Golden Numbers: A Book of Verse for Youth

by Unknown

XIII

STORY POEMS: ROMANCE AND REALITY

The Singing Leaves

I

"What fairings will ye that I bring?"
Said the King to his daughters three;
"For I to Vanity Fair am boun',
Now say what shall they be?"

Then up and spake the eldest daughter,
That lady tall and grand:
"Oh, bring me pearls and diamonds great,
And gold rings for my hand."

Thereafter spake the second daughter,
That was both white and red:
"For me bring silks that will stand alone,
And a gold comb for my head."

Then came the turn of the least daughter,
That was whiter than thistle-down,
And among the gold of her blithesome hair
Dim shone the golden crown.

"There came a bird this morning,
And sang 'neath my bower eaves,
Till I dreamed, as his music made me,
'Ask thou for the Singing Leaves.'"

Then the brow of the King swelled crimson
With a flush of angry scorn:
"Well have ye spoken, my two eldest,
And chosen as ye were born;

"But she, like a thing of peasant race,
That is happy binding the sheaves;"
Then he saw her dead mother in her face,
And said, "Thou shalt have thy leaves."

II

He mounted and rode three days and nights
Till he came to Vanity Fair,
And 't was easy to buy the gems and the silk,
But no Singing Leaves were there.

Then deep in the greenwood rode he,
And asked of every tree,
"Oh, if you have ever a Singing Leaf,
I pray you give it me!"

But the trees all kept their counsel,
And never a word said they,
Only there sighed from the pine-tops
A music of seas far away.

Only the pattering aspen
Made a sound of growing rain,
That fell ever faster and faster,
Then faltered to silence again.

"Oh, where shall I find a little foot-page
That would win both hose and shoon,
And will bring to me the Singing Leaves
If they grow under the moon?"

Then lightly turned him Walter the page,
By the stirrup as he ran:
"Now pledge you me the truesome word
Of a king and gentleman,

"That you will give me the first, first thing
You meet at your castle-gate,
And the Princess shall get the Singing Leaves,
Or mine be a traitor's fate."

The King's head dropt upon his breast
A moment, as it might be;
'T will be my dog, he thought, and said,
"My faith I plight to thee."

Then Walter took from next his heart
A packet small and thin,
"Now give you this to the Princess Anne,
The Singing Leaves are therein."

III

As the King rode in at his castle-gate,
A maiden to meet him ran,
And "Welcome, father!" she laughed and cried
Together, the Princess Anne.

"Lo, here the Singing Leaves," quoth he,
"And woe, but they cost me dear!"
She took the packet, and the smile
Deepened down beneath the tear.

It deepened down till it reached her heart,
And then gushed up again,
And lighted her tears as the sudden sun
Transfigures the summer rain.

And the first Leaf, when it was opened,
Sang: "I am Walter the page,
And the songs I sing 'neath thy window
Are my only heritage."

And the second Leaf sang: "But in the land
That is neither on earth nor sea,
My lute and I are lords of more
Than thrice this kingdom's fee."

And the third Leaf sang, "Be mine! Be mine!"
And ever it sang, "Be mine!"
Then sweeter it sang and ever sweeter,
And said, "I am thine, thine, thine!"

At the first Leaf she grew pale enough,
At the second she turned aside,
At the third, 't was as if a lily flushed
With a rose's red heart's tide.

"Good counsel gave the bird," said she,
"I have my hope thrice o'er,
For they sing to my very heart," she said,
"And it sings to them evermore."

She brought to him her beauty and truth,
But and broad earldoms three,
And he made her queen of the broader lands
He held of his lute in fee.

James Russell Lowell.

Seven Times Two

You bells in the steeple, ring, ring out your changes,
How many soever they be,
And let the brown meadow-lark's note as he ranges
Come over, come over to me!

Yet birds' clearest carol by fall or by swelling
No magical sense conveys;
And bells have forgotten their old art of telling
The fortune of future days.

"Turn again, turn again!" once they rang cheerily,
While a boy listened alone;
Made his heart yearn again, musing so wearily
All by himself on a stone.

Poor bells! I forgive you; your good days are over,
And mine, they are yet to be;
No listening, no longing, shall aught, aught discover;
You leave the story to me.

The foxglove shoots out of the green matted heather,
And hangeth her hoods of snow;
She was idle, and slept till the sunshiny weather:
Oh, children take long to grow!

I wish and I wish that the spring would go faster,
Nor long summer bide so late;
And I could grow on like the foxglove and aster,
For some things are ill to wait.

I wait for the day when dear hearts shall discover,
While dear hands are laid on my head,
"The child is a woman—the book may close over,
For all the lessons are said."

I wait for my story: the birds cannot sing it,
Not one, as he sits on the tree;
The bells cannot ring it, but long years, oh bring it!
Such as I wish it to be.

Jean Ingelow.

The Long White Seam

As I came round the harbor buoy,
The lights began to gleam,
No wave the land-locked harbor stirred,
The crags were white as cream;
And I marked my love by candlelight
Sewing her long white seam.
It's aye sewing ashore, my dear,
Watch and steer at sea,
It's reef and furl, and haul the line,
Set sail and think of thee.

I climbed to reach her cottage door;
Oh sweetly my love sings!
Like a shaft of light her voice breaks forth,
My soul to meet it springs,
As the shining water leaped of old
When stirred by angel wings.
Aye longing to list anew,
Awake and in my dream,
But never a song she sang like this,
Sewing her long white seam.

Fair fall the lights, the harbor lights,
That brought me in to thee,
And peace drop down on that low roof,
For the sight that I did see,
And the voice, my dear, that rang so clear,
All for the love of me.
For O, for O, with brows bent low,
By the flickering candle's gleam,
Her wedding gown it was she wrought,
Sewing the long white seam.

Jean Ingelow.

Hannah Binding Shoes

Poor lone Hannah,
Sitting at the window, binding shoes!
Faded, wrinkled,
Sitting, stitching, in a mournful muse.
Bright-eyed beauty once was she,
When the bloom was on the tree;—
Spring and winter,
Hannah's at the window, binding shoes.

Not a neighbor
Passing, nod or answer will refuse
To her whisper,
"Is there from the fishers any news?"
Oh, her heart's adrift with one
On an endless voyage gone;—
Night and morning,
Hannah's at the window, binding shoes.

Fair young Hannah,
Ben, the sunburnt fisher, gaily wooes;
Hale and clever,
For a willing heart and hand he sues.
May-day skies are all aglow,
And the waves are laughing so!
For her wedding
Hannah leaves her window and her shoes.

May is passing;
'Mid the apple-boughs a pigeon cooes;
Hannah shudders,
For the mild south-wester mischief brews.
Round the rocks of Marblehead,
Outward bound a schooner sped;
Silent, lonesome,
Hannah's at the window, binding shoes.

'Tis November:
Now no tear her wasted cheek bedews,
From Newfoundland
Not a sail returning will she lose,
Whispering hoarsely: "Fishermen,
Have you, have you heard of Ben?"
Old with watching,
Hannah's at the window, binding shoes.

Twenty winters
Bleak and drear the ragged shore she views,
Twenty seasons!
Never one has brought her any news,
Still her dim eyes silently
Chase the white sails o'er the sea;—
Hopeless, faithful,
Hannah's at the window, binding shoes.

Lucy Larcom.

Lord Ullin's Daughter

A Chieftain to the Highlands bound
Cries "Boatman, do not tarry!
And I'll give thee a silver pound
To row us o'er the ferry!"

"Now who be ye, would cross Lochgyle
This dark and stormy water?"
"O I'm the chief of Ulva's isle,
And this, Lord Ullin's daughter.

"And fast before her father's men
Three days we've fled together,
For should he find us in the glen,
My blood would stain the heather.

"His horsemen hard behind us ride—
Should they our steps discover,
Then who will cheer my bonny bride
When they have slain her lover!"

Out spoke the hardy Highland wight
"I'll go, my chief, I'm ready;
It is not for your silver bright,
But for your winsome lady:—

"And by my word! the bonny bird
In danger shall not tarry;
So though the waves are raging white
I'll row you o'er the ferry."

By this the storm grew loud apace,
The water-wraith was shrieking;
And in the scowl of heaven each face
Grew dark as they were speaking.

But still as wilder blew the wind
And as the night grew drearer,
Adown the glen rode arméd men,
Their trampling sounded nearer.

"O haste thee, haste!" the lady cries,
"Though tempests round us gather;
I'll meet the raging of the skies,
But not an angry father."

The boat has left a stormy land,
A stormy sea before her,—
When, O! too strong for human hand
The tempest gather'd o'er her.

And still they row'd amidst the roar
Of waters fast prevailing:
Lord Ullin reach'd that fatal shore,—
His wrath was changed to wailing.

