EPITAPH FOR HIMSELF
The Body
of
Benjamin Franklin
(LIKE THE COVER OF AN OLD BOOK,
ITS CONTENTS TORN OUT,
AND STRIPT OF ITS LETTERING AND GILDING),
LIES HERE FOOD FOR WORMS;
YET THE WORK ITSELF SHALL NOT BE LOST,
FOR IT WILL (AS HE BELIEVED) APPEAR ONCE MORE
IN A NEW
AND MORE BEAUTIFUL EDITION
CORRECTED AND AMENDED
BY
The Author.
WHY HE LEFT
Mr. Dickson, a colored barber in a large New England town, was shaving one of his customers, a respectable citizen, one morning, when a conversation occurred between them respecting Mr. Dickson's former connection with a colored church in that place:
"I believe you are connected with the church in Elm Street, are you not, Mr. Dickson?" said the customer.
"No, sah, not at all."
"What! are you not a member of the African church?"
"Not dis year, sah."
"Why did you leave their communion, Mr. Dickson, if I may be permitted to ask?"
"Well, I'll tell you, sah," said Mr. Dickson, stropping a concave razor on the palm of his hand, "it was just like dis. I jined de church in good fait'; I gave ten dollars toward the stated gospil de first year, and de church people call me 'Brudder Dickson'; de second year my business not so good, and I gib only five dollars. That year the people call me 'Mr. Dickson.' Dis razor hurt you, sah?"
"No, the razor goes tolerably well."
"Well, sah, de third year I feel berry poor; had sickness in my family; I didn't gib noffin' for preachin'. Well, sah, arter dat dey call me 'dat old nigger Dickson'—and I left 'em."
WILLIAM ALLEN BUTLER
NOTHING TO WEAR
Miss Flora M'Flimsey, of Madison Square,
Has made three separate journeys to Paris,
And her father assures me, each time she was there,
That she and her friend, Mrs. Harris
(Not the lady whose name is so famous in history,
But plain Mrs. H., without romance or mystery),
Spent six consecutive weeks, without stopping,
In one continuous round of shopping—
Shopping alone, and shopping together,
At all hours of the day, and in all sorts of weather,
For all manner of things that a woman can put
On the crown of her head, or the sole of her foot,
Or wrap round her shoulders, or fit round her waist,
Or that can be sewed on, or pinned on, or laced,
Or tied on with a string, or stitched on with a bow
In front or behind, above or below;
For bonnets, mantillas, capes, collars and shawls;
Dresses for breakfasts, and dinners, and balls;
Dresses to sit in, and stand in, and walk in;
Dresses to dance in, and flirt in, and talk in;
Dresses in which to do nothing at all;
Dresses for winter, spring, summer and fall;
All of them different in color and shape,
Silk, muslin and lace, velvet, satin and crape,
Brocade and broadcloth, and other material,
Quite as expensive and much more ethereal;
In short, for all things that could ever be thought of,
Or milliner, modiste or tradesman be bought of,
From ten-thousand-franc robes to twenty-sous frills;
In all quarters of Paris, and to every store,
While M'Flimsey in vain stormed, scolded and swore,
They footed the streets, and he footed the bills!
The last trip, their goods shipped by the steamer Arago,
Formed, M'Flimsey declares, the bulk of her cargo,
Not to mention a quantity kept from the rest,
Sufficient to fill the largest-sized chest,
Which did not appear on the ship's manifest,
But for which the ladies themselves manifested
Such particular interest, that they invested
Their own proper persons in layers and rows
Of muslins, embroideries, worked underclothes,
Gloves, handkerchiefs, scarfs, and such trifles as those;
Then, wrapped in great shawls, like Circassian beauties,
Gave good-by to the ship, and go by to the duties.
Her relations at home all marveled, no doubt,
Miss Flora had grown so enormously stout
For an actual belle and a possible bride;
But the miracle ceased when she turned inside out,
And the truth came to light, and the dry-goods besides,
Which, in spite of Collector and Custom-House sentry,
Had entered the port without any entry.
And yet, though scarce three months have passed since the day
This merchandise went, on twelve carts, up Broadway,
This same Miss M'Flimsey of Madison Square,
The last time we met was in utter despair,
Because she had nothing whatever to wear!
Nothing to wear! Now, as this is a true ditty,
I do not assert—this, you know, is between us—
That she's in a state of absolute nudity,
Like Powers's Greek Slave or the Medici Venus;
But I do mean to say, I have heard her declare,
When at the same moment she had on a dress
Which cost five hundred dollars, and not a cent less,
And jewelry worth ten times more, I should guess,
That she had not a thing in the wide world to wear!
I should mention just here, that out of Miss Flora's
Two hundred and fifty or sixty adorers,
I had just been selected as he who should throw all
The rest in the shade, by the gracious bestowal
On myself, after twenty or thirty rejections,
Of those fossil remains which she called her "affections,"
And that rather decayed but well-known work of art
Which Miss Flora persisted in styling her "heart."
So we were engaged. Our troth had been plighted,
Not by moonbeam or starbeam, by fountain or grove,
But in a front parlor, most brilliantly lighted,
Beneath the gas-fixtures, we whispered our love.
Without any romance, or raptures, or sighs,
Without any tears in Miss Flora's blue eyes,
Or blushes, or transports, or such silly actions,
It was one of the quietest business transactions,
With a very small sprinkling of sentiment, if any,
And a very large diamond imported by Tiffany.
On her virginal lips, while I printed a kiss,
She exclaimed, as a sort of parenthesis,
And by way of putting me quite at my ease,
"You know I'm to polka as much as I please,
And flirt when I like—now, stop, don't you speak—
And you must not come here more than twice in the week,
Or talk to me either at party or ball,
But always be ready to come when I call;
So don't prose to me about duty and stuff,
If we don't break this off, there will be time enough
For that sort of thing; but the bargain must be
That, as long as I choose, I am perfectly free—
For this is a kind of engagement, you see,
Which is binding on you, but not binding on me."
