VII
SPORTS AND PASTIMES
Blowing Bubbles
See, the pretty Planet!
Floating sphere!
Faintest breeze will fan it
Far or near;
World as light as feather;
Moonshine rays,
Rainbow tints together,
As it plays;
Drooping, sinking, failing,
Nigh to earth,
Mounting, whirling, sailing,
Full of mirth;
Life there, welling, flowing,
Waving round;
Pictures coming, going,
Without sound.
Quick now, be this airy
Globe repell'd!
Never can the fairy
Star be held.
Touch'd—it in a twinkle
Disappears!
Leaving but a sprinkle,
As of tears.
William Allingham.
Bicycling Song
With lifted feet, hands still,
I am poised, and down the hill
Dart, with heedful mind;
The air goes by in a wind.
Swifter and yet more swift,
Till the heart with a mighty lift
Makes the lungs laugh, the throat cry:—
"O bird, see; see, bird, I fly.
"Is this, is this your joy?
O bird, then I, though a boy,
For a golden moment share
Your feathery life in air!"
Say, heart, is there aught like this
In a world that is full of bliss?
'Tis more than skating, bound
Steel-shod to the level ground.
Speed slackens now, I float
Awhile in my airy boat;
Till, when the wheels scarce crawl,
My feet to the treadles fall.
Alas, that the longest hill
Must end in a vale; but still,
Who climbs with toil, wheresoe'er,
Shall find wings waiting there.
Henry Charles Beeching.
Going A Maying
Get up, get up for shame! The blooming morn
Upon her wings presents the god unshorn:
See how Aurora throws her fair
Fresh-quilted colours through the air:
Get up, sweet-slug-a-bed, and see
The dew-bespangled herb and tree!
Each flower has wept and bowed toward the east,
Above an hour since, yet you not drest,
Nay, not so much as out of bed?
When all the birds have matins said,
And sung their thankful hymns, 'tis sin,
Nay, profanation, to keep in,
Whenas a thousand virgins on this day,
Spring, sooner than the lark, to fetch in May.
Rise, and put on your foliage, and be seen
To come forth, like the Spring-time fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept.
Come, and receive them while the light
Hangs on the dew-locks of the night.
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth! Wash, dress, be brief in praying:
Few beads are best, when once we go a Maying.
Come, my Corinna, come; and coming, mark
How each field turns a street, each street a park,
Made green, and trimmed with trees! see how
Devotion gives each house a bough
Or branch! each porch, each door, ere this,
An ark, a tabernacle is,
Made up of white-thorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the street,
And open fields, and we not see't?
Come, we'll abroad: and let's obey
The proclamation made for May.
And sin no more, as we have done, by staying,
But, my Corinna, come, let's go a Maying.
There's not a budding boy or girl, this day,
But is got up, and gone to bring in May.
A deal of youth, ere this is come
Back and with white-thorn laden home.
Some have despatched their cakes and cream,
Before that we have left to dream:
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given,
Many a kiss, both odd and even:
Many a glance, too, has been sent
From out the eye, love's firmament:
Many a jest told of the keys betraying
This night, and locks picked: yet we're not a Maying.
Come, let us go, while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun.
And as a vapour, or a drop of rain,
Once lost, can ne'er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight,
Lies drowned with us in endless night.
Then, while time serves, and we are but decaying,
Come, my Corinna, come, let's go a Maying.
Robert Herrick.
Jog On, Jog On[12]
Jog on, jog on the foot path-way,
And merrily hent the stile-a,
Your merry heart goes all the day,
Your sad tires in a mile-a.
Your paltry money-bags of gold—
What need have we to stare for,
When little or nothing soon is told,
And we have the less to care for.
Then cast away care, let sorrow cease,
A fig for melancholy;
Let's laugh and sing, or, if you please,
We'll frolic with sweet Dolly.
From The Winter's Tale.
[12] First stanza by William Shakespeare. Last two stanzas by unknown author in "Antidote Against Melancholy," 1661.
A Vagabond Song
There is something in the Autumn that is native to my blood—
Touch of manner, hint of mood;
And my heart is like a rhyme,
With the yellow and the purple and the crimson keeping time.
The scarlet of the maples can shake me like a cry
Of bugles going by.
And my lonely spirit thrills
To see the frosty asters like smoke upon the hills.
There is something in October sets the gipsy blood astir;
We must rise and follow her,
When from every hill of flame
She calls and calls each vagabond by name.
Bliss Carman.