For, sore dismay'd, through storm and shade
His child he did discover:—
One lovely hand she stretch'd for aid,
And one was round her lover.

"Come back! come back!" he cried in grief
"Across this stormy water:
And I'll forgive your Highland chief,
My daughter!—O my daughter!"

'Twas vain: the loud waves lash'd the shore,
Return or aid preventing:
The waters wild went o'er his child,
And he was left lamenting.

Thomas Campbell.

The King of Denmark's Ride

Word was brought to the Danish king,
(Hurry!)
That the love of his heart lay suffering,
And pined for the comfort his voice would bring
(Oh! ride as if you were flying!)
Better he loves each golden curl
On the brow of that Scandinavian girl
Than his rich crown-jewels of ruby and pearl;
And his Rose of the Isles is dying!

Thirty nobles saddled with speed;
(Hurry!)
Each one mounted a gallant steed
Which he kept for battle and days of need;
(Oh! ride as though you were flying!)
Spurs were stuck in the foaming flank,
Worn-out chargers staggered and sank;
Bridles were slackened and girths were burst;
But, ride as they would, the king rode first,
For his Rose of the Isles lay dying.

His nobles are beaten, one by one;
(Hurry!)
They have fainted, and faltered, and homeward gone;
His little fair page now follows alone,
For strength and for courage trying.
The king looked back at that faithful child,
Wan was the face that answering smiled.
They passed the drawbridge with clattering din,
Then he dropped, and only the king rode in
Where his Rose of the Isles lay dying.

The king blew a blast on his bugle-horn,
(Silence!)
No answer came, but faint and forlorn
An echo returned on the cold gray morn,
Like the breath of a spirit sighing;
The castle portal stood grimly wide;
None welcomed the king from that weary ride!
For, dead in the light of the dawning day,
The pale sweet form of the welcomer lay,
Who had yearned for his voice while dying.

The panting steed with a drooping crest
Stood weary;
The king returned from the chamber of rest,
The thick sobs choking in his breast,
And that dumb companion eying,
The tears gushed forth, which he strove to check;
He bowed his head on his charger's neck,—
"O steed that every nerve didst strain,
Dear steed! our ride hath been in vain
To the halls where my love lay dying."

Caroline Elizabeth Norton.

The Shepherd to His Love

Come live with me, and be my Love,
And we will all the pleasures prove,
That hills and valleys, dale and field,
And all the craggy mountains yield.

There will we sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.

There will I make thee beds of roses,
And a thousand fragrant posies,
A cap of flowers, and a kirtle,
Embroider'd all with leaves of myrtle;

A gown made of the finest wool,
Which from our pretty lambs we pull;
Fair-linèd slippers for the cold,
With buckles of the purest gold;

A belt of straw and ivy-buds,
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me, and be my Love.

Thy silver dishes for thy meat,
As precious as the gods do eat,
Shall, on an ivory table, be
Prepared each day for thee and me.

The shepherd swains shall dance and sing
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me, and be my Love.

Christopher Marlowe.

Ballad

a.d. 1400

It was Earl Haldan's daughter,
She looked across the sea;
She looked across the water,
And long and loud laughed she:
"The locks of six princesses
Must be my marriage fee:
So, hey, bonny boat, and ho, bonny boat,
Who comes a-wooing me!"

It was Earl Haldan's daughter,
She walked along the sand,
When she was aware of a knight so fair,
Came sailing to the land.
His sails were all of velvet,
His mast of beaten gold,
And "Hey, bonny boat, and ho, bonny boat.
Who saileth here so bold?"

"The locks of five princesses
I won beyond the sea;
I shore their golden tresses
To fringe a cloak for thee.
One handful yet is wanting,
But one of all the tale;
So, hey, bonny boat, and ho, bonny boat,
Furl up thy velvet sail!"

He leapt into the water,
That rover young and bold;
He gript Earl Haldan's daughter,
He shore her locks of gold:
"Go weep, go weep, proud maiden,
The tale is full to-day.
Now, hey, bonny boat, and ho, bonny boat,
Sail Westward ho, and away!"

Charles Kingsley.

Romance of the Swan's Nest

Little Ellie sits alone
'Mid the beeches of a meadow,
By a stream-side on the grass;
And the trees are showering down
Doubles of their leaves in shadow
On her shining hair and face.

She has thrown her bonnet by;
And her feet she has been dipping
In the shallow water's flow—
Now she holds them nakedly
In her hands, all sleek and dripping
While she rocketh to and fro.

Little Ellie sits alone,
And the smile she softly uses,
Fills the silence like a speech;
While she thinks what shall be done,—
And the sweetest pleasure chooses,
For her future within reach.

Little Ellie in her smile
Chooseth ... "I will have a lover,
Riding on a steed of steeds!
He shall love me without guile;
And to him I will discover
That swan's nest among the reeds.

"And the steed shall be red-roan
And the lover shall be noble.
With an eye that takes the breath,
And the lute he plays upon,
Shall strike ladies into trouble,
As his sword strikes men to death.

"And the steed it shall be shod
All in silver, housed in azure,
And the mane shall swim the wind:
And the hoofs along the sod
Shall flash onward and keep measure,
Till the shepherds look behind.

"But my lover will not prize
All the glory that he rides in,
When he gazes in my face.
He will say, 'O Love, thine eyes
Build the shrine my soul abides in;
And I kneel here for thy grace.'

"Then, ay, then—he shall kneel low
With the red-roan steed anear him
Which shall seem to understand—
Till I answer, 'Rise and go!
For the world must love and fear him
Whom I gift with heart and hand.'

"Then he will arise so pale,
I shall feel my own lips tremble
With a yes I must not say—
Nathless maiden-brave, 'Farewell,'
I will utter and dissemble—
'Light to-morrow with to-day.'

"Then he'll ride among the hills
To the wide world past the river,
There to put away all wrong:
To make straight distorted wills,
And to empty the broad quiver
Which the wicked bear along.

"Three times shall a young foot-page
Swim the stream and climb the mountain
And kneel down beside my feet—
'Lo! my master sends this gage,
Lady, for thy pity's counting!
What wilt thou exchange for it?'

"And the first time, I will send
A white rosebud for a guerdon,—
And the second time a glove:
But the third time—I may bend
From my pride, and answer—'Pardon—
If he comes to take my love.'

"Then the young foot-page will run—
Then my lover will ride faster,
Till he kneeleth at my knee:
'I am a duke's eldest son!
Thousand serfs do call me master,—
But, O Love, I love but thee!'

"He will kiss me on the mouth
Then; and lead me as a lover,
Through the crowds that praise his deeds:
And, when soul-tied by one troth,
Unto him I will discover
That swan's nest among the reeds."

Little Ellie, with her smile
Not yet ended, rose up gayly,
Tied the bonnet, donned the shoe—
And went homeward, round a mile,
Just to see, as she did daily,
What more eggs were with the two.

Pushing through the elm-tree copse
Winding by the stream, light-hearted,
Where the osier pathway leads—
Past the boughs she stoops—and stops!
Lo! the wild swan had deserted—
And a rat had gnawed the reeds.

Ellie went home sad and slow:
If she found the lover ever,
With his red-roan steed of steeds,
Sooth I know not! but I know
She could never show him—never,
That swan's nest among the reeds!

Elizabeth Barrett Browning.

Lochinvar

Oh, young Lochinvar is come out of the west;
Through all the wide Border his steed was the best;
And save his good broad-sword he weapons had none;
He rode all unarmed, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.

He stayed not for brake, and he stopped not for stone;
He swam the Eske river where ford there was none;
But, ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he entered the Netherby hall,
'Mong bridesmen and kinsmen, and brothers and all:
Then spoke the bride's father, his hand on his sword
(For the poor craven bridegroom said never a word),
"Oh, come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"

"I long wooed your daughter, my suit you denied—
Love swells like the Solway, but ebbs like its tide;
And now I am come, with this lost love of mine
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far
That would gladly be bride to the young Lochinvar."

The bride kissed the goblet; the knight took it up:
He quaffed off the wine, and he threw down the cup.
She looked down to blush, and she looked up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand ere her mother could bar,—
"Now tread we a measure!" said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a galliard did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whispered, "'Twere better by far
To have matched our fair cousin with young Lochinvar."

One touch to her hand, and one word in her ear,
When they reached the hall door and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur!
They'll have fleet steeds that follow!" quoth young Lochinvar.

There was mounting 'mong Græmes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran;
There was racing and chasing on Cannobie Lee;
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?

Sir Walter Scott.

From "Marmion."

Jock of Hazeldean

"Why weep ye by the tide, ladie?
Why weep ye by the tide?
I'll wed ye to my youngest son,
And ye sall be his bride;
And ye sall be his bride, ladie,
Sae comely to be seen"—
But aye she loot the tears down fa'
For Jock of Hazeldean.

