Ardschi-Bordschi discovers Vikramâditja’s Throne.
[1.] We read of a silver statue in one of the many temples founded by Lalitâditja, King of Cashmere, whose bright golden cuirass “gave forth a stream of light like a river of milk.” Mentioned in Lassen, iii. p. 1000, and iv. 575.
[2.] It will be perceived the story is not without a certain meaning. It inculcates regard for the example and experience of the ancient and wise—the wisdom of the hero Vikramâditja (typified by his throne) was to be the model and guide of other kings and dynasties.
[3.] Sounding of trumpet-shells. The shankha or concha seems to have been the earliest form of trumpet used in war. It often finds mention in the heroic poems. Crishna used one in his warrior character; and Vishnu, from bearing one, had the appellation shankha and shankhin. To the present day it is used in announcing festivals in Mongolia.
[4.] Sûta, bard. To this order it is that we are indebted for the preservation of so many myths and heroic tales. He was also the charioteer of the kings.
[5.] The six classes, states, or stages of living beings, by passing through which Buddhahood was to be attained—(1) Pure spirit or the devas gods (Skr. Surâs; Mongolian, Tegri; Kalm. Tenggeri); (2) the unclean spirits, enemies of the gods (Skr. Asurâs); (3) men; (4) beasts; (5) Pretâs, monsters surrounding the entrance of hell; (6) the hell-gods. (Köppen, i. 238, et seq., quoted by Jülg.)