SHAKSPEARE’S HEROINES.
Ruskin says:—Shakspeare has no heroes—he has only heroines. There is not one entirely heroic figure in all his plays, except the slight sketch of Henry the Fifth, exaggerated for the purposes of the stage, and the still slighter Valentine in the Two Gentlemen of Verona. In his labored and perfect plays you have no hero. Othello would have been one, if his simplicity had not been so great as to leave him the prey of every base practice around him; but he is the only example even approximating the heroic type. Hamlet is indolent and drowsily speculative; Romeo an impatient boy. Whereas there is hardly a play that has not a perfect woman in it, steadfast in grave hope and errorless purpose. Cordelia, Desdemona, Isabella, Hermione, Imogene, Queen Katherine, Perdita, Silvia, Viola, Rosalind, Helena, and last, and perhaps loveliest, Virgilia, are all faultless.