"Now let this wilfu' grief be done,
And dry that cheek so pale;
Young Frank is chief of Errington,
And lord of Langley-dale;
His step is first in peaceful ha',
His sword in battle keen"—
But aye she loot the tears down fa'
For Jock of Hazeldean.

"A chain of gold ye sall not lack,
Nor braid to bind your hair;
Nor mettled hound, nor managed hawk,
Nor palfrey fresh and fair;
And you, the foremost o' them a',
Shall ride our forest queen"—
But aye she loot the tears down fa'
For Jock of Hazeldean.

The kirk was decked at morning-tide,
The tapers glimmered fair;
The priest and bridegroom wait the bride,
And dame and knight are there.
They sought her baith by bower and ha',
The ladie was not seen!
She's o'er the Border, and awa'
Wi' Jock of Hazeldean.

Sir Walter Scott.

The Lady of Shalott

Part I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the fields the road runs by
To many-towered Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs forever
By the island in the river
Flowing down to Camelot;
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow-veiled,
Slide the heavy barges trailed
By slow horses; and unhailed
The shallop flitteth silken-sailed,
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott.

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly,
From the river winding clearly,
Down to towered Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers "'Tis the fairy
Lady of Shalott."

Part II

There she weaves by night and day
A magic web with colors gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market-girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-haired page in crimson clad,
Goes by to towered Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights.
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
"I am half sick of shadows," said
The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling through the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight forever kneeled
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glittered free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle-bells rang merrily.
As he rode down to Camelot:
And from his blazoned baldric slung
A mighty silver bugle hung,
And as he rode his armor rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewelled shone the saddle-leather,
The helmet and the helmet-feather
Burned like one burning flame together,
As he rode down to Camelot.
As often through the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glowed;
On burnished hooves his war-horse trode;
From underneath his helmet flowed
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro' the room,
She saw the water lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

Part IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over towered Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote,
The Lady of Shalott.

And down the river's dim expanse—
Like some bold seër in a trance,
Seeing all his own mischance—
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right—
The leaves upon her falling light—
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turned to towered Camelot;
For ere she reached upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here,
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."

Alfred, Lord Tennyson.

The High Tide on the Coast of Lincolnshire

The old mayor climbed the belfry tower,
The ringers ran by two, by three;
"Pull, if ye never pulled before;
Good ringers, pull your best," quoth he.
"Play uppe, play uppe, O Boston bells!
Play all your changes, all your swells,
Play uppe 'The Brides of Enderby.'"

Men say it was a stolen tyde—
The Lord that sent it, He knows all;
But in myne ears doth still abide
The message that the bells let fall:
And there was nought of strange, beside
The flights of mews and peewits pied
By millions crouched on the old sea wall.

I sat and spun within the doore,
My thread brake off, I raised myne eyes;
The level sun, like ruddy ore,
Lay sinking in the barren skies;
And dark against day's golden death
She moved where Lindis wandereth,
My sonne's faire wife, Elizabeth.

"Cusha! Cusha! Cusha!" calling,
Ere the early dews were falling,
Farre away I heard her song.
"Cusha! Cusha!" all along;
Where the reedy Lindis floweth,
Floweth, floweth,
From the meads where melick groweth
Faintly came her milking song.—

"Cusha! Cusha! Cusha!" calling,
"For the dews will soone be falling;
Leave your meadow grasses mellow,
Mellow, mellow;
Quit your cowslips, cowslips yellow;
Come uppe Whitefoot, come uppe Lightfoot,
Quit the stalks of parsley hollow,
Hollow, hollow;
Come uppe Jetty, rise and follow,
From the clovers lift your head;
Come uppe Whitefoot, come uppe Lightfoot,
Come uppe Jetty, rise and follow,
Jetty, to the milking shed."

If it be long, aye, long ago,
When I beginne to think howe long,
Againe I hear the Lindis flow,
Swift as an arrowe, sharpe and strong;
And all the aire it seemeth mee
Bin full of floating bells (sayth shee),
That ring the tune of Enderby.

Alle fresh the level pasture lay,
And not a shadowe mote be seene,
Save where full fyve good miles away
The steeple towered from out the greene;
And lo! the great bell farre and wide
Was heard in all the country side
That Saturday at eventide.

The swannerds where their sedges are
Moved on in sunset's golden breath,
The shepherde lads I heard afarre,
And my sonne's wife, Elizabeth;
Till floating o'er the grassy sea
Came downe that kyndly message free,
The "Brides of Mavis Enderby."

Then some looked uppe into the sky,
And all along where Lindis flows
To where the goodly vessels lie,
And where the lordly steeple shows.
They sayde, "And why should this thing be,
What danger lowers by land or sea?
They ring the tune of Enderby!

"For evil news from Mablethorpe,
Of pyrate galleys warping down;
For shippes ashore beyond the scorpe,
They have not spared to wake the towne:
But while the west bin red to see,
And storms be none, and pyrates flee,
Why ring 'The Brides of Enderby'?"

I looked without, and lo! my sonne
Came riding downe with might and main:
He raised a shout as he drew on,
Till all the welkin rang again,
"Elizabeth! Elizabeth!"
(A sweeter woman ne'er drew breath
Than my sonne's wife, Elizabeth.)

"The olde sea wall (he cried) is downe,
The rising tide comes on apace,
And boats adrift in yonder towne
Go sailing uppe the market-place."
He shook as one that looks on death:
"God save you, mother!" straight he saith;
"Where is my wife, Elizabeth?"

"Good sonne, where Lindis winds away
With her two bairns I marked her long;
And ere yon bells beganne to play
Afar I heard her milking song."
He looked across the grassy sea,
To right, to left, "Ho Enderby!"
They rang "The Brides of Enderby!"

With that he cried and beat his breast;
For lo! along the river's bed
A mighty eygre reared his crest,
And uppe the Lindis raging sped.
It swept with thunderous noises loud;
Shaped like a curling snow-white cloud,
Or like a demon in a shroud.

And rearing Lindis backward pressed,
Shook all her trembling bankes amaine;
Then madly at the eygre's breast
Flung uppe her weltering walls again.
Then bankes came downe with ruin and rout—
Then beaten foam flew round about—
Then all the mighty floods were out.

So farre, so fast the eygre drave,
The heart had hardly time to beat,
Before a shallow seething wave
Sobbed in the grasses at oure feet:
The feet had hardly time to flee
Before it brake against the knee,
And all the world was in the sea.

Upon the roofe we sate that night,
The noise of bells went sweeping by:
I marked the lofty beacon light
Stream from the church tower, red and high—
A lurid mark and dread to see;
And awsome bells they were to mee,
That in the dark rang "Enderby."

They rang the sailor lads to guide
From roofe to roofe who fearless rowed;
And I—my sonne was at my side.
And yet the ruddy beacon glowed;
And yet he moaned beneath his breath,
"O come in life, or come in death!
O lost! my love, Elizabeth."

And didst thou visit him no more?
Thou didst, thou didst my daughter deare;
The waters laid thee at his doore,
Ere yet the early dawn was clear.
Thy pretty bairns in fast embrace,
The lifted sun shone on thy face,
Downe drifted to thy dwelling-place.

That flow strewed wrecks about the grass,
That ebbe swept out the flocks to sea;
A fatal ebbe and flow, alas!
To manye more than myne and me:
But each will mourn his own (she saith)
And sweeter woman ne'er drew breath
Than my sonne's wife, Elizabeth.

I shall never hear her more
By the reedy Lindis shore,
"Cusha, Cusha, Cusha!" calling,
Ere the early dews be falling;
I shall never hear her song,
"Cusha, Cusha!" all along,
Where the sunny Lindis floweth,
Goeth, floweth;
From the meads where melick groweth.
When the water winding down,
Onward floweth to the town.

I shall never see her more
Where the reeds and rushes quiver.
Shiver, quiver;
Stand beside the sobbing river,
Sobbing, throbbing, in its falling,
To the sandy lonesome shore;
I shall never hear her calling,
"Leave your meadow grasses mellow,
Mellow, mellow;

Quit your cowslips, cowslips yellow;
Come uppe Whitefoot, come uppe Lightfoot;
Quit your pipes of parsley hollow,
Hollow, hollow;
Come uppe Lightfoot, rise and follow;
Lightfoot, Whitefoot,
From your clovers lift the head;
Come uppe Jetty, follow, follow,
Jetty, to the milking shed."

Jean Ingelow.

The Forsaken Merman

Come, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away,
This way, this way!

Call her once before you go.
Call once yet,
In a voice that she will know:
"Margaret! Margaret!"
Children's voices should be dear
(Call once more) to a mother's ear:
Children's voices wild with pain.
Surely she will come again.
Call her once, and come away.
This way, this way!
"Mother dear, we cannot stay."
The wild white horses foam and fret,
Margaret! Margaret!

