GINN AND COMPANY
BOSTON · NEW YORK · CHICAGO · LONDON
ATLANTA · DALLAS · COLUMBUS · SAN FRANCISCO
Copyright, 1907, by
R. I. Fulton, T. C. Trueblood, and E. P. Trueblood
ALL RIGHTS RESERVED
The Athenæum Press
GINN AND COMPANY · PROPRIETORS
BOSTON · U.S.A.
PREFACE
The purpose of the compilers of this volume is:—
First, to provide some new material in poetry and eloquence that has never before appeared in books of this character, in addition to many standard selections familiar to the general public;
Second, to furnish selections that will stand the test of literary criticism and at the same time prove to be popular and successful for public entertainment;
Third, to offer for the use of classes in public speaking such carefully selected literature of varied scope as will be helpful and stimulating in the practice of reading aloud and profitable in acquiring power of vocal interpretation;
Fourth, to stimulate interest in the works of the authors from whom we have chosen and in the speeches or books from which extracts have been taken;
Fifth, to present as models for students in public speaking notable specimens of eloquence, among which are masterpieces of the seven great orators of the world and from the six great triumphs in the history of American oratory;
Sixth, to provide carefully chosen scenes from a few standard, modern dramas for class-room and platform use. In these scenes the attempt has been made to preserve the spirit and unity of the plays, to shorten them to practical length, and to adapt them to the demands of the public audience.
To avoid reprinting material which is already universally accessible, we have inserted no scenes from Shakespeare; but the reader is referred to Fulton and Trueblood's "Choice Readings" (published by Ginn and Company), which contains copious Indexes to choice scenes from Shakespeare, the Bible, and hymn-books. The two volumes include a wide field of literature best suited for public speaking.
The selections throughout the book are arranged under six different classes and cover a wide range of thought and emotion. While many shades of feeling may be found in the same selection, it has been our aim to place each one under the division with which, as a whole, it is most closely allied.
We are grateful to the many authors and publishers who have courteously permitted us to use their publications. Instead of naming them in the preface we have chosen to make due acknowledgment in a footnote wherever their selections appear in the volume.
F. and T.
CONTENTS
[PREFACE]
[I]
NARRATIVE, DESCRIPTIVE, PATHETIC
[II]
SOLEMN, REVERENTIAL, SUBLIME
| [Centennial Hymn] | Whittier. |
| [Chambered Nautilus, The] | Holmes. |
| [Crossing the Bar] | Tennyson. |
| [Destruction of Sennacherib, The] | Byron. |
| [Each and All] | Emerson. |
| [Laus Deo!] | Whittier. |
| [Pilgrim Fathers, The] | Hemans. |
| [Present Crisis, The] | Lowell. |
| [Recessional, The] | Kipling. |
| [Sacredness of Work, The] | Carlyle. |
| [What's Hallowed Ground?] | Campbell. |
[III]
PATRIOTIC, HEROIC, ORATORICAL
- [The Seven Great Orators of the World]
- [I. Demosthenes]
- Encroachments of Philip, The
- [II. Cicero]
- Oration against Antony
- [III. Chrysostom]
- Undue Lamentations over the Dead
- [On Applauding Preachers]
- [IV. Bossuet]
- On the Death of the Prince of Condé
- [V. Chatham]
- I. War with America
- [II. Attempt to Subjugate America]
- [VI. Burke]
- I. Impeachment of Hastings
- [II. Conciliation with America]
- [III. English Privileges in America]
- [VII. Webster]
- I. Bunker Hill Monument
- [II. Revolutionary Patriots]
- [III. Character of Washington]
- [Six Great Triumphs in the History of American Oratory]
- [I. Henry]
- Call to Arms, The
- [II. Hamilton]
- Coercion of Delinquent States
- [III. Webster]
- Reply to Hayne, The
- [IV. Phillips]
- Murder of Lovejoy, The
- [V. Lincoln]
- Slavery Issue, The
- [VI. Beecher]
- Moral Aspect of the American War
[IV]
GAY, HUMOROUS, COMIC
| [A Boy's Mother] | Riley. |
| [Almost beyond Endurance] | Riley. |
| [Bird in the Hand, A] | Weatherly. |
| [Breaking the Charm] | Dunbar. |
| [Candle Lightin' Time] | Dunbar. |
| ["Day of Judgment, The"] | Phelps. |
| [De Appile Tree] | Harris. |
| [Dooley on La Grippe Microbes] | Dunne. |
| [Doctrinal Discussion, A] | Edwards. |
| [Finnigin to Flannigan] | Gillilan. |
| [Gavroche and the Elephant] | Hugo. |
| [Hazing of Valiant, The] | Anon. |
| [Hindoo's Paradise, The] | Anon. |
| [If I Knew] | Anon. |
| [Imaginary Invalid, The] | Jerome. |
| [Jane Jones] | King. |
| [Knee-deep in June] | Riley. |
| [Little Breeches] | Hay. |
| [Low-Backed Car, The] | Lover. |
| [Mammy's Pickanin'] | Jenkins. |
| [Mandalay] | Kipling. |
| [Mr. Coon and Mr. Rabbit] | Harris. |
| [Money Musk] | Taylor. |
| [One-legged Goose, The] | Smith. |
| [Pessimist, The] | King. |
| [Schneider Sees Leah] | Anon. |
| [Superfluous Man, The] | Saxe. |
| [Usual Way, The] | Anon. |
| [Wedding Fee, The] | Streeter. |
| [When Malindy Sings] | Dunbar. |
| [When the Cows Come Home] | Mitchell. |
[V]
DRAMATIC, NOT IN THE DRAMA
| [Confessional, The] | Anon. |
| [Jean Valjean and the Good Bishop] | Hugo. |
| [Lasca] | Anon. |
| [Michael Strogoff] | Verne. |
| [Mrs. Tree] | Richards. |
| [Portrait, The] | Lytton. |
| [Tell-tale Heart, The] | Poe. |
| [Uncle, The] | Bell. |