FLY CASTING FOR SALMON.
By George Dawson.
There is no essential difference between trout and salmon casting. The same general principles apply to both, and it only requires the careful application of the skill attained in ‘the one to become equally expert in the other. The difference is simply the difference in weight. A twelve-foot trout rod weighs, say, eight ounces, and an eighteen-foot salmon rod, with reel, weighs two or three times as much. The one can be manipulated with one hand; the other requires both. With the one you ordinarily cast forty or fifty feet; with the other sixty or eighty; and with rods equally approximating perfection, it is as easy to cast the eighty feet with the one as the forty feet with the other. I do not mean to say that no more muscular exertion is required in the one case than in the other, but simply that with such slight effort as is necessary with either, it is as easy to place your fly where you wish it with the one rod as with the other. No great muscular exertion is necessary to cast with either. Indeed, the chief difficulty in casting is to get rid of the idea that a great deal of muscular effort is necessary to get out a long line. That coveted result is not to be attained by mere muscle. If you have a giant’s strength you mustn’t use it like a giant. If you do you will never make a long or a graceful cast with either trout or salmon rod. With both there must be only such strength used as is necessary to give the line a quick but not a snappy back movement—keeping up the motion evenly until the fly is placed where you desire it.
The most difficult attainment, in both salmon and trout casting, is to be able, with instinctive accuracy, to measure the distance traversed by the backward movement of your line. If you begin the return too soon your line will snap and thereby endanger your fly; if you are too tardy it will droop and thereby lose the continuity of tension indispensable to a graceful and effective forward movement. This essential art can only be attained by practice. Some attain it readily; others never;—just as some measure time in music with unerring accuracy, without a teacher; some only acquire the art after protracted drilling, and others never acquire it at all.
There is almost as perfect rhythm in fly-casting as in music. Given a definite length of line and the expert can measure his cast by his one, two, three, four, as accurately as a teacher can regulate the time of his orchestra by the movement of his baton. While this is true in casting with either rod it is most noticeable in easting for salmon. The heavy line, the massive springy rod, and the great distance to be traversed, render each movement—the lift from the water, the backward flight of the line, the return motion, and the drop at the point desired—as distinct to a quick perception as the beat of a bar in music.
But there are occasions when it would not do to cast by count. If the wind is strong in any direction the movement of the line is perceptibly effected; and if the wind happens to be at your back, it requires great skill and care to counteract its influence and secure satisfactory results. With such a wind, unless you are perfect master of the situation, you will be apt to snap off more flies in an hour than you will be likely to lose legitimately in a fortnight. Nine-tenths of all the flies I ever lost took their departure before I learned how to cast safely with a high wind at my back.
In many salmon rivers the pools are so placed and the general body of water is of such depth that you can always cast from your anchored canoe. As, under such circumstances, there are no obstructions behind you, less care is required in keeping your fly well up in its backward flight than when casting from the shore—as in some rivers you always have to do.
In the salmon season the water is usually well down in the banks, and in many rivers the slope from high water mark to the summer channel is considerable. In casting, as a rule, you stand near the water; unless, therefore, you cast high—that is, unless you keep your fly well up in its backward flight it will almost certainly come in contact with a stone or boulder of some sort and be broken. To avoid this mishap requires great care. You must keep the point of your rod well up always—several degrees higher than when casting on the water. My first experience in shore-casting where the banks had a precipitous slope cost me a great many pet flies; and I never got to feel really “at home” in casting under such circumstances. It detracts from the sport when your mind is occupied with the proper swing of the line. But enough of ecstacy remains to enable one to overlook this inconsiderable drawback. Only give the angler an opportunity to cast from any sort of standpoint and he will speedily discover the proper lift and swing to overcome any obstacle, and be happy.
Salmon casting—especially the frequency of the cast—depends largely upon the character of the water you are fishing. If the pool is straight and narrow and the current strong, and you are casting from a canoe, you can so manipulate your fly as to render frequent casts unnecessary—the important thing being not to let your fly sink, as it is not likely to do in such a current. In large pools where the current is sluggish, as is sometimes the case, frequent casts are necessary in order to touch it at every point with your fly on the surface. Where you are able to cast across a pool, if the current moves with a moderate force, you can sweep it at each cast by giving your rod the proper motion. This latter class of pools are those most coveted, because you can cover a great deal of ground with very little effort. If you fall in with a pool—as you sometimes will—where the current is so sluggish as to be almost imperceptible, frequent casts are unavoidable. Without them, not only will your fly sink, but your line will soon acquire a slack which not only gives one an uncomfortable feeling but is unsafe in case of a rise. The very first requisite in salmon fishing is a taut line. It is not only requisite for safety, but without it it is impossible to promptly and properly recover your line for a new cast.
