PERFUMES

Dry Perfumes:

Sachet Powders.—
I.—Orris root 6 ounces
Lavender flowers 2 ounces
Talcum 4 drachms
Musk20 grains
Terpinol60 grains
II.—Orange peel 2 ounces
Orris root 1 ounce
Sandalwood 4 drachms
Tonka 2 drachms
Musk 6 grains

{510}

Lavender Sachets.—
I.—Lavender flowers16 ounces
Gum benzoin 4 ounces
Oil lavender 2 drachms

II.—Lavender flowers, 150 parts; orris root, 150 parts; benzoin, 150 parts; Tonka beans, 150 parts; cloves, 100 parts; “Neugenwerz,” 50 parts; sandalwood, 50 parts; cinnamon, 50 parts; vanilla, 50 parts; and musk, 1/2 part. All is bruised finely and mixed.

Violet Sachet.—
Powdered orris root500 parts
Rice flour250 parts
Essence bouquet 10 parts
Spring flowers extract 10 parts
Violet extract 20 parts
Oil of bergamot  4 parts
Oil of rose  2 parts
Borated Talcum.—
I.—Purified talcum, N. F.2 pounds
Powdered boric acid1 ounce

To perfume add the following:

Powdered orris root1 1/2 ounces
Extract jasmine2 drachms
Extract musk1 drachm

II.—A powder sometimes dispensed under this name is the salicylated powder of talcum of the National Formulary, which contains in every 1,000 parts 30 parts of salicylic acid and 100 parts of boric acid.

Rose.—
I.—Cornstarch 9 pounds
Powdered talc 1 pound
Oil of rose80 drops
Extract musk 2 drachms
Extract jasmine 6 drachms
II.—Potato starch 9 pounds
Powdered talc 1 pound
Oil rose45 drops
Extract jasmine   1/2 ounce
Rose Talc.—
I.—Powdered talc 5 pounds
Oil rose50 drops
Oil wintergreen 4 drops
Extract jasmine 2 ounces
II.—Powdered talc 5 pounds
Oil rose32 drops
Oil jasmine 4 ounces
Extract musk 1 ounce
Violet Talc.—
I.—Powdered talc   14 ounces
Powdered orris root    2 ounces
Extract cassie      1/2 ounce
Extract jasmine      1/4 ounce
Extract musk    1 drachm
II.—Starch5,000 parts
Orris root1,000 parts
Oil of lemon   14 parts
Oil of bergamot   14 parts
Oil of clove    4 parts
Smelling Salts.
II.—Essential oil of lavender 18 parts
Attar of rose  2 parts
Ammonium carbonate480 parts
Violet Smelling Salts.

II.—Moisten the carbonate, and add as much of the following solution as it will absorb: Oil of orris, 5 minims; oil of lavender flowers, 10 minims; violet extract, 30 minims; stronger water of ammonia, 2 fluidounces.

To Scent Advertising Matter, Etc.

Another way of perfuming, which is used especially in France for scenting cards and other articles, is to dip them in very strong “extraits d’odeur,” leaving them therein for a few days. Then the cards are taken out and laid between filtering paper, whereupon they are pressed vigorously, which causes them not only to dry, but also to remain straight. They remain under strong pressure until completely dry.

Not all cardboard, however, can be subjected to this process, and in its choice one should consider the perfuming operation to be conducted. Nor can the cards be glazed, since spirit dissolves the glaze. It is also preferable to have lithographed text on them, since in the case of ordinary printing the letters often partly disappear or the colors are changed. {511}

For pocket calendars, price lists, and voluminous matter containing more leaves than one, another process is recommended. In a tight closet, which should be lined with tin, so that little air can enter, tables composed of laths are placed on which nets stretched on frames are laid. Cover these nets with tissue paper, and proceed as follows: On the bottom of the closet sprinkle a strongly odorous and reperfumed powder; then cover one net with the printed matter to be perfumed and shove it to the closet on the lath. The next net again receives powder, the following one printed matter, and so on until the closet is filled. After tightly closing the doors, the whole arrangement is left to itself. This process presents another advantage in that all sorts of residues may be employed for scenting, such as the filters of the odors and infusions, residues of musk, etc. These are simply laid on the nets, and will thus impart their perfume to the printed matter.

Such a scenting powder is produced as follows:

By weight
Iris powder, finely ground5,000 parts
Residues of musk1,000 parts
Ylang-ylang oil   10 parts
Bergamot oil   50 parts
Artificial musk    2 parts
Ionone    2 to 5 parts
Tincture of benzoin  100 parts

The powder may subsequently be employed for filling cheap sachets, etc.

Liquid Perfumes:

Coloring Perfumes.

