O. Henry Memorial Award Prize Stories of 1920

by Unknown

BREAK-NECK HILL

BY ESTHER FORBES

From The Grinnell Review

Down Holly Street the tide had set in for church. It was a proper, dilatory tide. Every silk-hat glistened, every shoe was blacked, the flowers on the women's hats were as fresh as the daffodils against the house fronts. Few met face to face, now and then a faster walker would catch up with acquaintances and join them or, with a flash of raised hat, bow, and pass on down the stream.

Then the current met an obstacle. A man, young and graceful and very much preoccupied, walked through the church-goers, faced in the opposite direction. His riding breeches and boots showed in spite of the loose overcoat worn to cover them. He bowed continually, like royalty from a landau, almost as mechanically, and answered the remarks that greeted him.

"Hello, Geth."

"Hello."

"Good morning, Mr. Gething. Not going to church this morning." This from a friend of his mother.

"Good morning. No, not this morning." He met a chum.

"Good riding day, eh?"

"Great."

"Well, Geth, don't break your neck."

"You bet not."

"I'll put a P.S. on the prayer for you," said the wag.

"Thanks a lot." The wag was always late—even to church on Easter morning. So Gething knew the tail of the deluge was reached and past. He had the street almost to himself. It was noticeable that the man had not once called an acquaintance by name or made the first remark. His answers had been as reflex as his walking. Geth was thinking, and in the sombre eyes was the dumb look of a pain that would not be told—perhaps he considered it too slight.

He left Holly Street and turned into Holly Park. Here from the grass that bristled so freshly, so ferociously green, the tree trunks rose black and damp. Brown pools of water reflected a blue radiant sky through blossoming branches. Gething subsided on a bench well removed from the children and nurse maids. First he glanced at the corner of Holly Street and the Boulevard where a man from his father's racing stable would meet him with his horse. His face, his figure, his alert bearing, even his clothes promised a horse-man. The way his stirrups had worn his boots would class him as a rider. He rode with his foot "through" as the hunter, steeple chaser, and polo-player do—not on the ball of his foot in park fashion.

He pulled off his hat and ran his hand over his close-cropped head. Evidently he was still thinking. Across his face the look of pain ebbed and returned, then he grew impatient. His wrist-watch showed him his horse was late and he was in a hurry to be started, for what must be done had best be done quickly. Done quickly and forgotten, then he could give his attention to the other horses. There was Happiness—an hysterical child, and Goblin, who needed training over water jumps, and Sans Souci, whose lame leg should be cocained to locate the trouble—all of his father's stable of great thoroughbreds needed something except Cuddy, who waited only for the bullet. Gething's square brown hand went to his breeches pocket, settled on something that was cold as ice and drew it out—the revolver. The horse he had raced so many times at Piping Rock, Brookline, Saratoga had earned the right to die by this hand which had guided him. Cuddy's high-bred face came vividly before his eyes and the white star would be the mark. He thrust the revolver back in his pocket hastily for a child had stopped to look at him, then slowly rose and fell to pacing the gravel walk. A jay screamed overhead, "Jay, jay, jay!"

"You fool," Geth called to him and then muttered to himself.
"Fool, fool—oh, Geth——" From the boulevard a voice called him.

"Mr. Gething—if you please, sir——!" It was Willet the trainer.

"All right, Willet." The trainer was mounted holding a lean greyhound of a horse. Gething pulled down the stirrups.

"I meant to tell you to bring Cuddy for me to ride, last time, you know."

"Not that devil. I could never lead him in. Frenchman, here, is well behaved in cities."

Gething swung up. He sat very relaxed upon a horse. There was a lifetime of practice behind that graceful seat and manner with the reins. The horse started a low shuffling gait that would take them rapidly out of the city to the Gething country place and stables.

"You know," Geth broke silence, "Cuddy's got his—going to be shot."

"Not one of us, sir," said Willet, "but will sing Hallelujah! He kicked a hole in Muggins yesterday. None of the boys dare touch him, so he hasn't been groomed proper since your father said he was to go. It's more dangerous wipin' him off than to steeplechase the others." Geth agreed. "I know it isn't right to keep a brute like that."

"No, sir. When he was young and winning stakes it seemed different. I tell you what, we'll all pay a dollar a cake for soap made out 'er old Cuddy."

"There'll be no soap made out of old Cuddy," Gething interrupted him, "I'll ride him out—up to the top of Break-Neck Hill and shoot him there. You'd better begin the trench by noon. When it's dug I'll take him to the top and——"

"But nobody's been on his back since your father said it was useless to try to make him over. Too old for steeplechasing and too much the racer for anything else, and too much the devil to keep for a suvnor."

"Well, I'll ride him once again."

"But, Mr. Geth, he's just been standing in his box or the paddock for four weeks now. We've been waiting for you to say when he was to be shot. He's in a sweet temper and d' y'er know, I think, I do——"

"What do you think?" Willet blushed purple.

"I think Cuddy's got something in his head, some plan if he gets out. I think he wants to kill some one before he dies. Yes, sir, kill him. And you know if he gets the start of you there is no stopping the dirty devil."

"Yes, he does tear a bit," Geth admitted. "But I never was on a surer jumper. Lord! How the old horse can lift you!" Gething dropped into a disconsolate silence, interrupted before long by Willet.

"Happiness will get Cuddy's box—she's in a stall. Cuddy was always mean to her—used to go out of his way to kick her—and she, sweet as a kitten."

