FOOTNOTES:

[1949] On this subject, see The War of the Theatres, by Mr. J. H. Penniman, 1897, and The Stage-Quarrel between Ben Jonson and the so-called Poetasters by R. A. Small (Breslau, 1899).

INDEX OF HISTORICAL AND CRITICAL MATERIALS

Aberdeen, Records of, [xxxviii].
Acolastus, the, by Gnapheus (W. Fullonius), transl. by Palsgrave, [lxx], [lxxi], [lxxxi].
Acting and actors: in churches, [xiii], [xv], [xix], [xxi]; in schools, [xiv], [lxix]; in churchyards, [xii]; by crafts, [xviii], [xx], [xxxiii]; the councils against mimi, [xix], [xl]; actors of Wakefield, [xxv]; mummers, [xl]; English actors in Germany, [xlv]; acting at Cambridge, [lxxi], [197]; Udall and school actors, [98]; Lyly and boy actors, [265–268], [270], [279]; Greene and the companies, [399], [403], [408], [411], [418]; Porter and the companies, [515], [516], [519–522], [524], [526–527].
Admiral's men, the, (i.e. under patronage of Lord Charles Howard, Earl of Nottingham, 1585–1603) and Greene, [403], [408], [410]; and Porter, [515–517], [520–528], et passim.
Agamemnon, Dekker and Chettle's, [523].
Agrippa, Henry Cornelius (von Nettesheim), [281].
Alberti, his Philodoxeos, [lxvii].
Albyon Knight, [lxxxvi].
Alcmæon, the play of, [268].
Alda, Latin play by William of Blois, [xvii].
Aldrich, Robert, and Udall, [92].
Alençon, the duc d', and Endymion, [268].
Alexander, the Life of by Plutarch, [269], [283], et seq.
Alexander and Campaspe, by Lyly, edition of, with essay, by Professor Baker, [263–333]; dates, sources, literary estimate, etc., [268–276].
Alexander and Lodowick, by Martin Slater, [523], [526].
Alexandrine, the Middle English, [189].
Allegory, and the drama, [xxxvii], [xl], [lxxxi], [xcii], [267].
Alleyn, Edward, and Greene's plays, [408], [410]; catalogue of his MSS. at Dulwich, [515]; acquaintance with Porter, [524].
Alleyn, Richard, an actor in the Admiral's company, [524].
All for Money, Lupton's, [xlviii], [li], [lxxxvi].
Allott, his England's Parnassus, [421].
All's Well that Ends Well, Shakespeare's, [191], [656].
Alphonsus, Emperor of Germany, by Chapman, attributed to Peele, [336].
Alphonsus, King of Arragon, Comicall Historie of, by Greene, [389], [403–405], [407], [410], [411], [421].
Andria, of Terence, the English translation of, [lxviii], [lxxi], [107].
Antichrist legend, Protestant version of the, [lxxv].
Apius and Virginia, The tragical comedy of, by R. B., [lxxxvi], [141], [336], [341].
Apollodorus Tarsensis, compared with Peele, [337]. Apuleius, Adlington's translation of his Metamorphoses of the Golden Ass, a possible source of Peele's 'Meroe,' [346], [383].
Arber, Professor E., his English Garner, [89]; his reprint of Roister Doister, [90], [104], [194]; his Transcripts of the Stationers' Registers, [97], [197], [347], et passim.
Archæologia, on Udall, [93].
Archiv für das Studium der neueren Sprachen, on Peele, [348].
Aretino, his Poliscene, [lxvii].
Ariosto, his I Suppositi, [lxviii]; Gascoigne's translation of, [lxxv], [lxxxiv]; compared with Peele, [337]; his Orlando Furioso, [389].
Argumentative plays, debats, and controversial morals, [lxv], [lxvi], [lxxv], [xci]; Heywood's, [10].
Arraignment of Paris, The, by Peele, [336], [341].
Ascension, The, Wakefield play of, [xxvi], [xxvii].
Ascham, Roger, referred to, [135].
Asotus, the, by Macropedius, [lxx].
Ass, Feast of the, [xx], [xxi].
As You Like It, by Shakespeare, [lxv], [275], [645], [654], [655].
Babio, a Latin elegiac comedy, [xviii].
Baker, D. E. (with Reed and Jones), his Biographia Dramatica, [200], [348].
Baker, Professor G. P., Critical Essay on Lyly, his life and place in comedy, with special reference to Alexander and Campaspe, [263–277]; edition of A. and C., with notes, [278–333].
Bale, Bishop, his Catalogus, xviii, [89], [93]; translation of Pammachius, [lxx], [lxxi]; his Kyng Johan, [lxxii], [lxxv].
Ballad plays, [xli].
Bandello, [645].
Barclay, Alexander, and fool-literature, [lii], [liii].
Bardani, [xli].
Barry, Lodowick, the song of "Three merrie men" in his Ram Alley, [352].
Bartholomew Fayre, by Ben Jonson, Induction to, [410].
Basoche, clercs de la, [lxvi].
Battle of Alcazar, The, by Peele, [335], [337], [341].
Baucis, a Latin elegiac comedy, [xviii].
Bayne, on Henry Porter in Dict. Nat. Biog., [519].
Beaumont and Fletcher, and the play within a play, [343].
Beaux Stratagem, The, by Farquhar, referred to, [429].
Bernhardi, his R. Greene's Leben u. Schritten, [397], [411].
Bewick and Grahame, the ballad, referred to, [366].
Bibbiena, Cardinal de, bis Calandria, [lxviii].
Biblical miracles, [xiii–xxxvii]; genre drama, idyllic or heroic miracle, [lxxvi].
Bien-Avisé et Mal-Avisé, a French moralité, [liii], [lxxii].
Birde, William, and Henry Porter, [516].
Blacke Battman of the North, Porter's relation to the play, [515], [521], [522].
Blank Verse, Peele's, [339], [340]; Greene's, [404], [407], [414], [417]; on the rhetorical quality of dramatic; examination of Greene's practice, and a few general conclusions, [503–513].
Bloody Brother, The, by Fletcher, Jonson, et al., parodies "Three merry men," [352].
Blount, Edward, publisher of Lyly's plays, [269], [276].
Blyssyd Sacrament, The, Croxton play of, [xxxix].
Boase and Clark, Register of Univ. Oxford, and the two Henry Porters, [518].
Boccaccio, G., [645].
Bodel, Jean, his play of St. Nicholas, [xvi].
Bojardo, his Timone, [lxviii].
Bower, his Scotichronicon, on Robin Hood, [xli].
Bower, the R. B. of Apius and Virginia (Fleay's conjecture), [lxxxvi], [336].
Boy Bishop, the election of the, [xx], [xxi].
Bradley, Henry, mentioned, [lxxii]; his Critical Essay on Gammer Gurton's Nedle, [197–204]; date of Gammer Gurton's Nedle, and its authorship, by Wm. Stevenson, [197]; place of G. G. N. in the history of comedy, [202]; dialect, [203]; previous editions and the present text, [204]; edition of G. G. N., [205–257]; appendix, [259].
Brand, the Rev. John, his Popular Antiquities, [127], [192].
Brandl, Professor A., his Quellen u. Forschungen d. weltlichen Dramas in England, referred to, [lx], [lxxiii], [lxxiv], [lxxx], [lxxxii], [lxxxvii].
Brandt, Sebastian, his Narrenschiff, [lii], [liii].
Brasenose, the College Register of, and Henry Porter, [520].
Bridges, Dr. John, and Gammer Gurton's Nedle, [199]; his Defence of the Government of the Church, [200].
Briggs, the Rev. Thomas, his copy of Roister Doister, [97].
Broome, William, and Alex. and Camp., [276].
Brotherhood in Arms, Scott on the institution, [366].
Brown, Professor J. M., on Greene (An Early Rival of Shakespeare, Auckland, 1877), [402], [405], [410], [415], [417].
Brute Grenshillde, and Henslowe, [523].
Bücher, K., Arbeit u. Rhythmus, referred to, on songs of labour, [384].
Buffeting, The, Wakefield play of, [xxvii], [xxviii].
Bugbears, The, a comedy of intrigue, [lxxxviii].
Bulæus, on the Ludus de S. Katharina, [xiv].
Bullen, Mr. A. H., his edition of Peele, [346], [348]; see, also, notes to Gummere's edition of O. W. T.; on Henry Porter, [519].
Burby, Cuthbert, publisher, and Greene's plays, [418], etc.
Burlesque in church and festival plays, [xix–xxi]; in miracle cycles, [xxiv], [xxix], [xxxvi]; in farces, [lxv], [lxvi]; in school plays, [lxxi–lxxii], [lxxv].
Cadman, Thos., and Lyly's plays, [276].
Cain, the York play of, [xxv].
Calandria, the, by Bibbiena, [lxviii].
Calisto and Melibœa, by Cota and de Rojas, [lxviii]; the English play, [lxxii].
Cambyses, King of Percia, etc., by Thomas Preston, [lii], [liii], [lxxxvi], [342].
Camden's Proverbs, [108], [194], et passim.
Campaspe, by Lyly, [263–333].
Cante-fable, reminiscences of the, [356], [375].
Carde of Fancie, The, by Greene, the Dedication to, [403].
Carle off Carlile, the poem, [127].
Carmina Burana, referred to, [191].
Carpenter, Professor F. I., his edition of Wager's Marie Magdalene (University of Chicago Press), [xciv].
Castell of Perseverance, The, play of, [xlvii], [xlviii], [l], [li], [lviii].
Caxton, William, his translation of the Legenda Aurea, [xxxi], [xliv]; his Prol. Eneydos, [115].
Chaderton, William, his play and Gammer Gurton, [198].
Challenge for Beauty, A, by T. Heywood, [521].
Chalmers, Alexander, his English Poets, [191].
Chapman, George, [lxxxviii]; and Lyly, [275]; and Porter, [517], [524], [533]; his Humerous Dayes Mirth, [527]; and Shakespeare, [658].
Chappell's Popular Music of the Olden Time and the song of "Three merrie men," [352].
Character, portrayal of in miracles, [xxxi], [xxxiii]; in marvels, etc., [xxxix], [xli]; in morals, [lii–liv], [lxii–lxiii]; in other plays, [lxix], [lxxxvii], [xcii]; and see under Authors and Comedies.
Chaucer, [xix]; the episode after his style, [lxv], [lxvi]; and Heywood, [10–13]; referred to, [127], [398], [426]; and see notes to R. D.; on "hunting the letter," [374].
Chester Cycle, The, of miracle plays, [xxiii], [xxiv], [xxix].
Chettle, Henry, his relations with Greene: his Kind Hart's Dreame, [419]; his Robert Greene to Pierce Pennilesse, [422]; and the 'Groatsworth Group,' [423], [424]; his relations with Porter, [515–517], [522], [524]; his Troilus and Cressida, [657].