Color imparted by chlorophyll will be found fairly permanent; this term is a relative one, and not too much must be expected. Colors which may suffer but little change by long exposure to diffused light may fade perceptibly by short exposure to the direct light of the sun.

Chlorophyll may be purchased or it may be prepared as follows: Digest leaves of grass, nettles, spinach, or other green herb in warm water until soft; pour off the water and crush the herb to a pulp. Boil the pulp for a short time with a half per cent solution of caustic soda, and afterwards precipitate the chlorophyll by means of dilute hydrochloric acid; wash the precipitate thoroughly with water, press and dry it, and use as much for the solution as may be necessary. Or a tincture made from grass as follows may be employed:

Lawn grass, cut fine 2 ounces
Alcohol16 ounces

Put the grass in a wide-mouthed bottle, and pour the alcohol upon it. After standing a few days, agitating occasionally, pour off the liquid. The tincture may be used with both alcoholic and aqueous preparations.

Among the anilines, spirit soluble malachite green has been recommended.

A purple or violet tint may be produced by using tincture of litmus or ammoniated cochineal coloring. The former is made as follows:

Litmus 2 1/2 ounces
Boiling water16 ounces
Alcohol 3 ounces

Pour the water upon the litmus, stir well, allow to stand for about an hour, stirring occasionally, filter, and to the filtrate add the alcohol.

The aniline colors “Paris violet” or methyl violet B may be similarly employed. The amount necessary to produce a desired tint must be worked out by experiment. Yellow tints may best be imparted by the use of tincture of turmeric or saffron, fustic, quercitron, etc.

If a perfumed spirit, as, for instance, a mouth wash, is poured into a wineglassful of water, the oils will separate at once and spread over the surface of the water. This liquid being allowed to stand uncovered, one oil after another will evaporate, according to the degree of its volatility, until at last the least volatile remains behind.

This process sometimes requires weeks, and in order to be able to watch the separate phases of this evaporation correctly, it is necessary to use several glasses and to conduct the mixtures at certain intervals. The glasses must be numbered according to the day when set up, so that they may be readily identified.

If we assume, for example, that a mouth wash is to be examined, we may probably prepare every day for one week a mixture of about 100 grams of water and 10 drops of the respective liquid. Hence, after a lapse of 7 days {512} we will have before us 7 bouquets, of different odor, according to the volatility of the oils contained in them. From these different bouquets the qualitative composition of the liquid may be readily recognized, provided that one is familiar enough with the character of the different oils to be able to tell them by their odors.

The predominance of peppermint oil—to continue with the above example—will soon be lost and other oils will rise one after the other, to disappear again after a short time, so that the 7 glasses afford an entire scale of characteristic odors, until at last only the most lasting are perceptible. Thus it is possible with some practice to tell a bouquet pretty accurately in its separate odors.

In this manner interesting results are often reached, and with some perseverance even complicated mixtures can be analyzed and recognized in their distinctiveness. Naturally the difficulty in recognizing each oil is increased in the case of oils whose volatility is approximately the same. But even in this case changes, though not quite so marked, can be determined in the bouquet.

In a quantitative respect this method also furnishes a certain result as far as the comparison of perfumed liquids is concerned.

According to the quantity of the oils present the dim zone on the water is broader or narrower, and although the size of this layer may be changed by the admixture of other substances, one gains an idea regarding the quantity of the oils by mere smelling. It is necessary, of course, to choose glasses with equally large openings and to count out the drops of the essence carefully by means of a dropper.

When it is thought that all the odors have been placed, a test is made by preparing a mixture according to the recipe resulting from the trial.

Not pure oils, always alcoholic dilutions in a certain ratio should be used, in order not to disturb the task by a surplus of the different varieties, since it is easy to add more, but impossible to take away.

It is true this method requires patience, perseverance, and a fine sense of smell. One smelling test should not be considered sufficient, but the glasses should be carried to the nose as often as possible.

Fixing Agents In Perfumes.

Musk is depressing, and its use in cologne in even the minutest quantity will spoil the cologne. The musk lingers after the lighter odors have disappeared, and a sick person is pretty sure to feel its effects. Persons in vigorous health will not notice the depressing effects of musk, but when lassitude prevails these are very unpleasant. Moreover, it is not a necessity in these toilet accessories, either as a blending or as a fixing agent. Its place is better supplied by benzoin for both purposes.

As to alcohol, a lot of nonsense has been written about the necessity of extreme care in selecting it, such as certain kinds requiring alcohol made from grapes and others demanding extreme purification, etc. A reasonable attention to a good quality of alcohol, even at a slight increase in cost, will always pay, but, other things being equal, a good quality of oils in a poor quality of alcohol will give far better satisfaction than the opposite combination. The public is not composed of exacting connoisseurs, and it does not appreciate extreme care or expense in either particular. A good grade of alcohol, reasonably free from heavy and lingering foreign odors, will answer practically all the requirements.