"So you'll give her his box in revenge?"

"Revenge? Oh, no sir. Just common sense." Any thought of a sentimental revenge was distasteful to the trainer, but he was glad that good Happiness should get his box and disappointed about the soap. It would have lent relish to his somewhat perfunctory washings to say to himself, "Doubtless this here bit of soap is a piece of old Cuddy."

"How long will the trench take?"

"A good bit of time, sir. Cuddy isn't no kitten we're laying by. I'll put them gardeners on the job—with your permission—and they know how to shovel. You'll want an old saddle on him?"

"No, no, the one I've raced him in, number twelve, and his old bridle with the chain bit."

"Well, well," said Willet rubbing his veiny nose.

He considered the horse unworthy of any distinction, but in his desire to please Geth, took pains to prepare Cuddy for his death and burial. Gething was still at the big house although it was four o'clock and the men on Break-Neck Hill were busy with their digging. Willet called them the sextons.

"And we, Joey," he addressed a stable boy, "we're the undertakers. Handsome corpse, what?" Cuddy stood in the centre of the barn floor fastened to be groomed. He was handsome, built on the cleanest lines of speed and strength, lean as an anatomical study, perfect for his type. The depth of chest made his legs, neck, and head look fragile. His face was unusually beautiful—the white-starred face which had been before Geth's eyes as he had sat in Holly Park. His pricked ears strained to hear, his eyes to see. The men working over him were beneath his notice.

"Look at him," complained Joey, "he pays no more attention to us than as if we weren't here." Cuddy usually kicked during grooming, but his present indifference was more insulting.

"Huh!" said Willet. "he knows them sextons went to Break-Neck to dig the grave for him. Don't yer, Devil? Say, Joey, look at him listening like he was counting the number of spadefuls it takes to make a horse's grave. He's thinking, old Cuddy is, and scheming what he'd like to do. I wouldn't ride him from here to Break-Neck, not for a thousand dollars." He began rapidly with the body brush on Cuddy's powerful haunch, then burst out:

"He thinks he'll be good and we'll think he's hit the sawdust trail, or perhaps he wants to look pretty in his coffin. Huh! Give me that curry. You wash off his face a bit." Cuddy turned his aristocratic face away from the wet cloth and blew tremulously. Joey tapped the blazing star on his forehead.

"Right there," he explained to Willet, "but anyhow he's begun to show his age." He pointed the muzzle which had the run forward look of an old horse and to the pits above the eyes. The grooming was finished but neither Gething came to the stable from the big house nor the trench diggers from Break-Neck to say that their work was done.

"Say, Joey," suggested Willet, "I'll do up his mane in red and yellow worsteds, like he was going to be exhibited. Red and yellow look well on a bay. You get to the paddock and see Frenchman hasn't slipped his blanket while I fetch the worsteds from the office."

Cuddy left alone, stopped his listening and began pulling at his halter. It held him firm. From the brown dusk of their box-stalls two lines of expectant horses' faces watched him. The pretty chestnut, Happiness, already had been transferred to his old box, her white striped face was barely visible. Farther down, on the same side, Goblin stood staring stupidly and beyond were the heads of the three brothers, Sans Pareil, Sans Peur and the famous Sans Souci who could clear seven feet of timber (and now was lame.) Opposite stood Bohemia, cold blood in her veins as a certain thickness about the throat testified, and little Martini, the flat racer. On either side of him were Hotspur and Meteor and there were a dozen others as famous. Above each stall was hung the brass plate giving the name and pedigree and above that up to the roof the hay was piled sweet and dusty-smelling. The barn swallows twittered by an open window in the loft. In front of Cuddy the great double doors were open to the fields and pastures, the gray hills and the radiant sky. Cuddy reared abruptly striking out with his front legs, crouched and sprang against his halter again, but it held him fast. Willet, on returning with his worsted, found him as he had left him, motionless as a bronze horse on a black marble clock.

Willet stood on a stool the better to work on the horse's neck. His practised fingers twisted and knotted the mane and worsted, then cut the ends into hard tassels. The horse's withers were reached and the tassels bobbing rakishly gave a hilarious look to the condemned animal.

Four men, very sweaty, carrying spades entered.

"It's done," said the first, nodding, "and it's a big grave. Glad pet horses don't die oftener."

"This ain't a pet," snapped Willet. "He's just that much property and being of no more use is thrown away—just like an old tin can. No more sense in burying one than the other. If I had my way about it I'd——" But Geth entered. With his coat off he gave an impression of greater size, like Cuddy his lines were graceful enough to minimize his weight.

"Hole dug? Well, let's saddle up and start out." He did not go up to Cuddy to speak to him as he usually would have done, but as if trying to avoid him, he fell to patting Happiness's striped face. She was fretful in her new quarters. "Perhaps," thought Willet, "she knows it's old Cuddy and he's gone out for good." All the horses seemed nervous and unhappy. It was as if they knew that one of their number was to be taken out to an inglorious death—not the fortune to die on the turf track as a steeple-chaser might wish, but ignominiously, on a hill top, after a soft canter through spring meadows.

Cuddy stood saddled and bridled and then Willet turned in last appeal to his master's son.

"Mr. Geth, I wouldn't ride him—not even if I rode as well as you, which I don't. That horse has grown worse and worse these last months. He wants to kill some one, that's what he wants." Geth shook his head.