Well, having thus wooed Miss M'Flimsey and gained her,
With the silks, crinolines, and hoops that contained her,
I had, as I thought, a contingent remainder
At least in the property, and the best right
To appear as its escort by day and by night;
And it being the week of the Stuckups' grand ball—
Their cards had been out a fortnight or so,
And set all the Avenue on the tiptoe—
I considered it only my duty to call,
And see if Miss Flora intended to go.
I found her—as ladies are apt to be found,
When the time intervening between the first sound
Of the bell and the visitor's entry is shorter
Than usual—I found; I won't say—I caught her,
Intent on the pier-glass, undoubtedly meaning
To see if perhaps it didn't need cleaning.
She turned as I entered—"Why, Harry, you sinner,
I thought that you went to the Flashers' to dinner!"
"So I did," I replied; "the dinner is swallowed,
And digested, I trust, for 'tis now nine and more,
So, being relieved from that duty, I followed
Inclination, which led me, you see, to your door;
And now will your ladyship so condescend
As just to inform me if you intend
Your beauty, and graces, and presence to lend
(All of which, when I own, I hope no one will borrow)
To the Stuckups', whose party, you know, is to-morrow?"
The fair Flora looked up, with a pitiful air,
And answered quite promptly, "Why, Harry, mon cher,
I should like above all things to go with you there,
But really and truly—I've nothing to wear."
"Nothing to wear! Go just as you are;
Wear the dress you have on, and you'll be by far,
I engage, the most bright and particular star
On the Stuckup horizon——" I stopped, for her eye,
Notwithstanding this delicate onset of flattery,
Opened on me at once a most terrible battery
Of scorn and amazement. She made no reply,
But gave a slight turn to the end of her nose
(That pure Grecian feature), as much as to say,
"How absurd that any sane man should suppose
That a lady would go to a ball in the clothes,
No matter how fine, that she wears every day!"
So I ventured again: "Wear your crimson brocade;"
(Second turn up of nose)—"That's too dark by a shade."
"Your blue silk"—"That's too heavy." "Your pink"—"That's too light."
"Wear tulle over satin"—"I can't endure white."
"Your rose-colored, then, the best of the batch"—
"I haven't a thread of point-lace to match."
"Your brown moire antique"—"Yes, and look like a Quaker."
"The pearl-colored"—"I would, but that plaguy dressmaker
Has had it a week." "Then that exquisite lilac,
In which you would melt the heart of a Shylock;"
(Here the nose took again the same elevation)—
"I wouldn't wear that for the whole of creation."
"Why not? It's my fancy, there's nothing could strike it
As more comme it faut"—"Yes, but, dear me, that lean
Sophronia Stuckup has got one just like it,
And I won't appear dressed like a chit of sixteen."
"Then that splendid purple, the sweet Mazarine;
That superb point d'aiguille, that imperial green,
That zephyr-like tarletan, that rich grenadine"—
"Not one of all which is fit to be seen,"
Said the lady, becoming excited and flushed.
"Then wear," I exclaimed, in a tone which quite crushed
Opposition, "that gorgeous toilette which you sported
In Paris last spring, at the grand presentation,
When you quite turned the head of the head of the nation,
And by all the grand court were so very much courted."
The end of the nose was portentously tipped up
And both the bright eyes shot forth indignation,
As she burst upon me with the fierce exclamation,
"I have worn it three times, at the least calculation,
And that and most of my dresses are ripped up!"
Here I ripped out something, perhaps rather rash,
Quite innocent, though; but to use an expression
More striking than classic, it "settled my hash,"
And proved very soon the last act of our session.
"Fiddlesticks, is it, sir? I wonder the ceiling
Doesn't fall down and crush you—you men have no feeling;
You selfish, unnatural, illiberal creatures,
Who set yourselves up as patterns and preachers,
Your silly pretense—why, what a mere guess it is!
Pray, what do you know of a woman's necessities?
I have told you and shown you I've nothing to wear,
And it's perfectly plain you not only don't care,
But you do not believe me" (here the nose went still higher).
"I suppose, if you dared, you would call me a liar.
Our engagement is ended, sir—yes, on the spot;
You're a brute, and a monster, and—I don't know what."
I mildly suggested the words Hottentot,
Pickpocket, and cannibal, Tartar, and thief,
As gentle expletives which might give relief;
But this only proved as a spark to the powder,
And the storm I had raised came faster and louder;
It blew and it rained, thundered, lightened and hailed
Interjections, verbs, pronouns, till language quite failed
To express the abusive, and then its arrears
Were brought up all at once by a torrent of tears,
And my last faint, despairing attempt at an obs-
Ervation was lost in a tempest of sobs.
Well, I felt for the lady, and felt for my hat, too,
Improvised on the crown of the latter a tattoo,
In lieu of expressing the feelings which lay
Quite too deep for words, as Wordsworth would say;
Then, without going through the form of a bow,
Found myself in the entry—I hardly know how,
On doorstep and sidewalk, past lamp-post and square,
At home and upstairs, in my own easy-chair;
Poked my feet into slippers, my fire into blaze,
And said to myself, as I lit my cigar,
"Supposing a man had the wealth of the Czar
Of the Russias to boot, for the rest of his days,
On the whole, do you think he would have much to spare,
If he married a woman with nothing to wear?"
Since that night, taking pains that it should not be bruited
Abroad in society, I've instituted
A course of inquiry, extensive and thorough,
On this vital subject, and find, to my horror,
That the fair Flora's case is by no means surprising,
But that there exists the greatest distress
In our female community, solely arising
From this unsupplied destitution of dress,
Whose unfortunate victims are filling the air
With the pitiful wail of "Nothing to wear."
Researches in some of the "Upper Ten" districts
Reveal the most painful and startling statistics,
Of which let me mention only a few:
In one single house on the Fifth Avenue,
Three young ladies were found, all below twenty-two,
Who have been three whole weeks without anything new
In the way of flounced silks, and thus left in the lurch,
Are unable to go to ball, concert or church.