General Directions For Making Perfumes.

Seeds, pods, bark rhizomes, etc., should be cut up in small pieces or powdered.

Perfumes improve by storing. It is a good plan to tie over the mouth of the containing vessel some fairly thick porous material, and to allow the vessel to stand for a week or two in a cool place, instead of corking at once.

It is perhaps unnecessary to add that as large a quantity as possible should be decanted, and then the residue filtered. This obviously prevents loss by evaporation. Talc or kieselguhr (amorphous SiO2) are perhaps the best substances to add to the filter in order to render liquid perfumes bright and clear, and more especially necessary in the case of aromatic vinegars.

The operations involved in making perfumes are simple; the chief thing to be learned, perhaps, is to judge of the quality of materials.

The term “extract,” when used in most formulas, means an alcoholic solution of the odorous principles of certain flowers obtained by enfluerage; that is, the flowers are placed in contact with prepared grease which absorbs the odorous matter, and this grease is in turn macerated with alcohol which dissolves out the odor. A small portion of the grease is taken up also at ordinary temperatures; this is removed by filtering the “extract” while “chilled” by a freezing mixture. The extracts can be either purchased or made directly from the pomade (as the grease is called). To employ the latter method successfully some experience may be necessary.

The tinctures are made with 95 per cent deodorized alcohol, enough menstruum being added through the marc when filtering to bring the finished preparation to the measure of the menstruum originally taken.

The glycerine is intended to act as a “fixing” agent—that is, to lessen the volatility of the perfumes.

Tinctures For Perfumes.—

a. Ambergris, 1 part; alcohol, 96 per cent, 15 parts.

b. Benzoin, Sumatra, 1 part; alcohol, 96 per cent, 6 parts.

c. Musk, 1 part; distilled water, 25 parts; spirit, 96 per cent, 25 parts.

d. Musk, 1 part; spirit, 96 per cent, 50 parts; for very oleiferous compositions.

e. Peru balsam, 1 part in spirit, 96 per cent, 7 parts; shake vigorously.

f. Storax, 1 part in spirit, 96 per cent, 15 parts.

g. Powdered Tolu balsam, 1 part; spirit, 96 per cent, 6 parts.

h. Chopped Tonka beans, 1 part; spirit, 60 per cent, 6 parts; for compositions containing little oil.

i. Chopped Tonka beans, 1 part; spirit, 96 per cent, 6 parts; for compositions containing much oil.

j. Vanilla, 1 part; spirit, 60 per cent, 6 parts; for compositions containing little oil.

k. Vanilla, 1 part; spirit, 96 per cent, 6 parts; for compositions containing much oil.

l. Vanillin, 20 parts; spirit, 96 per cent, 4,500 parts.

m. Powdered orris root, 1 part; spirit, 96 per cent, 5 parts.

n. Grated civet, 1 part in spirit, 96 per cent, 10 parts.

Bay Rum.
I.—Oil of bay leaves3 drachms
Oil of orange peel  1/2 drachm
Tincture of orange peel2 ounces
Magnesium carbonate  1/2 ounce
Alcohol4 pints
Water4 pints

Triturate the oils with the magnesium carbonate, gradually adding the other ingredients previously mixed, and filter.

The tincture of orange peel is used chiefly as a coloring for the mixture.

Oil of bay leaves as found in the market varies in quality. The most costly will presumably be found the best, and its use will not make the product expensive. It can be made from the best oil and deodorized alcohol and still sold at a moderate price with a good profit.

Especial care should be taken to use only perfectly fresh oil of orange peel. As is well known, this oil deteriorates rapidly on exposure to the air, acquiring an odor similar to that of turpentine. The oil should be kept in bottles of such size that when opened the contents can be all used in a short time. {514}

II.—Bay oil, 15 parts; sweet orange oil, 1 part; pimento oil, 1 part; spirit of wine, 1,000 parts; water, 750 parts; soap spirit or quillaia bark, ad libitum.

III.—Bay oil, 12.5 parts; sweet orange oil, 0.5 part; pimento oil, 0.5 part; spirit of wine, 200 parts; water, 2,800 parts; Jamaica rum essence, 75 parts; soap powder, 20 parts; quillaia extract, 5 parts; borax, 10 parts; use sugar color.

