| PAGE |
| E. ESTLIN CUMMINGS |
| Thou in Whose Sword-Great Story Shine the Deeds | [3] |
| A Chorus Girl | [4] |
| This is the Garden | [5] |
| It May not Always be so | [6] |
| Crepuscule | [7] |
| Finis | [8] |
| The Lover Speaks | [9] |
| Epitaph | [10] |
| S. FOSTER DAMON |
| Incessu Patuit Deus | [13] |
| You Thought I had Forgotten | [15] |
| Venice | [16] |
| The New Macaber | [18] |
| To War | [20] |
| Calm Day, with Rollers | [21] |
| Phonograph--Tango | [22] |
| Decoration | [24] |
| Threnody | [25] |
| J. R. DOS PASSOS |
| The Bridge | [29] |
| Salvation Army | [30] |
| Incarnation | [32] |
| Memory | [34] |
| Saturnalia | [37] |
| "Whan that Aprille" | [39] |
| Night Piece | [40] |
| ROBERT HILLYER |
| Four Sonnets from a Sonnet-Sequence | [45] |
| A Sea Gull | [49] |
| Domesday | [50] |
| To a Passepied by Scarlatti | [52] |
| Elegy for Antinous | [53] |
| Song | [54] |
| "My Peace I Leave with You" | [55] |
| The Recompense | [56] |
| R. S. MITCHELL |
| Poppy Song | [59] |
| Love Dream | [62] |
| The Island of Death | [64] |
| From the Arabian Nights | [66] |
| Threnody | [68] |
| Helen | [70] |
| Largo | [72] |
| Lazarus | [73] |
| A Crucifix | [74] |
| Neith | [75] |
| A Farewell | [77] |
| WILLIAM A. NORRIS |
| Of Too Much Song | [81] |
| Wherever My Dreams Go | [82] |
| Out of the Littleness | [83] |
| Nahant | [84] |
| Qui Sub Luna Errant | [85] |
| Across the Taut Strings | [86] |
| Escape | [87] |
| On a Street Corner | [88] |
| Sea-burial | [89] |
| DUDLEY POORE |
| A Renaissance Picture | [93] |
| The Philosopher's Garden | [95] |
| The Tree of Stars | [96] |
| After Rain | [97] |
| Cor Cordium | [99] |
| The Withered Leaf, the Faded Flower be Mine | [105] |
| CUTHBERT WRIGHT |
| The End of It | [109] |
| The New Platonist | [110] |
| The Room Over the River | [112] |
| The Fiddler | [114] |
| Falstaff's Page | [116] |
| A Dull Sunday | [117] |