Come, dear children, come away down.
Call no more.
One last look at the white-walled town,
And the little gray church on the windy shore,
Then come down.
She will not come though you call all day.
Come away, come away.

Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts rang'd all round
Feed in the ooze of their pasture ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world forever and aye?
When did music come this way?
Children dear, was it yesterday?

Children dear, was it yesterday
(Call yet once) that she went away?
Once she sat with you and me,
On a red-gold throne in the heart of the sea.
And the youngest sat on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of the far-off bell,
She sigh'd, she look'd up through the clear green sea,
She said, "I must go, for my kinsfolk pray
In the little gray church on the shore to-day.

'Twill be Easter-time in the world—ah me!
And I lose my poor soul, Merman, here with thee."
I said, "Go up, dear heart, through the waves:
Say thy prayer, and come back to the kind sea-caves."
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?

Children dear, were we long alone?
The sea grows stormy, the little ones moan;
"Long prayers," I said, "in the world they say."
"Come," I said, and we rose through the surf in the bay.
We went up the beach in the sandy down
Where the sea-stocks bloom, to the white-wall'd town,
Through the narrow paved streets, where all was still,
To the little gray church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb'd on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear;
"Margaret, hist! come quick, we are here.
Dear heart," I said, "we are here alone.
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were seal'd to the holy book.
Loud prays the priest; shut stands the door.
Come away, children, call no more,
Come away, come down, call no more.

Down, down, down,
Down to the depths of the sea,
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: "O joy, O joy,
For the humming street, and the child with its toy,
For the priest and the bell, and the holy well,
For the wheel where I spun,
And the blessèd light of the sun."
And so she sings her fill,
Singing most joyfully,
Till the shuttle falls from her hand,
And the whizzing wheel stands still.
She steals to the window and looks at the sand;
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow clouded eye,
And a heart sorrow laden,
A long, long sigh,
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.

Come away, away, children,
Come children, come down.
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she,
And alone dwell forever
The kings of the sea."

But, children, at midnight,
When soft the winds blow,
When clear falls the moonlight,
When spring-tides are low;
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze from the sand-hills
At the white sleeping town;
At the church on the hillside—
And then come back, down.
Singing, "There dwells a loved one,
But cruel is she:
She left lonely forever
The kings of the sea."

Matthew Arnold.

The Sands of Dee

I

"O Mary, go and call the cattle home,
And call the cattle home,
And call the cattle home
Across the sands of Dee;"
The western wind was wild and dank wi' foam,
And all alone went she.

II

The western tide crept up along the sand,
And o'er and o'er the sand,
And round and round the sand,
As far as eye could see.
The rolling mist came down and hid the land—
And never home came she.

III

"Oh! is it weed, or fish, or floating hair—
A tress o' golden hair,
A drownèd maiden's hair
Above the nets at sea?
Was never salmon yet that shone so fair
Among the stakes on Dee."

IV

They rowed her in across the rolling foam,
The cruel crawling foam,
The cruel hungry foam,
To her grave beside the sea:
But still the boatmen hear her call the cattle home
Across the sands of Dee!

Charles Kingsley.

The "Gray Swan"

"Oh, tell me, sailor, tell me true,
Is my little lad, my Elihu,
A-sailing with your ship?"
The sailor's eyes were dim with dew.
"Your little lad, your Elihu?"
He said with trembling lip,—
"What little lad? what ship?"

"What little lad? as if there could be
Another such a one as he!
What little lad, do you say?
Why Elihu, that took to the sea
The moment I put him off my knee!
It was just the other day
The 'Gray Swan' sailed away."

"The other day?" The sailor's eyes
Stood open with a great surprise:
"The other day? the 'Swan'?"
His heart began in his throat to rise.
"Ay, ay, sir, here in the cupboard lies
The jacket he had on."
"And so your lad is gone?"

"Gone with the 'Swan'?"—"And did she stand
With her anchor clutching hold of the sand
For a month, and never stir?"
"Why, to be sure! I've seen from the land,
Like a lover kissing his lady's hand,
The wild sea kissing her,—
A sight to remember, sir!"

"But, my good mother, do you know
All this was twenty years ago?
I stood on the 'Gray Swan's' deck,
And to that lad I saw you throw,
Taking it off as it might be,—so!—
The kerchief from your neck."
"Ay, and he'll bring it back!"

"And did the little lawless lad,
That has made you sick and made you sad,
Sail with the 'Gray Swan's' crew?"
"Lawless! The man is going mad!
The best boy ever mother had!—
Be sure he sailed with the crew!
What would you have him do?"

"And has he never written line,
Nor sent you word, nor made you sign,
To say he was alive?"
"Hold! If 'twas wrong, the wrong is mine;
Besides, he may lie in the brine;
And could he write from the grave?
Tut, man! what would you have?"

"Gone twenty years,—a long, long cruise!
'Twas wicked thus your love to abuse!
But if the lad still live,
And come back home, think you you can
Forgive him?" "Miserable man!
You're mad as the sea, you rave!
What have I to forgive?"

The sailor twitched his shirt so blue,
And from within his bosom drew
The kerchief. She was wild.
"O God, my Father! is it true?
My little lad, my Elihu!
My blessed boy, my child!
My dead, my living child!"

Alice Cary.

The Wreck of the Hesperus

It was the schooner Hesperus
That sailed the wintry sea;
And the skipper had taken his little daughtèr
To bear him company.

Blue were her eyes as the fairy-flax,
Her cheeks like the dawn of day,
And her bosom white as the hawthorn buds,
That ope in the month of May.

The skipper he stood beside the helm,
His pipe was in his mouth,
And he watched how the veering flaw did blow
The smoke now West, now South.

Then up and spake an old Sailòr
Had sailed to the Spanish main,
"I pray thee put into yonder port,
For I fear a hurricane.

"Last night the moon had a golden ring,
And to-night no moon we see!"
The skipper he blew a whiff from his pipe,
And a scornful laugh laughed he.

Colder and colder blew the wind,
A gale from the Northeast;
The snow fell hissing in the brine,
And the billows frothed like yeast.

Down came the storm, and smote amain
The vessel in its strength;
She shuddered and paused like a frighted steed,
Then leaped her cable's length.

"Come hither! come hither! my little daughtèr,
And do not tremble so;
For I can weather the roughest gale
That ever wind did blow."

He wrapped her warm in his seaman's coat
Against the stinging blast;
He cut a rope from a broken spar,
And bound her to the mast.

"O father! I hear the church-bells ring;
O say, what may it be?"
"'Tis a fog-bell on a rock-bound coast!"
And he steered for the open sea.

"O father! I hear the sound of guns;
O say, what may it be?"
"Some ship in distress, that cannot live
In such an angry sea!"

"O father I see a gleaming light;
O say, what may it be?"
But the father answered never a word,
A frozen corpse was he.

Lashed to the helm, all stiff and stark,
With his face turned to the skies,
The lantern gleamed through the gleaming snow
On his fixed and glassy eyes.

Then the maiden clasped her hands and prayed
That savèd she might be;
And she thought of Christ, who stilled the wave
On the Lake of Galilee.

And fast through the midnight dark and drear,
Through the whistling sleet and snow,
Like a sheeted ghost the vessel swept
Towards the reef of Norman's Woe.

And ever the fitful gusts between
A sound came from the land;
It was the sound of the trampling surf
On the rocks and the hard sea-sand.

The breakers were right beneath her bows,
She drifted a dreary wreck,
And a whooping billow swept the crew
Like icicles from her deck.

She struck where the white and fleecy waves
Looked soft as carded wool,
But the cruel rocks they gored her side
Like the horns of an angry bull.

Her rattling shrouds, all sheathed in ice,
With the masts went by the board:
Like a vessel of glass she stove and sank,—
Ho! ho! the breakers roared!

At daybreak, on the bleak sea-beach
A fisherman stood aghast
To see the form of a maiden fair
Lashed close to a drifting mast.

The salt sea was frozen on her breast,
The salt tears in her eyes;
And he saw her hair, like the brown sea-weed,
On the billows fall and rise.

Such was the wreck of the Hesperus,
In the midnight and the snow!
Christ save us all from a death like this
On the reef of Norman's Woe!

Henry Wadsworth Longfellow.

A Greyport Legend

They ran through the streets of the seaport town;
They peered from the decks of the ships that lay:
The cold sea-fog that comes whitening down
Was never as cold or white as they.
"Ho, Starbuck, and Pinckney, and Tenterden,
Run for your shallops, gather your men,
Scatter your boats on the lower bay!"