Colognes.
I.—Oil of bergamot    10 parts
Oil of neroli    15 parts
Oil of citron     5 parts
Oil of cedrat     5 parts
Oil of rosemary     1 part
Tincture of ambergris     5 parts
Tincture of benzoin     5 parts
Alcohol 1,000 parts

II.—The following is stated to be the “original” formula:

Oil of bergamot    96 parts
Oil of citron    96 parts
Oil of cedrat    96 parts
Oil of rosemary    48 parts
Oil of neroli    48 parts
Oil of lavender    48 parts
Oil of cavella    24 parts
Absolute alcohol 1,000 parts
Spirit of rosemary25,000 parts
III.—Alcohol, 90 per cent 5,000 parts
Bergamot oil   220 parts
Lemon oil    75 parts
Neroli oil    20 parts
Rosemary oil     5 parts
Lavender oil French     5 parts

The oils are well dissolved in spirit and left alone for a few days with frequent shaking. Next add about 40 parts of acetic acid and filter after a while.

IV.—Alcohol, 90 per cent5,000 parts
Lavender oil, French   35 parts
Lemon oil   30 parts
Portugallo oil   30 parts
Neroli oil   15 parts
Bergamot oil   15 parts
Petit grain oil    4 parts
Rosemary oil    4 parts
Orange water  700 parts
Cologne Spirits Or Deodorized Alcohol.
Alcohol, 95 per cent1 gallon
Powdered unslaked lime4 drachms
Powdered alum2 drachms
Spirit of nitrous ether1 drachm

Mix the lime and alum, and add them to the alcohol, shaking the mixture well together; then add the sweet spirit of niter and set aside for 7 days, shaking occasionally; finally filter.

Florida Waters.—
Oil of bergamot3 fluidounces
Oil of lavender1 fluidounce
Oil of cloves1 1/4 fluidrachms
Oil of cinnamon2 1/2 fluidrachms
Oil of neroli  1/2 fluidrachm
Oil of lemon1 fluidounce
Essence of jasmine6 fluidounces
Essence of musk2 fluidounces
Rose water1 pint
Alcohol8 pints

Mix, and if cloudy, filter through magnesium carbonate.

Lavender Water.
I.—Oil of lavender 1 1/2 ounces
Oil of bergamot 4 drachms
Essence ambergris 4 drachms
Proof spirit 3 pints
II.—English oil of lavender 1 ounce
Oil of bergamot 1 1/2 drachms
Essence of musk (No. 2)   1/2 ounce
Essence of ambergris   1/2 ounce
Proof spirit 2 pints
III.—English oil of lavender1/2 ounce
Oil of bergamot 2 drachms
Essence of ambergris 1 drachm
Essence of musk (No. 1) 3 drachms
Oil of angelica 2 minims
Attar of rose 6 minims
Proof spirit 1 pint
IV.—Oil of lavender 4 ounces
Grain musk15 grains
Oil of bergamot 2 1/2 ounces
Attar of rose 1 1/2 drachms
Oil of neroli   1/2 drachm
Spirit of nitrous ether 2 1/2 ounces
Triple rose water12 ounces
Proof spirit 5 pints

Allow to stand 5 weeks before filtering.

Liquid Perfumes For The Handkerchief, Person, Etc.:

Acacia Extract.—

French acacia400 parts
Tincture of amber (1 in 10)  3 parts
Eucalyptus oil  0.5 parts
Lavender oil  1 part
Bergamot oil  1 part
Tincture of musk  2 parts
Tincture of orris root150 parts
Spirit of wine, 80 per cent500 parts

Bishop Essence.—

Fresh green peel of unripe oranges   60.0 grams
Curaçao orange peel  180.0 grams
Malaga orange peel   90.0 grams
Ceylon cinnamon    2.0 grams
Cloves    7.5 grams
Vanilla   11.0 grams
Orange flower oil    4 drops
Spirit of wine1,500.0 grams
Hungarian wine  720.0 grams

A dark-brown tincture of pleasant taste and smell.

Caroline Bouquet.—

Oil of lemon15 minims
Oil of bergamot 1 drachm
Essence of rose 4 ounces
Essence of tuberose 4 ounces
Essence of violet 4 ounces
Tincture of orris 2 ounces

Alexandra Bouquet.—

Oil of bergamot 3 1/2 drachms
Oil of rose geranium   1/2 drachm
Oil of rose   1/2 drachm
Oil of cassia15 minims
Deodorized alcohol 1 pint

Navy Bouquet.—

Spirit of sandalwood10 ounces
Extract of patchouli10 ounces
Spirit of rose10 ounces
Spirit of vetivert10 ounces
Extract of verbena12 ounces

Bridal Bouquet.—Sandal oil, 30 minims; rose extract, 4 fluidounces; jasmine extract, 4 fluidounces; orange flower extract, 16 fluidounces; essence of vanilla, 1 fluidounce; essence of musk, 2 fluidounces; tincture of storax, 2 fluidounces. (The tincture of storax is prepared with liquid storax and alcohol [90 per cent], 1:20, by macerating for 7 days.)