Child, Professor, on Robin Hood plays, [xl]; on St. George plays, xliii, [176].
Childe Maurice, reference to, [359].
Childe Rowland, a possible reference to, in O. W. T., [345], [354], [356].
Children as players, [14], [98], [266], [267], [270], [275], [276].
Christ led up to Calvary, the York miracle of, [xxvii].
Chronicle play, The English, [lxxvi], Lyly and, [270].
Cicero, Lyly's indebtedness to, [267].
Cinthio, Giraldi, Shakespeare's indebtedness to, [645].
Clergy, the, and miracle plays, [xiii], [xviii–xx].
Clown, the, [xlvii], [xlviii], [li], [lii], [liv], [388], [430], [644–646], [649], [651], [655].
Coliphizatio, one of the Wakefield plays, see [Buffeting].
Collier, J. Payne, references to his History of Dramatic Poetry and Annals of the English Stage, Illustrations of Old English Literature, Henslowe's Diary, Memoirs of Alleyn, etc., [xiv], [xx], [xl], [xlii], [xlix], [lvi], [lviii], [lxxiv], [lxxvii], [lxxix], [lxxxvii], [lxxxviii], [lxxxix], [97], [346], [409], [417], [515], [517], [518], [523], et passim; his Old Ballads, [167].
Colman, George, the elder, his Jealous Wife, [530].
Colwell, Thomas, publisher of Gammer Gurton, [197], [199], [201], and of the Disobedient Child.
Comedy in England, Beginnings of, by C. M. Gayley, [xiii–xcii]; liturgical fragments, early saints' plays and parodies, [xiii]; comedy of ridicule, [xx]; the miracle cycles in their relation to comedy, [xxi]; dramatic value of the English miracle plays, [xxxi]; the contribution of later "marvels" and early secular plays, [xxxvii–xxxviii]; the Devil and the Vice, [xlvi]; the indebtedness of comedy to the Vice, [liii–liv]; the relation between miracle, moral, and interlude, [liv]; the older morals in their relation to comedy, [lvii]; the dramatic contribution of the older morals, [lxii]; period of transition, farce and romantic interlude, [lxiv]; period of transition, school of interlude and controversial moral, 'Christian Terence' and comedia sacra, [lxix]; polytypic, or fusion, plays, [lxxvii]; survivals of the moral interlude, [lxxxv]; the movement toward romantic comedy, [lxxxvii]; conclusion regarding the requisites of comedy, [xci]; comedy compared with tragedy, [xxxi], [xxxvii–xxxviii], [lxi–lxiv], [639]; elements, kinds, and relation to society, [xci], [635], [648]; pastoral, [4], [268]; in miniature, [10]; emancipation from miracle and moral, [15]; Commedia dell' arte, [lxviii]; see also under [Allegory], [Romantic], [Manners], [Humours], [Latin], [Woman], [Prose], Plot, [Character].
Comedy of Errors, The, by Shakespeare, [648], [650].
Common Conditions, the play of, [lxxxiii], [lxxxviii], [336], [341], [342].
Comodey of Umers, The, [526], [528], [533].
Complaynt of Scotland, The, folk-tale in, [345].
Comus, The, of Milton, and Old Wives' Tale, [348], [364], [378].
Conflict of Conscience, The, by Nathaniel Woodes, [xlix], [li], [lxxxvi], [426].
Congreve, William, the character of 'Prue' in his Love for Love, [536].
Conny-Catching, Greene's pamphlets on, [398], [418]; The Defence of, [408].
Conscious Lovers, The, by Steele, 'Lucinda' in, [429].
Conspiracy, The, York and Wakefield, plays of, [xxv], [xxvi], [xlvi].
Contes, the French, [xvii], [lxv].
Conversion of St. Paul, The, Digby play of, [xxx], [l], [lxxxi].
Cooper, W. D., his Extracts from the Corpus Christi Register, [89]; his edition of Roister Doister, [104], [191], [194], and frequently in notes to R. D.
Copland, publisher of Robin Hood plays, [xl].
Cornish Plays, The, [xxiii], [xxiv], [xlvii].
Corpus Christi, Feast of, [xiv], [xx].
Cotgrave's Dictionary, [108], [194], et passim.
Council of the Jews, The, Coventry play of, [l].
Council of Treves, The, [xi].
Courthope, Mr. W. J., his History of English Poetry, [xxxvii], [lxiii], [lxiv].
Courtney, Bishop, vs. Feast of Fools, [xxi].
Coventry Gild Plays, The, [xxiii]; and see under [N-town].
Coventry, The Old Leet Book of, [xlvi].
Coventry Plays, The, so-called, of Corpus Christi, [xxiii], [xxiv], [xxix], [xlviii], [lviii], [lxxvii].
Crafts, in the religious drama, [xviii], [xxxi], etc.
Cranmer, Archbishop, on prayers for the dead, [193].
Creede, Thomas, publisher of some of Greene's plays, [403–405], [415], [420].
Creizenach, Professor Wilhelm, his Geschichte d. neueren Dramas, Bae. I, II, mentioned, [xvi], [xviii], [xix], [xxi], [xxxvi], [xlv], [lxx], [lxxiv].
Crocus, his play of Joseph, [lxx].
Croxton Play, The, of the Sacrament, [xxxix].
Crucifixion, The, play of, [xxii], [xxvii].
Cushman, Professor L. W., his Devil and Vice in English Dram. Lit., [xlvii–xlix], [liii].
Cycles, the English miracle, [xviii], [xxi], [xxxi], etc.
Cymbeline, Shakespeare's, [645], [659], [660]; the song, "Hark, hark, the Lark" suggested by one of Lyly's, [322].
Damon and Pithias, by Richard Edwardes, [lxxviii], [lxxxiv], [lxxxvii], [xcii], [268], [269].
Daniel, The History of, by Hilarius, [xv].
Daryus, King, [xlix], [lxxvi], [lxxxvi].
David and Bethsabe (The Love of King David, etc.), by Peele, [335], [336], [341].
Davidson, Professor Charles, his English Mystery Plays, [xxxviii].
Day, John, his intimacy with Porter, [524].
Débats, Dramatic, [lxv].
Dekker, Thomas, [lxxiii]; his Satiro-Mastix, [191]; and Lyly, [274]; "Three merrie men" in Westward Hoe, [352]; his Knight's Conjuring and the 'Groatsworth' group of poets, [423]; relations with Porter and Drayton, [522]; with Chettle, [523]; and the 'war of the theatres,' [657], [658].
Descensus Astrææ, by Peele, [416].
Despencers, The, by Porter and Chettle, [523]
'Devil,' The, and the 'Vice,' [xlvi–liv], [lvi], [lxxiii], [499].
Devil is an Ass, The, by Ben Jonson, [xlviii], [li], [liii].
Devil is in It, The, (If this be not a Good Play, etc.), by Dekker, [xlviii].
Dido, The, by the Master of St. Paul's, [lxxi].
Digby Plays, The, edited by Dr. Furnivall, [xv]; references to, [xxix], [xxx], [xxxi], [xlvii], [xlviii], [l], [lv].
Diogenes Laertius, his Lives of the Philosophers, [269], [280]; and elsewhere in notes to Campaspe.
Disguisings, [xl].
Disobedient Child, The, by Thomas Ingeland, [xlvii], [li], [liii], [lv], [lxxxii], [lxxv].
Disputations, [lxv].
Doctor Faustus, by Marlowe, the relation of Friar Bacon to it, [389], [413], [414].
Dodsley, Robert, his collection of Old English Plays, reëdited by W. Carew Hazlitt, [xx], [194], [430], et passim.
Don Quixote, an English:—'Ralph' of the Burning Pestle; foreshadowed by 'Huanebango,' [343].
Douce, Francis, his Illustrations of Shakespeare, [xxi], [xlix], [lii], [128]; on Porter, [518], [534].
Dowden, Professor, A Monograph on William Shakespeare as a Comic Dramatist, [635–661].
Downton [Dowton, Dunton, or Dutton], Thomas, an actor in the Admiral's Company in Porter's time, [515], [516], [517], [524].
Drayton, Michael, relations with Porter, Dekker, etc., [522].
Dream of Pilate's Wife, the York play of The, [xxv].
Dublin, the History of the City of, by Whitelaw and Walsh, [xxxviii].
Du Méril, E., Poés. Pop. lat. antiq. [191].
Dunbar, William, his Will of Maister Andrew Kennedy, [192].
Durandus, Rationale, [192].
Dyce, Alexander, his edition of Skelton, [259]; of Peele, [346], [348], and see notes to Gummere's edition of O. W. T., et passim; of Greene, [402], [415], [420], [430], and notes to Friar Bacon; of Porter's 2 A. W. A., [515], [517], [518], [535], [544], and frequently in notes to the present edition.
Ebbsworth, Roxburghe Ballads, and "O man in desperation," [351].
Ebert, Professor Adolf, his article on Die englischen Mysterien in the Jahrbuch für romanische und englische Literatur, [xxxii]; on the "ambiguous letter," [150].
Edward I, by Peele, [335], [337], [383].
Edward III, anonymous, and Greene's Orlando and Never Too Late, [410].
Edward VI, Injunctions under, on prayers for the dead, [193]; Statute of 1547 on vagrancy, [193].
Edwardes, Richard, and Godly Queen Hester, [lxxxiii]; his Damon and Pithias, [lxxxiv]; and Lyly, [271].
Elizabeth, and Edwardes' Palamon and Arcite, [lxxxiv]; prayers for the dead, under, and her relation to the later edition of Roister Doister, [193]; and Lyly, [266], [269]; and Greene, [408], [409], [416], [502].
Ellis, Mr. Havelock, his edition of Porter's 2 A. W. A., [515], [519], [531], [535], [554], and frequently in the notes to the present edition.
Ellis, his Original Letters of Eminent Literary Men, [89], [91].
Elze, Dr. Karl, on a verse in Friar Bacon, [510].
Encomium Lauri, by Gabriel Harvey, a line in, ridiculed by Peele, [373].
Endimion, by Lyly (edited by Professor Baker), [265], [267], [269], [272], [291].
Enfants de Maintenant, Les, a French moralité, [lxxxii].
Enfants sans souci, their sotties, [lxvi].
Englands Mourninge Gowne and Mourning Garment, [412].
England's Parnassus, by Allott, [420].
Eton, Udall at, [90].
Euphues and Euphuism, [265], [267], [297], [337], [646].
Eusebius, [xxxviii].
Everyman, the Moralle Play of, [l], [liii], [lv], [lvi], [lviii].
Every Man in his Humour, by Ben Jonson, its relation to Porter's work, [524], [530], [533].
Ezekias, by Udall, [93].
Fabliaux, [xvii], [lxv].