Good cause for fear! In the thick midday
The hulk that lay by the rotting pier,
Filled with the children in happy play,
Parted its moorings and drifted clear;
Drifted clear beyond reach or call,—
Thirteen children they were in all,—
All adrift in the lower bay!

Said a hard-faced skipper, "God help us all!
She will not float till the turning tide!"
Said his wife, "My darling will hear my call,
Whether in sea or heaven she bide!"
And she lifted a quavering voice and high,
Wild and strange as a sea-bird's cry,
Till they shuddered and wondered at her side.

The fog drove down on each laboring crew,
Veiled each from each and the sky and shore;
There was not a sound but the breath they drew,
And the lap of water and creak of oar.
And they felt the breath of the downs fresh blown
O'er leagues of clover and cold gray stone,
But not from the lips that had gone before.

They came no more. But they tell the tale
That, when fogs are thick on the harbor reef,
The mackerel-fishers shorten sail;
For the signal they know will bring relief,
For the voices of children, still at play
In a phantom-hulk that drifts alway
Through channels whose waters never fail.

It is but a foolish shipman's tale,
A theme for a poet's idle page;
But still, when the mists of doubt prevail,
And we lie becalmed by the shores of age,
We hear from the misty troubled shore
The voice of the children gone before,
Drawing the soul to its anchorage!

Bret Harte.

The Glove and the Lions

King Francis was a hearty king, and loved a royal sport,
And one day as his lions fought, sat looking on the court;
The nobles filled the benches, with the ladies in their pride,
And 'mongst them sat the Count de Lorge, with one for whom he sighed:
And truly 'twas a gallant thing to see that crowning show,
Valour and love, and a king above, and the royal beasts below.

Ramp'd and roar'd the lions, with horrid laughing jaws;
They bit, they glared, gave blows like beams, a wind went with their paws;
With wallowing might and stifled roar they rolled on one another,
Till all the pit with sand and mane was in a thunderous smother;
The bloody foam above the bars came whisking through the air;
Said Francis then, "Faith, gentlemen, we're better here than there."

De Lorge's love o'erheard the king,—a beauteous lively dame
With smiling lips and sharp bright eyes, which always seem'd the same:
She thought, "The Count, my lover, is brave as brave can be;
He surely would do wondrous things to show his love of me;
King, ladies, lovers, all look on; the occasion is divine;
I'll drop my glove, to prove his love; great glory will be mine."

She dropp'd her glove, to prove his love, then look'd at him and smiled;
He bowed, and in a moment leapt among the lions wild:
His leap was quick, return was quick, he has regain'd his place,
Then threw the glove, but not with love, right in the lady's face.
"Well done!" cried Francis, "bravely done!" and he rose from where he sat:
"No love," quoth he, "but vanity, sets love a task like that."

Leigh Hunt.

How's My Boy?

Ho, sailor of the sea!
How's my boy—my boy?
"What's your boy's name, good wife,
And in what good ship sailed he?"

My boy John—
He that went to sea—
What care I for the ship, sailor?
My boy's my boy to me.

You come back from sea
And not know my John?
I might as well have asked some landsman
Yonder down in the town.
There's not an ass in all the parish
But he knows my John.

How's my boy—my boy?
And unless you let me know
I'll swear you are no sailor,
Blue jacket or no,
Brass button or no, sailor,
Anchor and crown or no!
Sure his ship was the Jolly Briton—
"Speak low, woman, speak low!"

And why should I speak low, sailor,
About my own boy John?
If I was loud as I am proud
I'd sing him over the town!
Why should I speak low, sailor?
"That good ship went down."

How's my boy—my boy?
What care I for the ship, sailor,
I never was aboard her.
Be she afloat, or be she aground,
Sinking or swimming, I'll be bound
Her owners can afford her!
I say, how's my John?
"Every man on board went down,
Every man aboard her."

How's my boy—my boy?
What care I for the men, sailor?
I'm not their mother—
How's my boy—my boy?
Tell me of him and no other!
How's my boy—my boy?

Sydney Dobell.

The Child-Musician

He had played for his lordship's levee,
He had played for her ladyship's whim,
Till the poor little head was heavy,
And the poor little brain would swim.

And the face grew peaked and eerie,
And the large eyes strange and bright;
And they said—too late—"He is weary!
He shall rest, for at least to-night!"

But at dawn, when the birds were waking,
As they watched in the silent room,
With the sound of a strained cord breaking,
A something snapped in the gloom.

'Twas the string of his violoncello,
And they heard him stir in his bed:—
"Make room for a tired little fellow,
"Kind God!" was the last he said.

Austin Dobson.

How They Brought the Good News from Ghent to Aix

I sprang to the stirrup, and Joris and he:
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch as the gate-bolts undrew,
"Speed!" echoed the wall to us galloping through,
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.

Not a word to each other; we kept the great pace—
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup and set the pique right,
Rebuckled the check-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.

'Twas a moonset at starting; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Boom a great yellow star came out to see;
At Düffeld 'twas morning as plain as could be;
And from Mecheln church-steeple we heard the half chime—
So Joris broke silence with "Yet there is time!"

At Aerschot up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past;
And I saw my stout galloper Roland at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray;
And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,—ever that glance
O'er its white edge at me, his own master, askance;
And the thick heavy spume-flakes, which aye and anon
His fierce lips shook upward in galloping on.

By Hasselt Dirck groaned; and cried Joris, "Stay spur!
Your Roos galloped bravely, the fault's not in her;
We'll remember at Aix"—for one heard the quick wheeze
Of her chest, saw the stretched neck, and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.

So we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh;
'Neath our feet broke the brittle, bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And "Gallop," gasped Joris, "for Aix is in sight!"

"How they'll greet us!"—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-sockets' rim.

Then I cast loose my buff-coat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrups, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer—
Clapped my hands, laughed and sung, any noise, bad or good,
Till at length into Aix Roland galloped and stood.

And all I remember is friends flocking round,
As I sate with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent.

Robert Browning.

The Inchcape Rock

No stir in the air, no stir in the sea,
The ship was still as she could be;
Her sails from heaven received no motion;
Her keel was steady in the ocean.

Without either sign or sound of their shock,
The waves flow'd over the Inchcape Rock;
So little they rose, so little they fell,
They did not move the Inchcape Bell.

The Abbot of Aberbrothok
Had placed that Bell on the Inchcape Rock;
On a buoy in the storm it floated and swung,
And over the waves its warning rung.

When the Rock was hid by the surge's swell,
The mariners heard the warning Bell;
And then they knew the perilous Rock,
And blest the Abbot of Aberbrothok.

The Sun in heaven was shining gay;
All things were joyful on that day;
The sea-birds scream'd as they wheel'd round.
And there was joyance in their sound.

The buoy of the Inchcape Bell was seen
A darker speck on the ocean green;
Sir Ralph the Rover walk'd his deck,
And he fix'd his eye on the darker speck.

He felt the cheering power of spring;
It made him whistle, it made him sing;
His heart was mirthful to excess,
But the Rover's mirth was wickedness.

His eye was on the Inchcape float;
Quoth he, "My men, put out the boat,
And row me to the Inchcape Rock,
And I'll plague the Abbot of Aberbrothok."

The boat is lower'd, the boatmen row,
And to the Inchcape Rock they go;
Sir Ralph bent over from the boat,
And he cut the Bell from the Inchcape float.

Down sunk the Bell with a gurgling sound;
The bubbles rose and burst around;
Quoth Sir Ralph, "The next who comes to the Rock
Won't bless the Abbot of Aberbrothok."

Sir Ralph the Rover sail'd away;
He scour'd the seas for many a day;
And now, grown rich with plunder'd store,
He steers his course for Scotland's shore.

So thick a haze o'erspreads the sky,
They cannot see the Sun on high;
The wind hath blown a gale all day;
At evening it hath died away.

On the deck the Rover takes his stand;
So dark it is they see no land.
Quoth Sir Ralph, "It will be lighter soon,
For there is the dawn of the rising Moon."

"Canst hear," said one, "the breakers roar?
For methinks we should be near the shore."
"Now where we are I cannot tell,
But I wish I could hear the Inchcape Bell."

They hear no sound; the swell is strong;
Though the wind hath fallen, they drift along,
Till the vessel strikes with a shivering shock,—
"Oh God! it is the Inchcape Rock!"

Sir Ralph the Rover tore his hair;
He curs'd himself in his despair;
The waves rush in on every side;
The ship is sinking beneath the tide.

But, even in his dying fear,
One dreadful sound could the Rover hear—
A sound as if, with the Inchcape Bell,
The fiends below were ringing his knell.

Robert Southey.

A Night With a Wolf

Little one, come to my knee!
Hark, how the rain is pouring
Over the roof, in the pitch-black night,
And the wind in the woods a-roaring!