Swimming
And mightier grew the joy to meet full-faced
Each wave, and mount with upward plunge, and taste
The rapture of its rolling strength, and cross
Its flickering crown of snows that flash and toss
Like plumes in battle's blithest charge, and thence
To match the next with yet more strenuous sense;
Till on his eyes the light beat hard and bade
His face turn west and shoreward through the glad
Swift revel of the waters golden-clad,
And back with light reluctant heart he bore
Across the broad-backed rollers in to shore.
Algernon C. Swinburne.
From "Tristram of Lyonesse."
Swimming
How many a time have I
Cloven, with arm still lustier, breast more daring,
The wave all roughened; with a swimmer's stroke
Flinging the billows back from my drenched hair,
And laughing from my lip the audacious brine,
Which kissed it like a wine-cup, rising o'er
The waves as they arose, and prouder still
The loftier they uplifted me; and oft,
In wantonness of spirit, plunging down
Into their green and glassy gulfs, and making
My way to shells and seaweed, all unseen
By those above, till they waxed fearful; then
Returning with my grasp full of such tokens
As showed that I had searched the deep; exulting,
With a far-dashing stroke, and drawing deep
The long suspended breath, again I spurned
The foam which broke around me, and pursued
My track like a sea-bird.—I was a boy then.
George Gordon, Lord Byron.
From "The Two Foscari."
The Angler's Reveille[13]
What time the rose of dawn is laid across the lips of night,
And all the drowsy little stars have fallen asleep in light;
'Tis then a wandering wind awakes, and runs from tree to tree,
And borrows words from all the birds to sound the reveille.
This is the carol the Robin throws
Over the edge of the valley;
Listen how boldly it flows,
Sally on sally:
Tirra-lirra,
Down the river,
Laughing water
All a-quiver.
Day is near,
Clear, clear.
Fish are breaking,
Time for waking.
Tup, tup, tup!
Do you hear?
All clear—
Wake up!
The phantom flood of dreams has ebbed and vanished with the dark,
And like a dove the heart forsakes the prison of the ark;
Now forth she fares through friendly woods and diamond-fields of dew,
While every voice cries out "Rejoice!" as if the world were new.
This is the ballad the Bluebird sings,
Unto his mate replying,
Shaking the tune from his wings
While he is flying:
Surely, surely, surely,
Life is dear
Even here.
Blue above,
You to love,
Purely, purely, purely.
There's wild azalea on the hill, and roses down the dell,
And just one spray of lilac still abloom beside the well;
The columbine adorns the rocks, the laurel buds grow pink,
Along the stream white arums gleam, and violets bend to drink.
This is the song of the Yellowthroat,
Fluttering gaily beside you;
Hear how each voluble note
Offers to guide you:
Which way, sir?
I say, sir,
Let me teach you,
I beseech you!
Are you wishing
Jolly fishing?
This way, sir!
I'll teach you.
Then come, my friend, forget your foes, and leave your fears behind,
And wander forth to try your luck, with cheerful, quiet mind;
For be your fortune great or small, you'll take what God may give,
And all the day your heart shall say, "'Tis luck enough to live."
This is the song the Brown Thrush flings,
Out of his thicket of roses;
Hark how it warbles and rings,
Mark how it closes:
Luck, luck,
What luck?
Good enough for me!
I'm alive, you see.
Sun shining,
No repining;
Never borrow
Idle sorrow;
Drop it!
Cover it up!
Hold your cup!
Joy will fill it,
Don't spill it,
Steady, be ready,
Good luck!
Henry van Dyke.
[13] From "The Toiling of Felix." By permission of Charles Scribner's Sons.
The Angler's Invitation
Come when the leaf comes, angle with me,
Come when the bee hums over the lea,
Come with the wild flowers—
Come with the wild showers—
Come when the singing bird calleth for thee!
Then to the stream side, gladly we'll hie,
Where the grey trout glide silently by,
Or in some still place
Over the hill face
Hurrying onward, drop the light fly.
Then, when the dew falls, homeward we'll speed
To our own loved walls down on the mead,
There, by the bright hearth,
Holding our night mirth,
We'll drink to sweet friendship in need and in deed.
Thomas Tod Stoddart.
Skating
And in the frosty season, when the sun
Was set, and, visible, for many a mile,
The cottage-windows through the twilight blazed,
I heeded not the summons. Happy time
It was indeed for all of us: for me
It was a time of rapture! Clear and loud
The village clock tolled six. I wheeled about,
Proud and exulting, like an untired horse
That cares not for its home.