Faire Em and Greene's Friar Bacon, [411], [412], [418], [427].
Fairholt, F. W., his edition of Lyly's dramatic works, [276]; see also notes to Alexander and Campaspe.
Farce, and farce interlude, [xviii], [xxxvii], [lxiv], [lxvii]; French, [lxv], [15].
Farewell to Follie, one of Greene's pamphlets, [398], [411], [412].
Farewell to the Famous and Fortunate Generals, poem by Peele, [403].
Ferbrand, William, publisher of Porter's 2 A. W. A., [534].
Festival Plays, etc., [xxxvii–xlvi].
Fflagellacio, The, Wakefield miracle of, [xxvi–xxviii].
Fidei Defensor, use of the title, [184].
Fitzstephen, William, on saints' plays, [xiv], [xv].
Fleay, Mr. F. G., his Chronicle History of the English Stage, Biographical Chronicle of the English Drama, and Life of Shakespeare, [lxxxii], [lxxxiii], [lxxxvi], [lxxxviii], [lxxxix], [xci], [336], [339], [347], [360], [383], [399], [403], [404], [406], [410], [412], [415], [418], [421], [424], [426], [521], [523], [527], [528], and other references.
Fletcher, John, his Bloody Brother, [352]; and Shakespeare, [660].
Fleury Plays, the, of St. Nicholas, [xvi].
Floegel, Geschichte d. grotesk-komischen, neuarbeitet von Ebeling, [xlv].
Flügel, Professor Ewald, Critical Essay on Udall, [89–104]; edition of Roister Doister, [105–189]; appendix to R. D., [189–194]; also [lxxviii]; his Lesebuch, [69], [91], [194].
Folk-lore, the background of, in O. W. T., [345–346].
Folk Lore Journal, specimens from, [xliii].
Fool, literature of the, [lii]; relation to the Vice, [xlvii–liv], [lxxxii]; in Roister Doister, [100], [101]; in Greene, [393], [430]; in Shakespeare, [644–646], etc.
Fools, The Feast of, [xx], [lxvi].
Four Elements, The, interlude by John Rastell, [lxi], [lxxi–lxxiv]; referred to, [109].
Four Kynges, [523].
Foure P.P., the play called The, by John Heywood, [9], [10].
Foster's Alumni Oxonienses, [518].
Frazer, J. G., The Golden Bough, on the "death-index," cf. O. W. T., [345].
Friar Bacon and Friar Bungay (The Famous Historie of Frier Bacon) by R. Greene, edition of, with essay and notes, by C. M. Gayley, [433–503]; appendix on the versification of, [503]; mention of, [xlviii], [li], [liv], [338], [389], [410], [413], [426].
"Friar Rush," [231].
Fulk Fitz Warine, The Story of, [127].
Fuller's Worthies, cited, [65].
Furnivall, Dr., his edition of the Digby Plays, [xxiii], [xxx], [xlvii], [lv]; his Polit. Rel. and Love Songs, [191].
Furnivall Miscellany, The, [xix].
Gallathea, by John Lyly, [268].
Gammer Gurton's Nedle, by William Stevenson, edition of, with essay on the authorship, date and qualities of the play, by Mr. Henry Bradley, [195–259]; other mention of, [lxxiii], [lxxviii], [lxx–lxxii], [xcii], [99], [121], [338], [342], [533].
Gayley, Professor C. M., Preface to this volume, [iii]; An Historical View of the Beginnings of English Comedy, [xiii–xcii]; regarding Roister Doister, [97], [104]; regarding Gammer Gurton, [198]; on the title of Old Wives' Tale, [347]; Critical Essay on Greene's Life and the Order of his Works, [397–431]; edition of Frier Bacon, [433–502]; appendix on Greene's versification, [503–511]: Critical Essay on Henry Porter's Life and his Place in English Drama, [513–536]; edition of Two Angry Women, [537–633].
Gascoigne, George, his Supposes, [lxxviii], [lxxxiv], [517]; his Glasse of Government, [lxxiv].
Gentylnes and Nobylyte, the dialogue of, [8].
Geoffrey, Abbot of St. Alban's, and the Ludus de S. Katharina, [xiv], [xvi].
George-a-Greene, the Pinner of Wakefield, [338], [392], [401], [533]; date and authorship, [418–420].
Germanic Philology, Journal of, [336].
Giant and the King's Daughter, the tale of the, in O. W. T. [354].
Gillette's Because She Loved Him So, mentioned, [529].
Giraldus Cambrensis, referred to, [426].
Glasse of Government, The, by Gascoigne, [lxxiv].
Gnapheus (W. Fullonius), his Acolastus, [lxx], [lxxi], [lxxxi].
Godly Queene Hester, a moral play, [xxxiv], [lxxvi], [lxxviii], [lxxxiii].
Godwin's Lives of the Necromancers, [281].
Golden Legend, The, of the Lives of the Saints, translated by Caxton, a source for plays, [xv], [xxxi], [xxxvii], [xliv].
Gosche's Jahrbuch, names of the Devil, [190].
Gosson, his Ephemerides of Phialo, [249]; on dramatic attractions, [341].
Gower, John, and 'Titivillus,' [190], and physique, [398].
Graf, Herman, Der Miles Gloriosus im englischen Drama, [190].
Greban, A., his play of the Passion, [xxxvi].
Greene, Robert, Monograph on his place in English Comedy, by Professor Woodberry, [387–394]; Critical Essay on his life and the order of his plays, with edition of his Frier Bacon, and appendix on his versification, by Professor Gayley, [395–511]; life, [397]; authorities on, [397]; misapprehensions concerning his career, [398]; development as dramatist and order of plays, [402]; plays conjecturally assigned to him, [418]; 'Young juvenall' and the comedie 'lastly writ,' [422]; Frier Bacon, composition, [411]; stage history and materials, [425]; dramatic construction, [427]; previous editions and the present text, [430]; Other mention, [lxxxii], [lxxxv], [lxxxvii], [xc]; and Lyly, [266]; and Peele, [338–339]; and Porter, [517]; and Shakespeare, [645], [647]; his Menaphon, [337]; dates of his Perimedes, Pandosto, Menaphon, Ciceronis Amor, Philomela, [398]; Arbasto, Morando, Planetomachia, printed, [400].
Greene's Vision, [400].
Gregory IX, against clerical participation in miracle plays, [xix].
Grim, the Collier of Croydon, [xlviii].
Grimm, J., Mythologie, cited, [373].
Grindal, Archbishop, [192], [400].
Gringoire, his l'Homme Obstiné, [xlix].
Griselda, play of, mentioned, [lxxi].
'Groatsworth' group of poets, the, [422–423].
Groatsworth of Wit, A, by Greene, [397], [398], [400], [402].
Grosart, Dr. A. B., his edition of Nashe's works, [337], [351]; of Harvey's, [359]; of Greene's works, [387], [397], [403], [410], [415], [416], [430]; article in Englische Studien, [418]; his edition of Selimus, [420]; on the authorship of A Knack, [424].
Guevara, Antonia de, his Dial of Princes, used by Lyly, [267], [337].
Gummere, Professor F. B., edition of Peele's Old Wives' Tale with Critical Essay on the author and the play, notes and appendix, [333–384].
Guy of Warwick, cited, [115].
Hackett, Thomas, licensed to print Roister Doister, [97].
Hales, Professor J. W., on the date of Roister Doister, Englische Studien, [95].
Halle, Adam de la, his opera of Robin et Marion, [xli].
Halliwell (and Wright), collection of Reliquiæ Antiquæ, [191].
Halliwell-Phillipps, Mr. J. O., [xli–xliii], [xlv], [liii], [171], [194], [528].
Hamlet, the early play attributed to Thomas Kyd, [427]; Shakespeare's, [534], [658].
Harrison's Description of England, [117], [167].
Hartmann's Iwein, a similarity in, to O. W. T., [373].
Harvester's song, the, in O. W. T., proposed restoration of, [383].
Harvey, Gabriel, and Lyly, [266], [348]; and Peele, [337], [340], [343]; and Nashe, in the Trimming of Thomas Nashe, [359]; and 'Huanebango,' [343], [345], [358–359], [373], [383]; and Greene, [398], [402], [423].
Haslewood, Joseph, his Ancient Critical Essays upon English Poets and Poesy, [337].
Hathaway, R., and Porter, [517].
Haughton, W., and Porter, [524].
Hawkins, Thomas, his Origin of the English Drama, [lxxvi], [24].
Hazlitt, W. C., his edition of Dodsley's Old Plays, [104], [194], [204], [535], et passim.
Heber, Richard (Bibliotheca Heberiana in British Museum), on Porter, [517].
Henno, a play by Reuchlin, [lxix].
Henry IV., Parts I and II, Shakespeare's, [lxxxix], [534], [646].
Henry V., Shakespeare's, [653].
Henry VI., Parts I and II, [418], [427].
Henry VIII., Shakespeare's, [660].
Henry VIII., the usury statutes under, [95–97]; his song of "Pastime," [132].
Henslowe, Philip, his Diary, and Greene, [405], [408], [411], [415], [418]; and Porter, [515], [517], [518], [520], [522], [526–528].
Herford, Professor C. H., his Literary Relations of England and Germany, [lxx], [lxxiv], [lxxvi], [lxxxii], [lxxxv], [90].
Herod, the Wakefield play of, [xxvii].
Heywood, John, Critical Essay on his life and place in English comedy, with editions of his Play of the Wether, and his Johan, by Mr. A. W. Pollard, [19–85]; life, [3]; Heywood and Sir Thomas More, [5]; dramatic development and literary estimate, [6–12]; his Foure PP., Wether, Wit and Folly, Love, [6–11]; Pardoner and Johan, [6], assigned to him, [11]; Wether, early editions and the present text, [16]; his two achievements, [16]; Johan, previous editions and the present text, [61]; Other mention of H., [xvii], [xlix], [lvi], [lix], [lxi], [lxvl–xviii], [lxxviii], [lxxxii], [89], [95], [96]; his Proverbes, [110], [191], [194], [275].
Heywood, Thomas, and Henry Porter, [517], [521], [524], [526].
Hilarius, his plays, [xiv–xvi].
Hippe, Max, on the "Thankful Dead" theme, in Herrig's Archiv, [345].
Historia Histrionica, [lxxxi].
Histrio-Mastix (attributed to Marston), [xlviii].
Hohlfeld, Professor, Die altenglischen Kollectivmisterien, in Anglia, Bd. XIX, [xxv].
Hoker's Piscator, [lxxi].
Holinshed, R., Chronicles, on the dearth of corn in 1523, [40], [117].
Holland's Translation of Pliny, [279] et seq.
Homme Obstiné, l', [xlix].
Homme Pécheur, l', [xlix], [lxxii].
Hone, William, his Ancient Mysteries, [xxi], [xxxviii].
