ARTS.
27. The arts of the Navahoes are not numerous. They make a very rude and inartistic pottery,—vastly inferior to that of the neighboring Pueblo tribes,—and they make but little of it. Their bows and arrows are not equal to those of the northern Indians, and, since they have both money and opportunity to purchase modern firearms, bows and arrows are falling into disuse. They do not consider themselves very expert dressers of deerskin, and purchase their best buckskins from other tribes. The women do very little embroidery, either with beads or porcupine-quills, and this little is unskilfully done. The legends indicate that in former days they stole or purchased embroideries from the Utes.
Fig. 16. Sacred basket.
28. Basketry.—They make excellent baskets, but very few of them, and have a very limited range of forms and patterns. In developing their blanket-making to the highest point of Indian art, the women of this tribe have neglected other labors. The much ruder but allied Apaches, who know nothing of weaving woollen fabrics, make more baskets than the Navahoes, and make them in much greater variety of form, color, and quality. The Navahoes buy most of their baskets and wicker water-jars from other tribes. They would possibly lose the art of basketry altogether if they did not require certain kinds to be used in the rites, and only women of the tribe understand the special requirements of the rites. [Figs. 16] and [17] show the patterns of baskets almost exclusively made. These are used in ceremonies, and are called by the author sacred baskets. A further description of them is given in a note.[5]
Fig. 17. Sacred basket.
29. Silver-work.—There are a few silversmiths in the tribe, whose work, considering the rudeness of their tools and processes, is very artistic. It is much sought after by white people, who admire its rude beauty. Probably the art of the smith has not existed long among the Navahoes. In a treatise entitled “Navajo Silversmiths,”[307] the author described the art as it existed in 1881; but the work has improved since that time with the introduction of better tools. Then the smith built his forge on the ground and squatted to do his work; now he builds it on an elevated frame ([fig. 10]), and sits on a stool or chair to work. [Fig. 18] represents silver ornaments made by Jake in 1881.
30. Weaving.—It is in the art of weaving that the Navahoes excel all other Indians within the borders of the United States. In durability, fineness of finish, beauty of design, and variety of pattern, the Navaho blanket has no equal among the works of our aborigines. The author has written a treatise on “Navajo Weavers,”[309] in which he describes their art as it existed some thirteen years ago. But since that treatise was written the art has changed. It has improved in one respect: an important new invention has been made or introduced,—a way of weaving blankets with different designs on opposite sides. It has deteriorated in another respect: fugitive aniline dyes, purchased from the traders, have taken the place of the permanent native dyes formerly used. In the finer blankets, yarn obtained from white traders has supplanted the yarn laboriously twilled on the old distaff. Navaho blankets are represented in figs. [1], [2], [5], [6], [7], and [12].
Fig. 18. Silver ornaments. Powder-chargers, hollow beads, buttons, bracelets.
31. The Navahoes weave diagonal cloth and diamond-shaped diagonals, and to do this a change is made in the mechanism of their simple looms. They weave belts or sashes, garters and saddle-girths, and these articles, too, require changes in the arrangement of the looms and in the methods of weaving. [Fig. 20] represents an ordinary loom, with one set of healds. [Fig. 21] represents a loom arranged for weaving diagonal cloth with two sets of healds. [Fig. 4] shows a woman wearing a belt of native manufacture. The women depicted in figs. [5] and [21] wear dresses of Navaho cloth.
Fig. 19. Woman spinning.
32. It is not only for gain that the Navaho woman weaves her blanket. Having worn it for a time, until it has lost its novelty, she may sell it for a price that scarcely pays her for the yarn. One who possesses large herds, and is wealthy for an Indian, will weave as assiduously as her poorest neighbor. At best, the labor brings low wages. The work is done, to no small extent, for artistic recreation, just as the females of our own race embroider and do “fancy work” for mere pastime.
33. Knitting.—They knit stockings with four needles, but these stockings are devoid of heels and toes. As the needles now used are of wire and obtained from the whites, it might be thought that the art of knitting was learned from our people; but knitted leggings, made of human hair, and wooden knitting-needles, have been found in the Navaho land, in cliff-dwellings which, there is reason to believe, were abandoned before the arrival of the Spaniards.