"No use, Willet, trying to scare me. I know what I'm doing, eh Cuddy?" He went to the horse and rubbed the base of his ears. The satin head dropped forward on to the man's chest, a rare response from Cuddy. Gething led him out of the stable, Willet held his head as the man mounted.

As he thrust his foot in the stirrup Cuddy lunged at Willet, his savage yellow teeth crushed into his shoulder. The rider pulled him off striking him with his heavy hunting whip. The horse squealed, arched himself in the air and sidled down the driveway. He did not try to run or buck, but seemed intent on twisting himself into curves and figures. The two went past the big house with its gables and numberless chimneys and down to the end of the driveway.

There is a four foot masonry wall around the Gething country-place ("farm" they call it). The horse saw it and began jerking at his bit and dancing, for ever since colt-hood walls had had but one meaning for him.

"Well, at it old man," laughed Gething. At a signal Cuddy flew at it, rose into the air with magnificent strength and landed like thistle-down.

"Cuddy," cried the man, "there never was a jumper like you. Break-Neck will keep, we'll find some more walls first." He crossed the road and entered a rough pasture. It was a day of such abounding life one could pity the worm the robin pulled. For on such a day everything seemed to have the right to live and be happy. The crows sauntered across the sky, care free as hoboes. Under foot the meadow turf oozed water, the shad-bush petals fell like confetti before the rough assault of horse and rider. Gething liked this day of wind and sunshine. In the city there had been the smell of oiled streets to show that spring had come, here was the smell of damp earth, pollen, and burnt brush. Suddenly he realized that Cuddy, too, was pleased and contented for he was going quietly now, occasionally he threw up his head and blew "Heh, heh!" through his nostrils. Strange that Willet had thought Cuddy wanted to kill some one—all he really wanted was a bit of a canter.

A brook was reached. It was wide, marshy, edged with cowslips. It would take a long jump to clear it. Gething felt the back gather beneath him, the tense body flung into the air, the flight through space, then the landing well upon the firm bank.

"Bravo, Cuddy!" the horse plunged and whipped his head between his forelegs, trying to get the reins from the rider's hands. Gething let himself be jerked forward until his face almost rested on the veiny neck.

"Old tricks, Cuddy. I knew that one before you wore your first shoes." He still had easy control and began to really let him out. There was a succession of walls and fences and mad racing through fields when the horse plunged in his gait and frightened birds fluttered from the thicket and Gething hissed between his teeth as he always did when he felt a horse going strong beneath him.

Then they came to a hill that rose out of green meadows. It was covered with dingy pine trees except the top that was bared like a tonsure. A trail ran through the woods; a trail singularly morose and unattractive. The pines looked shabby and black in comparison to the sun on the spring meadows. This was Break-Neck Hill. Perhaps Cuddy felt his rider stiffen in the saddle for he refused passionately to take the path. He set his will against Gething's and fought, bucking and rearing. When a horse is capable of a six foot jump into the air his great strength and agility make his bucking terrible. The broncho is a child in size and strength compared to Cuddy's race of super-horse. Twice Geth went loose in his flat saddle and once Cuddy almost threw himself. The chain bit had torn the edges of his mouth and blood coloured his froth. Suddenly he acquiesced and quiet again, he took the sombre path. Geth thrust his right hand into his pocket, the revolver was still there. His hand left it and rested on the bobbing, tasseled mane.

"Old man," he addressed the horse, "I know you don't know where you're going and I know you don't remember much, but you must remember Saratoga and how we beat them all. And Cuddy, you'd understand—if you could—how it's all over now and why I want to do it for you myself."

The woods were cleared. It was good to leave their muffled dampness for the pure sunshine of the crest. On the very top of the hill clean-cut against the sky stood a great wind-misshaped pine. At the foot of this pine was a bank of fresh earth and Gething knew that beyond the bank was the trench. He bent in his saddle and pressed his forehead against the warm neck. Before his eyes was the past they had been together, the sweep of the turf course, the grandstand a-flutter, grooms with blankets, jockeys and gentlemen in silk, owners' wives with cameras, then the race that always seemed so short—a rush of horses, the stretching over the jumps, and the purse or not, it did not matter.

He straightened up with a grim set to his jaw and gathered the loosened reins. Cuddy went into a canter and so approached the earth bank. Suddenly he refused to advance and again the two wills fought, but not so furiously. Cuddy was shaking with fear. The bank was a strange thing, a fearsome thing, and the trench beyond, ghastly. His neck stretched forward. "Heh, heh!" he blew through his nostrils.

"Six steps nearer, Cuddy." Geth struck him lightly with his spurs.
The horse paused by the bank and began rocking slightly.

"Sist! be quiet," for they were on the spot Gething wished. The horse gathered himself, started to rear, then sprang into the air, cleared earth-mound and trench and bounded down the hill. The tremendous buck-jump he had so unexpectedly taken, combined with his frantic descent, gave Gething no chance to get control until the level was reached. Then, with the first pull on the bridle, he realized it was too late. For a while at least Cuddy was in command. Gething tried all his tricks with the reins, the horse dashed on like a furious gust of wind, he whirled through the valley, across a ploughed field, over a fence and into more pastures. Gething, never cooler, fought for the control. The froth blown back against his white shirt was rosy with blood. Cuddy was beyond realizing his bit. Then Gething relaxed a little and let him go. He could guide him to a certain extent. Stop him he could not.

