THE MAN WHO WENT TOO FAR

By E.F. Benson

The little village of St. Faith's nestles in a hollow of wooded hill up on the north bank of the river Fawn in the county of Hampshire, huddling close round its gray Norman church as if for spiritual protection against the fays and fairies, the trolls and "little people," who might be supposed still to linger in the vast empty spaces of the New Forest, and to come after dusk and do their doubtful businesses. Once outside the hamlet you may walk in any direction (so long as you avoid the high road which leads to Brockenhurst) for the length of a summer afternoon without seeing sign of human habitation, or possibly even catching sight of another human being. Shaggy wild ponies may stop their feeding for a moment as you pass, the white scuts of rabbits will vanish into their burrows, a brown viper perhaps will glide from your path into a clump of heather, and unseen birds will chuckle in the bushes, but it may easily happen that for a long day you will see nothing human. But you will not feel in the least lonely; in summer, at any rate, the sunlight will be gay with butterflies, and the air thick with all those woodland sounds which like instruments in an orchestra combine to play the great symphony of the yearly festival of June. Winds whisper in the birches, and sigh among the firs; bees are busy with their redolent labor among the heather, a myriad birds chirp in the green temples of the forest trees, and the voice of the river prattling over stony places, bubbling into pools, chuckling and gulping round corners, gives you the sense that many presences and companions are near at hand.

Yet, oddly enough, though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plow her seas, the inhabitants of St. Faith's will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread. One story indeed I have heard with some definiteness, the tale of a monstrous goat that has been seen to skip with hellish glee about the woods and shady places, and this perhaps is connected with the story which I have here attempted to piece together. It too is well-known to them; for all remember the young artist who died here not long ago, a young man, or so he struck the beholder, of great personal beauty, with something about him that made men's faces to smile and brighten when they looked on him. His ghost they will tell you "walks" constantly by the stream and through the woods which he loved so, and in especial it haunts a certain house, the last of the village, where he lived, and its garden in which he was done to death. For my part I am inclined to think that the terror of the Forest dates chiefly from that day. So, such as the story is, I have set it forth in connected form. It is based partly on the accounts of the villagers, but mainly on that of Darcy, a friend of mine and a friend of the man with whom these events were chiefly concerned.


The day had been one of untarnished midsummer splendor, and as the sun drew near to its setting, the glory of the evening grew every moment more crystalline, more miraculous. Westward from St. Faith's the beechwood which stretched for some miles toward the heathery upland beyond already cast its veil of clear shadow over the red roofs of the village, but the spire of the gray church, over-topping all, still pointed a flaming orange finger into the sky. The river Fawn, which runs below, lay in sheets of sky-reflected blue, and wound its dreamy devious course round the edge of this wood, where a rough two-planked bridge crossed from the bottom of the garden of the last house in the village, and communicated by means of a little wicker gate with the wood itself. Then once out of the shadow of the wood the stream lay in flaming pools of the molten crimson of the sunset, and lost itself in the haze of woodland distances.

This house at the end of the village stood outside the shadow, and the lawn which sloped down to the river was still flecked with sunlight. Garden-beds of dazzling color lined its gravel walks, and down the middle of it ran a brick pergola, half-hidden in clusters of rambler-rose and purple with starry clematis. At the bottom end of it, between two of its pillars, was slung a hammock containing a shirt-sleeved figure.

The house itself lay somewhat remote from the rest of the village, and a footpath leading across two fields, now tall and fragrant with hay, was its only communication with the high road. It was low-built, only two stories in height, and like the garden, its walls were a mass of flowering roses. A narrow stone terrace ran along the garden front, over which was stretched an awning, and on the terrace a young silent-footed man-servant was busied with the laying of the table for dinner. He was neat-handed and quick with his job, and having finished it he went back into the house, and reappeared again with a large rough bath-towel on his arm. With this he went to the hammock in the pergola.

"Nearly eight, sir," he said.

"Has Mr. Darcy come yet?" asked a voice from the hammock.

"No, sir."

"If I'm not back when he comes, tell him that I'm just having a bathe before dinner."

The servant went back to the house, and after a moment or two Frank Halton struggled to a sitting posture, and slipped out on to the grass. He was of medium height and rather slender in build, but the supple ease and grace of his movements gave the impression of great physical strength: even his descent from the hammock was not an awkward performance. His face and hands were of very dark complexion, either from constant exposure to wind and sun, or, as his black hair and dark eyes tended to show, from some strain of southern blood. His head was small, his face of an exquisite beauty of modeling, while the smoothness of its contour would have led you to believe that he was a beardless lad still in his teens. But something, some look which living and experience alone can give, seemed to contradict that, and finding yourself completely puzzled as to his age, you would next moment probably cease to think about that, and only look at this glorious specimen of young manhood with wondering satisfaction.

