MAGAZINE ARTICLES

CONTEMPORARY REVIEW, 1867: T. F. Wedmore; Ingres—Gazette Des Beaux-Arts, 1861: É. Galichon; Dessins de M. Ingres. 1861: H. Delaborde; Les dessins de M. Ingres. 1861: É. Galichon; Description des dessins de M. Ingres exposés au Salon des Arts-Unis. 1862: H. Delaborde; La collection de tableaux de M. le comte Duchâtel. 1862: H. Delaborde; De quelques traditions de l'art français. 1863: C. Blanc; Du style et de M. Ingres. 1867: É. Galichon; La mort de M. Ingres. 1867-68: C. Blanc; Ingres, sa vie et ses ouvrages. 1870: H. Delaborde; Notes et pensées de J.-A.-D. Ingres. 1870: G. Duplessis; Le cabinet de M. Gatteaux. 1870: J. B.; Deux historiens d'Ingres. 1889: P. Mantz; La peinture française. 1894: L. Mabilleau; Les dessins d'Ingres au Musée de Montauban. 1898: G. Babin; Madame de Senonnes par Ingres. 1898: La jeunesse d'Ingres. 1900: A. Michel; La peinture française à l'exposition centennale. 1901: E. Hébert; La Villa Medicis en 1840: Souvenirs d'un pensionnaire. 1905: J. Momméja; Le portrait de Madame Destouches—Die Kunst, 1901: H. von Tschudi; Die Jahrhundert-Ausstellung der französischen Kunst—McClure's Magazine, 1896: W. H. Low; A Century of Painting—MacMillan's Magazine, 1871: F. Wedmore; Ingres—Revue de Paris, 1896: L. Mabilleau; Les cahiers d'Ingres au Musée de Montauban—Zeitschrift für Bildende Kunst, 1867: J. Meyer; Ingres.

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follows so closely the demands of fashion as to shades, sizes and finish that women who care for what is correct in writing papers prefer it. It is difficult to follow the changes in stationery, but it is easy to remember the name "Highland Linen." You can buy it anywhere at any time with the feeling that it is absolutely correct in every detail.

Highland Linen is made entirely from the new, clean "cuttings" of sheeting factories of this and foreign countries—not from rags. While this choice stock primarily makes for quality, the knowledge of its use makes impossible any unpleasant associations—something that all women of refinement appreciate.

Eaton-Hurlbut Paper Company
Pittsfield, Mass.

"The Gentle Art of Letter Writing," a delightful desk book for all who write letters, sent free on request for the name of a dealer who does not sell Eaton-Hurlbut Correspondence Papers.

MASTERS IN ART
BACK NUMBERS AND BOUND VOLUMES

MASTERS IN ART was established in January, 1900. As will be seen from the following list of painters and sculptors covered by the first six years, the bound volumes form a fairly complete reference library of Art. The subjects, in the order of publication, are as follows:

Cloth Binding

Volume I (1900) treats of Van Dyck, Titian, Velasquez, Holbein, Botticelli, Rembrandt, Reynolds, Millet, Giov. Bellini, Murillo, Hals, and Raphael.

Volume II (1901) treats of Rubens, Da Vinci, Dürer, Michelangelo (Sculpture), Michelangelo (Painting), Corot, Burne-Jones, Ter Borch, Della Robbia, Del Sarto, Gainsborough, and Correggio.

Volume III (1902) treats of Phidias, Perugino, Holbein, Tintoretto, Pieter De Hooch, Nattier, Paul Potter, Giotto, Praxiteles, Hogarth, Turner, and Luini.

Volume IV (1903) treats of Romney, Fra Angelico, Watteau, Raphael's Frescos, Donatello, Gerard Dou, Carpaccio, Rosa Bonheur, Guido Reni, Puvis De Chavannes, Giorgione, and Rossetti.

Half-Morocco Binding

Volume V (1904) treats of Fra Bartolommeo, Greuze, Dürer's Engravings, Lotto, Landseer, Vermeer of Delft, Pintoricchio, The Brothers Van Eyck, Meissonier, Barye, Veronese, and Copley.

Volume VI (1905) treats of Watts, Palma Vecchio, Madame Vigée Le Brun, Mantegna, Chardin, Benozzo Gozzoli, Jan Steen, Memling, Claude Lorrain, Verrocchio, Raeburn, Fra Filippo Lippi.

The Cloth Binding is a brown art buckram, with heavy bevelled boards, side and back stamps in frosted and burnished gold, from designs by Mr. B. G. Goodhue, and gilt top.

The Half-Morocco Binding is in green, with green and gold marbled paper sides and end papers, gold tooled back designed by Mr. B. G. Goodhue, and gilt top.

In both styles of binding the forwarding is most thoroughly done, the front and bottom edges are untrimmed.

