THE CATARACTS OF THE NILE
(AFRICA)
AMELIA B. EDWARDS
At Assûan one bids good-bye to Egypt and enters Nubia through the gates of the Cataract—which is, in truth, no cataract, but a succession of rapids extending over two-thirds of the distance between Elephantine and Philæ. The Nile—diverted from its original course by some unrecorded catastrophe, the nature of which has given rise to much scientific conjecture—here spreads itself over a rocky basin bounded by sand slopes on the one side, and by granite cliffs on the other. Studded with numerous islets, divided into numberless channels, foaming over sunken rocks, eddying among water-worn boulders, now shallow, now deep, now loitering, now hurrying, here sleeping in the ribbed hollow of a tiny sand-drift, there circling above the vortex of a hidden whirlpool, the river, whether looked upon from the deck of the dahabeeyah, or the heights above the shore, is seen everywhere to be fighting its way through a labyrinth, the paths of which have never yet been mapped or sounded.
These paths are everywhere difficult and everywhere dangerous; and to that labyrinth the Shellalee, or Cataract Arab, alone possesses the key. At the time of the inundation, when all but the highest rocks are under water, and navigation is as easy here as elsewhere, the Shellalee’s occupation is gone. But as the floods subside and travellers begin to reappear, his work commences. To haul dahabeeyahs up those treacherous rapids by sheer stress of rope and muscle; to steer skillfully down again through channels bristling with rocks and boiling with foam, becomes now, for some five months of the year, his principal industry. It is hard work; but he gets well paid for it, and his profits are always on the increase. From forty to fifty dahabeeyahs are annually taken up between November and March; and every year brings a larger influx of travellers. Meanwhile, accidents rarely happen; prices tend continually upward; and the Cataract Arabs make a little fortune by their singular monopoly.
The scenery of the First Cataract is like nothing else in the world—except the scenery of the Second. It is altogether new and strange and beautiful. It is incomprehensible that travellers should have written of it in general with so little admiration. They seem to have been impressed by the wildness of the waters, by the quaint forms of the rocks, by the desolation and grandeur of the landscape as a whole; but scarcely at all by its beauty—which is paramount.
The Nile here widens to a lake. Of the islands, which it would hardly be an exaggeration to describe as some hundreds in number, no two are alike. Some are piled up like the rocks at the Land’s End in Cornwall, block upon block, column upon column, tower upon tower, as if reared by the hand of man. Some are green with grass; some golden with slopes of drifted sand; some are planted with rows of blossoming lupins, purple and white. Others are again mere cairns of loose blocks, with here and there a perilously balanced top-boulder. On one, a singular upright monolith, like a menhir, stands conspicuous, as if placed there to commemorate a date, or to point the way to Philæ. Another mass rises out of the water squared and buttressed, in the likeness of a fort. A third, humped and shining like the wet body of some amphibious beast, lifts what seems to be a horned head above the surface of the rapids. All these blocks and boulders and fantastic rocks are granite; some red, some purple, some black. Their forms are rounded by the friction of ages. Those nearest the brink reflect the sky like mirrors of burnished steel. Royal ovals and hieroglyphed inscriptions, fresh as of yesterday’s cutting, stand out here and there from those glittering surfaces with startling distinctness. A few of the larger islands are crowned with clumps of palms; and one, the loveliest of any, is completely embowered in gum-trees and acacias, dôm and date-palms, and feathery tamarisks, all festooned together under a hanging canopy of yellow-blossomed creepers.
FIRST CATARACT OF THE NILE.
On a brilliant Sunday morning, with a favourable wind, we entered on this fairy archipelago. Sailing steadily against the current, we glided away from Assûan, left Elephantine behind, and found ourselves at once in the midst of the islands. From this moment every turn of the tiller disclosed a fresh point of view, and we sat on deck, spectators of a moving panorama. The diversity of subjects was endless. The combinations of form and colour, of light and shadow, of foreground and distance, were continually changing. A boat or a few figures alone were wanting to complete the picturesqueness of the scene, but in all those channels and among all those islands, we saw no sign of any living creature.