All shod with steel,
We hissed along the polished ice, in games
Confederate, imitative of the chase
And woodland pleasures,—the resounding horn,
The pack loud bellowing, and the hunted hare.
So through the darkness and the cold we flew,
And not a voice was idle.
With the din
Meanwhile the precipices rang aloud.
The leafless trees and every icy crag
Tinkled like iron; while the distant hills
Into the tumult sent an alien sound
Of melancholy, not unnoticed; while the stars
Eastward were sparkling clear, and in the west
The orange sky of evening died away.
Not seldom from the uproar I retired
Into a silent bay; or sportively
Glanced sideways, leaving the tumultuous throng,
To cut across the reflex of a star,—
Image, that, flying still before me, gleamed
Upon the glassy plain. And oftentimes,
When we had given our bodies to the wind,
And all the shadowy banks on either side
Came sweeping through the darkness, spinning still
The rapid line of motion, then at once
Have I, reclining back upon my heels,
Stopped short; yet still the solitary cliffs
Wheeled by me, even as if the earth had rolled
With visible motion her diurnal round.
Behind me did they stretch in solemn train,
Feebler and feebler; and I stood and watched
Till all was tranquil as a summer sea.
William Wordsworth.
From "The Prelude."
Reading
... We get no good
By being ungenerous, even to a book,
And calculating profits ... so much help
By so much reading. It is rather when
We gloriously forget ourselves and plunge
Soul-forward, headlong, into a book's profound,
Impassioned for its beauty and salt of truth—
'Tis then we get the right good from a book.
Elizabeth B. Browning.
On First Looking Into Chapman's Homer
Much have I travelled in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold;
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He stared at the Pacific—and all his men
Looked at each other with a wild surmise—
Silent, upon a peak in Darien.
John Keats.
Music's Silver Sound
When griping grief the heart doth wound,
And doleful dump the mind oppress,
Then music, with her silver sound,
With speedy help doth lend redress.
William Shakespeare.
The Power of Music
For do but note a wild and wanton herd,
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn'd to a modest gaze,
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones and floods;
Since naught so stockish, hard, and full of rage,
But music for the time doth change his nature.
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus:
Let no such man be trusted.
William Shakespeare.
From "The Merchant of Venice."
Descend, Ye Nine
Descend, ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly pleasing strain,
Let the warbling lute complain:
Let the loud trumpet sound,
Till the roofs all around
The shrill echoes rebound;
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers soft and clear
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
By music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or, when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouses from his bed,
Sloth unfolds her arms and wakes,
Listening Envy drops her snakes;
Intestine war no more our passions wage,
And giddy factions bear away their rage.
Alexander Pope.
From "Ode on St. Cecilia's Day."
Old Song
'Tis a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, O sighing!
When such a time cometh
I do retire
Into an old room
Beside a bright fire:
O, pile a bright fire!
And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings—
O, drearily sings!
I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!
But close at the hearth,
Like a cricket, sit I
Reading of summer
And chivalry—
Gallant chivalry!
* * * *
Then the clouds part,
Swallows soaring between;
The spring is alive,
And the meadows are green!
I jump up like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!
Edward Fitzgerald.
The Barefoot Boy
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy upturned pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy,—
I was once a barefoot boy!
Prince thou art,—the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye,—
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
O for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the groundnut trails its vine,
Where the wood-grape's clusters shine:
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!—
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy,—
Blessings on the barefoot boy!
O for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
O for festal dainties spread,
Like my bowl of milk and bread,—
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me like a regal tent,
Cloudy ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
John Greenleaf Whittier.
Leolin and Edith
These had been together from the first,
Leolin's first nurse was, five years after, hers;
So much the boy foreran: but when his date
Doubled her own, for want of playmates he
* * * *
Had tost his ball and flown his kite, and roll'd
His hoop to pleasure Edith, with her dipt
Against the rush of the air in the prone swing,
Made blossom-ball or daisy-chain, arranged
Her garden, sow'd her name and kept it green
In living letters, told her fairy-tales,
Show'd her the fairy footings on the grass,
The little dells of cowslip, fairy palms,
The petty marestail forest, fairy pines,
Or from the tiny pitted target blew
What looked a flight of fairy arrows aim'd
All at one mark, all hitting: make-believes
For Edith and himself.
Alfred, Lord Tennyson.
From "Aylmer's Field."
