| ANCIENT ART OF THE PROVINCE OF CHIRIQUI, BY WILLIAM H. HOLMES. |
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| Page. |
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| Introduction | [a]13] |
| Geography | [a]13] |
| Literature | [a]14] |
| People | [a]15] |
| The cemeteries | [a]16] |
| The graves | [a]17] |
| Human remains | [a]20] |
| Placing of relics | [a]21] |
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| Objects of art | [a]21] |
| Stone | [a]21] |
| Pictured rocks | [a]21] |
| Columns | [a]22] |
| Images | [a]23] |
| Mealing stones | [a]25] |
| Stools | [a]27] |
| Celts etc. | [a]29] |
| Spearheads | [a]34] |
| Arrowpoints | [a]34] |
| Ornaments | [a]34] |
| Metal | [a]35] |
| Gold and copper | [a]35] |
| Bronze | [a]49] |
| Clay: Pottery | [a]53] |
| Preliminary | [a]53] |
| How found | [a]55] |
| Material | [a]55] |
| Manufacture | [a]56] |
| Color | [a]57] |
| Use | [a]57] |
| Forms of vessels | [a]58] |
| Decoration | [a]62] |
| Unpainted ware | [a]66] |
| Terra cotta group | [a]67] |
| Black incised group | [a]80] |
| Painted ware | [a]84] |
| Scarified group | [a]87] |
| Handled group | [a]90] |
| Tripod group | [a]97] |
| Maroon group | [a]107] |
| Red line group | [a]109] |
| White line group | [a]111] |
| Lost color group | [a]113] |
| Alligator group | [a]130] |
| Polychrome group | [a]140] |
| Unclassified | [a]147] |
| Miscellaneous objects | [a]149] |
| Spindle whorls | [a]149] |
| Needlecases | [a]150] |
| Figurines | [a]151] |
| Stools | [a]154] |
| Musical instruments | [a]156] |
| Rattles | [a]156] |
| Drums | [a]157] |
| Wind instruments | [a]160] |
| Life forms in vase painting | [a]171] |
| Résumé | [a]186] |
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| A STUDY OF THE TEXTILE ART IN ITS RELATION TO THE DEVELOPMENT OF FORM AND ORNAMENT, BY WILLIAM H. HOLMES. |
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| Introduction | [a]195] |
| Form in textile art | [a]196] |
| Relations of form to ornament | [a]201] |
| Color in textile art | [a]201] |
| Textile ornament | [a]202] |
| Development of a geometric system within the art | [a]202] |
| Introduction | [a]202] |
| Relief phenomena | [a]203] |
| Ordinary features | [a]203] |
| Reticulated work | [a]210] |
| Superconstructive features | [a]211] |
| Color phenomena | [a]215] |
| Ordinary features | [a]215] |
| Non-essential constructive features | [a]226] |
| Superconstructive features | [a]228] |
| Adventitious features | [a]231] |
| Geometricity imposed upon adopted elements of design | [a]232] |
| Extension of textile ornament to other forms of art | [a]244] |
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| AIDS TO THE STUDY OF THE MAYA CODICES, BY CYRUS THOMAS. |
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| Introduction | [a]259] |
| Chap. I. The numerals in the Dresden Codex | [a]261] |
| II. Conclusions | [a]339] |
| III. The writing | [a]345] |
| Signification of the characters | [a]347] |
| Symbols of animals etc | [a]348] |
| Symbols of deities | [a]358] |
| Discussion as to phonetic features of the characters | [a]365] |
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| OSAGE TRADITIONS, BY REV. J. OWEN DORSEY. |
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| Introduction | [a]377] |
| Traditions of the elders | [a]381] |
| Unŭn u¢áʞe. Tsíɔu wactáʞe itáde (Tradition of the Tsíɔu wactáʞe gens) | [a]381] |
| Translation | [a]388] |
| Unŭn u¢áʞe. Qü¢ápasan itáde (Tradition of the Bald Eagle subgens) | [a]390] |
| Translation | [a]394] |
| Concluding remarks | [a]396] |
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| THE CENTRAL ESKIMO, BY DR. FRANZ BOAS. |
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| Introduction | [a]409] |
| Authorities quoted | [a]410] |
| Orthography | [a]413] |
| Geography of northeastern America | [a]413] |
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| Distribution of the tribes | [a]419] |
| General observations | [a]419] |
| Baffin Land | [a]421] |
| The Sikosuilarmiut | [a]421] |
| The Akuliarmiut | [a]421] |
| The Qaumauangmiut | [a]421] |
| The Nugumiut | [a]422] |
| The Oqomiut | [a]424] |
| The Padlimiut and the Akudnirmiut | [a]440] |
| The Aggomiut | [a]442] |