Horestes, by John Pikerynge, [xlix], [lii], [lxxxvii], [204].
Host, the miracle of the, [xxxix].
Hot Anger Soon Cold, by Porter (with Chettle and Ben Jonson), [522], [523].
Hox Tuesday play, the, mentioned, [xxxvii], [xli].
Hrosvitha, mentioned, [xvii].
'Huanebango' in O. W. T., and Gabriel Harvey, [343], [345], [359], [383].
Humanists, their drama, etc., [lxxiii], [lxxvi], [lxxxii], [98].
Humours, the comedy of, anticipations of, [lii], [liv], [lxiii], [lxxxvi], [532], et passim.
Hunt, Joseph, published Porter's 2 A. W. A., [534].
Hunter, Joseph, his Chorus Vatum Anglicanorum (in the British Museum), [518].
Hunting of Cupid, The, by Peele, [415].
Hyckescorner, a moral interlude, [lx], [lxxi], [lxxiv]; referred to, [133].
Ideal, the, in comedy, [xv], [xxi], [xxx], [xxxi], [xxxviii], [lviii], [lxi], [lxii], [lxix], [lxxviii], [lxxxii], [lxxxv], [lxxxvii], [xcii]; in Udall's, [99]; in Greene's, [390], [392], [394], [419], [428], [429]; in Shakespeare's, [637–643], [647], [648], [651], [654–661].
Induction, the use of, in Old Wives' Tale, [343]; in plays by Greene, Shakespeare, Nashe, Jonson, Beaumont and Fletcher; Schwab's thesis on, [343–344].
Ingeland, Thomas, his interlude of The Disobedient Child, [lxxv].
Innocent III, against acting, [xix].
Interludes: Interludium de Clerico et Puella, [xvii], [xxxvii], [lxvi]; interludes in churches, [xx]; moral, [xl]; relation of miracle, moral, and interlude, [lv]; various kinds of interlude, [lvi]; causes of improvement in, [lvii]; farce and romantic interlude, [lxiv]; school and controversial, [lxxii]; Italian models, [lxxxviii]; See also under [John Heywood].
Intrigue and passion, plot of, [xcii].
Iphigenia, a children's play, [268].
Jacke Jugeler, play of, [xlix], [li], [lxxii], [lxxviii], [lxxix], [103], [107].
Jack the Giant-Killer, the story of, in connection with Old Wives' Tale, [345].
Jack Wilton, by Nashe, [266].
Jacob and Esau, The Historie of, a play, [lxxiv], [lxxvii], [lxxx], [lxxxii].
Jacobs, J., English Fairy Tales, [345], [359], [362].
James IV, The Scottish Historie of, by Greene, [lxxxiii], [389], [392], [404], [415], [418], [420], [427].
Jeffes, Anthony, and Humphrey, actors in the Admiral's company in Porter's time, [524].
Jew, the, in early comedy, [xc] (Jew of Malta, etc.).
Jobe, A History of, attributed to Greene, [418].
Johan Johan, Tyb, etc., A mery play betwene, assigned to John Heywood, an edition with critical essay and notes, by Mr. A. W. Pollard, [1–19], [59–87]; Other mention, [xvii], [lxix], [lxxxi], [533].
Johan, Kyng, by Bishop Bale, [xlix], [lxxii], [lxxv–lxxvii].
John, King of England, The Troublesome Raigne of, attributed to Greene, [418].
Jonson, Ben, [liii], [lxxiii], [lxxv], [lxxxviii]; his New Inn referred to, [109]; and Lyly, [274], [275]; his use of the induction, [343]; and Henry Porter, [515], [522], [533]; on the purpose of comedy, [637], [645]; in Troilus and Cressida, [638], [657], [658].
Joseph and Mary Plays, the, of York, Wakefield, and Coventry, chivalrous and romantic quality of, [xxix].
Juby, Ed., the actor, and Greene, [401].
Judicium, the Wakefield play of The, [xxvii], [xxix], [xlvi], [xlviii], [lxxxi].
Judith, by Macropedius, [lxx].
Jusserand, M. J. J., on Heywood's interludes, [lxvi].
Killing of the Children of Israel, the Digby play of the, [xxiii], [xxx].
Kind Hart's Dreams, by Chettle, [419], [422].
Kirchmayer (Naogeorgos), his Pammachius, [lxv], [lxx].
Kirkman, Francis, his catalogue of plays; Peele, [336]; Greene, [419]; Porter, [518].
Kittredge, Professor G. L., on Sir Clyomon, [336]; on a phrase in Alexander and Campaspe, [303].
Klein, Professor G. L., his Geschichte d. englischen Dramas, [xviii], [xxi], [xxxvi], [lii], [lxviii], [lxx].
Knack to Know a Knave, A, 'the comedie last writ' (?), compared with Friar Bacon, and with the Looking-Glasse, [418], [424], [425] and note, [427], [429], [457], [499]; mentioned, [xlviii], [xc].
Knight of the Burning Pestle, The, by Beaumont and Fletcher, [342], [343].
Koch, Englische Studien, note in, [190].
Kyd, Thomas, [lxxxviii]; and Lyly, [273]; and Greene, [410].
Lacuna, the metrical use of in dramatic blank verse, [510].
Lämmerhirt, G. P., Untersuchungen, u. s. w., concerning Peele, [341], [348].
Langbaine, G., his Account of the English Dramatick Poets, [518].
Langland, [xix]; his Piers Plowman, [xl], [108], [109], [191], etc.
Latimer, Bishop, his Sermons (on exorcising the devil), [192], [193].
Latin,—tropes, [xiii]; saints' plays, [xiv–xvi]; cultivation of Plautus and Terence in the Middle Ages and their impress on elegiac comedy, [xvii]; history of the later comedy, [lxv], [lxvii].
Leach, A. F., Some English Plays and Players (in the Furnivall Miscellany), [xix].
Lear, King, Shakespeare's, [418], [639], [660].
Lee, Mr. Sidney, his Life of Shakespeare, [406], [408].
Leicester, the Earl of, his relation to Endimion, [267]; to Alexander and Campaspe, [269]; his players, [399].
Legenda Aurea, by Jacobus Voragine, [xliv]; see also under [Caxton].
Legends, [xviii], [lxxxviii].
Leland, John, his relations with Udall, [89–92]; his Collectanea, [89], etc.
Leo X, and Heywood, [11].
Life-Index, the, instance of in O. W. T., [365].
Like wil to Like, quod the Devel to the Colier, by Ulpian Fulwel, [xlvii], [xlviii], [li], [lii], [lxxxiv], [lxxxvi], [108], [110], [342], [499].
Lillie's Light, [266].
Liturgical drama, the, [xiii], [xx].
Locher's translation of the Narrenschiff, [lx].
Lock, Henry, his Ecclesiastes, [266].
Lodge, Thomas, and Lyly, [266]; and Peele, [337]; and Greene; the Looking-Glasse, and their respective contributions to it, [405–407]; Lodge's Civil Wars, [405], [407], [409], [415], [418], [420–422]; and Porter, [517]; and Shakespeare, [645].
Longer thou Livest, etc., by W. Wager, [lxxxvi].
Look About You, published by Ferbrand, [534].
Looking-Glasse for London and England, A, by Greene and Lodge, [338], [352], [404]; the parts written by Lodge, [405]; characteristics of his verse, [407], [414], [415], [422], [425].
Lorenz, A.O.F., on the Miles Gloriosus and his Parasite, [190].
Loseley Mss., The, edited by A. J. Kempe, [90], [93], [94].
Love, The Play of, by John Heywood, [xlix], [liii], [lxvii], [lxix], [8–12].
Love's Labour's Lost, Shakespeare's, [xli], [275], [427], [644], [648], [649], [650], [654].
Love's Metamorphosis, by Lyly, [266], [268].
Love Prevented, by Porter, [521], [527].
Löwen, his Prinz Pickelhering, [xlv].
Ludi Sanctiores, mentioned by Fitzstephen, [xv].
Ludi Beatæ Christinæ, [xxxviii].
Ludus Coventriæ (seu Ludus Corporis Christi), the N-Town plays, commonly assigned to Coventry, which see.
Ludus de S. Katharina, by Geoffrey, [xiv], [xvi].
Ludus ludentem Luderum ludens, [lxxi].
Ludus super Iconia S. Nicolai, by Hilarius, [xiv], [xvi].
Lusty Juventus, by R. Wever, [xlvii], [li], [lxxii], [lxxvi].
Lydgate, John, [lii].
Lyly, John, Critical Essay on his life and place in English comedy, by Professor Baker, [263–276]; life of Lyly, [265]; place of Euphues in English literature, [266]; Lyly's plays, subdivision of them, [267]; date and sources of Alexander and Campaspe, [268]; literary estimate of A. and C., [269]; Lyly's development as a dramatist, [272]; place in English Comedy, [273]; previous editions of A. and C., and the present text, [275]; Professor Baker's edition of A. and C., [277–333]; Other mention, [lxxxvii], [xc], [348], [517], [646].
Lyndsay, Sir David, his Thrie Estatis, [lxxv].
Lyric, the, in the plays of Lyly, [274]; of Greene, [391].
Macbeth, Shakespeare's, [658].
Machiavelli, N., his Discourses, [200].
Macropedius, his Asotus and other plays, [lxx]; his Rebelles, [lxxiv].
Mactacio Abel, the Wakefield play of, [xxviii].
Magdalene, The Life of the, in Caxton's Golden Legend, [xxx].
Magnyfycence, a moral play by Skelton, [lviii], [168].
Maid's Metamorphosis, The, not by Lyly, [266].
Malone, Edmund, li, [430], [516], [518], [534].
Mamillia, by Greene, [397].
Mankynd, a moral play, [xlvii], [l], [li], [lvi], [lviii], [lix], [lx], [lxxi], [lxxiv], [lxxvi], [lxxvii].
Manly, Professor J. M., his Specimens of the Pre-Shakespearean Drama, [xiii], [xliii], [104], [204], [239], [276], [283]; and in notes to Roister, Gammer Gurton, and Campaspe.
Manners, of contemporary life as an element in drama, [xvi], [xvii], [xx], [xxi], [xxviii], [xxix], [xxxv], [xxxvi], [xxxix], [xli], [xlvi], [xlix–liv], [lviii–lxii], [lxiii], [lxv], [lxvii–lxix], [lxxii], [lxxviii] et seq., [xci]; in Heywood, [4], [11]; in Udall, [99], [103]; in Stevenson, [202–204]; in Lyly, [271], [275]; in Peele, [341–344], [347]; in Greene, [391–394], [428–430]; in Porter, [528], [530–533]; in Shakespeare, [639], [641–644], [648–661], passim.
Manuale ... ad usum insignis Ecclesiæ Eboracensis, [192].