Hush, my darling, and listen,
Then pay for the story with kisses;
Father was lost in the pitch-black night,
In just such a storm as this is!

High up on the lonely mountains,
Where the wild men watched and waited;
Wolves in the forest, and bears in the bush,
And I on my path belated.

The rain and the night together
Came down, and the wind came after,
Bending the props of the pine-tree roof,
And snapping many a rafter.

I crept along in the darkness,
Stunned, and bruised, and blinded,—
Crept to a fir with thick-set boughs,
And a sheltering rock behind it.

There, from the blowing and raining,
Crouching, I sought to hide me:
Something rustled, two green eyes shone,
And a wolf lay down beside me.

Little one, be not frightened;
I and the wolf together,
Side by side, through the long, long night
Hid from the awful weather.

His wet fur pressed against me;
Each of us warmed the other;
Each of us felt, in the stormy dark,
That beast and man was brother.

And when the falling forest
No longer crashed in warning,
Each of us went from our hiding-place
Forth in the wild, wet morning.

Darling, kiss me in payment!
Hark, how the wind is roaring;
Father's house is a better place
When the stormy rain is pouring!

Bayard Taylor.

The Dove of Dacca

The freed dove flew to the Rajah's tower—
Fled from the slaughter of Moslem kings—
And the thorns have covered the city of Gaur.
Dove—dove—oh, homing dove!
Little white traitor, with woe on thy wings!

The Rajah of Dacca rode under the wall;
He set in his bosom a dove of flight—
"If she return, be sure that I fall."
Dove—dove—oh, homing dove!
Pressed to his heart in the thick of the fight.

"Fire the palace, the fort, and the keep—
Leave to the foeman no spoil at all.
In the flame of the palace lie down and sleep
If the dove, if the dove—if the homing dove
Come and alone to the palace wall."

The Kings of the North they were scattered abroad—
The Rajah of Dacca he slew them all.
Hot from slaughter he stooped at the ford,—
And the dove—the dove—oh, the homing dove!
She thought of her cote on the palace wall.

She opened her wings and she flew away—
Fluttered away beyond recall;
She came to the palace at break of day.
Dove—dove—oh, homing dove!
Flying so fast for a kingdom's fall.

The Queens of Dacca they slept in flame—
Slept in the flame of the palace old—
To save their honour from Moslem shame.
And the dove—the dove—oh, the homing dove!
She cooed to her young where the smoke-cloud rolled.

The Rajah of Dacca rode far and fleet,
Followed as fast as a horse could fly,
He came and the palace was black at his feet;
And the dove—the dove—oh, the homing dove!
Circled alone in the stainless sky.

So the dove flew to the Rajah's tower—
Fled from the slaughter of Moslem kings;
So the thorns covered the city of Gaur,
And Dacca was lost for a white dove's wings.
Dove—dove—oh, homing dove!
Dacca is lost from the roll of the kings!

Rudyard Kipling.

The Abbot of Inisfalen

I

The Abbot of Inisfalen
Awoke ere dawn of day;
Under the dewy green leaves
Went he forth to pray.

The lake around his island
Lay smooth and dark and deep,
And, wrapt in a misty stillness,
The mountains were all asleep.

Low kneel'd the Abbot Cormac,
When the dawn was dim and gray;
The prayers of his holy office
He faithfully 'gan say.

Low kneel'd the Abbot Cormac,
When the dawn was waxing red,
And for his sins' forgiveness
A solemn prayer he said.

Low kneel'd that holy Abbot
When the dawn was waxing clear;
And he pray'd with loving-kindness
For his convent brethren dear.

Low kneel'd that blessed Abbot,
When the dawn was waxing bright;
He pray'd a great prayer for Ireland,
He pray'd with all his might.

Low kneel'd that good old father,
While the sun began to dart;
He pray'd a prayer for all mankind,
He pray'd it from his heart.

II

The Abbot of Inisfalen
Arose upon his feet;
He heard a small bird singing,
And, oh, but it sung sweet!

He heard a white bird singing well
Within a holly-tree;
A song so sweet and happy
Never before heard he.

It sung upon a hazel,
It sung upon a thorn;
He had never heard such music
Since the hour that he was born.

It sung upon a sycamore,
It sung upon a briar;
To follow the song and hearken
This Abbot could never tire.

Till at last he well bethought him
He might no longer stay;
So he bless'd the little white singing-bird,
And gladly went his way.

III

But when he came to his Abbey walls,
He found a wondrous change;
He saw no friendly faces there,
For every face was strange.

The strangers spoke unto him;
And he heard from all and each
The foreign tone of the Sassenach,
Not wholesome Irish speech.

Then the oldest monk came forward,
In Irish tongue spake he:
"Thou wearest the holy Augustine's dress,
And who hath given it to thee?"

"I wear the holy Augustine's dress,
And Cormac is my name,
The Abbot of this good Abbey
By grace of God I am.

"I went forth to pray, at the dawn of day;
And when my prayers were said,
I hearkened awhile to a little bird
That sung above my head."

The monks to him made answer,
"Two hundred years have gone o'er,
Since our Abbot Cormac went through the gate,
And never was heard of more.

"Matthias now is our Abbot,
And twenty have passed away.
The stranger is lord of Ireland;
We live in an evil day."

IV

"Now give me absolution;
For my time is come," said he.
And they gave him absolution
As speedily as might be.

Then, close outside the window,
The sweetest song they heard
That ever yet since the world began
Was uttered by any bird.

The monks looked out and saw the bird,
Its feathers all white and clean;
And there in a moment, beside it,
Another white bird was seen.

Those two they sung together,
Waved their white wings, and fled;
Flew aloft, and vanished;
But the good old man was dead.

They buried his blessed body
Where lake and greensward meet;
A carven cross above his head,
A holly-bush at his feet;

Where spreads the beautiful water
To gay or cloudy skies,
And the purple peaks of Killarney
From ancient woods arise.

William Allingham.

The Cavalier's Escape

Trample! trample! went the roan,
Trap! trap! went the gray;
But pad! pad! pad! like a thing that was mad,
My chestnut broke away.
It was just five miles from Salisbury town,
And but one hour to day.

Thud! thud! came on the heavy roan,
Rap! rap! the mettled gray;
But my chestnut mare was of blood so rare,
That she showed them all the way.
Spur on! spur on!—I doffed my hat,
And wished them all good-day.

They splashed through miry rut and pool,—
Splintered through fence and rail;
But chestnut Kate switched over the gate,—
I saw them droop and tail.
To Salisbury town—but a mile of down,
Once over this brook and rail.

Trap! trap! I heard their echoing hoofs
Past the walls of mossy stone;
The roan flew on at a staggering pace,
But blood is better than bone.
I patted old Kate, and gave her the spur,
For I knew it was all my own.

But trample! trample! came their steeds,
And I saw their wolf's eyes burn;
I felt like a royal hart at bay,
And made me ready to turn.
I looked where highest grew the May,
And deepest arched the fern.

I flew at the first knave's sallow throat;
One blow, and he was down.
The second rogue fired twice, and missed;
I sliced the villain's crown,—
Clove through the rest, and flogged brave Kate,
Fast, fast to Salisbury town!

Pad! pad! they came on the level sward,
Thud! thud! upon the sand,—
With a gleam of swords and a burning match,
And a shaking of flag and hand;
But one long bound, and I passed the gate,
Safe from the canting band.

Walter Thornbury.

The Pied Piper of Hamelin

I

Hamelin town's in Brunswick,
By famous Hanover city;
The River Weser, deep and wide,
Washes its walls on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II

Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

III

At last the people in a body
To the Town Hall came flocking:
"'Tis clear," cried they, "our Mayor's a noddy,
"And as for our Corporation—shocking
"To think we buy gowns lined with ermine
"For dolts that can't or won't determine
"What's best to rid us of our vermin!
"You hope, because you're old and obese,
"To find in the furry civic robe ease?
"Rouse up, Sirs! Give your brains a racking
"To find the remedy we're lacking,
"Or, sure as fate, we'll send you packing!"
At this the Mayor and Corporation
Quaked with a mighty consternation.

IV

An hour they sate in Council;
At length the Mayor broke silence:
"For a guilder I'd my ermine gown sell;
"I wish I were a mile hence!
"It's easy to bid one rack one's brain—
"I'm sure my poor head aches again,
"I've scratched it so, and all in vain.
"Oh, for a trap, a trap, a trap!"
Just as he said this, what should hap
At the chamber door, but a gentle tap?
"Bless us!" cried the Mayor, "what's that?"
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous.)
"Only a scraping of shoes on the mat!
"Anything like the sound of a rat
"Makes my heart go pit-a-pat!"

V

"Come in!" the Mayor cried, looking bigger,
And in did come the strangest figure!
His queer long coat, from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in;
There was no guessing his kith and kin;
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: "It's as if my great-grandsire,
"Starting up at the trump of Doom's tone,
"Had walked this way from his painted tombstone!"

