PLAYING "OLD MEN" PARTS
[Speech of John Gilbert at a banquet given by the Lotos Club in recognition of the fiftieth anniversary of his first appearance on the stage, New York City, November 30, 1878. The chairman of the dinner was Whitelaw Reid, President of the Lotos.]
"Cæsar, We Who Are About To Die Salute You." Such the gladiator's cry in the arena standing face to face with death. There is a certain appositeness in the words I have just uttered that probably may correspond to my position. Understand me, I do not mean to die theatrically at present. [Laughter.] But when a man has arrived at my age, he can scarcely look forward to very many years of professional exertion. When my old friend, John Brougham [Mr. Brougham:—"I am not going to die just yet.">[ [laughter], announced to me the honor that the Lotos Club proffered me, I was flattered and complimented. But I said: "John, you know I am no speechmaker." He replied, "Say anything." "Anything," I said, "anything won't do." "Then," said he, "repeat the first speech of Sir Peter Teazle, 'When an old bachelor marries a young wife, what is he to expect?'" [Laughter.] Well, I think I can paraphrase that and say, "When a young man enters the theatrical profession, what is he to expect?" Well, he may expect a good many things that are never realized. However, suffice it to say that fifty years ago I made my debut as an actor in my native city of Boston. I commenced in the first-class character of Jaffier in Otway's charming tragedy of "Venice Preserved." The public said it was a success, and I thought it was. [Laughter.] The manager evidently thought it was, too, for he let me repeat the character. Well, I suppose it was a success for a young man with such aspirations as I had. There might have been some inspiration about it—at least there ought to have been—for the lady who personated Belvidera was Mrs. Duff, a lovely woman and the most exquisite tragic actress that I ever saw from that period to the present.
After this, I acted two or three parts, Mortimer, Shylock, and some of those little, trifling characters [laughter], with comparative success. But shortly after, and wisely, I went into the ranks to study my profession—not to commence at the top and go to the bottom [laughter]—but to begin at the bottom and go to the top, if possible. As a young man, I sought for pastures fresh and new. I went to the South and West, my ambition still being, as is that of all youthful aspirants for dramatic honors, for tragedy. At last I went to a theatre, and to my great disgust and indignation I was cast for an old man—at the age of nineteen. [Laughter.] However, I must do it. There was no alternative and I did it. I received applause. I played a few more old men [laughter]; I found at last that it was my point, my forte, and I followed it up and after this long lapse of years, I still continue in that department. I went to England and was received with kindness and cordiality and, returning to my own country in 1862, I was invited to join Wallack's Theatre by the father of my dear friend here [alluding to Mr. Lester Wallack], his father whom I am proud to acknowledge as a friend of mine nearly fifty years ago, and I am also proud to say my dramatic master. [Applause.] I need not tell you that since that time I have been under the direction of his son. What my career has been up to the present time you all know. It requires no comment from me. I am no longer a young man, but I do not think I am an old man. [Applause and laughter.] I owe this to a good constitution and moderately prudent life. [Shouts of laughter.] I may say with Shakespeare's Adam, that
"In my youth I never did apply
Hot and rebellious liquors in my blood,
Therefore my age is as a lusty winter,
Frosty, but kindly."
Will you permit me, gentlemen, to thank you for the very high honor you have conferred upon me this evening and allow me to drink the health and prosperity and happiness of the Lotos Club? [Cheers.]