Going A-Nutting
No clouds are in the morning sky,
The vapors hug the stream,—
Who says that life and love can die
In all this northern gleam?
At every turn the maples burn,
The quail is whistling free,
The partridge whirs, and the frosted burs
Are dropping for you and me.
Ho! hilly ho! heigh O!
Hilly ho!
In the clear October morning.
Along our path the woods are bold,
And glow with ripe desire;
The yellow chestnut showers its gold,
The sumachs spread their fire;
The breezes feel as crisp as steel,
The buckwheat tops are red:
Then down the lane, love, scurry again,
And over the stubble tread!
Ho! hilly ho! heigh O!
Hilly ho!
In the clear October morning.
Edmund Clarence Stedman.
Whittling
The Yankee boy, before he's sent to school,
Well knows the mysteries of that magic tool,
The pocket-knife. To that his wistful eye
Turns, while he hears his mother's lullaby;
His hoarded cents he gladly gives to get it,
Then leaves no stone unturned till he can whet it;
And in the education of the lad
No little part that implement hath had.
His pocket-knife to the young whittler brings
A growing knowledge of material things.
Projectiles, music, and the sculptor's art,
His chestnut whistle and his shingle cart,
His elder pop-gun, with its hickory rod,
Its sharp explosion and rebounding wad,
His corn-stalk fiddle, and the deeper tone
That murmurs from his pumpkin-stalk trombone,
Conspire to teach the boy. To these succeed
His bow, his arrow of a feathered reed,
His windmill, raised the passing breeze to win,
His water-wheel, that turns upon a pin,
Or, if his father lives upon the shore,
You'll see his ship, "beam ends upon the floor,"
Full rigged, with raking masts, and timbers staunch,
And waiting, near the wash-tub, for a launch.
Thus, by his genius and his jack-knife driven
Ere long he'll solve you any problem given;
Make any gimcrack, musical or mute,
A plough, a couch, an organ, or a flute;
Make you a locomotive or a clock,
Cut a canal, or build a floating-dock,
Or lead forth beauty from a marble block;—
Make anything, in short, for sea or shore,
From a child's rattle to a seventy-four;—
Make it, said I?—Ay, when he undertakes it,
He'll make the thing and the machine that makes it.
And when the thing is made,—whether it be
To move on earth, in air, or on the sea;
Whether on water, o'er the waves to glide,
Or, upon land to roll, revolve, or slide;
Whether to whirl or jar, to strike or ring,
Whether it be a piston or a spring,
Wheel, pulley, tube sonorous, wood or brass,
The thing designed shall surely come to pass;
For, when his hand's upon it, you may know
That there's go in it, and he'll make it go.
John Pierpont.
Hunting Song
Waken, lords and ladies gay,
On the mountain dawns the day;
All the jolly chase is here
With hawk and horse and hunting-spear!
Hounds are in their couples yelling,
Hawks are whistling, horns are knelling.
Merrily, merrily mingle they,
"Waken, lords and ladies gay."
Waken, lords and ladies gay,
The mist has left the mountain gray,
Springlets in the dawn are steaming,
Diamonds on the brake are gleaming,
And foresters have busy been
To track the buck in thicket green;
Now we come to chant our lay
"Waken, lords and ladies gay."
Waken, lords and ladies gay,
To the greenwood haste away;
We can show you where he lies,
Fleet of foot and tall of size;
We can show the marks he made
When 'gainst the oak his antlers fray'd;
You shall see him brought to bay;
"Waken, lords and ladies gay."
Louder, louder chant the lay
Waken, lords and ladies gay!
Tell them youth and mirth and glee
Run a course as well as we;
Time, stern huntsman! who can balk,
Stanch as hound and fleet as hawk;
Think of this, and rise with day,
Gentle lords and ladies gay!
Sir Walter Scott.
The Hunter's Song
Rise! Sleep no more! 'Tis a noble morn!
The dews hang thick on the fringéd thorn,
And the frost shrinks back like a beaten hound,
Under the steaming, steaming ground.
Behold where the billowy clouds flow by,
And leave us alone in the clear gray sky!
Our horses are ready and steady,—So, ho!
I'm gone like a dart from the Tartar's bow.
Hark, hark!—who calleth the maiden Morn
From her sleep in the woods and the stubble corn?
The horn—the horn!
The merry sweet ring of the hunter's horn!
Now through the copse where the fox is found
And over the stream at a mighty bound,
And over the high lands and over the low,
O'er furrows, o'er meadows the hunters go!