In another large mansion near the same place
Was found a deplorable, heartrending case
Of entire destitution of Brussels point-lace.
In a neighboring block there was found, in three calls,
Total want, long continued, of camel's-hair shawls;
And a suffering family, whose case exhibits
The most pressing need of real ermine tippets;
One deserving young lady almost unable
To survive for the want of a new Russian sable;
Still another, whose tortures have been most terrific
Ever since the sad loss of the steamer Pacific,
In which were engulfed, not friend or relation
(For whose fate she, perhaps, might have found consolation,
Or borne it, at least, with serene resignation),
But the choicest assortment of French sleeves and collars
Ever sent out from Paris, worth thousands of dollars,
And all as to style most recherché and rare,
The want of which leaves her with nothing to wear,
And renders her life so drear and dyspeptic
That she's quite a recluse, and almost a skeptic,
For she touchingly says that this sort of grief
Cannot find in Religion the slightest relief,
And Philosophy has not a maxim to spare
For the victims of such overwhelming despair.
But the saddest, by far, of all these sad features,
Is the cruelty practised upon the poor creatures
By husbands and fathers, real Bluebeards and Timons,
Who resist the most touching appeals made for diamonds
By their wives and their daughters, and leave them for days
Unsupplied with new jewelry, fans or bouquets,
Even laugh at their miseries whenever they have a chance,
And deride their demands as useless extravagance.
One case of a bride was brought to my view,
Too sad for belief, but alas! 'twas too true,
Whose husband refused, as savage as Charon,
To permit her to take more than ten trunks to Sharon.
The consequence was, that when she got there,
At the end of three weeks she had nothing to wear;
And when she proposed to finish the season
At Newport, the monster refused, out and out,
For his infamous conduct alleging no reason,
Except that the waters were good for his gout;
Such treatment as this was too shocking, of course,
And proceedings are now going on for divorce.
But why harrow the feelings by lifting the curtain
From these scenes of woe? Enough, it is certain,
Has here been disclosed to stir up the pity
Of every benevolent heart in the city,
And spur up humanity into a canter
To rush and relieve these sad cases instanter.
Won't somebody, moved by this touching description,
Come forward to-morrow and head a subscription?
Won't some kind philanthropist, seeing that aid is
So needed at once by these indigent ladies,
Take charge of the matter? Or won't Peter Cooper
The corner-stone lay of some new splendid super-
Structure, like that which to-day links his name
In the Union unending of Honor and Fame,
And found a new charity just for the care
Of these unhappy women with nothing to wear,
Which, in view of the cash which would daily be claimed,
The Laying-out Hospital well might be named?
Won't Stewart, or some of our dry-goods importers,
Take a contract for clothing our wives and our daughters?
Or, to furnish the cash to supply these distresses,
And life's pathway strew with shawls, collars and dresses,
Ere the want of them makes it much rougher and thornier,
Won't some one discover a new California?
O! ladies, dear ladies, the next sunny day,
Please trundle your hoops just out of Broadway,
From its swirl and its bustle, its fashion and pride
And the temples of Trade which tower on each side,
To the alleys and lanes, where Misfortune and Guilt
Their children have gathered, their city have built;
Where Hunger and Vice, like twin beasts of prey,
Have hunted their victims to gloom and despair;
Raise the rich, dainty dress, and the fine broidered skirt,
Pick your delicate way through the dampness and dirt.
Grope through the dark dens, climb the rickety stair
To the garret, where wretches, the young and the old,
Half starved and half naked, lie crouched from the cold;
See those skeleton limbs, those frost-bitten feet,
All bleeding and bruised by the stones of the street;
Hear the sharp cry of childhood, the deep groans that swell
From the poor dying creature who writhes on the floor;
Hear the curses that sound like the echoes of Hell,
As you sicken and shudder and fly from the door;
Then home to your wardrobes, and say, if you dare—
Spoiled children of fashion—you've nothing to wear!
And O! if perchance there should be a sphere
Where all is made right which so puzzles us here,
Where the glare and the glitter and tinsel of Time
Fade and die in the light of that region sublime,
Where the soul, disenchanted of flesh and of sense,
Unscreened by its trappings and shows and pretense,
Must be clothed for the life and the service above,
With purity, truth, faith, meekness and love,
O daughters of Earth! foolish virgins, beware!
Lest in that upper realm you have nothing to wear!
A BOY'S ESSAY ON GIRLS
"Girls are very stuckup and dignefied in their manner and behaveyour. They think more of dress than anything and like to play with dowls and rags. They cry if they see a cow in afar distance and are afraid of guns. They stay at home all the time and go to Church every Sunday. They are al-ways sick. They are al-ways funy and making fun of boys hands and they say how dirty. They cant play marbles. I pity them poor things. They make fun of boys and then turn round and love them. I dont beleave they ever kiled a cat or any thing. They look out every nite and say oh ant the moon lovely. Thir is one thing I have not told and that is they al-ways now their lessons bettern boys."
HENRY WARD BEECHER
DEACON MARBLE
How they ever made a deacon out of Jerry Marble I never could imagine! His was the kindest heart that ever bubbled and ran over. He was elastic, tough, incessantly active, and a prodigious worker. He seemed never to tire, but after the longest day's toil, he sprang up the moment he had done with work, as if he were a fine steel spring. A few hours' sleep sufficed him, and he saw the morning stars the year round. His weazened face was leather color, but forever dimpling and changing to keep some sort of congruity between itself and his eyes, that winked and blinked and spilled over with merry good nature. He always seemed afflicted when obliged to be sober. He had been known to laugh in meeting on several occasions, although he ran his face behind his handkerchief, and coughed, as if that was the matter, yet nobody believed it. Once, in a hot summer day, he saw Deacon Trowbridge, a sober and fat man, of great sobriety, gradually ascending from the bodily state into that spiritual condition called sleep. He was blameless of the act. He had struggled against the temptation with the whole virtue of a deacon. He had eaten two or three heads of fennel in vain, and a piece of orange peel. He had stirred himself up, and fixed his eyes on the minister with intense firmness, only to have them grow gradually narrower and milder. If he held his head up firmly, it would with a sudden lapse fall away over backward. If he leaned it a little forward, it would drop suddenly into his bosom. At each nod, recovering himself, he would nod again, with his eyes wide open, to impress upon the boys that he did it on purpose both times.