Irish Bouquet.—

White rose essence5,000 parts
Vanilla essence  450 parts
Rose oil    5 parts
Spirit  100 parts

Essence Bouquet.—

I.—Spirit8,000 parts
Distilled water2,000 parts
Iris tincture  250 parts
Vanilla herb tincture  100 parts
Benzoin tincture   40 parts
Bergamot oil   50 parts
Storax tincture   50 parts
Clove oil   15 parts
Palmarosa oil   12 parts
Lemon-grass oil   15 parts
II.—Extract of rose (2d)   64 ounces
Extract of jasmine (2d)   12 ounces
Extract of cassie (2d)    8 ounces
Tincture of orris (1 to 4)   64 ounces
Oil of bergamot      1/2 ounce
Oil of cloves    1 drachm
Oil of ylang-ylang      1/2 drachm
Tincture of benzoin (1 to 8)    2 ounces
Glycerine    4 ounces

Bouquet Canang.—

Ylang-ylang oil45 minims
Grain musk 3 grains
Rose oil15 minims
Tonka beans 3
Cassie oil 5 minims
Tincture orris rhizome 1 fluidounce
Civet 1 grain
Almond oil   1/2 minim
Storax tincture 3 fluidrachms
Alcohol, 90 per cent 9 fluidounces

Mix, and digest 1 month. The above is a very delicious perfume.

Cassie oil or otto is derived from the flowers of Acacia farnesiana Mimosa farnesiana, L. (N. O. Leguminosæ, suborder Mimoseæ). It must not be confounded with cassia otto, the essential oil obtained from Cinnamomum cassia.

Cashmere Nosegay.—

I.—Essence of violet, from pomade  1 pint
Essence of rose, from pomade  1 1/2 pints
Tincture of benzoin, (1 to 4)    1/2 pint
Tincture of civet (1 to 64)    1/4 pint
Tincture of Tonka (1 to 4)    1/4 pint
Benzoic acid    1/2 ounce
Oil of patchouli    1/4 ounce
Oil of sandal    1/2 ounce
Rose water    1/2 pint
II.—Essence violet120 ounces
Essence rose180 ounces
Tincture benjamin (1 in 4) 60 ounces
Tincture civet (1 in 62) 30 ounces
Tincture Tonka (1 in 4) 30 ounces
Oil patchouli  3 ounces
Oil sandalwood  6 ounces
Rose water 60 ounces

Clove Pink.—

I.—Essence of rose 2 ounces
Essence of orange flower 6 ounces
Tincture of vanilla 3 1/2 ounces
Oil of cloves20 minims
II.—Essence of cassie 5 ounces
Essence of orange flower 5 ounces
Essence of rose10 ounces
Spirit of rose 7 ounces
Tincture of vanilla 3 ounces
Oil of cloves12 minims

Frangipanni.—

I.—Grain musk10 grains
Sandal otto25 minims
Rose otto25 minims
Orange flower otto (neroli)30 minims
Vetivert otto 5 minims
Powdered orris rhizome   1/2 ounce
Vanilla30 grains
Alcohol (90 per cent)10 fluidounces

Mix and digest for 1 month. This is a lasting and favorite perfume.

II.—Oil of rose 2 drachms
Oil of neroli 2 drachms
Oil of sandalwood 2 drachms
Oil of geranium (French) 2 drachms
Tincture of vetivert (1 1/4 to 8)96 ounces
Tincture of Tonka (1 to 8)16 ounces
Tincture of orris (1 to 4)64 ounces
Glycerine 6 ounces
Alcohol64 ounces

Handkerchief Perfumes.—

I.—Lavender oil 10 parts
Neroli oil 10 parts
Bitter almond oil  2 parts
Orris root200 parts
Rose oil  5 parts
Clove oil  5 parts
Lemon oil  1 part
Cinnamon oil  2 parts

Mix with 2,500 parts of best alcohol, and after a rest of 3 days heat moderately on the water bath, and filter.

II.—Bergamot oil10 parts
Orange peel oil10 parts
Cinnamon oil 2 parts
Rose geranium oil 1 part
Lemon oil 4 parts
Lavender oil 4 parts
Rose oil 1 part
Vanilla essence 5 parts

Mix with 2,000 parts of best spirit, and after leaving undisturbed for 3 days, heat moderately on the water bath, and filter.

Honeysuckle.—

Oil of neroli12 minims
Oil of rose10 minims
Oil of bitter almond 8 minims
Tincture of storax 4 ounces
Tincture of vanilla 6 ounces
Essence of cassie16 ounces
Essence of rose16 ounces
Essence of tuberose16 ounces
Essence of violet16 ounces

Iridia.—

Coumarin10 grains
Concentrated rose water (1 to 40) 2 ounces
Neroli oil 5 minims
Vanilla bean 1 drachm
Bitter almond oil 5 minims
Orris root 1 drachm
Alcohol10 ounces

Macerate for a month. {517}

Javanese Bouquet.—

Rose oil15 minims
Pimento oil20 minims
Cassia oil 3 minims
Neroli oil 3 minims
Clove oil 2 minims
Lavender oil60 minims
Sandalwood oil10 minims
Alcohol10 ounces
Water 1 1/2 ounces

Macerate for 14 days.