Marie Magdalene, The Life and Repentaunce of, by Lewis Wager, [xxxi], [lxxxvi]. Edited by Professor F. I. Carpenter (Univ. Chicago Press).
Marlowe, Christopher, [lviii], [xc]; and Peele, [337], [339]; and Greene, [388], [389], [403–405], [414], [423]; and Porter, [523]; and Shakespeare, [652].
Marprelate Controversy, the, Lyly's part in, [265].
Marriage of Witte and Science, The, see under [Wit Plays].
Marston, John, and Henry Porter, [520].
Martin Marprelate, the Epistle and Epitome assign G. G. N. to Bridges, [200].
Martine Marsixtus, by R. W., and Greene, [401], [404].
Martin's Month's Minde (Nashe ?), cited, [353].
Marvels, or miracles of the saints, [xiv], [xv], [xvi], [xviii], [xx], [xxx], [xxxvii–xlvi], [lxii], [lxix], [lxxxvi].
Mary Magdalene, the Digby play of, and the importance of the character in romantic comedy, [xxx], [xxxi], [xxxvii], [xlviii], [l], [li], [lviii].
Mary, the Virgin, her importance as a romantic character, [xxix], [xxx].
Maskell, Monumenta Ritualia, [144], [192].
Masques, [xl], [lxxxix]; by Udall, [93], [94]; by Lyly, [267], [272]; by Shakespeare, [650], [651], [660], [661].
Measure for Measure, Shakespeare's, [657].
Medwall, H., his Goodly Interlude of Nature, [lx].
Menaphon, by Greene; his letter prefixed; and Nashe's Preface, [337], [389], [411], [412], [423], [424].
Merchant of Venice, The, Shakespeare's, xc, [305], [534], [583], [651], [652].
Meredith, Mr. George, on woman in comedy, [lxi]; on the comic spirit, [637].
Meres, Francis, his Palladis Tamia, on Peele, [337]; on Greene and Nashe, [422]; on Porter, [517], [528].
Merlin, similarities to the character of, in Old Wives' Tale, [345], [356].
Merrie conceited Jests of George Peele, [337].
Merry Wives of Windsor, The, Shakespeare's, [533], [645], [652], [654].
Meyer, E., Geschichte d. hamburgischen Schul-und-Unterrichtswesens im Mittelalter, [xxi].
Middleton, Thomas, his Game of Chess, [275]; his Trick to Catch the Old One, cited, [359].
Midsummer Night's Dream, A, Shakespeare's, [275], [389], [415], [427], [533], [534], [648], [651].
'Miles Gloriosus,' the, of Plautus, in English literature, lxxiv, [98], [189], [190].
Milton, John, his Comus compared with the Old Wives' Tale, [347].
Miracle plays, Biblical and legendary, [xiv–xvi], [xviii–xx]; the cycles in their relation to English comedy, [xxi–xxxi]; historical order of comic passages in the cycles, sequence of æsthetic values, [xxiv] et seq.; dramatic value of, [xxxi–xxxvii]; relation to the stage, and the theory of the English miracles, [xxxii], [xxxiv]; national note in, [xxxvi]; how they fall short of artistic comedy, [xxxvii]; nature of legendary, [xxxviii]; relation to moral and interlude, [lv].
Mirth plays, [lxxi], [lxxii].
Misogonus, by Thomas Richardes(?), [lxxviii], [lxxxi–lxxxiii], [191].
Missa Gulæ, in Halliwell and Wright's Reliquiæ Antiquiæ, [191].
Mock Requiem, the, in Roister Doister, sources, etc., [191–192].
Monachopornomachia, [lxxi].
Mone, F. J., Shauspiele des Mittelalters, [190].
Monox, Will, and Greene, [423].
Montemayor, Jorge de, his pastoral of Diana Enamorada and Two Gentlemen of Verona, [650].
Moral, the, or moral play, not properly called morality, [lv], note [61]; collective, of the fourteenth century, [xxxiv]; nature of the moral, [xlix]; the vice in, [xlvi], [xlviii–liv]; relation of moral, miracle, and interlude, [liv–lvii]; the older morals in their relation to comedy, [lvii–lxii]; their dramatic contribution, [lxii–lxiv]; school interlude and controversial moral, [lxix–lxxvii]; French moralities, [lxxii]; fusion plays, [lxxvii], [lxxviii]; moral interlude, [lxxx]; survival of rudimentary, decadent, functionless, [lxxxv], [lxxxvi]; variations of, and moral tragedies, [lxxxvi]; pleasant and stately, [lxxxviii]; other mention, [4], [5], [99], [103], [267], [407].
Morando, Greene's, [397].
More, Sir Thomas, [lxi], [lxxvii]; and Heywood, [5], [89].
Morley, Professor Henry, his English Writers, [lii].
Morris-dance, [xl].
Mortificacio, The, York play of, [xxv].
Morton, Cardinal, [5].
Mother Bombie, by Lyly, [266], [268], [272], [273], [338].
Mourning Garment, The, by Greene, [398], [406], [412], [416].
Movement, the, in comedy, compared with that of tragedy, [lxiii].
Mucedorus, by Lodge (?), [420], [499].
Much Ado about Nothing, Shakespeare's, [646], [654].
Mummings, [xl].
Munday, Anthony, his Two Italian Gentlemen, [lxxxviii]; and Lyly, [266]; and Porter, [518], [524].
Mundus et Infans, [lviii].
Mydas, by Lyly, [265], [267], [268], [272].
Myroure of oure Ladye, definition of 'Tytyvyllus,' [190].
Mysteries, Dodsley's imported name for miracles, [xxii]; Corpus of French, [xxxiv].
Myth, classical, as material for plays, [lxxxiv], [lxxxvii], [lxxxviii], [lxxxix], xcvi, [268], [657], [658], [660].
Naogeorgos (Kirchmayer), his Pammachius, [lxx].
Narcissus, a play, [268].
Narrenschiff, Locher's translation, [lx].
Nash's History of Worcestershire, [65].
Nashe, Thomas, on Gascoigne, [lxxxv]; his Jack Wilton, [266]; his Four Letters Confuted, [351]; on Peele in his letter prefixed to Greene's Menaphon, [337]; on Kyd, [410]; on Greene in Have with You to Saffron Walden, [337], [419]; on the Harveys in Strange Newes, [423]; also, [373]; that he was "young Juvenal," [422]; his relations with Greene proved by reference to Meres, Chettle, Dekker, his own Strange Newes, Anatomie of Absurditie, Astrological Prognostication, Summer's Last Will, [217], [422–424]; his Christe's Teares, [424]; his relations with the 'Groatsworth' group of poets, [403], [424]; with Porter (?), [515], [517].
Nativity, plays of the, [xxii], [xxxiv].
Nature, The Goodly Interlude of, by Medwall, [xlviii], [l], [lvi], [lix–lx], [lxxi], [lxxvi].
Never too Late, by Greene, [397], [398], [410].
New English Dictionary, The, by Dr. Murray, Mr. Bradley et al., frequent references in notes to plays here presented.
Newcastle Plays, the sensational in The, [xxiii], [xxix].
Newe Custome, a controversial moral, [lxxxvi].
Nice Wanton, the interlude of, [lxxii], [lxxiv].
Nicholas, his Proceedings and Ordinances of the Privy Council, [91].
Nichols, John, The Progresses and Public Processions of Queen Elizabeth, [93].
Nicholson, Dr. Brinsley, on Old Wives' Tale, [360], [370].
Nietzsche, F., his Geburt d. Tragödie, and Fröhliche Wissenschaft, [338].
Nigromansir, The, by Skelton, [xlvii], [xlix], [li], [lviii], [lix].
Noah, the York Play of, [xxv], [lxxxi]; the Wakefield play of, [xxvii], [xxviii].
North, Sir Thomas, his translation of Plutarch's Lives, [285], [290], [291], [292] et seq.
Notes and Queries, [xliii].
Novelle, adaptation of them to drama, [ix], [lvii].
N-town, The, or so-called Coventry or Hegge Plays, [xxiii], [xxiv], [xxix], [xxxiv], [xxxvii], [xlviii], [l], [lviii].
Officium Lusorum, [191].
Old Wives' Tale, The, by George Peele, edited with critical essay and notes by Professor Gummere, [333–382]; also Appendix on Sources of Characters, and the Harvesters' Song, by the same, [382–384]; Other mention, [409], [427].
Orlando Furioso, The, by Ariosto, [346]; used by Peele in O. W. T., [383]; by Greene, [409].
Orlando Furioso, The Historie of, by Greene, [342], [383], [389], [408–411], [414], [415], [417], [418].
Osborn, in Teufelslitteratur, names of the Devil, [190].
Ovid, Lyly's indebtedness to, [272], [281], [298], etc.
'Owleglasse,' mentioned in Two Angry Women, [613].
Palamon and Arcite, by Richard Edwardes, [lxxxiv].
Palladis Tamia, [528], and see under [Meres].
Palsgrave, John, his edition of the Acolastus, [lxx], [lxxii], [lxxxii]; Lesclarcissement de la Langue Francoyse, [109], [194], and frequently in notes to Roister.
Pammachius, by Naogeorgos, translated by Bale, [lxx], [lxxv].
Pamphilus, the comedy of, [xvii].
'Pancaste,' the real name of 'Campaspe,' [329].
Parasite, the domestic, [xvii], [lxxxii]; in ancient and modern comedy, [100], [101].
Pardoner, The, and the Frere, interlude assigned to Heywood, [lxvii], [lxix], [lxxxi], [10], [15].
Pardonneur, etc., Farce nouvelle d'un, [15].
Paris, Matthew of, his Lives of the Abbots of St. Albans, [xiv].
Parker, Archbishop, on Still, [201].
Parker Society Publications, on exorcism, [193].
Parodies, religious, [xiv–xx]; of church services, [191], [192].
Parsones, Thomas, and Porter, [516].
Passion, mystery play by A. Greban, [xxxvi].
Pastoral scenes and masques, [272], [391].
Paternoster Play, The, [xxxiv], [l].
'Pathelin,' [lxvi].
Patient Grissel, [191].
Paul, St., The Conversion of, in the Digby collection, [xxx], [xxxvii].
Peele, George, and Lyly, [lxxxvii], [xc], [275]; Critical Essay on, with edition of his Old Wives' Tale, by Professor Gummere, [333–384]; Peele's life, [335]; plays assigned to him, [335]; his place in the development of English drama, [336]; the O. W. T. an innovation, [341]; the background of folk lore in O. W. T., [345]; literary estimate of, [346]; sources, title, text of, [347], [382]; the Harvesters' song in, [383]; his Hunting of Cupid, [423].
Peile, Dr., and Gammer Gurtons Nedle, [198].
Pembroke, the Earl of, his players, and Porter, [520].
Penner, E., his Metrische Untersuchungen zu Peele, [348].
