a bronze Columbus face the blasts from Michigan's bosom. There the greatest navigator stands,

Calm, his prescience verified,

proudly through the ages watching the full fruits of that first and fateful voyage over the waves of the seas of mystery, to found a nation where Freedom alone should be supreme. Just where the big monument will be located on Lake Front Park has not been decided, but a site south of the Auditorium, midway between the Illinois Central tracks and Michigan Boulevard, will perhaps be chosen. The statue proper will be twenty feet high. It will be of bronze, mounted on a massive granite pedestal, of thirty feet in height, and will serve for all time as a memorial of the Exposition.

The chosen artist, out of the many who submitted designs, was Mr. Howard Kretschmar, a Chicago sculptor of rare power and artistic talent.

The massive figure of Columbus is represented at the moment the land, and the glorious future of his great discovery, burst upon his delighted gaze. No ascetic monk, no curled cavalier, looks down from the pedestal. The apocryphal portraits of Europe may peer out of their frames in this guise, but it has been the artist's aim here to chisel a man, not a monk; and a noble man, rather than a cringing courtier. Above the massive pedestal of simple design, which bears the terse legend, "Erected by the World's Columbian Exposition, A. D. 1893," stands the noble figure of the Noah of our nation. The open doublet discloses the massive proportions of a more than well-knit man. The left hand, pressed to the bosom, indicates the tension of his feelings, and the outstretched hand but further intensifies the dawning and gradually o'erwhelming sense of the future, the possibilities of his grand discovery. One of the noblest conceptions in bronze upon this continent is Mr. Howard Kretschmar's "Columbus," and of it may Chicago well be proud.