Lily Perfume.—

Essence of jasmine1 ounce
Essence of orange flowers1 ounce
Essence of rose2 ounces
Essence of cassie2 ounces
Essence of tuberose8 ounces
Spirit of rose1 ounce
Tincture of vanilla1 ounce
Oil of bitter almond2 minims

Lily of the Valley.—

I.—Acacia essence  750 parts
Jasmine essence  750 parts
Orange flower essence  800 parts
Rose flower essence  800 parts
Vanilla flower essence1,500 parts
Bitter almond oil   15 parts
II.—Oil of bitter almond   10 minims
Tincture of vanilla    2 ounces
Essence of rose    2 ounces
Essence of orange flower    2 ounces
Essence of jasmine    2 1/2 ounces
Essence of tuberose    2 1/2 ounces
Spirit of rose    2 1/2 ounces
III.—Extract rose  200 parts
Extract vanilla  200 parts
Extract orange  800 parts
Extract jasmine  600 parts
Extract musk tincture  150 parts
Neroli oil   10 parts
Rose oil    6 parts
Bitter almond oil    4 parts
Cassia oil    5 parts
Bergamot oil    6 parts
Tonka beans essence  150 parts
Linaloa oil   12 parts
Spirit of wine (90 per cent)3,000 parts
IV.—Neroli extract  400 parts
Orris root extract  600 parts
Vanilla extract  400 parts
Rose extract  900 parts
Musk extract  200 parts
Orange extract  500 parts
Clove oil    6 parts
Bergamot oil    5 parts
Rose geranium oil   15 parts

Maréchal Niel Rose.—In the genus of roses, outside of the hundred-leaved or cabbage rose, the Maréchal Niel rose (Rosa Noisetteana Red), also called Noisette rose and often, erroneously, tea rose, is especially conspicuous. Its fine, piquant odor delights all lovers of precious perfumes. In order to reproduce the fine scent of this flower artificially at periods when it cannot be had without much expenditure, the following recipes will be found useful:

I.—Infusion rose I (from pomades)1,000 parts
Genuine rose oil   10 parts
Infusion Tolu balsam  150 parts
Infusion genuine musk I   40 parts
Neroli oil   30 parts
Clove oil    2 parts
Infusion tubereuse I (from pomades)1,000 parts
Vanillin    1 part
Coumarin    0.5 parts
II.—Triple rose essence   50 grams
Simple rose essence   60 grams
Neroli essence   30 grams
Civet essence   20 grams
Iris essence   30 grams
Tonka beans essence   20 grams
Rose oil    5 drops
Jasmine essence   60 grams
Violet essence   50 grams
Cassia essence   50 grams
Vanilla essence   45 grams
Clove oil   20 drops
Bergamot oil   10 drops
Rose geranium oil   20 drops

May Flowers.—

Essence of rose10 ounces
Essence of jasmine10 ounces
Essence of orange flowers10 ounces
Essence of cassie10 ounces
Tincture of vanilla20 ounces
Oil of bitter almond   1/2 drachm

Narcissus.—

Caryophyllin10 minims
Extract of tuberose16 ounces
Extract of jasmine 4 ounces
Oil of neroli20 minims
Oil of ylang-ylang20 minims
Oil of clove 5 minims
Glycerine30 minims

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Almond Blossom.—

Extract of heliotrope30 parts
Extract of orange flower10 parts
Extract of jasmine10 parts
Extract of rose 3 parts
Oil of lemon 1 part
Spirit of bitter almond, 10 per cent 6 parts
Deodorized alcohol40 parts

Artificial Violet.—Ionone is an artificial perfume which smells exactly like fresh violets, and is therefore an extremely important product. Although before it was discovered compositions were known which gave fair imitations of the violet perfume, they were wanting in the characteristic tang which distinguishes all violet preparations. Ionone has even the curious property possessed by violets of losing its scent occasionally for a short time. It occasionally happens that an observer, on taking the stopper out of a bottle of ionone, perceives no special odor, but a few seconds after the stopper has been put back in the bottle, the whole room begins to smell of fresh violets. It seems to be a question of dilution. It is impossible, however, to make a usable extract by mere dilution of a 10 per cent solution of ionone.