He was dressed as became the season and the heat, and wore only a shirt open at the neck, and a pair of flannel trousers. His head, covered very thickly with a somewhat rebellious crop of short curly hair, was bare as he strolled across the lawn to the bathing-place that lay below. Then for a moment there was silence, then the sound of splashed and divided waters, and presently after, a great shout of ecstatic joy, as he swam up-stream with the foamed water standing in a frill round his neck. Then after some five minutes of limb-stretching struggle with the flood, he turned over on his back, and with arms thrown wide, floated down-stream, ripple-cradled and inert. His eyes were shut, and between half-parted lips he talked gently to himself.

"I am one with it," he said to himself, "the river and I, I and the river. The coolness and splash of it is I, and the water-herbs that wave in it are I also. And my strength and my limbs are not mine but the river's. It is all one, all one, dear Fawn."


A quarter of an hour later he appeared again at the bottom of the lawn, dressed as before, his wet hair already drying into its crisp short curls again. There he paused a moment, looking back at the stream with the smile with which men look on the face of a friend, then turned towards the house. Simultaneously his servant came to the door leading on to the terrace, followed by a man who appeared to be some half-way through the fourth decade of his years. Frank and he saw each other across the bushes and garden-beds, and each quickening his step, they met suddenly face to face round an angle of the garden walk, in the fragrance of syringa.

"My dear Darcy," cried Frank, "I am charmed to see you."

But the other stared at him in amazement.

"Frank!" he exclaimed.

"Yes, that is my name," he said laughing, "what is the matter?"

Darcy took his hand.

"What have you done to yourself?" he asked. "You are a boy again."

"Ah, I have a lot to tell you," said Frank. "Lots that you will hardly believe, but I shall convince you——"

He broke off suddenly, and held up his hand.

"Hush, there is my nightingale," he said.

The smile of recognition and welcome with which he had greeted his friend faded from his face, and a look of rapt wonder took its place, as of a lover listening to the voice of his beloved. His mouth parted slightly, showing the white line of teeth, and his eyes looked out and out till they seemed to Darcy to be focused on things beyond the vision of man. Then something perhaps startled the bird, for the song ceased.

"Yes, lots to tell you," he said. "Really I am delighted to see you. But you look rather white and pulled down; no wonder after that fever. And there is to be no nonsense about this visit. It is June now, you stop here till you are fit to begin work again. Two months at least."

"Ah, I can't trespass quite to that extent."

Frank took his arm and walked him down the grass.

"Trespass? Who talks of trespass? I shall tell you quite openly when I am tired of you, but you know when we had the studio together, we used not to bore each other. However, it is ill talking of going away on the moment of your arrival. Just a stroll to the river, and then it will be dinner-time."

Darcy took out his cigarette case, and offered it to the other.

Frank laughed.

"No, not for me. Dear me, I suppose I used to smoke once. How very odd!"

"Given it up?"

"I don't know. I suppose I must have. Anyhow I don't do it now. I would as soon think of eating meat."

"Another victim on the smoking altar of vegetarianism?"

"Victim?" asked Frank. "Do I strike you as such?"

He paused on the margin of the stream and whistled softly. Next moment a moor-hen made its splashing flight across the river, and ran up the bank. Frank took it very gently in his hands and stroked its head, as the creature lay against his shirt.

"And is the house among the reeds still secure?" he half-crooned to it. "And is the missus quite well, and are the neighbors flourishing? There, dear, home with you," and he flung it into the air.

"That bird's very tame," said Darcy, slightly bewildered.

"It is rather," said Frank, following its flight.


During dinner Frank chiefly occupied himself in bringing himself up-to-date in the movements and achievements of this old friend whom he had not seen for six years. Those six years, it now appeared, had been full of incident and success for Darcy; he had made a name for himself as a portrait painter which bade fair to outlast the vogue of a couple of seasons, and his leisure time had been brief. Then some four months previously he had been through a severe attack of typhoid, the result of which as concerns this story was that he had come down to this sequestered place to recruit.