PRICES

All single numbers, except those of the current calendar year, are 20 cents each, postpaid, in the United States, Canada, and Mexico; 25 cents each, postpaid, to foreign countries in the postal union. Single numbers of the current year are 15 cents. No reduction when yearly volumes or complete sets are ordered.

Bound volumes are $3.75 each for cloth, $4.25 each for half-morocco, express prepaid. Terms for purchasing the complete set on small monthly payments will be sent on request.

BATES & GUILD COMPANY, PUBLISHERS
42 CHAUNCY STREET, BOSTON, MASSACHUSETTS

In answering advertisements, please mention Masters in Art

The
Chaffee
Studio

NO. 1 HANCOCK STREET
WORCESTER, MASS.
HAS CONSTANTLY ON HAND AND FOR SALE
Original Work of
Mr. ALBERT H. CHAFFEE
INCLUDING

Also hand-painted Dinner and Score-Cards, and any hand-decorated work to order.

Selections of any of the above sent on approval

Interpretation of Raphael's Hours, by Mrs. Adeliza Brainerd Chaffee

Edition de Luxe, hand-illumined, $10.00 per Copy. Library Edition, Board Covers, $1.50; Paper Covers, 50 cents.

Mrs. Chaffee's Series of Six Topic Books, for the Study of Art, in use by Clubs, Schools, and Individual Study. 30 Cents Each. Correspondence Invited.

Picture-Lighting

Is in Itself an Art.

Fine paintings are often spoiled by ineffective or poor lighting.

The Famous Frink System

is being used in a large number of the finest galleries in the country, and by a great many prominent collectors. Covers the pictures with a strong, even light; no glare in the eyes, or spots on the picture space.

An Ideal Light.

We have made a special study of picture-lighting, and are prepared to give you the best results attainable. Galleries, individual collections or paintings successfully lighted. Investigation invited.

I. P. FRINK,

551 Pearl Street, New York City.

BRAUN'S
CARBON
PRINTS

FINEST AND MOST DURABLE IMPORTED WORKS OF ART

ONE HUNDRED THOUSAND direct reproductions from the original paintings and drawings by old and modern masters in the galleries of Amsterdam, Antwerp, Berlin, Dresden, Florence, Haarlem, Hague, London, Madrid, Milan, Paris, St. Petersburg, Rome, Venice, Vienna, Windsor, and others.

Special Terms to Schools.

BRAUN, CLÉMENT & CO.
256 Fifth Ave., bet. 28th and 29th Sts.
NEW YORK CITY

THE UNIVERSITY PRINTS

Are the only reproductions published in inexpensive form for the systematic study of Greek and Italian Art. One cent each, or eighty cents per hundred. Catalog on request.

Publishing Department
BUREAU OF
UNIVERSITY TRAVEL
18 Trinity Place
Boston, Mass.

NEW SUBSCRIBERS
TO
Masters in Art

Who would like the bound volumes complete from the beginning are requested to write for our offer to supply them on terms of small monthly payments.

BATES & GUILD COMPANY

In answering advertisements, please mention Masters in Art

SISTINE MADONNA

EVERY HOME SHOULD KNOW THE BEAUTIFUL

Perry Pictures

ONE CENT EACH

In lots of 25 or more; 120 for $1.00. There are more than 2,000 pictures from which to select.

Each picture on paper, 5½ × 8.

Send two two-cent stamps for Illustrated Catalogue of 1,000 small pictures, two Regular Size pictures, and a picture in three colors, or send

25c. for{25 Art Subjects, or
25 on the Life Of Christ, or
$1.00 for{a beautiful set of 120 Art Subjects, no two alike, or send
50c. for{11 Extra Size Pictures, each on paper; 10 × 12.

THE PERRY PICTURES COMPANY
Box 121, MALDEN, MASS.

Mention Masters in Art.

FAELTEN
PIANOFORTE
SCHOOL

CARL FAELTEN, DIRECTOR

COURSES FOR PIANISTS AND MUSIC TEACHERS
SPECIAL DEPARTMENT FOR CHILDREN

TENTH SCHOOL YEAR BEGINS MONDAY, SEPTEMBER 17, 1906

SEND FOR CALENDAR

30 HUNTINGTON AVENUE, BOSTON

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Are You Building a
COUNTRY HOUSE
Or Do You Own One?

In either case the following books will interest you.

AMERICAN COUNTRY HOUSES

Comprising the material gathered for a recent special number of 'THE ARCHITECTURAL REVIEW'—the leading architectural paper of America—and showing, by 325 photographic illustrations and plans, the exteriors and interiors of the best country houses of moderate cost built in this country during the last few years by architects of the highest standing. With full descriptive text. Price, bound, $3.00 postpaid.