It is advisable to make these preparations in somewhat large quantities, say 30 to 50 pounds at a time. This enables them to be stocked for some time, whereby they improve greatly. When all the ingredients are mixed, 10 days or a fortnight, with frequent shakings, should elapse before filtration. The filtered product must be kept in well-filled and well-corked bottles in a dry, dark, cool place, such as a well-ventilated cellar. After 5 or 6 weeks the preparation is ready for use.

Quadruple Extract.—

By weight
Jasmine extract, 1st pomade100 parts
Rose extract, 1st pomade100 parts
Cassia extract, 1st pomade200 parts
Violet extract, 1st pomade200 parts
Oil of geranium, Spanish  2 parts
Solution of vanillin, 10 per cent 10 parts
Solution of orris, 10 per cent100 parts
Solution of ionone, 10 per cent 20 parts
Infusion of musk 10 parts
Infusion of orris from coarsely ground root260 parts

Triple Extract.—

By weight
Cassia extract, 2d pomade100 parts
Violet extract, 2d pomade300 parts
Jasmine extract, 2d pomade100 parts
Rose extract, 2d pomade100 parts
Oil of geranium, African  1 part
Ionone, 10 per cent 15 parts
Solution of vanillin, 10 per cent  5 parts
Infusion of orris from coarse ground root270 parts
Infusion of musk 10 parts

Double Extract.—

By weight
Cassia extract, 2d pomade100 parts
Violet extract, 2d pomade150 parts
Jasmine extract, 2d pomade100 parts
Rose extract, 2d pomade100 parts
Oil of geranium, reunion  2 parts
Ionone, 10 per cent 10 parts
Solution of vanillin, 10 per cent 10 parts
Infusion of ambrette 20 parts
Infusion of orris from coarse ground root300 parts
Spirit210 parts

White Rose.—

Rose oil25 minims
Rose geranium oil20 minims
Patchouli oil 5 minims
Ionone 3 minims
Jasmine oil (synthetic) 5 minims
Alcohol10 ounces

Ylang-Ylang Perfume.—

I.—Ylang-ylang oil10 minims
Neroli oil 5 minims
Rose oil 5 minims
Bergamot oil 3 minims
Alcohol10 ounces

One grain of musk may be added.

II.—Extract of cassie (2d)96 ounces
Extract of jasmine (2d)24 ounces
Extract of rose24 ounces
Tincture of orris 4 ounces
Oil of ylang-ylang 6 drachms
Glycerine 6 ounces

TOILET WATERS.

Toilet waters proper are perfumed liquids designed more especially as refreshing applications to the person—accessories to the bath and to the operations of the barber. They are used sparingly on the handkerchief also, but should not be of so persistent a character as the “extracts” commonly used for that purpose, as they would then be unsuitable as lotions.

Ammonia Water.—Fill a 6-ounce ground glass stoppered bottle with a rather wide mouth with pieces of ammonium carbonate as large as a marble, then drop in the following essential oils:

Oil of lavender30 drops
Oil of bergamot30 drops
Oil of rose10 drops
Oil of cinnamon10 drops
Oil of clove10 drops

Finally fill the bottle with stronger water of ammonia, put in the stopper and let stand overnight.

Birch-Bud Water.—Alcohol (96 per cent), 350 parts; water, 70 parts; soft soap, 20 parts; glycerine, 15 parts; essential oil of birch buds, 5 parts; essence of spring flowers, 10 parts; chlorophyll, quantity sufficient to tint. Mix the water with an equal volume of spirit and dissolve the soap in the mixture. Mix the oil and other ingredients with the remainder of the spirit, add the soap solution gradually, agitate well, allow to stand for 8 days and filter. For use, dilute with an equal volume of water.

Carmelite Balm Water.—

Melissa oil30 minims
Sweet marjoram oil 3 minims
Cinnamon oil10 minims
Angelica oil 3 minims
Citron oil30 minims
Clove oil15 minims
Coriander oil 5 minims
Nutmeg oil 5 minims
Alcohol (90 per cent)10 fluidounces

Angelica oil is obtained principally from the aromatic root of Angelica archangelica, L. (N. O. Umbelliferæ), which is commonly cultivated for the sake of the volatile oil which it yields.

Cypress Water.—

Essence of ambergris  1/2 ounce
Spirits of wine1 gallon
Water2 quarts

Distill a gallon.