Percy, Dr., on Hyckescorner, [lx].
Pericles, probably Shakespeare's, [191], [659], [660].
Pernet qui va au vin, tresbonne et fort ioyeuse, Farse nouuelle de, [lxv], [lxvi], [12], [15].
Perymedes, by Greene, [403], [406], [409].
Petit de Julleville, La Comédie en France au moven âge, [xxi], [lxvi].
Petrarch, his Philologia, [lxvii].
Pettie, George, his Petite Pallace of Pettie His Pleasure, [267].
Philip II, and Mydas, [268].
Phillips, Edward, his Theatrum Poetarum on Faire Emm, [418].
Philogenia, an Italian play, [lxix].
Piccolomini, his Crisis, [lxvii].
'Pickelhering,' [xlv].
Piers Plowman, [xl], [108], [109], [191], etc.
Pikerynge, John, his Interlude of Vice concerning Horestes, [lxxv], [lxxxiii], [lxxxvii].
Pilkington, Exposition upon Aggeus, [191].
Pinner of Wakefield, The, see [George-a-Greene].
Planetomachia, by Greene, [397], [398].
Plautus, [xvi], [lxv], [lxvii], [lxviii], [lxxii], [lxxix], [lxxxii], [lxxxvi]; Udall and, [99]; Lyly and, [268]; Shakespeare and, [650]; also frequent references in notes to Roister Doister.
Play of Love, The, see [John Heywood].
Play of the Sacrament, The, [xxxix].
Play of the Wether, see [John Heywood].
Play within the play, the, in Peele, etc., [343]; in Greene, [426].
Players, see under [Acting].
Pliny, Lyly's indebtedness to, [267], [269]; his History of World, [279]; also frequently in notes to Campaspe.
Plutarch on Education, and on Exile used by Lyly, [267]; also his Life of Alexander, [269], [283]; and elsewhere in the notes to Lyly's Alexander and Campaspe.
Poliscene, an Italian play, [lxix].
Politics, in Lyly's allegories, [275].
Pollard, Mr. A. W., his edition of the Towneley Plays, [xxiii], [xxvi]; on the Towneley (Wakefield) master, [xxviii]; his English Miracle Plays, [xlix], [li], [lxvi]; A Critical Essay on John Heywood, with editions of his Play of the Wether and Johan, [1–86].
Polyhymnia, by Peele, [336].
Polytypic plays, [lvii], [lxxii], [lxxvii–lxxxv].
Popular festival plays, [xxxix–xlvi].
Porter, Henry, the dramatist, [lxxxviii]; Critical Essay on his life and dramatic work, with an edition of his Two Angry Women, by Professor Gayley, [513–633]; facts of Porter's life, [515]; early notices, [517]; conjectural identity, [518]; dramatic career, [520]; his associates, [522–524]; date of his extant play, [525]; its dramatic qualities and construction, [528]; portrayal of character, [530]; place in the history of comedy, [533]; previous editions and the present text, [535].
Porter, Henry, the musical composer, [518].
Porter, Walter, [518].
Prayer, the, at the end of early plays, [184]; and see close of other comedies in this volume.
Preston, Thomas, his Cambises, King of Percia, [lxxxvi].
Pride of Life, The, a moral, [liii], [lvi], [lviii].
'Priest of the Sun, The,' in Greene and Lodge's Looking-Glasse, [406].
Processus Crucis, story about a, by Bebel, [xxxvi].
Prodigal Son Plays, [lxxii–lxxiv], [lxxx], [lxxxii], [lxxxiii].
Prose, in Medwall's Nature, [lx]; in the Supposes, [lxxxv]; in plays of Lyly, [271], [274]; of Greene, [417].
Prouerbes in the Englishe Tonge, Dialogue Conteyneng the Number of the Effectuall, [3].
Publishers: of Heywood's plays, [5], [8], [10], [13], [16], [17], [63]; of Roister Doister, [97], [104]; of Gammer Gurton, [197]; of Lyly's plays, [276]; of Peele's Old Wives' Tale, [348]; of Greene's plays, [403], [404], [405], [408], [411], [415], [418], [420], [430]; of Porter's 2 A. W. A., [534], [535].
Puttenham, George, his Arte of English Poesie, [lxxxiii].
'Pyrgopolinices' in Plautus, [102].
Quadrio, F. S., Della Storia e della Ragione d'ogni Poesia, [xviii], [lxvii].
Queen's players (Elizabeth's, 1583–1592), Greene's relations with the, [408], [409], [411], [413], [417], [418].
Querolus, a Latin play, [xvii].
Quintus Fabius, a play, [268].
Quip for an Upstart Courtier, A, by Greene, [371], [398], [423].
Radcliffe, Ralph, his Griselde and other plays, [lxxi].
Ram Alley, by Barry, [352].
Rankins, William, a writer for Henslowe in Porter's time; author of Mulmutius Dunwallow; joint author of plays with Hathaway, [524].
Rare Triumphs of Love and Fortune, The, an early romantic comedy, [lxxxviii]; the induction in, [343]; 'Lentulo' in, [430].
Rastell, John, reputed author of A New Interlude and Mery of the Nature of the Four Elements, [lxi], [lxxi]; publisher and perhaps author of Calisto and Melibœa, [lxviii]; relations with John Heywood, [5], [8].
Rastell, William, printer of four of Heywood's plays, [5], [6], [8], [10], [86].
Ray, J., English Proverbs, [108], etc., [194], [569], [595].
R. B. (Richard Bower?), Mr. Fleay's conjecture concerning, [336].
Realism in comedy: in Bodel's St. Nicholas, [xvi]; in late Latin comedies, [xviii]; in religious parodies, [xx]; in the miracle cycles, [xxiv–xxx], [xxxv–xxxvi]; in the later 'marvels,' [xxxix]; in popular festival plays, [xli–xlvi]; of the miracle Devil, [xlvi] et seq.; of the Vice, [xlix] et seq.; in the older moral plays, [lviii–lxii], [lxiii]; in the French and English farce, etc., [lxiv–lxvi]; in school plays, continental and English, [lxix–lxxvii]; in fusion plays, [lxxvii] et seq.; in survivals of the moral, [lxxxvi]; in the Rare Triumphs and in Wilson's 'Stately Morals,' [lxxxviii–xc]; comedy realistic or satirical, [xci]; In Heywood, [4] et seq.; in Udall, [99], [103]; in Stevenson, [202–204]; in Lyly, [275]; in Peele, [342–344]; in Greene, [388], [391–394], [419], [428–430]; in Porter, [528–533]; in Shakespeare, [644], [645], [648], [653] et seq.
Rebelles, by Macropedius, [lxx], [lxxiv].
Red Ettin, The, a fairy tale referred to in comment on O. W. T., [345], [362].
Redford's Wit and Science, [lxix], [lxxii]. Reed, Isaac, his edition of Baker's Dictionary of the Stage, on Gammer Gurton, [201].
Regularis Concordia Monachorum, [xiii].
Reinhardstoettner, Karl von, on Plautus, [117], [190].
Reliquiæ Antiquæ, by Halliwell and Wright, [xxxvi], [191].
Renaissance, the, effect upon drama, [lxiv]; upon Greene, [390].
Repentance of Robert Greene, The, [398], [418].
Respublica, a controversial moral, [xlix], [lxxii], [lxxiv], [lxxvi], [lxxvii].
Resurrection, The, miracle plays of, [xiv], [xix], [xxii].
Returne from Pernassus, The, on rivalry of Jonson and Shakespeare, [638].
Reuter, Kilian, his Latin play of St. Dorothea, [lxx].
Revels at Court, Accounts of the, [270]; Udall and the Revels, [93].
Rhetorical pause, the, methods of representing it in dramatic blank verse, [510–511].
Ribbeck, Otto, his Alazon, [189].
Richardes, Thomas, perhaps author of Misogonus, [lxxxi].
Ritson's Songs, [191].
Ritter, O., on Greene's Frier Bacon, [413], [426].
Rituale Romanum, the, and Udall's parody of, [192].
Ritwyse, John, author of a satiric interlude, [lxxi].
Robert of Gloucester, Robert of Brunne, their use of the septenarius, [189].
Robin et Marion, by Adam de la Halle, [xli].
Robin Hood plays, [xxxviii], [xl]; ref., [418]; The Lytell Geste of, [130].
Roister Doister, by Udall, [lix], [lxxii], [lxxvii], [lxxviii], [lxxix], [lxxx], [lxxxii], [xcii]. Edition with Critical Essay on the life of the author, the text, date, plot, characters of the play, with notes and appendix on various matters, by Professor Flügel, [87–194]; other mention, [202], [203], [204], [338].
Rojas, Fernando de (and Cota), their Calisto and Melibœa, [lxviii].
Rolls Series, [xix].
Romantic, the, in saints' plays, [xiv–xvi]; in Latin interludes and elegiac comedy, xvii, [xviii]; in miracle cycles, [xxiv], [xxix–xxx]; in various later 'marvels,' [xxxvii], [xxxviii]; in the older moral plays, [lviii–lix]; foreign influence and native romance, [lxv], [lxvii–lxix]; in the wit plays, [lxxiii]; in the plays of prodigals, [lxxiv–lxxv]; in fusion plays, [lxxvii] et seq.; especially in Damon and The Supposes, [lxxxiv–lxxxv]; the movement toward romantic comedy, [lxxxvii]; nature, subjects, and kinds of romantic comedy, [lxxxvii], [lxxxviii], [xci]; in Heywood, [lxix], [6]; in Lyly, [271–275]; in Peele, [338], [341–347]; in Greene, [390], [427]; in Greene and Shakespeare, [643], [645], [647] et seq.
Romeo and Juliet, Shakespeare's, [533], [590], [603], [652].
Rosalynde, Euphues' Golden Legacie, by Thomas Lodge, [645].
Rose Theatre, the, and Greene, [408], [411]; and Porter, [519], [520], [521].
Ross, Mr. C. H., on the authorship of Gammer Gurton, [202].
Rowley, Samuel, intimacy of Henry Porter with, [524].
Royal entries, their dramatic significance, [xl].
Royal Exchange, by Greene, [398].
Rutebeuf, his play of Theophilus, [xvi].
R. W., his Martine Marsixtus, [424].
Rye's East Anglian Glossary, [211].
Sacrament plays, [xxxvii], [xxxix].