In what other painful event of life has a good man so little sympathy as when overcome with sleep in meeting time? Against the insidious seduction he arrays every conceivable resistance. He stands up awhile; he pinches himself, or pricks himself with pins. He looks up helplessly to the pulpit as if some succor might come thence. He crosses his legs uncomfortably, and attempts to recite the catechism or the multiplication table. He seizes a languid fan, which treacherously leaves him in a calm. He tries to reason, to notice the phenomena. Oh, that one could carry his pew to bed with him! What tossing wakefulness there! what fiery chase after somnolency! In his lawful bed a man cannot sleep, and in his pew he cannot keep awake! Happy man who does not sleep in church! Deacon Trowbridge was not that man. Deacon Marble was!
Deacon Marble witnessed the conflict we have sketched above, and when good Mr. Trowbridge gave his next lurch, recovering himself with a snort, and then drew out a red handkerchief and blew his nose with a loud imitation, as if to let the boys know that he had not been asleep, poor Deacon Marble was brought to a sore strait. But I have reason to think that he would have weathered the stress if it had not been for a sweet-faced little boy in the front of the gallery. The lad had been innocently watching the same scene, and at its climax laughed out loud, with a frank and musical explosion, and then suddenly disappeared backward into his mother's lap. That laugh was just too much, and Deacon Marble could no more help laughing than could Deacon Trowbridge help sleeping. Nor could he conceal it. Though he coughed and put up his handkerchief and hemmed—it was a laugh—Deacon!—and every boy in the house knew it, and liked you better for it—so inexperienced were they.—Norwood.
THE DEACON'S TROUT
He was a curious trout. I believe he knew Sunday just as well as Deacon Marble did. At any rate, the Deacon thought the trout meant to aggravate him. The Deacon, you know, is a little waggish. He often tells about that trout. Says he: "One Sunday morning, just as I got along by the willows, I heard an awful splash, and not ten feet from shore I saw the trout, as long as my arm, just curving over like a bow and going down with something for breakfast. Gracious says I, and I almost jumped out of the wagon. But my wife Polly, says she, 'What on airth are you thinkin' of, Deacon? It's Sabbath day, and you're goin' to meetin'! It's a pretty business for a deacon!' That sort o' cooled me off. But I do say that, for about a minute, I wished I wasn't a deacon. But 'twouldn't make any difference, for I came down next day to mill on purpose, and I came down once or twice more, and nothin' was to be seen, tho' I tried him with the most temptin' things. Wal, next Sunday I came along agin, and, to save my life I couldn't keep off worldly and wanderin' thoughts. I tried to be sayin' my catechism, but I couldn't keep my eyes off the pond as we came up to the willows. I'd got along in the catechism, as smooth as the road, to the Fourth Commandment, and was sayin' it out loud for Polly, and jist as I was sayin': 'What is required in the Fourth Commandment?' I heard a splash, and there was the trout, and, afore I could think, I said: 'Gracious, Polly, I must have that trout.' She almost riz right up, 'I knew you wa'n't sayin' your catechism hearty. Is this the way you answer the question about keepin' the Lord's day? I'm ashamed, Deacon Marble,' says she. 'You'd better change your road, and go to meetin' on the road over the hill. If I was a deacon, I wouldn't let a fish's tail whisk the whole catechism out of my head;' and I had to go to meetin' on the hill road all the rest of the summer."—Norwood.
THE DOG NOBLE AND THE EMPTY HOLE
The first summer which we spent in Lenox we had along a very intelligent dog, named Noble. He was learned in many things, and by his dog-lore excited the undying admiration of all the children. But there were some things which Noble could never learn. Having on one occasion seen a red squirrel run into a hole in a stone wall, he could not be persuaded that he was not there forevermore.
Several red squirrels lived close to the house, and had become familiar, but not tame. They kept up a regular romp with Noble. They would come down from the maple trees with provoking coolness; they would run along the fence almost within reach; they would cock their tails and sail across the road to the barn; and yet there was such a well-timed calculation under all this apparent rashness, that Noble invariably arrived at the critical spot just as the squirrel left it.
On one occasion Noble was so close upon his red-backed friend that, unable to get up the maple tree, the squirrel dodged into a hole in the wall, ran through the chinks, emerged at a little distance, and sprang into the tree. The intense enthusiasm of the dog at that hole can hardly be described. He filled it full of barking. He pawed and scratched as if undermining a bastion. Standing off at a little distance, he would pierce the hole with a gaze as intense and fixed as if he were trying magnetism on it. Then, with tail extended, and every hair thereon electrified, he would rush at the empty hole with a prodigious onslaught.
This imaginary squirrel haunted Noble night and day. The very squirrel himself would run up before his face into the tree, and, crouched in a crotch, would sit silently watching the whole process of bombarding the empty hole, with great sobriety and relish. But Noble would allow of no doubts. His conviction that that hole had a squirrel in it continued unshaken for six weeks. When all other occupations failed, this hole remained to him. When there were no more chickens to harry, no pigs to bite, no cattle to chase, no children to romp with, no expeditions to make with the grown folks, and when he had slept all that his dogskin would hold, he would walk out of the yard, yawn and stretch himself, and then look wistfully at the hole, as if thinking to himself, "Well, as there is nothing else to do, I may as well try that hole again!"—Eyes and Ears.
N. P. Willis was usually the life of the company he happened to be in. His repartee at Mrs. Gales's dinner in Washington is famous. Mrs. Gales wrote on a card to her niece, at the other end of the table: "Don't flirt so with Nat Willis." She was herself talking vivaciously to a Mr. Campbell. Willis wrote the niece's reply:
"Dear aunt, don't attempt my young feelings to trammel.