| The Iglulirmiut | [a]444] |
| The Pilingmiut | [a]444] |
| The Sagdlirmiut | [a]444] |
| Western shore of Hudson Bay | [a]444] |
| The Aivillirmiut | [a]445] |
| The Kinipetu or Agutit | [a]450] |
| The Sagdlirmiut of Southampton Island | [a]451] |
| The Sinimiut | [a]451] |
| Boothia Felix and Back River | [a]452] |
| The Netchillirmiut | [a]452] |
| The Ugjulirmiut | [a]458] |
| The Ukusiksalirmiut | [a]458] |
| Smith Sound | [a]459] |
| The natives of Ellesmere Land | [a]459] |
| The North Greenlanders | [a]460] |
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| Influence of geographical conditions upon the distribution of the settlements | [a]460] |
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| Trade and intercourse between the tribes | [a]462] |
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| List of the Central Eskimo tribes | [a]470] |
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| Hunting and fishing | [a]471] |
| Seal, walrus, and whale hunting | [a]471] |
| Deer, musk ox, and bear hunting | [a]501] |
| Hunting of small game | [a]510] |
| Fishing | [a]513] |
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| Manufactures | [a]516] |
| Making leather and preparing skins | [a]516] |
| Sundry implements | [a]523] |
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| Transportation by boats and sledges | [a]527] |
| The boat | [a]527] |
| The sledge and dogs | [a]529] |
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| Habitations and dress | [a]539] |
| The house | [a]539] |
| Clothing, dressing of the hair, and tattooing | [a]554] |
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| Social and religious life | [a]561] |
| Domestic occupations and amusements | [a]561] |
| Visiting | [a]574] |
| Social customs in summer | [a]576] |
| Social order and laws | [a]578] |
| Religious ideas and the angakunirn (priesthood) | [a]583] |
| Sedna and the fulmar | [a]583] |
| The tornait and the angakut | [a]591] |
| The flight to the moon | [a]598] |
| Kadlu the thunderer | [a]600] |
| Feasts, religious and secular | [a]600] |
| Customs and regulations concerning birth, sickness, and death | [a]609] |
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| Tales and traditions | [a]615] |
| Ititaujang | [a]615] |
| The emigration of the Sagdlirmiut | [a]618] |
| Kalopaling | [a]20] |
| The Uissuit | [a]621] |
| Kiviung | [a]621] |
| The origin of the narwhal | [a]625] |
| The visitor | [a]627] |
| The fugitive women | [a]628] |
| Qaudjaqdjuq | [a]628] |
| I. Story of the three brothers | [a]628] |
| II. Qaudjaqdjuq | [a]630] |
| Igimarasugdjuqdjuaq the cannibal | [a]633] |
| The Tornit | [a]634] |
| The woman and the spirit of the singing house | [a]636] |
| The constellation Udleqdjun | [a]636] |
| The origin of the Adlet and of the Qadluait | [a]637] |
| The great flood | [a]637] |
| Inugpaqdjuqdjualung | [a]638] |
| The bear story | [a]638] |
| Sundry tales | [a]639] |
| Tables relating to animals | [a]641] |
| The owl and the raven | [a]641] |
| Comparison between Baffin Land traditions and those of other tribes | [a]641] |
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| Science and the arts | [a]643] |
| Geography and navigation | [a]643] |
| Poetry and music | [a]648] |
| Merry-making among the Tornit | [a]649] |
| The lemming's song | [a]650] |
| Arlum pissinga (the killer's song) | [a]650] |
| I. Summer song | [a]653] |
| II. The returning hunter | [a]653] |
| III. Song of the Tornit | [a]653] |
| IV. Song of the Inuit traveling to Nettilling | [a]653] |
| V. Oxaitoq's song | [a]654] |
| VI. Utitiaq's song | [a]654] |
| VII. Song | [a]654] |
| VIII. Song | [a]654] |
| IX. Song of the Tornit | [a]654] |
| X. The fox and the woman | [a]655] |
| XI. The raven's song | [a]655] |
| XII. Song of a Padlimio | [a]655] |
| XIII. Ititaujang's song | [a]655] |
| XIV. Playing at ball | [a]656] |
| XV. Playing at ball | [a]657] |
| XVI.-XIX. Extracts | [a]657], [a]658] |
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| Glossary | [a]659] |
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| Appendix | [a]667] |
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| INDEX. |
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| Index | [671] |