Saints' plays, the early, their nature and relation to comedy, [xiv–xxi]; the later, their contribution to drama, [xxvii]; a list of, and their connection with romantic plays, [xxxviii]; secularized as in St. George, [xli–xlv]; mentioned, [lxii], [lxxxiv], [lxxxviii]; The Play or Pageant of St. Anne, [xv]; St. Botulf, [xv], [xxxviii]; St. Christian, St. Christina, Sts. Crispin and Crispinian, [xxxviii]; St. Dorothea, [lxviii]; St. Edward and St. Fabyan, [xxxviii]; St. George, [xv], [xxxviii], [xli]; St. Katharine, [xiv], [xv], [xxxviii]; St. Laurence, [xxxviii]; St. Mary Magdalene, [xxx], [xxxvii], [lxxxvi]; St. Nicholas, [xv], [xvi]; St. Olave, [xxxviii]; St. Paul, [xxx], [xxxvii], [l]; St. Sebastian, [xxxviii]; St. Susanna, xv, [xxxviii].
St. Andrew's Day, note to mention in O. W. T., [358].
St. Augustine, against the mimi, etc., [xix].
St. Dyryk, perhaps Theodoric, [69].
St. James the More, Life of, [xliv].
St. Jerome, his attitude toward Plautus and Terence, [xvii]; and legendary miracles, [xxxviii].
St. John's, Beverley, Resurrection play at, [xiii], [xx].
St. Luke's Day, mentioned in O. W. T., [358].
St. Modwena, mentioned in Johan, [82].
St. Sithe (?), [213].
Satire, mediæval in drama, [xvii]; in religious parodies, [xx]; in the miracles, [xxiv], [xxviii–xxix], [xxxvi]; the Devil not primarily satirical, [xlvi], [xlviii]; the Vice in satirical literature, [li–liv]; in the interlude, [lvi], [lxv], [lxx], [lxxvi], [lxxvii], [lxxxiii], [lxxxvi], [xci]; in Heywood, [4] et seq.; See also articles on [Udall], [Lyly] ([265], [267]), [Peele], [Greene], [Shakespeare].
Scene, the, beside a scene, [424].
Schelling, Professor F. E., his English Chronicle Plays, [lxxvi]; his edition of Tom Tyler, [lxxxi].
Schick, Professor, his edition of Kyd's Spanish Tragedy, [410]; on Faire Emm, [411].
Schipper, Professor, his Neuenglische Metrik, applied to Greene's verses, [508–509].
School plays, [xiv], [lxv], [lxix–lxxv]; English for Latin, [90], [98], [197–198], [267], [270].
Schwab, Das Schauspiel im Schauspiel, [343].
Scillaes Metamorphosis, by Lodge, [406].
Scipio Africanus, the play of, [268].
Scott, Sir Walter, account of Shetland Sword Dance in The Pirate, [xliii], [xlv]; on "Brotherhood in Arms," [366].
Second and Third Blast of Retrait from Plaies and Theaters, Henry Denham's, on 'strange' comedies, [342].
Second Trial, The, the York play of, [xxv].
Secular plays, the early, and their contribution to comedy, [xx–xxi], [xxxvii–xlvi]; see also [Morals], [Farce], [Interludes], and [Romantic Comedy].
Secunda Pastorum, the Second Shepherds' Pageant of the Wakefield cycle, [xxvii], [xxviii], [xxxii], [lxix], [3], [202], [533].
Selimus, The First Part of the Tragical Raigne of, not by Greene, [418], [420], [482], [483].
Senarius, The, in Greene, [509]; and the Septenarius in Udall, [189].
Seneca, [lxxxv], [275].
Sequentia falsi Evangelii Secundum Marcam, in Du Méril, [191].
Seven Deadly Sins, the, [xxx], [xxxi], [xlix], [l], [lii], [liv].
Shakespeare, William, the Fool in his plays, [lii], [lxxxiii]; incidental mention, [lxxxv], [191] et passim; relation to Lyly's work, [271], [275], [287], [322]; to Peele's, [336], [343], [345]; to Greene's, [387–389], [393–394], [401–402], [415]; resemblances to, in Porter, [517]; Shakepeare as a Comic Dramatist, a monograph by Professor Dowden, [635–661]; the essentials of Shakespearian comedy, [637]; tragedy compared with comedy, [639]; comedy, the characters in, and their relation to incident, etc., [640–660]; punishment and rewards in Shakespeare's comedy, [641–642]; compared with Jonson's comedy, [641]; complication and resolution, love, laughter, satire, [642–643]; intrigue and treatment of materials, [644]; euphuism, [646]; his development as a comic dramatist, [648] et seq.; transformation plays, [648]; Love's Labour's Lost, [649]; The Comedy of Errors, [650]; The Two Gentlemen of Verona, [650]; A Midsummer Night's Dream, [651]; The Merchant of Venice, [652]; The Taming of the Shrew, [653]; the Falstaff plays, The Merry Wives of Windsor, King Henry V, [653–654]; Much Ado about Nothing, [654]; Twelfth Night, [655]; All's Well that Ends Well, [656]; Measure for Measure, [657]; Troilus and Cressida, [657]; his relation to Chapman, Dekker, Marston, Jonson, Southampton, [656–657]; the period of tragedy, [657–658]; Pericles, Cymbeline, The Winter's Tale, The Tempest, The Two Noble Kinsmen, [659–661].
Shaw, Robert, a player acquaintance of Henry Porter, [516], [524].
Shearmen and Taylors' Pageant, the Coventry Guild play of the, [xxiii].
Shepherd's Plays, The, of York, [xxv]; of Wakefield, [xxvii], [xxviii], [lxxxi]; and see [Secunda Pastorum].
Sherwood, Thomas, his Anglais et François Dictionaire, added to Cotgrave, [118], [194], etc.
Shipwrights' Play, The, of Newcastle, [xlviii], [lix].
Short Discourse of my Life, A, by Greene, [397].
Shows, dumb, [lxxxix].
'Shrew' plays, [lxxxi].
Shrewsbury, religious play at, [xiii].
Sidney, Sir Philip, [337]; his Arcadia, [389].
Simpson, R., his School of Shakespeare, [404], [422].
Singer, John, one of the Admiral's men in Porter's time.
Sir Armadace, the "Thankful Dead" in, and O. W. T., [345]
Sir Clyomon and Sir Clamydes, [lxxxviii], [335], [341], [342].
Sir John Oldcastell, by A. Munday and others, [523].
Six Hundred Epigrams, by John Heywood, [3].
Skeat, Professor W. W., [xiii], [110], [190], [374].
Skelton, John, contribution to Fool-literature, [lii]; his Magnyfycence, [lviii], [189]; his Nigromansir, [xlviii], [l], [lviii]; his Phyllyp Sparowe, [192].
Slater, Martin, an associate of Henry Porter, [521].
Smeken, his Sacrament Play, [xxxix].
Smith, Miss Lucy Toulmin, her edition of the York Plays, [xxiii], [xxvi].
Smith, Toulmin, his English Gilds, [xxxviii].
Solyman and Perseda, perhaps by Kyd, the source of Peel's 'Erestus' in O. W. T., [383].
Sonnets, the, of Shakespeare, [656], [658].
Sotties, the French, [lxv–lxvi].
Southampton, the Earl of, [646].
South English Legendary, The, [xliv].
Spanish Masquerado, The, by Greene, [398], [409].
Spanish Tragedy, The, by Thomas Kyd, [410], [427].
Spencers, The, or Despencers, a tragedy by Porter and Chettle, [516], [523]. Spenser, Edmund, Lyly compared with, [274]; Harvey's characterization of, [340]; his Tears of the Muses, [405]; other mention, [421], [426].
Spenser, Gabriel, the actor, [524].
Spider and the Flie, The, by Heywood, [3].
Stansby, William, printer of Lyly's plays for Blount, [269], [276].
Stanyhurst, Richard, his hexameters and Harvey's ridiculed in O.W.T., [373].
Staple of News, The, by Ben Jonson, [xlv].
Steevens, George, his letter on Comus, [348].
Stevenson, William, the author, according to Mr. Henry Bradley, of Gammer Gurtons Nedle; Critical Essay on his life and the play assigned to him, with an edition of G.G.N., notes and an appendix, by Mr. Bradley, [205–259]. Other mention, [lix], [lxxx], [lxxxii].
Still, Dr. John, not the author of Gammer Gurtons Nedle, [199–202].
Storojenko, Professor, his Life of Greene (in Dr. Grosart's edition of Greene), [397], [406], [415].
Stow, John, his Survey, [xxxviii]; on mummings, [xl].
Strange, Lord, his players (1589-1593), and Greene's Orlando, [408]; and Frier Bacon, [411].
Studentes, see [Stymmelius].
Stymmelius, the author of the play of Studentes, [lxx], [lxxiv], [lxxxii].
Summer's Last Will and Testament, by Thomas Nashe, [384], [424].
Supposes, The, by George Gascoigne, [lxxviii], [lxxxii], [lxxxv], [lxxxvii], [lxxxviii].
Suppositi, I, by Ariosto, adapted by Gascoigne, [lxviii].
Susanna, a play by Macropedius, [lxx]; see also [St. Susanna].
Sussex, the Earl of, his players (1591-1594), and Friar Bacon, [411]; and George-a-Greene, [413].
Swoboda, Dr., his John Heywood als Dramatiker, [12].
Sword Plays, [xliii], [xlv].
Symonds, J.A., his Predecessors of Shakespeare, [lxviii], [339], [346], [422].
Talents, The, the Wakefield play of, called Processus Talentorum, [xxviii].
Tamburlaine the Great, by Marlowe, and Greene's Alphonsus, [403]; and the Looking-Glass, [406]; and Orlando, [410]; and George-a-Greene, [418].
Taming of a Shrew, The, example of a play within a play, [343].
Taming of the Shrew, The, Shakespeare's, [lxxxv], [415], [652].
Tempest, The, Shakespeare's, lxxxix, [644], [659], [660].
Ten Brink, Professor B., on the priority of legend to Scripture in English comedy, [xiii–xiv]; on the dramatic value of the miracle plays, [xxxii]; on the characteristics of tragedy and comedy, [lxii].
Terence, indebtedness of modern comedy to, [xvi], [xvii], [lxvii], [lxviii]; the 'Christian Terence,' [lxxii], [lxxxii]; Udall's Flowers from Terence, [89], [98], [101], [102]; notes to Roister Doister, [288].
Tertullian, against acting, [xix].
Thankful Dead, the, a popular motif, [345], [365].
That Will Be Shall Be, a play, [521], [526].
Theophilus, by Rutebeuf, [xvi].
Thersytes, A Newe Interlude called, [lix], [lxxi], [lxxii], [lxxviii]; the authorship of, and date, [12–14], [108], [112], [191] et passim.
Three Heads of the Well, The, a fairy tale referred to in O.W.T., [345], [359], [372].
Three Ladies of London, The, by R.W., probably Robert Wilson, [lxxxviii], [xc], [xci].
Three Lordes and Three Ladies of London, The, by the R.W. of the Three Ladies, [lxxxviii], [xc], [xci].
Thrie Estatis, A Satire of the, by Lyndsay, [xlix].
Thümmel, Julius, on the Miles Gloriosus in Shakespeare, [190].