But there is nothing so tests a salmon angler’s skill and patience as to cast in an eddy or whirl. No matter how carefully or at what distance one casts, the moment the fly touches the water it begins to come back upon you, compelling constant casting if you cast at all. The result is a great deal of hard work with very little effect, because to keep a straight line your fly must be lifted almost the very moment it finds a lodgment on the surface. In such a pool one soon becomes weary with his efforts to place and hold his fly in the desired position, for it is not often that he is rewarded by a rise. Since my first experience in such a pool I have never hankered after its counterpart. And yet it was a sort of success in this wray: Having become tired casting I allowed my fly to go as it pleased. It was soon out of sight, having been drawn down by one of the whirls, and in reeling up to prevent its being twisted around the rock I presumed to be the primary cause of the whirl, I found myself hooked to a fish which had taken my fly at least ten or twelve feet below the surface. When I first felt him he came up as easily as a six-ounce chub, and I supposed I had nothing heavier than a medium sized trout. But as soon as he felt the hook and saw my canoe he showed his mettle, and gave me just such a fight as I might have expected from a twenty-pound salmon, as he proved to be. That was the first and last salmon I ever took with the fly so far under water. The rule with some anglers is “to let the fly sink a little”; my rule is never to let it sink at all. When a fish strikes I want to see him. There is no movement that so thrills and delights me as the rush of the salmon for the fly. To me, half the pleasure of a rise is lost if I don’t see the head and shoulders of the kingly fish when he leaps for the lure.
The manner of casting is almost as varied as the casters themselves. You will seldom see two salmon anglers cast precisely alike. Some cast with a straight backward and forward movement, without the divergence of a hair. Others secure a half sweep to the line by giving the backward movement over the left shoulder and the return over the right, or vice versa. Still others almost invariably cast sideways, or “under” as it is called, seldom lifting their rod perpendicularly. Some stand as erect and motionless as a statue when they cast. Others sway to and fro as if they made their body rather than their arms do the work; and others still push themselves forward as they cast, as if they were not sure their fly would reach its destination unless they followed it. These, however, are simple mannerisms. Each may be equally expert—that is, equally successful in placing his fly just where he wants it and just at such distance as he please. My own preference and practice is, a slight sway of the body and a nearly straight backward and forward movement of the line. There are, of course, occasions when a semicircle sweep of the line, or a lateral movement, or an under cast is necessary to reach some desired objective point. All these movements, when they are deemed necessary, will come from experience; but for unobstructed waters I prefer a straight cast, and only such slight motion of the body as will give occasional respite to the arms; for it is no boy’s play to so handle a ponderous salmon rod for hours in succession as to give the needed sweep to an eighty-foot line.
The flies used for salmon are more numerous and varied than those used for trout, and quite as uncertain and puzzling to those who use them. I have taken salmon, as I have taken trout, out of the same water within the same hour with flies of directly opposite hues, and of shapes and sizes which were the counterpart of nothing “in the heavens above, in the earth beneath, or in the waters under the earth.” There are, however, standard flies which experience has shown to be generally more “taking” than others, and for this sufficient reason are always found in salmon anglers’ fly books. But no expert deems any fly or any dozen flies invariably adapted to all waters and all conditions of wind and weather. It is superlative nonsense, therefore, to multiply varieties indefinitely. It is only necessary to have an “assortment,” gaudy and sombre, large and small, but plenty of them. It is very unpleasant to run short when you are two or three hundred miles away from “the shop.” Those who have had any considerable experience know just what they want, and the only safe thing for the novice to do, when ready to lay in his stock, is to seek advice of someone who knows something of what may be required in the waters to be visited.
And then let him go to the quiet and roaring rivers where salmon congregate, experiment with such flies as he has, lure the fish by his skilful casts, strike quick, fight hard, and be happy.
Albany, Dec. 7th, 1882.