TABLE III. TONES

The table of tone-combinations shows that some are simply repetitions of the same chord in a higher octave, as 1 and 9, 5 and 13, 15 and 14. The first sixteen are harmonious; so also the twenty-sixth; the others introduce beats and discords, some of which are agreeable, as 20 and 21, while others are disagreeable, as 19 and 27. Individual differences appear in this as in the previous series. The totals introduced into the tables simply go to show that in each series the total judgments are not widely diverse.

No of Standards.
Tones. Description.F.M.
1256, 3204.253.25
2256, 3844.253.00
3256, 320, 3845.603.00
4320, 3844.303.50
5256, 5124.655.50
6320, 5124.105.00
7384, 5124.905.00
8512, 6405.405.30
9512, 7685.505.80
10640, 7684.405.00
11640, 10244.253.40
12768, 10244.805.50
13512, 10245.605.80
14512, 640, 768, 1024 6.305.90
15256, 320, 384, 5126.504.00
16320, 512, 7685.004.70
17136, 1442.002.50
18156, 1603.804.00
19136, 1402.703.50
20440, 4446.816.00
21504, 5086.706.40
22148, 152, 1561.702.50
23172, 296, 4523.002.50
24180, 480, 7683.402.50
25232, 328, 4923.202.50
26256, 512, 7685.005.50
27256, 240, 3842.001.70
Totals120.11 113.25
Average4.454.19

Transcriber Note

The Standards for F. Total calculation should be 120.11, not 117.04, with the average 4.45, not 4.33. The average for M. should be 4.19 not 4.20. Corrected table.

The following tables deal with the combined series.

Table IV shows that the appreciation of the colors was, in general, lowered slightly by the combinations with the tones; and, also, that the appreciation of the tones was lowered more than one point by the combinations with the colors. By referring to Tables I and III, M.'s average for the colors is 4.44 and for the tones 4.20.