Nor strain at a Nat while you swallow a Campbell."
OLD GRIMES
Old Grimes is dead; that good old man
We never shall see more:
He used to wear a long, black coat,
All button'd down before.
His heart was open as the day,
His feelings all were true:
His hair was some inclined to gray—
He wore it in a queue.
Whene'er he heard the voice of pain,
His breast with pity burn'd:
The large, round head upon his cane
From ivory was turn'd.
Kind words he ever had for all;
He knew no base design:
His eyes were dark and rather small,
His nose was aquiline.
He lived at peace with all mankind,
In friendship he was true:
His coat had pocket-holes behind,
His pantaloons were blue.
Unharm'd, the sin which earth pollutes
He pass'd securely o'er,
And never wore a pair of boots
For thirty years or more.
But good old Grimes is now at rest,
Nor fears misfortune's frown:
He wore a double-breasted vest—
The stripes ran up and down.
He modest merit sought to find,
And pay it its desert:
He had no malice in his mind,
No ruffles on his shirt.
His neighbors he did not abuse—
Was sociable and gay:
He wore large buckles on his shoes.
And changed them every day.
His knowledge, hid from public gaze,
He did not bring to view,
Nor made a noise, town-meeting days,
As many people do.
His worldly goods he never threw
In trust to fortune's chances,
But lived (as all his brothers do)
In easy circumstances.
Thus undisturb'd by anxious cares.
His peaceful moments ran;
And everybody said he was
A fine old gentleman.
Albert Gorton Greene.
IDENTIFIED
Nathaniel Hawthorne was a kind-hearted man as well as a great novelist. While he was consul at Liverpool a young Yankee walked into his office. The boy had left home to seek his fortune, but evidently hadn't found it yet, although he had crossed the sea in his search. Homesick, friendless, nearly penniless, he wanted a passage home. The clerk said Mr. Hawthorne could not be seen, and intimated that the boy was not American, but was trying to steal a passage. The boy stuck to his point, and the clerk at last went to the little room and said to Mr. Hawthorne: "Here's a boy who insists upon seeing you. He says he is an American, but I know he isn't." Hawthorne came out of the room and looked keenly at the eager, ruddy face of the boy. "You want a passage to America?"
"Yes, sir."
"And you say you're an American?"
"Yes, sir."
"From what part of America?"
"United States, sir."
"What State?"
"New Hampshire, sir."
"Town?"
"Exeter, sir."
Hawthorne looked at him for a minute before asking him the next question. "Who sold the best apples in your town?"
"Skim-milk Folsom, sir," said the boy, with glistening eye, as the old familiar by-word brought up the dear old scenes of home.
"It's all right," said Hawthorne to the clerk; "give him a passage."
ONE BETTER
Long after the victories of Washington over the French and English had made his name familiar to all Europe, Doctor Franklin chanced to dine with the English and French Ambassadors, when, as nearly as the precise words can be recollected, the following toasts were drunk:
"England'—The Sun, whose bright beams enlighten and fructify the remotest corners of the earth."
The French Ambassador, filled with national pride, but too polite to dispute the previous toast, drank the following:
"France'—The Moon, whose mild, steady and cheering rays are the delight of all nations, consoling them in darkness and making their dreariness beautiful."
Doctor Franklin then arose, and, with his usual dignified simplicity, said:
"George Washington'—The Joshua who commanded the Sun and Moon to stand still, and they obeyed him."
MY AUNT
My aunt! my dear unmarried aunt!
Long years have o'er her flown;
Yet still she strains the aching clasp
That binds her virgin zone;
I know it hurts her—though she looks
As cheerful as she can;
Her waist is ampler than her life,
For life is but a span.
My aunt, my poor deluded aunt!
Her hair is almost gray;
Why will she train that winter curl
In such a spring-like way?
How can she lay her glasses down,
And say she reads as well,
When, through a double convex lens,
She just makes out to spell?
Her father—grandpapa! forgive
This erring lip its smiles—
Vowed she would make the finest girl
Within a hundred miles.
He sent her to a stylish school;
'Twas in her thirteenth June;
And with her, as the rules required,
"Two towels and a spoon."
They braced my aunt against a board,
To make her straight and tall;
They laced her up, they starved her down,
To make her light and small;
They pinched her feet, they singed her hair,
They screwed it up with pins—
O never mortal suffered more
In penance for her sins.
So, when my precious aunt was done,
My grandsire brought her back
(By daylight, lest some rabid youth
Might follow on the track);
"Ah!" said my grandsire, as he shook
Some powder in his pan,
"What could this lovely creature do
Against a desperate man!"
Alas! nor chariot, nor barouche,
Nor bandit cavalcade
Tore from the trembling father's arms
His all-accomplished maid.
For her how happy had it been!
And Heaven had spared to me
To see one sad, ungathered rose
On my ancestral tree.
N. P. WILLIS
MISS ALBINA McLUSH
I have a passion for fat women. If there is anything I hate in life, it is what dainty people call a spirituelle. Motion—rapid motion—a smart, quick, squirrel-like step, a pert, voluble tone—in short, a lively girl—is my exquisite horror! I would as lief have a diable petit dancing his infernal hornpipe on my cerebellum as to be in the room with one. I have tried before now to school myself into liking these parched peas of humanity. I have followed them with my eyes, and attended to their rattle till I was as crazy as a fly in a drum. I have danced with them, and romped with them in the country, and periled the salvation of my "white tights" by sitting near them at supper. I swear off from this moment. I do. I won't—no—hang me if ever I show another small, lively, spry woman a civility.