The horse was now running flatly and rapidly. He made no attempt to throw his rider. What jumps were in his way he took precisely. Unlike the crazed runaway of the city streets Cuddy never took better care of himself. It seemed that he was running for some purpose and Gething thought of Willet's often repeated remark, "Look at 'im—old Cuddy, he's thinking." Two miles had been covered and the gait had become business-like. Gething, guiding always to the left, was turning him in a huge circle. The horse reeked with sweat. "Now," thought Gething, "he's had enough," but at the first pressure on the bit Cuddy increased his speed. His breath caught in his throat. There was another mile and the wonderful run grew slower. The man felt the great horse trip and recover himself. He was tired out. Again the fight between master and horse began. Cuddy resisted weakly, then threw up his beautiful, white-starred face as if in entreaty.

"Oh, I'm——" muttered Gething and let the reins lie loose on his neck, "your own way, Cuddy. Your way is better than mine. Old friend, I'll not try to stop you again." For he knew if he tried he could now gain control. The early dusk of spring had begun to settle on the surface of the fields in a hazy radiance, a marvelous light that seemed to breathe out from the earth and stream through the sky. A mile to the east upon a hill was a farm house. The orange light from the sunset found every window, blinded them and left them blank oblongs of orange. The horse and rider passed closer to this farm. Two collies rushed forward, then stopped to bark and jump. The light enveloped them and gave each a golden halo.

Again Gething turned still keeping toward the left. A hill began to rise before them and up it the horse sped, his breath whirring and rattling in his throat, but his strength still unspent. To the very top he made his way and paused dazed. "Oh, Cuddy," cried Gething, "this is Break-Neck." For there was the wind-warped pine, the bank of earth, the trench. The horse came to a shivering standstill. The bank looked strange to him. He stood sobbing, his body rocking slightly, rocking gently, then with a sigh, came slowly down on to the turf. Gething was on his feet, his hand on the dripping neck.

"You always were a bad horse and I always loved you," he whispered, "and that was a great ride, and now——" He rose abruptly and turned away as he realized himself alone in the soft twilight. The horse was dead. Then he returned to the tense body, so strangely thin and wet, and removed saddle and bridle. With these hung on his arm he took the sombre path through the pines for home.

BLACK ART AND AMBROSE

BY GUY GILPATRIC

From Collier's, The National Weekly

"… The Naytives of the Seacoast told me many fearsome Tales of these Magycians, or Voodoos, as they called Them. It would seem that the Mystic Powers of these Magycians is hereditary, and that the Spells, Incantacions, and other Secretts of their Profession are passed on One to the Other and holden in great Awe by the People. The Marke of this horride Culte is the Likeness of a great Human Eye, carved in the Fleshe of the Backe, which rises in Ridges as it heals and lasts Forever …"

—Extract from "A Truthful Accounte of a Voyage and Journey
to the Land of Afrique, Together with Numerous Drawings and
Mappes, and a most Humble Petition Regarding the Same."
Presented by Roberte Waiting, Gent. in London, Anno D. 1651.

A few blocks west of the subway, and therefore off the beaten track of the average New Yorker, is San Juan Hill. If you ever happen on San Juan unawares, you will recognize it at once by its clustering family of mammoth gas houses, its streets slanting down into the North River, and the prevailing duskiness of the local complexion. If you chance to stray into San Juan after sundown, you will be relieved to note that policemen are plentiful, and that they walk in pairs. This last observation describes the social status of San Juan or any other neighbourhood better than volumes of detailed episodes could begin to do.

Of late years many of the Fust Famblies of San Juan have migrated northward to the teeming negro districts of Harlem, but enough of the old stock remains to lend the settlement its time-honoured touch of gloom. Occasionally, too, it still makes its way to the public notice by sanguinary affrays and race riots. San Juan Hill is a geographical, racial, and sociological fact, and will remain so until the day when safety razors become a universal institution.

San Juan is a community in itself. It has its churches, its clubs, its theatres, its stores, and—sighs of relief from the police—it used to have its saloons. It is a cosmopolitan community, too—as cosmopolitan as it can be and still retain its Senegambian motif.

Negroes from Haiti, Jamaica, Salvador, Cuba; from Morocco and Senegal; blue-black negroes from the Pacific; ebony negroes from the South; brown, tan, yellow, and buff negroes from everywhere inhabit San Juan. Every language from Arabic to Spanish is spoken by these—the cosmopolites of cosmopolitan San Juan.

Pussonally, Mr. Ambrose de Vere Travis spoke only English. Because he hailed from Galveston, Tex., he spoke it with a Gulf intonation at once liquid, rich, and musical. He stood six feet five on his bare soles, so his voice was somewhat reminiscent of the Vatican organ.

Ambrose was twenty-four years old. Our story finds him a New Yorker of three years' standing, all of which he had spent as a dweller on San Juan Hill. Originally the giant Mr. Travis had served as furnace tender in the subterraneous portions of the Swalecliffe Arms apartments, that turreted edifice in the Eighties that frowns across at the Palisades from Riverside Drive. But his size and the size of his smile had won for Ambrose the coveted and uniformed position of door-man, a post at which he served with considerable success and the incidental tips.

The recently wealthy Mr. Braumbauer, for instance, really felt that he was somebody, when Ambrose opened the door of his car and bowed him under the portcullis of Swalecliffe. And y'understand me, a feller's willing he should pay a little something for service once in a while. And so, one way and another, Ambrose managed to eke from his job a great deal more than he drew on pay day.

