III
Five minutes afterwards the crowd of nobles were sitting down in the great hall, with the chaplain in the midst of them. The château, illuminated from top to bottom, was resounding with songs, with shouts, with laughter, with uproar; and the venerable Dom Balaguère was thrusting his fork into the wing of a fowl, and drowning all remorse for his sin in streams of regal wine and the luscious juices of the viands. He ate and drank so much, the dear, holy man, that he died during the night of a terrible attack, without even having had time to repent; and then in the morning when he got to heaven, I leave you to imagine how he was received.
He was told to withdraw on account of his wickedness. His fault was so grievous that it effaced a whole lifetime of virtue.... He had robbed them of a midnight mass.... He should have to pay for it with three hundred, and he should not enter into Paradise until he had celebrated in his own chapel these three hundred Christmas masses in the presence of all those who had sinned with him and by his fault....
... And now this is the true legend of Dom Balaguère as it is related in the olive country. At the present time the château of Trinquelague no longer exists, but the chapel still stands on the top of Mount Ventoux, amid a cluster of green oaks. Its decayed door rattles in the wind, and its threshold is choked up with vegetation; there are birds’ nests at the corners of the altar, and in the recesses of the lofty windows, from which the stained glass has long ago disappeared. It seems, however, that every year at Christmas, a supernatural light wanders amid these ruins, and the peasants, in going to the masses and to the midnight repasts, see this phantom of a chapel illuminated by invisible tapers that burn in the open air, even in snow and wind. You may laugh at it if you like, but a vine-dresser of the place, named Garrigue, doubtless a descendant of Garrigou, declared to me that one Christmas night, when he was a little tipsy, he lost his way on the hill of Trinquelague; and this is what he saw.... Till eleven o’clock, nothing. All was silent, motionless, inanimate. Suddenly, about midnight, a chime sounded from the top of the steeple, an old, old chime, which seemed as if it were ten leagues off. Very soon Garrigue saw lights flitting about, and uncertain shadows moving in the road that climbs the hill. They passed on beneath the chapel porch, and murmured:
“Good evening, Master Arnoton!”
“Good evening, good evening, my friends!” ...
When all had entered, my vine-dresser, who was very courageous, silently approached, and when he looked through the broken door, a singular spectacle met his gaze. All those he had seen pass were seated round the choir, and in the ruined nave, just as if the old seats still existed. Fine ladies in brocade, with lace head-dresses; lords adorned from head to foot; peasants in flowered jackets such as our grandfathers had; all with an old, faded, dusty, tired look. From time to time the night birds, the usual inhabitants of the chapel, who were aroused by all these lights, would come and flit round the tapers, the flames of which rose straight and ill-defined, as if they were burning behind a veil; and what amused Garrigue very much was a certain personage with large steel spectacles, who was ever shaking his tall black wig, in which one of these birds was quite entangled, and kept itself upright by noiselessly flapping its wings....
At the farther end, a little old man of childish figure was on his knees in the middle of the choir, desperately shaking a clapperless and soundless bell, whilst a priest, clad in ancient gold, was coming and going before the altar, reciting prayers of which not a word was heard.... Most certainly this was Dom Balaguère in the act of saying his third low mass.