Albina McLush is divine. She is like the description of the Persian beauty by Hafiz: "Her heart is full of passion and her eyes are full of sleep." She is the sister of Lurly McLush, my old college chum, who, as early as his sophomore year, was chosen president of the Dolce far niente Society—no member of which was ever known to be surprised at anything—(the college law of rising before breakfast excepted). Lurly introduced me to his sister one day, as he was lying upon a heap of turnips, leaning on his elbow with his head in his hand, in a green lane in the suburbs. He had driven over a stump, and been tossed out of his gig, and I came up just as he was wondering how in the D——l's name he got there! Albina sat quietly in the gig, and when I was presented, requested me, with a delicious drawl, to say nothing about the adventure—it would be so troublesome to relate it to everybody! I loved her from that moment. Miss McLush was tall, and her shape, of its kind, was perfect. It was not a fleshy one exactly, but she was large and full. Her skin was clear, fine-grained and transparent; her temples and forehead perfectly rounded and polished, and her lips and chin swelling into a ripe and tempting pout, like the cleft of a bursted apricot. And then her eyes—large, liquid and sleepy—they languished beneath their long black fringes as if they had no business with daylight—like two magnificent dreams, surprised in their jet embryos by some bird-nesting cherub. Oh! it was lovely to look into them!
She sat, usually, upon a fauteuil, with her large, full arm embedded in the cushion, sometimes for hours without stirring. I have seen the wind lift the masses of dark hair from her shoulders when it seemed like the coming to life of a marble Hebe—she had been motionless so long. She was a model for a goddess of sleep as she sat with her eyes half closed, lifting up their superb lids slowly as you spoke to her, and dropping them again with the deliberate motion of a cloud, when she had murmured out her syllable of assent. Her figure, in a sitting posture, presented a gentle declivity from the curve of her neck to the instep of the small round foot lying on its side upon the ottoman. I remember a fellow's bringing her a plate of fruit one evening. He was one of your lively men—a horrid monster, all right angles and activity. Having never been accustomed to hold her own plate, she had not well extricated her whole fingers from her handkerchief before he set it down in her lap. As it began to slide slowly toward her feet, her hand relapsed into the muslin folds, and she fixed her eye upon it with a kind of indolent surprise, drooping her lids gradually till, as the fruit scattered over the ottoman, they closed entirely, and a liquid jet line was alone visible through the heavy lashes. There was an imperial indifference in it worthy of Juno.
Miss McLush rarely walks. When she does, it is with the deliberate majesty of a Dido. Her small, plump feet melt to the ground like snowflakes; and her figure sways to the indolent motion of her limbs with a glorious grace and yieldingness quite indescribable. She was idling slowly up the Mall one evening just at twilight, with a servant at a short distance behind her, who, to while away the time between his steps, was employing himself in throwing stones at the cows feeding upon the Common. A gentleman, with a natural admiration for her splendid person, addressed her. He might have done a more eccentric thing. Without troubling herself to look at him, she turned to her servant and requested him, with a yawn of desperate ennui, to knock that fellow down! John obeyed his orders; and, as his mistress resumed her lounge, picked up a new handful of pebbles, and tossing one at the nearest cow, loitered lazily after.
Such supreme indolence was irresistible. I gave in—I—who never before could summon energy to sigh—I—to whom a declaration was but a synonym for perspiration—I—who had only thought of love as a nervous complaint, and of women but to pray for a good deliverance—I—yes—I—knocked under. Albina McLush! Thou wert too exquisitely lazy. Human sensibilities cannot hold out forever.
I found her one morning sipping her coffee at twelve, with her eyes wide open. She was just from the bath, and her complexion had a soft, dewy transparency, like the cheek of Venus rising from the sea. It was the hour, Lurly had told me, when she would be at the trouble of thinking. She put away with her dimpled forefinger, as I entered, a cluster of rich curls that had fallen over her face, and nodded to me like a water-lily swaying to the wind when its cup is full of rain.
"Lady Albina," said I, in my softest tone, "how are you?"
"Bettina," said she, addressing her maid in a voice as clouded and rich as the south wind on an Æolian, "how am I to-day?"
The conversation fell into short sentences. The dialogue became a monologue. I entered upon my declaration. With the assistance of Bettina, who supplied her mistress with cologne, I kept her attention alive through the incipient circumstances. Symptoms were soon told. I came to the avowal. Her hand lay reposing on the arm of the sofa, half buried in a muslin foulard. I took it up and pressed the cool soft fingers to my lips—unforbidden. I rose and looked into her eyes for confirmation. Delicious creature! she was asleep!
I never have had courage to renew the subject. Miss McLush seems to have forgotten it altogether. Upon reflection, too, I'm convinced she would not survive the excitement of the ceremony—unless, indeed, she should sleep between the responses and the prayer. I am still devoted, however, and if there should come a war or an earthquake, or if the millennium should commence, as is expected in 18——, or if anything happens that can keep her waking so long, I shall deliver a declaration, abbreviated for me by a scholar-friend of mine, which, he warrants, may be articulated in fifteen minutes—without fatigue.
A SMACK IN SCHOOL
A district school, not far away,
'Mid Berkshire's hills, one winter's day,
Was humming with its wonted noise
Of threescore mingled girls and boys;
Some few upon their tasks intent,
But more on furtive mischief bent.
The while the master's downward look
Was fastened on a copy-book;
When suddenly, behind his back,
Rose sharp and clear a rousing smack!
As 'twere a battery of bliss
Let off in one tremendous kiss!
"What's that?" the startled master cries;
"That, thir," a little imp replies,
"Wath William Willith, if you pleathe——
I thaw him kith Thuthanna Peathe!"
With frown to make a statue thrill,
The master thundered, "Hither, Will!"
Like wretch o'ertaken in his track,
With stolen chattels on his back,
Will hung his head in fear and shame,
And to the awful presence came——
A great, green, bashful simpleton,
The butt of all good-natured fun.
With smile suppressed, and birch upraised,
The thunderer faltered—"I'm amazed
That you, my biggest pupil, should
Be guilty of an act so rude!
Before the whole set school to boot——
What evil genius put you to't?"
"'Twas she herself, sir," sobbed the lad;
"I did not mean to be so bad;
But when Susannah shook her curls,
And whispered, I was 'fraid of girls
And dursn't kiss a baby's doll,
I couldn't stand it, sir, at all,
But up and kissed her on the spot!
I know—boo—hoo—I ought to not,
But, somehow, from her looks—boo—hoo——
I thought she kind o' wished me to!"