But Mr. Travis's source of income did not stop there—far from it. He had brought from Galveston a genius for rolling sevens—or, if he missed seven the first roll, he could generally make his point within the next three tries. He could hold the dice longer than any man within the San Juan memory, which, in view of the fact that craps is to San Juan what bridge is to Boston, is saying a great deal. Ambrose was simply a demon with the bones, and he was big enough to get away with it.

True, there had been difficulties.

One evening at the Social Club Ambrose held the dice for a straight sixteen passes. He and five other courtiers of fortune were bounding the ivories off the cushion of a billiard table, to the end that the contest be one of chance and not of science. In the midst of Ambrose's stentorian protests that the baby needed footwear, one of the losers forgot his breeding to the extent of claiming that Ambrose had introduced a loaded die. As he seconded his claims with a razor, the game met a temporary lull.

When the furniture had ceased crashing, the members of the club emerged from beneath the pool tables to see Mr. Travis tying up a slashed hand, while he of the razor lay moaning over a broken shoulder and exuding teeth in surprising quantities.

After this little incident no one ever so far forgot himself as to breathe the faintest aspersion on Mr. Travis, his dice, his way of throwing them down or of picking them up.

It was generally conceded that his conduct throughout the fray had been of the best, and the affair did much to raise him in popular esteem—especially as he was able to prove the caviler's charges to be utterly unfounded.

And so, with his physical beauty, his courage, and his wealth,
Mr. Ambrose de Vere Travis became something of a figure in San
Juan's social circles.

Just when Ambrose fell in love with Miss Aphrodite Tate is not quite clear.

Aphrodite (pronounced just as spelled) was so named because her father thought it had something to do with Africa. She was astoundingly, absolutely, and gratifyingly black, and Ambrose was sure that he had never seen any one quite so beautiful.

Aphrodite lived with her parents, the ancient and revered Fremont-Tates, patroons of San Juan. In the daytime she was engaged as maid by a family that suttingly treated her lovely; while in the evening she could usually be found at the St. Benedict Young People's Club. And it was here that Ambrose met her.

True love ran smoothly for a long time. At last, when he felt the tune was ripe, Ambrose pleaded urgent business for two evenings and shook down the Social Club dice fanciers for the price of the ring.

Then Mr. Dominique Raffin loomed dark on the horizon. Mr. Raffin did not loom as dark as he might have loomed, however, because he was half white. He hailed from Haiti, and was the son of a French sailor and a transplanted Congo wench. He was slight of build and shifty of eye. His excuse for being was a genius for music. He could play anything, could this pasty Dominique, but of all instruments he was at his tuneful best on the alto saxophone.

"Lawd! Oh, Lawd!" his audience would ejaculate, as with closed eyes and heads thrown back they would drink in the sonorous emanations from the brazen tube. "Dat's de horn ob de Angel Gabriel—dat's de heabenly music ob de spears!" And so Dominique's popularity grew among the ladies of San Juan, even if among the gentlemen it did not.

To tell the truth, Dominique was something of a beau. Because he played in an orchestra, he had ample opportunity to study the deportment of people who passed as fashionable. His dress was immaculate; his hair was not so kinky that it couldn't be plastered down with brilliantine, and he perfumed himself copiously. His fingers were heavily laden with rings. Dominique's voice was whining—irritating.

His native tongue was French, but he had learned to speak English in Jamaica. Thus his accent was a curious mixture of French and Cockney, lubricated with oily African.

Altogether, it is not to be wondered that such sturdy sons of Ham as Ambrose disliked the snaky Mr. Raffin. Disliked him the more when his various musical and cultural accomplishments made him a general favourite with the ladies. And then, when he absolutely cut Mr. Travis from the affections of Miss Tate, the wrath of the blacker and more wholesome San Juan citizens knew no bounds.

As for Ambrose—he sulked. Even his friends, the fur-lined tenants of Swalecliffe Arms, noticed that something worried the swart guardian of their gate. In the evenings Ambrose gave his entire time to frenzied rolling of the bones and was surprised to see that here, at least, luck had not deserted him.

On the few occasions when he forsook the green baize for an evening's dancing at the St. Benedict Young People's Guild, the sight of the coveted Miss Aphrodite whirling in the arms of the hated Raffin almost overcame him.

Finally the lovesick Mr. Travis decided to call upon the lady of his heart and demand an explanation. After some rehearsal of what he wanted to say, Ambrose betook himself to the tenement in which the Tate family dwelt. At sight of her cast-off swain, Miss Aphrodite showed the whites of her eyes and narrowed her lips to a thin straight line—perhaps an inch and a half thin. Evidently she was displeased.

Aphrodite opened the interview by inquiring why she was being pestered and intermediated by a low-down black nigger that didn't have no mo' brains than he had manners. Her feelings was likely to git the better of her at any moment; in which event Mr. Travis had better watch out, that was all—jest watch out.

The astounded Mr. Travis did his best to pacify this Amazon; to explain that he had merely come to inquire the reason for her displeasure; to learn in what respect Mr. Raffin had proved himself so sweetly desirable.

The answer was brief and crushing. It seemed that where Mr. Travis was a big, bulky opener of doors, Mr. Raffin was a sleek and cultured Chesterfield—a musician—an artist. Where Mr. Travis could not dance without stepping on everybody in the room, Mr. Raffin was a veritable Mordkin. Where Mr. Travis hung out with a bunch of no-good crap-shooting black buck niggers, Mr. Raffin's orchestral duties brought him into the most cultured s'ciety. In short, the yellow man from Haiti was a gentleman; the black man from Texas was a boor.