Away! as the hawk flies full at his prey
So flieth the hunter,—away, away!
From the burst at the corn till set of sun,
When the red fox dies, and the day is done!
Hark, hark!—What sound on the wind is borne?
'Tis the conquering voice of the hunter's horn.
The horn,—the horn!
The merry bold voice of the hunter's horn!
Sound, sound the horn! To the hunter good
What's the gully deep, or the roaring flood?
Right over he bounds, as the wild stag bounds,
At the heels of his swift, sure, silent hounds.
O what delight can a mortal lack
When he once is firm on his horse's back,
With his stirrups short and his snaffle strong,
And the blast of the horn for his morning song!
Hark, hark! Now home! and dream till morn
Of the bold sweet sound of the hunter's horn!
The horn, the horn!
Oh, the sound of all sounds is the hunter's horn!
Barry Cornwall.
(Bryan Waller Procter.)
The Blood Horse
Gamarra is a dainty steed,
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within!
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light.
Look—how 'round his straining throat
Grace and shifting beauty float;
Sinewy strength is in his reins,
And the red blood gallops through his veins;
Richer, redder, never ran
Through the boasting heart of man.
He can trace his lineage higher
Than the Bourbon dare aspire,—
Douglas, Guzman, or the Guelph,
Or O'Brien's blood itself!
He, who hath no peer, was born,
Here, upon a red March morn;
But his famous fathers dead
Were Arabs all, and Arab bred,
And the last of that great line
Trod like one of a race divine!
And yet,—he was but friend to one,
Who fed him at the set of sun,
By some lone fountain fringed with green:
With him, a roving Bedouin,
He lived (none else would he obey
Through all the hot Arabian day),—
And died untamed upon the sands
Where Balkh amidst the desert stands!
Barry Cornwall.
(Bryan Waller Procter.)
The Northern Seas
Up! up! let us a voyage take;
Why sit we here at ease?
Find us a vessel tight and snug,
Bound for the Northern Seas.
I long to see the Northern Lights,
With their rushing splendors, fly,
Like living things, with flaming wings,
Wide o'er the wondrous sky.
I long to see those icebergs vast,
With heads all crowned with snow;
Whose green roots sleep in the awful deep,
Two hundred fathoms low.
I long to hear the thundering crash
Of their terrific fall;
And the echoes from a thousand cliffs,
Like lonely voices call.
There shall we see the fierce white bear,
The sleepy seals aground,
And the spouting whales that to and fro
Sail with a dreary sound.
There may we tread on depths of ice,
That the hairy mammoth hide;
Perfect as when, in times of old,
The mighty creature died.
And while the unsetting sun shines on
Through the still heaven's deep blue,
We'll traverse the azure waves, the herds
Of the dread sea-horse to view.
We'll pass the shores of solemn pine,
Where wolves and black bears prowl,
And away to the rocky isles of mist
To rouse the northern fowl.
Up there shall start ten thousand wings,
With a rushing, whistling din;
Up shall the auk and fulmar start,—
All but the fat penguin.
And there, in the wastes of the silent sky,
With the silent earth below,
We shall see far off to his lonely rock
The lonely eagle go.
Then softly, softly will we tread
By island streams, to see
Where the pelican of the silent North
Sits there all silently.
William Howitt.
The Needle
The gay belles of fashion may boast of excelling
In waltz or cotillion, at whist or quadrille;
And seek admiration by vauntingly telling
Of drawing, and painting, and musical skill;
But give me the fair one, in country or city,
Whose home and its duties are dear to her heart,
Who cheerfully warbles some rustical ditty,
While plying the needle with exquisite art:
The bright little needle—the swift-flying needle,
The needle directed by beauty and art.
If Love have a potent, a magical token,
A talisman, ever resistless and true—
A charm that is never evaded or broken,
A witchery certain the heart to subdue—
'T is this—and his armory never has furnished
So keen and unerring, or polished a dart;
Let Beauty direct it, so pointed and burnished,
And, oh! it is certain of touching the heart:
The bright little needle—the swift-flying needle,
The needle directed by beauty and art.
Be wise, then, ye maidens, nor seek admiration
By dressing for conquest, and flirting with all;
You never, whate'er be your fortune or station,
Appear half so lovely at rout or at ball,
As gayly convened at a work-covered table,
Each cheerfully active and playing her part,
Beguiling the task with a song or a fable,
And plying the needle with exquisite art:
The bright little needle—the swift-flying needle,
The needle directed by beauty and art.
Samuel Woodworth.