CONTENTS
TITLE, PROLOGUE AND EPILOGUES TO THE RECUYELL OF THE HISTORIES OF TROY WILLIAM CAXTON
EPILOGUE TO DICTES AND SAYINGS OF THE PHILOSOPHERS WILLIAM CAXTON
PROLOGUE TO GOLDEN LEGEND WILLIAM CAXTON PROLOGUE TO CATON WILLIAM CAXTON EPILOGUE TO AESOP WILLIAM CAXTON PROEM TO CHAUCER'S CANTERBURY TALES WILLIAM CAXTON PROLOGUE TO MALORY'S KING ARTHUR WILLIAM CAXTON PROLOGUE TO VIRGIL'S ENEYDOS WILLIAM CAXTON
DEDICATION OF THE INSTITUTES OF THE CHRISTIAN RELIGION JOHN CALVIN TRANSLATED BY JOHN ALLEN
DEDICATION OF THE REVOLUTIONS OF THE HEAVENLY BODIES NICOLAUS COPERNICUS
PREFACE TO THE HISTORY OF THE REFORMATION IN SCOTLAND JOHN KNOX
PREFATORY LETTER TO SIR WALTER RALEIGH ON THE FAERIE QUEENE EDMUND SPENSER
PREFACE TO THE HISTORY OF THE WORLD SIR WALTER RALEIGH
PROOEMIUM, EPISTLE DEDICATORY, PREFACE, AND PLAN OF THE INSTAURATIO MAGNA, ETC. FRANCIS BACON TRANSLATION EDITED BY J. SPEDDING
PREFACE TO THE NOVUM ORGANUM FRANCIS BACON
PREFACE TO THE FIRST FOLIO EDITION OF SHAKESPEARE'S PLAYS HEMINGE AND CONDELL
PREFACE TO THE PHILOSOPHIAE NATURALIS PRINCIPIA MATHEMATICA SIR ISAAC NEWTON TRANSLATED BY ANDREW MOTTE
PREFACE TO FABLES, ANCIENT AND MODERN JOHN DRYDEN
PREFACE TO JOSEPH ANDREWS HENRY FIELDING PREFACE TO THE ENGLISH DICTIONARY SAMUEL JOHNSON PREFACE TO SHAKESPEARE SAMUEL JOHNSON INTRODUCTION TO THE PROPYLÄEN J.W. VON GOETHE
PREFACES TO VARIOUS VOLUMES OF POEMS WILLIAM WORDSWORTH APPENDIX TO LYRICAL BALLADS WILLIAM WORDSWORTH ESSAY SUPPLEMENTARY TO PREFACE WILLIAM WORDSWORTH
PREFACE TO CROMWELL VICTOR HUGO PREFACE TO LEAVES OF GRASS WALT WHITMAN INTRODUCTION TO THE HISTORY OF ENGLISH LITERATURE H.A. TAINE
INTRODUCTORY NOTE
_No part of a book is so intimate as the Preface. Here, after the long labor of the work is over, the author descends from his platform, and speaks with his reader as man to man, disclosing his hopes and fears, seeking sympathy for his difficulties, offering defence or defiance, according to his temper, against the criticisms which he anticipates. It thus happens that a personality which has been veiled by a formal method throughout many chapters, is suddenly seen face to face in the Preface; and this alone, if there were no other reason, would justify a volume of Prefaces.
But there are other reasons why a Preface may be presented apart from its parent work, and may, indeed, be expected sometimes to survive it. The Prologues and Epilogues of Caxton were chiefly prefixed to translations which have long been superseded; but the comments of this frank and enthusiastic pioneer of the art of printing in England not only tell us of his personal tastes, but are in a high degree illuminative of the literary habits and standards of western Europe in the fifteenth century. Again, modern research has long ago put Raleigh's "History of the World" out of date; but his eloquent Preface still gives us a rare picture of the attitude of an intelligent Elizabethan, of the generation which colonised America, toward the past, the present, and the future worlds. Bacon's "Great Restoration" is no longer a guide to scientific method; but his prefatory statements as to his objects and hopes still offer a lofty inspiration.
And so with the documents here drawn from the folios of Copernicus and Calvin, with the criticism of Dryden and Wordsworth and Hugo, with Dr. Johnson's Preface to his great Dictionary, with the astounding manifesto of a new poetry from Walt Whitman's "Leaves of Grass"—each of them has a value and significance independent now of the work which it originally introduced, and each of them presents to us a man._