This unexpected tirade made the unhappy Ambrose a trifle weak in the knees. Then pride came to the rescue, and he drew himself to his full and towering six feet five. He held out his mammoth hands before Miss Aphrodite and warned her that with them, at the first provocation, he would jest take and bust Mr. Raffin in two. This done, he would throw the shuddering fragments into the street, and with his feet—Exhibit B—would kick them the entire length and breadth of the neighbourhood.

This threat only aroused new fires of scorn and vituperation, and Miss Tate informed her guest that, should he ever attempt the punitive measures described, Mr. Raffin would cut him up into little pieces. It seemed that Mr. Raffin carried a knife, and that he knew how to use it.

Mr. Travis snorted at this, and stamped out of the Tate apartment.

At his exit, doors closed softly on every floor, because the neighbours had listened to the tête-à-tête with intense interest. Even people in the next house had been able to hear most of it.

Ambrose made his furious way toward the Social Club, his mind set on mortal encounter with the hated Dominique. But—here was an inspiration!—why not win his money away from him first? To win away his last cent—to humble him—to ruin him—and then to break him in two and kick the pieces through the San Juan causeways, as per programme! This would be a revenge indeed!

Ambrose noted with satisfaction that Mr. Raffin was already at play, and crossing the smoke-filled room he threw down some money and took his place in the game.

Now, Mr. Travis was ordinarily a very garrulous and vociferous crap shooter, but to-night he was savagely silent. There was a disturbing, electric something in the air that the neutrals felt and feared. There was a look in the Travis eye that boded ill for somebody, and one by one the more prudent gamesters withdrew.

Then suddenly the storm broke.

Later accounts were not clear as to just what started the fray, but start it did.

Dominique's knife appeared from some place, and the table crashed. Then the knife swished through space like a hornet and buried its point harmlessly in a door across the room.

What followed is still a subject of wondering conversation on San
Juan Hill.

It seems that Mr. Travis seized Mr. Raffin by the collar of his coat, and swung him round and round and over his head. Mr. Raffin streamed almost straight out, like the imitation airplanes that whirl dizzily about the tower in an amusement park. Suddenly there was a rending of cloth, and Dominique shot through the air to encounter the wall with a soul-satisfying thump.

Ambrose looked bewildered at the torn clothing he held in his hand, and then at the limp form of his late antagonist. Mr. Raffin lay groaning, naked from the waist up.

Ambrose strode across to administer further chastisement, but was halted by a cry from one of the onlookers. This man stood pointing at Dominique's naked back—pointing, and staring with eyes that rolled with genuine negro terror.

"Look!" gasped the affrighted one. "Look! It's de Voo-doo Eye— dat man's a witch! Ambrose, fo' de Lawd's sake, git away from hyar!"

"What you-all talkin' about?" scoffed Ambrose, striding closer, and rolling Dominique so that the light shone full on his back. "What you-all talkin'——Good Lawd"!

This last ejaculation from Ambrose was caused by the sight that met his gaze.

There, on the yellow back before him, reaching from shoulder to shoulder, was tattooed the likeness of a great human eye!

Everyone saw it now. To some—the Northern darkies—it meant nothing. But to the old-school Southern negroes it meant mystery—magic—death. It was the sign of the Voodoo!

Several of the more superstitious onlookers retreated in poor order, their teeth chattering. Their mammies had told them about the Voodoo Eye. They remembered the tales whispered in the slave quarters about people being prayed to death by these baleful creatures of ill omen! They weren't going to take any chances!

Ambrose, for all his natural courage, was shaken. He remembered old Tom Blue, the Texas Voodoo, who poisoned twenty-one people and came to life after the white men lynched him. And now he had laid rough hands on one of the deadly clan; had brought upon himself the wrath of a man who could simply wish him to death!

Trembling, he stooped down and looked at the Devil's Sign. He looked again—closely. Then he broke out into a ringing peal of wholesome darky laughter.

"Git up!" he shouted, as Dominique showed signs of life. "Git up,
Mr. Voodoo, befo' Ah gits impatient an' throws you out de window!"

This recklessness—this defiance of the dread power—shocked even the least superstitious of the audience. By this time they were all under the spell of this mysterious mark. Those who hadn't recognized it at once had been quickly enlightened by the others.

Ambrose seized Dominique by the shoulder and dragged him to his feet. Swaying unsteadily, the mulatto looked around him through eyes closed to snakelike slits.

"Raffin," said Ambrose, "you-all has on yo' back de Eye ob Voodoo.
Dese gennlemen hyar thinks yo' is a Voodoo. Ah know yo' ain't!"

"I am a Voodoo! An' you, you sacré cochon," hissed Raffin,
"I'll make you wish you had nevaire been born!"

"Well, jes' fo' de present," laughed Ambrose, good humour spreading all over his face, "you-all had better git outa my way, an' stay out! Git outa hyar quick!"

Dominique, his evil face twitching with fury, picked up the ragged shreds of his coat and walked unsteadily out.

At his exit a dead silence fell upon the remaining members. Then they gathered together in excited groups and discussed the incident in heated undertones. Ambrose, quite unconcerned, took up a pack of cards and commenced a game of solitaire.

He wasn't worrying. He knew that Dominique was no more a Voodoo than he was. Startled at first, he had noticed that the eye had not been carved in Dominique's back, as it should have been, but had been tattooed. This in itself made the thing doubtful. But more than this, the marks were the unmistakably accurate work of an electric tattooing machine.