Eau de Botot.—

Aniseed 80 parts
Clover 20 parts
Cinnamon cassia 20 parts
Cochineal  5 parts
Refined spirit800 parts
Rose water200 parts

Digest for 8 days and add

Tincture of ambergris 1 part
Peppermint oil10 parts

Eau de Lais.—

Eau de cologne1 part
Jasmine extract0.5 parts
Lemon essence0.5 parts
Balm water0.5 parts
Vetiver essence0.5 parts
Triple rose water0.5 parts

Eau de Merveilleuse.—

Alcohol3 quarts
Orange flower water4 quarts
Peru balsam2 ounces
Clove oil4 ounces
Civet1 1/4 ounces
Rose geranium oil  1/2 ounce
Rose oil4 drachms
Neroli oil4 drachms

Edelweiss.—

Bergamot oil   10 grams
Tincture of ambergris    2 grams
Tincture of vetiver (1 in 10)   25 grams
Heliotropin    5 grams
Rose oil spirit (1 in 100)   25 grams
Tincture of musk    5 drops
Tincture of angelica   12 drops
Neroli oil, artificial   10 drops
Hyacinth, artificial   15 drops
Jasmine, artificial    1 gram
Spirit of wine, 80 per cent1,000 grams

Honey Water.—

I.—Best honey1 pound
Coriander seed1 pound
Cloves1 1/2 ounces
Nutmegs1 ounce
Gum benjamin1 ounce
Vanilloes, No. 41 drachm
The yellow rind of 3 large lemons.

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Bruise the cloves, nutmegs, coriander seed, and benjamin, cut the vanilloes in pieces, and put all into a glass alembic with 1 gallon of clean rectified spirit, and, after digesting 48 hours, draw off the spirit by distillation. To 1 gallon of the distilled spirit add

Damask rose water1 1/2 pounds
Orange flower water1 1/2 pounds
Musk5 grains
Ambergris5 grains

Grind the musk and ambergris in a glass mortar, and afterwards put all together into a digesting vessel, and let them circulate 3 days and 3 nights in a gentle heat; then let all cool. Filter, and keep the water in bottles well stoppered.

II.—Oil of cloves 2 1/2 drachms
Oil of bergamot10 drachms
English oil of lavender 2 1/2 drachms
Musk 4 grains
Yellow sandalwood 2 1/2 drachms
Rectified spirit32 ounces
Rose water 8 ounces
Orange flower water 8 ounces
English honey 2 ounces

Macerate the musk and sandalwood in the spirit 7 days, filter, dissolve the oils in the filtrate, add the other ingredients, shake well, and do so occasionally, keeping as long as possible before filtering.

Lilac Water.—

Terpineol 2 drachms
Heliotropin 8 grains
Bergamot oil 1 drachm
Neroli oil 8 minims
Alcohol12 ounces
Water 4 ounces

Orange Flower Water.—

Orange flower essence8 ounces
Magnesium carbonate1 ounce
Water8 pints

Triturate the essence with the magnesium carbonate, add the water, and filter.

To Clarify Turbid Orange Flower Water.—Shake 1 quart of it with 1/4 pound of sand which has previously been boiled out with hydrochloric acid, washed with water, and dried at red heat. This process doubtless would prove valuable for many other purposes.

Violet Waters.—

I.—Spirit of ionone, 10 per cent  1/2 drachm
Distilled water5 ounces
Orange flower water1 ounce
Rose water1 ounce
Cologne spirit8 ounces

Add the spirit of ionone to the alcohol and then add the waters. Let stand and filter.

II.—Violet extract2 ounces
Cassie extract1 ounce
Spirit of rose  1/2 ounce
Tincture of orris  1/2 ounce
Green coloring, a sufficiency.
Alcohol to 20 ounces.

Perfumed Pastilles.

These scent tablets consist of a compressed mixture of rice starch, magnesium carbonate, and powdered orris root, saturated with heliotrope, violet, or lilac perfume.

Violet.—

Ionone 50 parts
Ylang-ylang oil 50 parts
Tincture of musk, extra strong200 parts
Tincture of benzoin200 parts

Heliotrope.—

Heliotropin200 parts
Vanillin 50 parts
Tincture of musk100 parts
Tincture of benzoin200 parts

Lilac.—

Terpineol200 parts
Muguet200 parts
Tincture of musk200 parts
Tincture of benzoin200 parts
Sandalwood  2 drachms
Vetivert  2 drachms
Lavender flowers  4 drachms
Oil of thyme    1/2 drachm
Charcoal  2 ounces
Potassium nitrate    1/2 ounce
Mucilage of tragacanth, a sufficient quantity.

Perfumes For Hair Oils.—

I.—Heliotropin 8 grains
Coumarin 1 grain
Oil of orris 1 drop
Oil of rose15 minims
Oil of bergamot30 minims
II.—Coumarin 2 grains
Oil of cloves 4 drops
Oil of cassia 4 drops
Oil of lavender flowers15 minims
Oil of lemon45 minims
Oil of bergamot75 minims

Soap Perfumes.—

See also Soap.

I.—Oil of lavender   1/2 ounce
Oil of cassia30 minims
Add 5 pounds of soap stock.

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Add to 5 pounds of soap stock.

PERFUMES (FUMIGANTS): See Fumigants.

PERSPIRATION REMEDY: See Cosmetics.