STABLES

A work of similar character to the above, showing by over 550 illustrations the exteriors, plans, and interiors of stables of every size and arrangement, with articles by experts on stable planning, construction, hygiene, farm buildings, etc. Price, bound, $3.00, postpaid.

AMERICAN GARDENS

The only volume existing which shows what is possible in garden making under American conditions of climate and environment. Illustrates, by 237 superb photographs, sixty-one of the loveliest American gardens, old and new. Plans are given, and the preface treats of the principles of garden design. Price, $7.50, express paid.

Special illustrated and descriptive circulars concerning each of the above books on application.

Bates & Guild Company
PUBLISHERS
42 Chauncy St., Boston, Mass.

NEW YORK
SCHOOL OF ART

Summer Announcements for 1906

CLASS IN EUROPE

June to October—Spain, France, Belgium, and Holland.

Instructors: Robert Henri
Louis Gaspard Monte

BAYPORT, LONG ISLAND

June to October—Out-of-door work from Costume Model and Landscape; also Studio Work in Portraiture and Still Life.

Instructor: Douglas John Connah

NEW YORK CITY

78 West 55th Street
June 1st to September 4th

Classes in Life, Portrait, Still Life, Composition, and illustration under Kenneth Hayes Miller

Design and Normal Art, under the direction of Frank Alvah Parsons

For particulars apply to
SUSAN F. BISSELL, Secretary
57 W. 57th Street, New York City

ERIC PAPE SCHOOL OF ART

Eighth Year. Oct. 2, 1905, to Oct. 3, 1906.

Head Instructor and Director, ERIC PAPE
Manager, CHARLES A. LAWRENCE

No examinations for admission to any of the classes. Students begin by drawing from the nude and costume models, as is done in the Paris academies, upon which the school is modelled. Fine large studios.

Drawing, Painting, Composition, Illustration,
Decorative Design, and Pyrogravure

Drawing and Painting from "life." Separate classes for men and women. Portraiture, Still-life, Flower-painting, Water-color, Pastel, Composition, Decorative Design and Painting, Practical Design for Textiles, Illustration, Pen, Wash, Gouache, Poster, and Book-cover designing.

Morning, Afternoon, and Evening Classes. Scholarships, Medals, and Prizes.

For illustrated circulars address the Secretary.

Cor. Massachusetts Avenue and Boylston Street
BOSTON, MASS.

Art Academy of Cincinnati

Endowed for Higher Education in Art.
Money Scholarships. Year's Tuition $25.00

Frank Duveneck}Drawing, Painting
V. NowottnyComposition, Artistic
L. H. MeakinAnatomy, Etc.
C. J. Barnhorn, Modeling
William H. Fry, Wood-Carving
Anna Riis, Design and China Painting
Henrietta Wilson}Preparatory Drawing, Etc.
Kate R. Miller

39th Year: Sept. 24, 1906, to May 25, 1907

J. H. GEST, Director, Cincinnati, Ohio

Art Students' League
of New York

SUMMER SCHOOLS

New York City

GEORGE B. BRIDGMAN and
H. Daniel Webster, Instructors
June 4 to September 22

Woodstock, Ulster Co., New York

BIRGE HARRISON, Instructor
June 15 to October 1

Circulars of information concerning these classes will be mailed on request. Address

Art Students' League of New York
215 West 57th Street, New York, N.Y.

In answering advertisements, please mention Masters in Art

"THE ARISTOCRAT OF MUSICAL PUBLICATIONS"
Masters in Music

A SERIES OF THIRTY-SIX MONOGRAPHS OF THE GREAT COMPOSERS

Edited by DANIEL GREGORY MASON

Author of "From Grieg to Brahms" and "Beethoven and His Forerunners"

Each number of Masters in Music, complete in itself, presents a comprehensive summary of the life and achievement of one of the great musicians of the world, with 32 pages of music, those compositions being selected which, in the opinion of competent judges, best manifest the composer's genius. They are arranged for the piano or piano and voice, as the case may be. These compositions are accompanied by notes pointing out the characteristics of each selection and suggesting its best interpretation. A beautiful portrait frontispiece, quotations from the most eminent critics, and a bibliography and a list of works complete the number, forming a concise yet complete handbook for the study of the composer to whom it is devoted.

Contents

Price, per volume of six numbers, $1.25, postpaid.
Single numbers, 25 cents each.

$7.50 secures 36 parts, comprising 1,152 pages of classical music, carefully engraved and printed, and 576 pages of instructive and interesting reading-matter, with 36 frontispiece portrait plates—1,800 pages—a musical library in itself.

We will send the complete set, express prepaid, on receipt of $2.50 and your promise to complete the purchase by five monthly payments of $1.00 each.

BATES & GUILD COMPANY, Publishers
42 CHAUNCY STREET, BOSTON, MASSACHUSETTS

In answering advertisements, please mention Masters in Art