Ambrose had spent his youth on the Galveston water front, and knew tattooing in all its forms. Electric tattooing on a Voodoo was about as much in keeping with the ancient and awesome dignity of the cult as spangled tights would be on the King of England. No—it was ridiculous. Dominique was not a Voodoo!

Ambrose continued his solitaire, humming as he played. Occasionally he cast an amused eye at the excited groups across the room, and was not surprised when Mr. Behemoth Scott, president of the club, at last came over to him.

"Mistah Travis," began Mr. Scott deferentially, clearing his throat, "would you-all be good enough to jine our little gatherin' while we confabulate on dis hyar recent contabulaneous incident?"

"Suttingly, Mr. Scott, suttingly!" said Ambrose, pushing back his chair, and crossing the room with the quaking official. "What can Ah do fo' you-all?"

"Well, jest this," said Mr. Scott. "You gennlemen kin'ly correc' me or bear out what Ah say. Leavin' aside all argument whether they is sech things as Voodoos, Ah guess any of you gennlemen from the South will remember Aunt Belle Agassiz and Tom Blue. Ah guess yo' mammies all done tole 'bout the African Voodoos, an' how ebery now an' den one of 'em crops up still. An' Ah guess dat we've seen to-night dat we've got a Voodoo among us. Now, Mr. Travis"—here he turned to Ambrose—"we know what Aunt Belle Agassiz done on de Mathis Plantation in Georgia—you ought to know what Tom Blue did in Texas. So we wants to warn you, as a fren' an' membah of dis club in good standin', dat you better leave town to-night."

An assenting murmur arose from the crowd, with much rolling of eyes and nodding of heads.

Ambrose held up his hand for silence. A serious expression came over his features, and he towered tall and straight before them.

"Gennlemen," he said, "Ah sho appreciates yo' good sperit in dis hyar unfo'tunate affair. But Ah tells you-all hyar an' now dat Dominique Raffin ain't no mo' Voodoo den Ah is. Now, Ah ain't sayin' dat he ain't a Voodoo, an' Ah ain't sayin' dat Ah am one. All Ah says is dat Ah's as much of a Voodoo as he is—an' Ah'm willin' to prove it!"

"How you-all do dat, Ambrose?" asked somebody.

"Ah'm comin' to dat," replied Ambrose. "If you-all wants to decide dis mattah beyont all doubt, Ah respekf'ly suggests dat we hold a see-ance in dis hyar room, under any c'nditions dat you-all kin d'vise. If Ah cain't show yo mo' supernat'ral man'festations dan he can, Ah gives him fifty dollahs. If it's de oder way 'roun', he leaves de city within twenty-fo' hours. Is dat fair?"

"Well, it suttinly soun's puff'cly jest," replied Mr. Scott. "We-all will appint a committee to frame de rules of de see-ance, an' make 'em fair fo' both. You's been willin' to prove yo'-se'f, Ambrose, an' yo' couldn't do mo'. If dis m'latter Voodoo don't want to do lak'wise, he can leave dese pahts moughty sudden. Ain't dat so, gennlemen?"

"Yassuh—he'll leave quick!" was the threatening reply.

"All right den, Ambrose," continued the spokesman, "we'll 'range fo' dis sperit-summonin' contes' jes' as soon as we kin. We'll have it nex' Satiddy night at lates'. Meanwhile we-all is moughty obleeged to yo' for yo' willin'-ness to do de right thing."

The great night arrived, and San Juan, dressed in its gala finery, wended its chattering way to the Senegambian séance. But beneath the finery and the chatter ran a subtle under-current of foreboding, for your negro is superstitious, and, well, Voodoos are Voodoos!

Dominique Raffin, dressed in somber black, went to the club alone and unattended save by Miss Aphrodite Tate. San Juan, fearing the Raffin mulatto and his ghostly powers, had held its respectful distance ever since the evening when Ambrose and his rage had revealed them. Familiarity breeding contempt, Miss Aphrodite knew her man, and feared him not.

They found the rooms of the social club full of excited negroes, for never before in San Juan's history had such a momentous event been scheduled. Raffin and Aphrodite were received with a fearsome respect by Behemoth Scott, who had been appointed master of ceremonies.

"Jes' make yo'se'f to home," he greeted them. "Mista Travis ain't come yit; we has ten minutes befo' de contes' styarts."

At last, with a bare minute to spare, Ambrose smilingly entered. He wore his splendid full-dress suit, a wonderful creation of San Juan's leading tailor, who, at Ambrose's tasteful suggestion, had faced the lapels with satin of the most royal purple. Set out by this background of colourful lapel was a huge yellow chrysanthemum, while on the broad red band that diagonally traversed his shining shirt front glittered like a decoration, the insignia from his Swalecliffe uniform cap.

"Good evenin', folks," was his cheerful greeting. "If you-all is quite ready fo' dis see-ance, an' provided mah—er—wuthy opponent am ready, Ah'd jes' as soon _pro_ceed."

Miss Aphrodite gazed on the imposing figure of Ambrose with more than a little admiration. Comparing him with the trembling Raffin, she found much in his favour.