VI

He advanced to the council table:
And, "Please your honours," said he, "I'm able,
"By means of a secret charm, to draw
"All creatures living beneath the sun,
"That creep, or swim, or fly, or run,
"After me so as you never saw!
"And I chiefly use my charm
"On creatures that do people harm,—
"The mole, the toad, the newt, the viper:
"And people call me the Pied Piper."
(And here they noticed round his neck
A scarf of red and yellow stripe
To match his coat of the self-same cheque;
And at the scarf's end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon his pipe, as low it dangled
Over his vesture so old-fangled.)
"Yet," said he, "poor piper as I am,
"In Tartary I freed the Cham,
"Last June, from his huge swarm of gnats;
"I eased in Asia the Nizam
"Of a monstrous brood of vampyre bats:
"And as for what your brain bewilders,
"If I can rid your town of rats
"Will you give me a thousand guilders?"
"One! fifty thousand!" was the exclamation
Of the astonished Mayor and Corporation.

VII

Into the street the Piper stept,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled,
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe had uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails, and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped, advancing,
And step for step they followed dancing,
Until they came to the River Weser,
Wherein all plunged and perished!
—Save one, who, stout as Julius Cæsar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, "At the first shrill note of the pipe
"I heard a sound as of scraping tripe,
"And putting apples, wondrous ripe,
"Into a cider-press's gripe:
"And a moving away of pickle-tub boards,
"And a leaving ajar of conserve-cupboards,
"And a drawing the corks of train-oil-flasks,
"And a breaking the hoops of butter-casks:
"And it seemed as if a voice
"(Sweeter far than by harp or by psaltery
"Is breathed) called out, 'Oh, rats, rejoice!
"The world is grown to one vast drysaltery!
"So munch on, crunch on, take your nuncheon,
"Breakfast, dinner, supper, luncheon!'
"And just as a bulky sugar-puncheon,
"All ready staved, like a great sun shone
"Glorious, scarce an inch before me,
"Just as methought it said, 'Come, bore me!'
"—I found the Weser rolling o'er me."

VIII

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
"Go," cried the Mayor, "and get long poles,
"Poke out the nests, and block up the holes!
"Consult with carpenters and builders,
"And leave in our town not even a trace
"Of the rats!" When suddenly, up the face
Of the Piper perked in the market-place,
With a, "First, if you please, my thousand guilders!"

IX

A thousand guilders! The Mayor looked blue;
So did the Corporation, too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar's biggest butt with Rhenish.
To pay this sum to a wandering fellow,
With a gypsy coat of red and yellow!
"Beside," quoth the Mayor, with a knowing wink,
"Our business was done at the river's brink;
"We saw with our eyes the vermin sink,
"And what's dead can't come to life, I think.
"So friend, we're not the folks to shrink
"From the duty of giving you something to drink,
"And a matter of money to put in your poke;
"But, as for the guilders, what we spoke
"Of them, as you very well know, was in joke.
"Beside, our losses have made us thrifty.
"A thousand guilders! come, take fifty!"

X

The Piper's face fell, and he cried,
"No trifling! I can't wait, beside!
"I've promised to visit by dinner-time
"Bagdad, and accept the prime
"Of the Head-Cook's pottage, all he's rich in,
"For having left, in the Caliph's kitchen,
"Of a nest of scorpions no survivor.
"With him I proved no bargain-driver;
"With you, don't think I'll bate a stiver!
"And folks who put me in a passion
"May find me pipe after another fashion."

XI

"How!" cried the Mayor, "d'ye think I'll brook
"Being worse treated than a Cook?
"Insulted by a lazy ribald
"With idle pipe and vesture piebald!
"You threaten us, fellow! Do your worst;
"Blow your pipe there till you burst!"

XII

Once more he stept into the street,
And to his lips again
Laid his long pipe of smooth, straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician's cunning
Never gave the enraptured air)
There was a rustling that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
And all the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping ran merrily after
The wonderful music with shouting and laughter.

XIII

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by,
—Could only follow with the eye
That joyous crowd at the Piper's back.
And now the Mayor was on the rack,
And the wretched Council's bosoms beat,
As the piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
"He never can cross that mighty top!
"He's forced to let the piping drop,
"And we shall see our children stop!"
When, lo, as they reached the mountain side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced, and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
"It's dull in our town since my playmates left!
"I can't forget that I'm bereft
"Of all the pleasant sights they see,
"Which the Piper also promised me:
"For he led us, he said, to a joyous land,
"Joining the town and just at hand,
"Where waters gushed and fruit trees grew,
"And flowers put forth a fairer hue,
"And everything was strange and new;
"The sparrows were brighter than peacocks here,
"And their dogs outran our fallow-deer,
"And honey-bees had lost their stings,
"And horses were born with eagles' wings:
"And just as I became assured
"My lame foot would be speedily cured,
"The music stopped, and I stood still,
"And found myself outside the hill,
"Left alone against my will,
"To go now limping as before,
"And never hear of that country more!"

XIV

Alas, alas for Hamelin!
There came into many a burgher's pate
A text which says that Heaven's gate
Opes to the rich at as easy rate
As the needle's eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was man's lot to find him,
Silver and gold to his heart's content,
If he'd only return the way he went,
And bring the children behind him.
But when they saw 'twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and the year,
These words did not as well appear,
"And so long after what happened here
"On the Twenty-second of July,
"Thirteen hundred and seventy-six":
And the better in memory to fix
The place of the children's last retreat,
They called it, the Pied Piper's Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great church-window painted
The same, to make the world acquainted
How their children were stolen away,
And there it stands to this very day.
And I must not omit to say
That in Transylvania there's a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don't understand.

XV

So, Willy, let you and me be wipers
Of scores out with all men,—especially pipers!
And, whether they pipe us free from rats or from mice,
If we've promised them aught, let us keep our promise!

Robert Browning.

Hervé Riel

On the sea and at the Hogue, sixteen hundred ninety-two,
Did the English fight the French,—woe to France!
And, the thirty-first of May, helter-skelter thro' the blue,
Like a crowd of frightened porpoises a shoal of sharks pursue,
Came crowding ship on ship to St. Malo on the Rance,
With the English fleet in view.

'Twas the squadron that escaped, with the victor in full chase;
First and foremost of the drove, in his great ship, Damfreville;
Close on him fled, great and small,
Twenty-two good ships in all;
And they signalled to the place
"Help the winners of a race!
Get us guidance, give us harbour, take us quick—or, quicker still,
Here's the English can and will!"

Then the pilots of the place put out brisk and leapt on board;
"Why, what hope or chance have ships like these to pass?" laughed they:
"Rocks to starboard, rocks to port, all the passage scarred and scored,
Shall the Formidable here with her twelve and eighty guns
Think to make the river-mouth by the single narrow way,
Trust to enter where 'tis ticklish for a craft of twenty tons,
And with flow at full beside?
Now, 'tis slackest ebb of tide.
Reach the mooring? Rather say,
While rock stands or water runs,
Not a ship will leave the bay!"

Then was called a council straight.
Brief and bitter the debate:
"Here's the English at our heels; would you have them take in tow
All that's left us of the fleet, linked together stern and bow,
For a prize to Plymouth Sound?
Better run the ships aground!"
(Ended Damfreville his speech.)
Not a minute more to wait!
"Let the Captains all and each
Shove ashore, then blow up, burn the vessels on the beach!
France must undergo her fate.

"Give the word!" But no such word
Was ever spoke or heard;
For up stood, for out stepped, for in struck amid all these
—A Captain? A Lieutenant? A Mate—first, second, third?
No such man of mark, and meet
With his betters to compete!
But a simple Breton sailor pressed by Tourville for the fleet,
A poor coasting-pilot he, Hervé Riel the Croisickese.
And, "What mockery or malice have we here?" cries Hervé Riel:
"Are you mad, you Malouins? Are you cowards, fools, or rogues?
Talk to me of rocks and shoals, me who took the soundings, tell
On my fingers every bank, every shallow, every swell
'Twixt the offing here and Grève where the river disembogues?
Are you bought by English gold? Is it love the lying's for?
Morn and eve, night and day,
Have I piloted your bay,
Entered free and anchored fast at foot of Solidor.

"Burn the fleet and ruin France? That were worse than fitty Hogues!
Sirs, they know I speak the truth! Sirs, believe me there's a way!
Only let me lead the line,
Have the biggest ship to steer,
Get this Formidable clear,
Make the others follow mine,
And I lead them, most and least, by a passage I know well,
Right to Solidor past Grève,
And there lay them safe and sound;
And if one ship misbehave,
—Keel so much as grate the ground,
Why, I've nothing but my life,—here's my head!" cries Hervé Riel.