Tyde Taryeth no Man, The, by George Wapull, [lxxxvi].
Timon of Athens, Shakespeare's, [659].
Tindale, on the use of the holy candle, [192]; also cited, [142], [154].
'Titiville,' in Roister Doister, [190]; 'Titivillus' in Mankynd, [xlvii], [xlviii].
Titus Andronicus, [418].
Tityrus and Gallathea, by Lyly, [265].
Tobias, the Play of, mentioned, [xxxiv].
Tom Tyler and his Wife, the play of, (edited by Professor Schelling), [lxxxi]; Kirkman's edition, [336]; mentioned, [530], [533].
Topsell's History of Four-footed Beastes, [280], [281].
Towne, Thomas, an actor in the Admiral's company in Porter's time, [524].
Towneley Plays, The, edited by A.W. Pollard and George England, [xxiii], [xxiv], etc. See [Wakefield].
Tragedy, compared with comedy, [xxi], [xxii], [lxii], [639].
Train's Geschichte d. Juden in Regensburg, [xxxi].
Transition, of plays from miracle and moral to comedy, [lvii], [lxii], [lxiv], [lxix].
Travesties of religious services, [xx], [xxi].
Trial before Herod, The, in the York plays, [xxv].
Triall of Treasure, The, [lxxxvi], [121], [123].
Trimeter, in Roman comedy, [189].
Troilus and Cressida, Shakespeare's, a satire on Ben Jonson, [638], [657], [658].
Tullie's Love, by Greene, [410]; similarity to Friar Bacon, [414].
Turberville, on Richard Edwardes, [lxxxiv]; Turberville's Venerie, reference to [440].
'Tutivillus' in the Wakefield Judicium, [xxix], [xlvi], [xlviii].
Tusser, Thomas, his 500 Pointes, and Udall, [90].
Twelfth Night, Shakespeare's, [352], [646], [655], [656].
Two Angry Women of Abington, The Pleasant Historie of the, by Henry Porter, edited with critical essay and notes by C.M. Gayley, [513–633]; The Second Parte of the Two Angrey Women, [516], [522], [524], [525].
Two Gentlemen of Verona, The, Shakespeare's, [648], [650].
Two Italian Gentlemen, or Fidele and Fortunio, by Anthony Munday, [lxxxviii].
Two Mery Wemen of Abenton, The, by Porter, [516], [523], [535].
Two Noble Kinsmen, The, by Shakespeare and Fletcher, [660].
Udall, Nicholas, mention of his Roister Doister, [lix] et passim; his Flowers from Terence, [lxxi], [89]; text of his Roisier Doister, edited with critical essay, notes, and appendix, by Professor Flügel, [87–194]; life of Udall, [89]; date of the play, [95]; date of the early edition, [97]; place of R.D. in English literature, [98]; the plot and characters, [100]; the present text and earlier reprints, [104]; his Apophthegms, [142], etc.; Appendix, [188–194]; the metre of R.D., [189]; the figure of the Miles Gloriosus in English literature, [189]; 'Titiville,' [190]; 'Mumblecrust' and the maids, [191]; the mock requiem and other parodies, [191]; Roister as 'Vagrant,' [192]; the prayer and 'song' at the end, [193]; works quoted in the notes, [194].
Ugolino, his Philogenia, [lxvii].
Ulrici, H., on Greene, [408].
Usury statutes of Henry VIII and Edward VI, [96].
Valentine and Orson, [418], [426].
Vanbrugh, Sir John, his character of 'Hoyden,' [531].
Vergerio, his Paulus, [lxvii].
Versification, alleged irregularities in the, of Friar Bacon, a study by C. M. Gayley, [503–513].
'Vice,' the rôle of the, in early plays, [xlvi], [xlviii–liv]; [lxxiii], [lxxvi], [lxxxii], [lxxxiii], [lxxxvi], [lxxxix]; in Heywood, [li] and [10], etc. ('Mery Reporte'); Udall, [100]; in Stevenson, [203]; in Peele, [342]; in Greene, [393], [430].
Viel Testament, le Mistère du, [xxxiv].
Vitalis of Blois, his dramatic poems, [xvii].
Voragine, Jacobus de, his Legenda Aurea, [xxx], [xliv].
Wadington, William of, his Manuel des Pechiez, [xix].
Wager, Lewis, his Life and Repentaunce of Marie Magdalene, [xxxi], [lxxxvi].
Wager, William, his The Longer thou Livest, etc., [lxxxvi], [533].
Wagner, Professor W., on Friar Bacon, [440], [446], [459], [510].
Wakefield Plays, The (ordinarily called, from the family owning the MS., the Towneley), [xxiii], [xxiv]; indebtedness to the York cycle, [xxv–xxvi].
Wakefield, the Playwright of, [xxv–xxix]; his peculiar stanza, [xxv–xxvi]; his improvements upon the second and third York schools of dramatic composition and his original productions, [xxvii–xxix].
Wapull, Geo., The Tyde Taryeth no Man, [lxxxvi].
Ward, Dr. A. W., his History of English Dramatic Literature, [xviii], [xix], [xlix], [lxviii], [lxxvi], [lxxxviii], [xc], [89], [101], [102], [103], [346], [397], [403], [405], [417], [419], [421], [422], [426], [430] et passim; his Old English Drama, [353], [363], [413]; his edition of Friar Bacon (in O.E.D.), [415], [426], [430], [439], [441], [442], et passim in the notes to Friar Bacon.
Wardrobe Accounts of Richard II, [xl].
Warner, Mr. G. F., his Catalogue of the MSS. and Muniments of Alleyn's College of God's Gift at Dulwich, exposing some of Collier's 'emendations,' [515].
Warton, Dr. Joseph, Biographical Memoir of the late, on Comus and the Old Wives' Tale, [348].
Warton, Thomas, his History of English Poetry, [xxi], [xxiii], [xl], [xli], [xlii], [90], [346]; his Milton's Poems, etc., on the names in Comus, [383].
Watson, Thomas, his Passionate Centurie of Love, [265].
Wedego, Bishop, against religious plays, [xxxvi].
Weever, John, his verses Ad Henricum Porter, not intended for the dramatist, [519].
Well of the World's End, The, a fairy tale, see note to O.W.T., [345], [359].
West, Richard, his Court of Conscience, [517].
Westward Hoe, by Dekker et al., a song in, [352].
Wether, The Play of the, by John Heywood, edited with critical essay and notes by Mr. A. W. Pollard, [3–59]; Other mention, [xlix], [li], [lxvii].
Wever, R., his Lusty Juventus, [xlvii], [li], [lxxii], [lxxvi].
"What Thing is Love?" a song in Peele's Hunting of Cupid, and in the play of Doctor Doddipoll, [336]; paralleled in Greene's Mourning Garment and James IV, [415–416].
Wheatley, H. B., his book on John Payne Collier, [515]. 'White Bear of England's Wood, The,' a character referred to in O. W. T., [345], [356–357].
White, Edward, publisher of Greene's Friar Bacon, [411]; copyright owned by William White, [430].
Whitgift, Bishop, Injunctions at York, etc., [193].
Wife of Usher's Well, The, referred to, notes to O. W. T., [363].
'Wilful Wanton,' a character in George Wapull's Tyde Taryeth no Man, [531].
William of Blois, his Alda, [xvii].
'Will Summer,' Henry VIII's jester impersonated in Nashe's Summer's Last Will, etc., [lii], [lxxxii], [lxxxix], [344].
Wilson, Dr. John, Professor of Music at Oxford, [518], [519].
Wilson, Robert, the author of Three Ladies of London, and of Three Lordes and Three Ladies, [lxxxviii–xc]; probably also of A Knack to Know a Knave, [xc], [xci], [425]; colleague of Chettle in the non-extant Second Part of Black Battman, [522]; his Sir John Oldcastell mentioned, [523].
Wilson, Thomas, his Arte of Logique or Rule of Reason, the "ambiguous letter" in, [93], [95], [97].
Wily Beguiled, cited, [24], assigned to Peele, [336].
Winchester Tropers, the, [xiii].
Winter's Tale, The, Shakespeare's, [644], [659], [660].
Wireker, Nigel, his Brunellus (Speculum Stultorum), alluded to, [xviii], [lii].
Wisdom that is Christ, the moral of, in Furnivall's Digby Plays, [xlviii], [l], [li], [liii], [lv], [lvi], [lviii].
Wisdome of Doctor Doddipoll, The, assigned to Peele, [336].
Wit and Folly, the dialogue of, by John Heywood, [8].
Wit plays: Wyt and Science, by John Redford, [lxix], [lxxii], [lxxiii], [lxxxviii], [426]; The Contract of a Marrige between Wit and Wisdome, [liii], [lxxi], [lxxiii], [lxxvii], [lxxxi]; The Marriage of Witte and Science, a revision of Redford's play, conjectured by Mr. Fleay to be the same as Wit and Will, [lxxiii], [lxxiv], [lxxvii].
Wolsey, Cardinal, perhaps referred to in Play of the Wether, [52].
Woman Hard to Please, a lost play, [521], [526].
Woman, in comedy, Meredith on, [lxi].
Woman in the Moone, The, by Lyly, [266], [268], [272].
Woodberry, Professor G. E., monograph on Greene's Place in Comedy, [387–394].
Wood, Anthony à, on Udall, [89]; on the Porters, [518], [519].
Woodes, Nathaniel, author of The Conflict of Conscience, [lxxxvi].
World and the Child, The, or Mundus et Infans, a moral, [l], [lviii].
Worthies, the Nine, and Love's Labour's Lost, [xl], [650].
Wright, Thomas, his Early Mysteries, etc., of the 12th and 13th Centuries, [xviii]; (and J. O. Halliwell-Phillipps), Reliquiæ Antiquæ, [xix]; reprint of the Interludium de Clerico et Puella mentioned, [xvii], [lxvi].
Wycliff, his attitude toward miracles, [xix].
York Plays, The, date and composition, [xxiii]; periods of, comedy in the second and third, [xxiv–xxv]; relation of Wakefield plays to, [xxv–xxvii]; the romantic and melodramatic in, [xxix].
'Young Juvenall.' not Lodge but Nashe, [337].
Youthe, Ballad of, by Robert Greene, [397].
Youth, The Interlude of, [lxi], [lxxi], [lxxiv].
Youth, school plays of, [lxxii], [lxxiv].
Yvers, Jacques, his Printemps d'Iver, [411].

Printed in the United States of America.

Transcriber's Note.

Variable spelling and hyphenation have been retained. Minor punctuation inconsistencies have been silently repaired. Footnotes were sequentially numbered and placed at the end of each section. On pages [xlii] and [434] footnote references are missing in the original. Misnumbered footnotes in pp. [xlvii], [lxxvi], [124] were corrected.