William Pitt Palmer.
A RENDITION
Two old British sailors were talking over their shore experience. One had been to a cathedral and had heard some very fine music, and was descanting particularly upon an anthem which gave him much pleasure. His shipmate listened for awhile, and then said:
"I say, Bill, what's a hanthem?"
"What," replied Bill, "do you mean to say you don't know what a hanthem is?"
"Not me."
"Well, then, I'll tell yer. If I was to tell yer, 'Ere, Bill, give me that 'andspike,' that wouldn't be a hanthem;' but was I to say, 'Bill, Bill, giv, giv, give me, give me that, Bill, give me, give me that hand, handspike, hand, handspike, spike, spike, spike, ah-men, ahmen. Bill, givemethat-handspike, spike, ahmen!' why, that would be a hanthem."
B. P. SHILLABER ("Mrs. Partington")
FANCY DISEASES
"Diseases is very various," said Mrs. Partington, as she returned from a street-door conversation with Doctor Bolus. "The Doctor tells me that poor old Mrs. Haze has got two buckles on her lungs! It is dreadful to think of, I declare. The diseases is so various! One way we hear of people's dying of hermitage of the lungs; another way, of the brown creatures; here they tell us of the elementary canal being out of order, and there about tonsors of the throat; here we hear of neurology in the head, there, of an embargo; one side of us we hear of men being killed by getting a pound of tough beef in the sarcofagus, and there another kills himself by discovering his jocular vein. Things change so that I declare I don't know how to subscribe for any diseases nowadays. New names and new nostrils takes the place of the old, and I might as well throw my old herb-bag away."
Fifteen minutes afterward Isaac had that herb-bag for a target, and broke three squares of glass in the cellar window in trying to hit it, before the old lady knew what he was about. She didn't mean exactly what she said.
BAILED OUT
"So, our neighbour, Mr. Guzzle, has been arranged at the bar for drunkardice," said Mrs. Partington; and she sighed as she thought of his wife and children at home, with the cold weather close at hand, and the searching winds intruding through the chinks in the windows, and waving the tattered curtain like a banner, where the little ones stood shivering by the faint embers. "God forgive him, and pity them!" said she, in a tone of voice tremulous with emotion.
"But he was bailed out," said Ike, who had devoured the residue of the paragraph, and laid the paper in a pan of liquid custard that the dame was preparing for Thanksgiving, and sat swinging the oven door to and fro as if to fan the fire that crackled and blazed within.
"Bailed out, was he?" said she; "well, I should think it would have been cheaper to have pumped him out, for, when our cellar was filled, arter the city fathers had degraded the street, we had to have it pumped out, though there wasn't half so much in it as he has swilled down."
She paused and reached up on the high shelves of the closet for her pie plates, while Ike busied himself in tasting the various preparations. The dame thought that was the smallest quart of sweet cider she had ever seen.
SEEKING A COMET
It was with an anxious feeling that Mrs. Partington, having smoked her specs, directed her gaze toward the western sky, in quest of the tailless comet of 1850.
"I can't see it," said she; and a shade of vexation was perceptible in the tone of her voice. "I don't think much of this explanatory system," continued she, "that they praise so, where the stars are mixed up so that I can't tell Jew Peter from Satan, nor the consternation of the Great Bear from the man in the moon. 'Tis all dark to me. I don't believe there is any comet at all. Who ever heard of a comet without a tail, I should like to know? It isn't natural; but the printers will make a tale for it fast enough, for they are always getting up comical stories."
With a complaint about the falling dew, and a slight murmur of disappointment, the dame disappeared behind a deal door like the moon behind a cloud.
GOING TO CALIFORNIA
"Dear me!" exclaimed Mrs. Partington sorrowfully, "how much a man will bear, and how far he will go, to get the soddered dross, as Parson Martin called it when he refused the beggar a sixpence for fear it might lead him into extravagance! Everybody is going to California and Chagrin arter gold. Cousin Jones and the three Smiths have gone; and Mr. Chip, the carpenter, has left his wife and seven children and a blessed old mother-in-law, to seek his fortin, too. This is the strangest yet, and I don't see how he could have done it; it looks so ongrateful to treat Heaven's blessings so lightly. But there, we are told that the love of money is the root of all evil, and how true it is! for they are now rooting arter it, like pigs arter ground-nuts. Why, it is a perfect money mania among everybody!"
And she shook her head doubtingly, as she pensively watched a small mug of cider, with an apple in it, simmering by the winter fire. She was somewhat fond of a drink made in this way.
MRS. PARTINGTON IN COURT
"I took my knitting-work and went up into the gallery," said Mrs. Partington, the day after visiting one of the city courts; "I went up into the gallery, and after I had adjusted my specs, I looked down into the room, but I couldn't see any courting going on. An old gentleman seemed to be asking a good many impertinent questions—just like some old folks—and people were sitting around making minutes of the conversation. I don't see how they made out what was said, for they all told different stories. How much easier it would be to get along if they were all made to tell the same story! What a sight of trouble it would save the lawyers! The case, as they call it, was given to the jury, but I couldn't see it, and a gentleman with a long pole was made to swear that he'd keep an eye on 'em, and see that they didn't run away with it. Bimeby in they came again, and they said somebody was guilty of something, who had just said he was innocent, and didn't know nothing about it no more than the little baby that had never subsistence. I come away soon afterward; but I couldn't help thinking how trying it must be to sit there all day, shut out from the blessed air!"
Apropos of Superintendent Andrews's reported objection to the singing of the "Recessional" in the Chicago public schools on the ground that the atheists might be offended, the Chicago Post says:
For the benefit of our skittish friends, the atheists, and in order not to deprive the public-school children of the literary beauties of certain poems that may be classed by Doctor Andrews as "hymns," we venture to suggest this compromise, taking a few lines in illustration from our National anthem:
"Our fathers' God—assuming purely for the
sake of argument that there is a God—to Thee,
Author of liberty—with apologies to our friends,
the atheists—
To Thee I sing—but we needn't mean it, you
know.