All but his footwear. Accustomed as she had become to the glistening patent leathers affected by Raffin, Ambrose's clumsy congress gaiters somewhat marred his gorgeousness. Nevertheless, she felt her affections wavering. Her speculations were interrupted by the voice of the master of ceremonies:

"Ladies an' gennlemen," began Mr. Scott, "we-all has d 'cided to form a circle of twelve of our membahs wif dese two Voodoo gennlemen asettin' opp'site each oder in de circle. In o'dah to preclude any poss'bility of either Mista Travis or Mista Raffin from leavin' dere places, we has d'cided to tie dem to dere cheers by ropes passed 'roun' dere bodies an' fastened to de backs of de cheers. De lights will den be distinguished. When he lights is tu'ned out, Mista Raffin will be given fifteen minutes in which to summon de supernat'ral proofs—whatevah dey may be—of his bein' Voodoo. Den Mista Travis will be given his chanct."

Amid the hushed whisperings of the assemblage the committee, six men and six women, Aphrodite included, took their places in the circle. Ambrose and the mulatto were seated opposite each other and were perhaps twelve feet apart. Raffin, nervously licking his lips, sat bolt upright while members of the committee passed ropes around him and the back of his chair, and tied his hands. In direct contrast to his rival, Ambrose slouched down in his seat and joked with the trembling members as they secured him in his place.

Those not on the committee crowded close to the chair backs of the circle in order that nothing should escape them. The excitement was tense, and everyone was breathing hard. When all was ready Mr. Behemoth Scott took his place in the circle. Drawing a long breath and grasping his chair for support, he spoke in a hushed and husky voice: "All raidy, now? Ah asks silence from eve'body. Turn out de lights"!

At the fateful words Stygian darkness enveloped the crowded room. The shades had been drawn and not the faintest ray from the dim street lights penetrated the place. It was stifling hot, and the assembled investigators were perspiring freely….

Silence—black, awe-inspired silence! Two hundred pairs of superstitious eyes peered into the horrible gloom—two hundred pairs of ears strained at the tomblike stillness. The suspense was awful, and none dared move. Occasionally some familiar sound came from the world outside: the clang of the Tenth Avenue car or the whistle of a tugboat out in the river, but these sounds were of another existence—they seemed distant and unfamiliar and wholly out of place in the mystery and terror of the Voodoo seance.

The minutes slid by, and nothing happened. The suspense was worse than ever. Something stirred in the circle. Two hundred hearts missed a beat. Then the whining, terror-stricken voice of the mulatto broke the stillness: "Let Travis try," he whispered hoarsely. "My spirits will not come until 'e 'as tried. Let 'im try fo' fifteen minutes, and when 'e 'as failed I will summon the ghost of Bula-Wayo, the king of all the tribes of the Niger. But let Travis try first!" This last almost pleadingly.

A moment more of silence and Ambrose's deep voice boomed forth in the darkness.

"Ah's willin'," he declared. "Anythin' dat now appears will be mah doin'—ten minits is all Ah asks. Am dat sat'sfact'ry?"

"Yaas," replied the voice of Behemoth Scott. "Go ahaid wif yo' sperit-summonin', Mista Travis."

"Ah'll cawncentrate now," replied Ambrose, "an' sho'tly you-all will witness ample proof of mah bein' a genuine Voo-doo. Ah's stahtin'."

Silence more terrible than ever fell upon the waiting negroes. Then—horror of horrors! a peculiar grating, rustling sound came from the vicinity of Ambrose—a slight creaking—and again silence. The investigators held hands of neighbours who trembled from sheer panic, whose breath came hard and panting from this awful suspense!

Another creaking, as though Ambrose had shifted his weight in his chair….

Then—baleful—in its green, ghastly glow—a dim, indistinct light shone in the centre of the circle! Moving slowly, like a newly awakened spirit, it waved in the very midst of the gasping committee. Back and forth, up and down, it moved—glowing, vaporous, ghostly. Two hundred pairs of bulging eyes saw the horror—and realized that it was an enormous hand, terribly deformed!

Some one moaned with terror—a woman screamed. "De hand ob death!" shrieked a man. "Run—run fo' yo' lives!"

The stampede was spontaneous! Chairs were overturned and tables smashed in this frightful panic in the dark. No one thought of turning on the lights—everyone's sole aim was to leave that appalling shining hand—and get out!

A crashing on the stairway marked where Raffin, chair and all, was making his fear-stricken way to the street. In one brief minute the place was apparently empty save for Ambrose. Still tied to his chair, he inquired: "Is any one hyar?"

For a second there was silence, then the dulcet tones of Miss
Aphrodite fell on the big negro's ear: "Ah's hyar, Ambrose," she said.

"Well, den"—recognizing her voice—"would you mine lightin' de gas till Ah can tie mahself loose from dis hyar throne ob glory?"

In a moment a feeble gaslight shone, disclosing Aphrodite—somewhat disarranged by the panic—standing smiling in front of the erstwhile Voodoo. She looked down at his feet. There, sure enough, one huge member was unshod and stockingless; the elastic-slit congress gaiter, lost in the shuffle, lay out of the radius of Ambrose's long leg. Miss Aphrodite picked it up and, stooping, slipped it over his mighty toes, noticing as she did so the thick coating of phosphorescent paint that still covered them.

"Ambrose," she whispered, "Ah wasn't scaired. No ghos' eber was bohn dat had han's de size ob yo' feet!"

An embarrassed silence followed; the gas jet flickered weakly; then
Ambrose said: "Untie mah han's, Aphrodite—Ah'd jes' lak to hug you!"

"Oh, Ambrose," she cried coyly. But she untied the rope just the same.

Again came silence, broken only by a certain strange sound. Then Ambrose's voice came softly through the gloom: "Aphrodite," it said, "yo' lips am jes' lak plush!"