Not a minute more to wait.
"Steer us in, then, small and great!
Take the helm, lead the line, save the squadron!" cried his chief.
"Captains, give the sailor place!
He is Admiral, in brief."
Still the north-wind, by God's grace!
See the noble fellow's face,
As the big ship with a bound,
Clears the entry like a hound,
Keeps the passage as its inch of way were the wide seas profound!
See, safe thro' shoal and rock,
How they follow in a flock,
Not a ship that misbehaves, not a keel that grates the ground,
Not a spar that comes to grief!
The peril, see, is past,
All are harboured to the last,
And just as Hervé Riel hollas "Anchor!"—sure as fate
Up the English come, too late!

So, the storm subsides to calm:
They see the green trees wave
On the heights o'erlooking Grève.
Hearts that bled are stanched with balm.
"Just our rapture to enhance,
Let the English rake the bay,
Gnash their teeth and glare askance,
As they cannonade away!
'Neath rampired Solidor pleasant riding on the Rance!"
How hope succeeds despair on each Captain's countenance!
Out burst all with one accord,
"This is Paradise for Hell!
Let France, let France's King
Thank the man that did the thing!"
What a shout, and all one word,
"Hervé Riel!"

As he stepped in front once more,
Not a symptom of surprise
In the frank blue Breton eyes,
Just the same man as before.

Then said Damfreville, "My friend,
I must speak out at the end,
Though I find the speaking hard.
Praise is deeper than the lips:
You have saved the King his ships,
You must name your own reward.
'Faith our sun was near eclipse!
Demand whate'er you will,
France remains your debtor still.
Ask to heart's content and have! or my name's not Damfreville."

Then a beam of fun outbroke
On the bearded mouth that spoke,
As the honest heart laughed through
Those frank eyes of Breton blue:
"Since I needs must say my say,
Since on board the duty's done,
And from Malo Roads to Croisic Point, what is it but a run?—
Since 'tis ask and have, I may—
Since the others go ashore—
Come! A good whole holiday!
Leave to go and see my wife, whom I call the Belle Aurore!"
That he asked and that he got,—nothing more.

Name and deed alike are lost:
Not a pillar nor a post
In his Croisic keeps alive the feat as it befell;
Not a head in white and black
On a single fishing smack,
In memory of the man but for whom had gone to
wrack
All that France saved from the fight whence
England bore the bell.
Go to Paris: rank on rank
Search the heroes flung pell-mell
On the Louvre, face and flank!
You shall look long enough ere you come to Hervé Riel.
So, for better and for worse,
Hervé Riel, accept my verse!
In my verse, Hervé Riel, do thou once more
Save the squadron, honour France, love thy wife, the Belle Aurore!

Robert Browning.

Vision of Belshazzar.

The King was on his throne,
The Satraps throng'd the hall:
A thousand bright lamps shone
O'er that high festival.
A thousand cups of gold,
In Judah deem'd divine—
Jehovah's vessels hold
The godless Heathen's wine.

In that same hour and hall,
The fingers of a hand
Came forth against the wall,
And wrote as if on sand:
The fingers of a man—
A solitary hand
Along the letters ran,
And traced them like a wand.

The monarch saw, and shook,
And bade no more rejoice;
All bloodless wax'd his look,
And tremulous his voice.
"Let the men of lore appear,
The wisest of the earth,
And expound the words of fear,
Which mar our royal mirth."

Chaldea's seers are good,
But here they have no skill;
And the unknown letters stood
Untold and awful still.
And Babel's men of age
Are wise and deep in lore;
But now they were not sage,
They saw—but knew no more.

A captive in the land,
A stranger and a youth,
He heard the king's command,
He saw that writing's truth.
The lamps around were bright,
The prophecy in view;
He read it on that night—
The morrow proved it true.

"Belshazzar's grave is made,
His kingdom pass'd away,
He, in the balance weigh'd,
Is light and worthless clay;
The shroud his robe of state,
His canopy the stone;
The Mede is at his gate!
The Persian on his throne!"

George Gordon, Lord Byron.

Solomon and the Bees

When Solomon was reigning in his glory,
Unto his throne the Queen of Sheba came—
(So in the Talmud you may read the story)—
Drawn by the magic of the monarch's fame,
To see the splendors of his court, and bring
Some fitting tribute to the mighty King.

Nor this alone: much had her highness heard
What flowers of learning graced the royal speech;
What gems of wisdom dropped with every word;
What wholesome lessons he was wont to teach
In pleasing proverbs; and she wished, in sooth,
To know if Rumor spoke the simple truth.

Besides, the Queen had heard (which piqued her most)
How through the deepest riddles he could spy;
How all the curious arts that women boast
Were quite transparent to his piercing eye;
And so the Queen had come—a royal guest—
To put the sage's cunning to the test.

And straight she held before the monarch's view,
In either hand, a radiant wreath of flowers;
The one bedecked with every charming hue,
Was newly culled from Nature's choicest bowers;
The other, no less fair in every part,
Was the rare product of divinest Art.

"Which is the true, and which the false?" she said.
Great Solomon was silent. All amazed,
Each wondering courtier shook his puzzled head;
While at the garlands long the monarch gazed,
As one who sees a miracle, and fain
For very rapture, ne'er would speak again.

"Which is the true?" once more the woman asked,
Pleased at the fond amazement of the King;
"So wise a head should not be hardly tasked,
Most learned Liege, with such a trivial thing!"
But still the sage was silent; it was plain
A deepening doubt perplexed the royal brain.

While thus he pondered, presently he sees,
Hard by the casement—so the story goes—
A little band of busy bustling bees,
Hunting for honey in a withered rose.
The monarch smiled, and raised his royal head;
"Open the window!"—that was all he said.

The window opened at the King's command;
Within the rooms the eager insects flew,
And sought the flowers in Sheba's dexter hand!
And so the King and all the courtiers knew
That wreath was Nature's; and the baffled Queen
Returned to tell the wonders she had seen.

My story teaches (every tale should bear
A fitting moral) that the wise may find
In trifles light as atoms of the air
Some useful lesson to enrich the mind—
Some truth designed to profit or to please—
As Israel's King learned wisdom from the bees.

John G. Saxe.

The Burial of Moses

"And He buried him in a valley in the land of Moab, over against Beth-peor: but no man knoweth of his sepulchre unto this day."—Deut. xxxiv. 6.

By Nebo's lonely mountain,
On this side Jordan's wave,
In a vale in the land of Moab
There lies a lonely grave.
And no man knows that sepulchre,
And no man saw it e'er,
For the angels of God upturn'd the sod,
And laid the dead man there.

That was the grandest funeral
That ever passed on earth;
But no man heard the trampling,
Or saw the train go forth—
Noiselessly as the daylight
Comes back when night is done,
And the crimson streak on ocean's cheek
Grows into the great sun;

Noiselessly as the spring-time
Her crown of verdure weaves,
And all the trees on all the hills,
Open their thousand leaves;
So without sound of music,
Or voice of them that wept,
Silently down from the mountain's crown,
The great procession swept.

Perchance the bald old eagle,
On grey Beth-peor's height,
Out of his lonely eyrie
Look'd on the wondrous sight;
Perchance the lion stalking,
Still shuns that hallow'd spot,
For beast and bird have seen and heard
That which man knoweth not.

But when the warrior dieth,
His comrades in the war,
With arms reversed and muffled drum,
Follow his funeral car;
They show the banners taken,
They tell his battles won,
And after him lead his masterless steed
While peals the minute gun.

Amid the noblest of the land
We lay the sage to rest,
And give the bard an honour'd place
With costly marble drest,
In the great minster transept
Where lights like glories fall
(And the organ rings, and the sweet choir sings)
Along the emblazon'd wall.

This was the truest warrior
That ever buckled sword;
This the most gifted poet
That ever breathed a word.
And never earth's philosopher
Traced with his golden pen
On the deathless page truths half so sage
As he wrote down for men.

And had he not high honour,
The hill-side for a pall,
To lie in state, while angels wait
With stars for tapers tall,
And the dark rock-pines, like tossing plumes,
Over his bier to wave,
And God's own hand in that lonely land
To lay him in the grave.

In that strange grave without a name,
Whence his uncoffin'd clay
Shall break again, O wondrous thought!
Before the Judgment Day,
And stand with glory wrapt around
On the hills he never trod,
And speak of the strife, that won our life,
With the Incarnate Son of God.

O lonely grave in Moab's land!
O dark Beth-peor's hill!
Speak to these curious hearts of ours,
And teach them to be still.
God hath his mysteries of grace,
Ways that we cannot tell,
He hides them deep, like the hidden sleep
Of him he loved so well.

Cecil Frances Alexander.

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