Long may our land be bright,
With freedom's holy light;
Protect us by Thy might—remember, this is
purely hypothetical——
Great God—again assuming that there is a God—our
king—simply an allegorical phrase and
not intended offensively to any taxpayer."
OLIVER WENDELL HOLMES
THE DEACON'S MASTERPIECE;
Or, the Wonderful "One-hoss Shay"
A Logical Story
Have you heard of the wonderful one-hoss shay
That was built in such a logical way,
It ran a hundred years to a day,
And then, of a sudden, it—ah, but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits——
Have you ever heard of that, I say?
Seventeen hundred and fifty-five.
Georgius Secundus was then alive——
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down,
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake day
That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what,
There is always somewhere a weakest spot——
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace—lurking still,
Find it somewhere you must and will——
Above or below, or within or without——
And that's the reason, beyond a doubt,
That a chaise breaks down, but doesn't wear out.
But the Deacon swore (as deacons do,
With an "I dew vum," or an "I tell yeou")
He would build one shay to beat the taown
'N' the keounty, 'n' all the kentry raoun';
It should be so built that it couldn' break daown:
—"Fur," said the Deacon, "'t's mighty plain
Thut the weakes' place mus' stan' the strain;
'N' the way t' fix it, uz I maintain,
Is only jest
T' make that place uz strong uz the rest."
So the Deacon inquired of the village folk
Where he could find the strongest oak,
That couldn't be split nor bent nor broke——
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum"——
Last of its timber—they couldn't sell 'em,
Never an ax had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin, too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he "put her through"——
"There!" said the Deacon, "naow she'll dew!"
Do! I tell you, I rather guess
She was a wonder and nothing less!
Colts grew horses, beards turned gray,
Deacon and Deaconess dropped away,
Children and grandchildren—where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake day!
Eighteen hundred—it came and found
The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten——
"Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came——
Running as usual; much the same.
Thirty and forty at last arrived,
And then come fifty, and fifty-five.
Little of all we value here
Wakes on the morn of its hundredth year
Without both feeling and looking queer.
In fact, there's nothing that keeps its youth,
So far as I know, but a tree and truth.
(This is a moral that runs at large;
Take it—You're welcome—No extra charge.)
First of November—the Earthquake-day——
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There couldn't be—for the Deacon's art
Had made it so like in every part
That there wasn't a chance for one to start.
For the wheels were just as strong as the thills,
And the floor was just as strong as the sills,
And the panels just as strong as the floor,
And the whipple-tree neither less nor more,
And the back crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!
First of November, 'Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-hoss shay,
Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson—Off went they.
The parson was working his Sunday's text——
Had got to fifthly, and stopped perplexed
At what the—Moses—was coming next.
All at once the horse stood still,
Close by the meet'n' house on the hill.
—First a shiver, and then a thrill,
Then something decidedly like a spill——
And the parson was sitting upon a rock,
At half-past nine by the meet'n'-house clock——
Just the hour of the Earthquake shock!
—What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you're not a dunce,
How it went to pieces all at once——
All at once, and nothing first——
Just as bubbles do when they burst.
End of the wonderful one-hoss shay.
Logic is logic. That's all I say.
A certain learned professor in New York has a wife and family, but, professor-like, his thoughts are always with his books.
One evening his wife, who had been out for some hours, returned to find the house remarkably quiet. She had left the children playing about, but now they were nowhere to be seen.
She demanded to be told what had become of them, and the professor explained that, as they had made a good deal of noise, he had put them to bed without waiting for her or calling a maid.
"I hope they gave you no trouble," she said.
"No," replied the professor, "with the exception of the one in the cot here. He objected a good deal to my undressing him and putting him to bed."
The wife went to inspect the cot.
"Why," she exclaimed, "that's little Johnny Green, from next door."
FIVE LIVES
Five mites of monads dwelt in a round drop
That twinkled on a leaf by a pool in the sun.
To the naked eye they lived invisible;
Specks, for a world of whom the empty shell
Of a mustard-seed had been a hollow sky.
One was a meditative monad, called a sage;
And, shrinking all his mind within, he thought:
"Tradition, handed down for hours and hours,
Tells that our globe, this quivering crystal world,
Is slowly dying. What if, seconds hence
When I am very old, yon shimmering doom
Comes drawing down and down, till all things end?"
Then with a wizen smirk he proudly felt
No other mote of God had ever gained
Such giant grasp of universal truth.
One was a transcendental monad; thin
And long and slim of mind; and thus he mused:
"Oh, vast, unfathomable monad-souls!
Made in the image"—a hoarse frog croaks from the pool,
"Hark! 'twas some god, voicing his glorious thought
In thunder music. Yea, we hear their voice,
And we may guess their minds from ours, their work.
Some taste they have like ours, some tendency
To wriggle about, and munch a trace of scum."
He floated up on a pin-point bubble of gas
That burst, pricked by the air, and he was gone.
One was a barren-minded monad, called
A positivist; and he knew positively;
"There was no world beyond this certain drop.
Prove me another! Let the dreamers dream
Of their faint gleams, and noises from without,
And higher and lower; life is life enough."
Then swaggering half a hair's breadth hungrily,
He seized upon an atom of bug, and fed.
One was a tattered monad, called a poet;
And with a shrill voice ecstatic thus he sang:
"Oh, little female monad's lips!
Oh, little female monad's eyes!
Ah, the little, little, female, female monad!"
The last was a strong-minded monadess,
Who dashed amid the infusoria,
Danced high and low, and wildly spun and dove,
Till the dizzy others held their breath to see.
But while they led their wondrous little lives
Æonian moments had gone wheeling by,
The burning drop had shrunk with fearful speed:
A glistening film—'twas gone; the leaf was dry.
The little ghost of an inaudible squeak
Was lost to the frog that goggled from his stone;
Who, at the huge, slow tread of a thoughtful ox
Coming to drink, stirred sideways fatly, plunged,
Launched backward twice, and all the pool was still.