The Second or Great Cataract, begins a little way above Wady Halfeh and extends over a distance of many miles. It consists, like the First Cataract, of a succession of rocks and rapids, and is skirted for the first five miles or so by the sand-cliff ridge, which, as I have said, forms a background to the ruins just opposite Wady Halfeh. This ridge terminates abruptly in the famous precipice known as the Rock of Abusîr. Only adventurous travellers bound for Dongola or Khartûm go beyond this point; and they, for the most part, take the shorter route across the desert from Korosko.
It is hard, now that we are actually here, to realize that this is the end of our journey. The Cataract—an immense multitude of black and shining islets, among which the river, divided into hundreds of separate channels, spreads far and wide for a distance, it is said of more than sixteen miles,—foams at our feet. Foams, and frets, and falls; gushing smooth and strong where its course is free; murmuring hoarsely where it is interrupted; now hurrying; now loitering; here eddying in oily circles; there lying in still pools unbroken by a ripple; everywhere full of life, full of voices; everywhere shining to the sun. Northwards, when it winds away towards Abou Simbel, we see all the fantastic mountains of yesterday on the horizon. To the east, still bounded by out-liers of the same disconnected chain, lies a rolling waste of dark and stony wilderness, trenched with innumerable valleys through which flow streams of sand. On the western side, the continuity of the view is interrupted by the ridge which ends with Abusîr. Southward the Libyan desert reaches away in one vast undulating plain; tawny, arid, monotonous; all sun; all sand; lit here and there with arrowy flashes of the Nile. Farthest of all, pale but distinct, on the outermost rim of the world, rise two mountain summits, one long, one dome-like. Our Nubians tell us that they are the mountains of Dongola. Comparing our position with that of the Third Cataract as it appears upon the map, we come to the conclusion that these ghost-like silhouettes are the summits of Mount Fogo and Mount Arambo—two apparently parallel mountains situate on opposite sides of the river about ten miles below Hannek, and consequently about one hundred and forty-five miles, as the bird flies, from the spot on which we are standing.
In this extraordinary panorama, so wild, so weird, so desolate, there is nothing really beautiful, except the colour. But the colour is transcendent. Never, even in Egypt, have I seen anything so tender, so transparent, so harmonious. I shut my eyes, and it all comes before me. I see the amber of the sands; the pink and pearly mountains; the Cataract rocks all black and purple and polished; the dull grey palms that cluster here and there upon the larger islands; the vivid verdure of the tamarisks and pomegranates; the Nile, a greenish brown flecked with yeasty foam; over all, the blue and burning sky, permeated with light, and palpitating with sunshine.
I made no sketch. I felt that it would be ludicrous to attempt it. And I feel now that any endeavour to put the scene into words is a mere presumptuous effort to describe the indescribable. Words are useful instruments; but, like the etching needle and the burin, they stop short at form. They cannot translate colour.
If a traveller pressed for time asked me whether he should or should not go as far as the Second Cataract, I think I should recommend him to turn back from Abou Simbel. The trip must cost four days; and if the wind should happen to be unfavourable either way, it may cost six or seven. The forty miles of river that have to be twice traversed are the dullest on the Nile; the Cataract is but an enlarged and barren edition of the Cataract between Assûan and Philæ; and the great view, as I have said, has not that kind of beauty which attracts the general tourist.
It has an interest, however, beyond and apart from that of beauty. It rouses one’s imagination to a sense of the greatness of the Nile. We look across a world of desert, and see the river still coming from afar. We have reached a point at which all that is habitable and familiar comes abruptly to an end. Not a village, not a bean-field, not a shâdûf, not a sakkieh, is to be seen in the plain below. There is no sail on these dangerous waters. There is no moving creature on these pathless sands. But for the telegraphic wires stalking ghost-like, across the desert, it would seem as if we had touched the limit of civilization, and were standing on the threshold of a land unexplored.
Yet for all this, we feel as if we were at only the beginning of the mighty river. We have journeyed well-nigh a thousand miles against the stream; but what is that to the distance which still lies between us and the Great Lakes? And how far beyond the Great Lakes must we seek for the source that is even yet undiscovered?
A Thousand Miles Up the Nile (London, 1890).