"Yes, you've got on," said Frank at the end. "I always knew you would. A.R.A. with more in prospect. Money? You roll in it, I suppose, and, O Darcy, how much happiness have you had all these years? That is the only imperishable possession. And how much have you learned? Oh, I don't mean in Art. Even I could have done well in that."

Darcy laughed.

"Done well? My dear fellow, all I have learned in these six years you knew, so to speak, in your cradle. Your old pictures fetch huge prices. Do you never paint now?"

Frank shook his head.

"No, I'm too busy," he said.

"Doing what? Please tell me. That is what every one is for ever asking me."

"Doing? I suppose you would say I do nothing."

Darcy glanced up at the brilliant young face opposite him.

"It seems to suit you, that way of being busy," he said. "Now, it's your turn. Do you read? Do you study? I remember you saying that it would do us all—all us artists, I mean—a great deal of good if we would study any one human face carefully for a year, without recording a line. Have you been doing that?"

Frank shook his head again.

"I mean exactly what I say," he said, "I have been doing nothing. And I have never been so occupied. Look at me; have I not done something to myself to begin with?"

"You are two years younger than I," said Darcy, "at least you used to be. You therefore are thirty-five. But had I never seen you before I should say you were just twenty. But was it worth while to spend six years of greatly-occupied life in order to look twenty? Seems rather like a woman of fashion."

Frank laughed boisterously.

"First time I've ever been compared to that particular bird of prey," he said. "No, that has not been my occupation—in fact I am only very rarely conscious that one effect of my occupation has been that. Of course, it must have been if one comes to think of it. It is not very important. Quite true my body has become young. But that is very little; I have become young."

Darcy pushed back his chair and sat sideways to the table looking at the other.

"Has that been your occupation then?" he asked.

"Yes, that anyhow is one aspect of it. Think what youth means! It is the capacity for growth, mind, body, spirit, all grow, all get stronger, all have a fuller, firmer life every day. That is something, considering that every day that passes after the ordinary man reaches the full-blown flower of his strength, weakens his hold on life. A man reaches his prime, and remains, we say, in his prime, for ten years, or perhaps twenty. But after his primest prime is reached, he slowly, insensibly weakens. These are the signs of age in you, in your body, in your art probably, in your mind. You are less electric than you were. But I, when I reach my prime—I am nearing it—ah, you shall see."

The stars had begun to appear in the blue velvet of the sky, and to the east the horizon seen above the black silhouette of the village was growing dove-colored with the approach of moon-rise. White moths hovered dimly over the garden-beds, and the footsteps of night tip-toed through the bushes. Suddenly Frank rose.

"Ah, it is the supreme moment," he said softly. "Now more than at any other time the current of life, the eternal imperishable current runs so close to me that I am almost enveloped in it. Be silent a minute."

He advanced to the edge of the terrace and looked out standing stretched with arms outspread. Darcy heard him draw a long breath into his lungs, and after many seconds expel it again. Six or eight times he did this, then turned back into the lamplight.

"It will sound to you quite mad, I expect," he said, "but if you want to hear the soberest truth I have ever spoken and shall ever speak, I will tell you about myself. But come into the garden if it is not too damp for you. I have never told any one yet, but I shall like to tell you. It is long, in fact, since I have even tried to classify what I have learned."

They wandered into the fragrant dimness of the pergola, and sat down. Then Frank began:

"Years ago, do you remember," he said, "we used often to talk about the decay of joy in the world. Many impulses, we settled, had contributed to this decay, some of which were good in themselves, others that were quite completely bad. Among the good things, I put what we may call certain Christian virtues, renunciation, resignation, sympathy with suffering, and the desire to relieve sufferers. But out of those things spring very bad ones, useless renunciations, asceticism for its own sake, mortification of the flesh with nothing to follow, no corresponding gain that is, and that awful and terrible disease which devastated England some centuries ago, and from which by heredity of spirit we suffer now, Puritanism. That was a dreadful plague, the brutes held and taught that joy and laughter and merriment were evil: it was a doctrine the most profane and wicked. Why, what is the commonest crime one sees? A sullen face. That is the truth of the matter.

"Now all my life I have believed that we are intended to be happy, that joy is of all gifts the most divine. And when I left London, abandoned my career, such as it was, I did so because I intended to devote my life to the cultivation of joy, and, by continuous and unsparing effort, to be happy. Among people, and in constant intercourse with others, I did not find it possible; there were too many distractions in towns and work-rooms, and also too much suffering. So I took one step backwards or forwards, as you may choose to put it, and went straight to Nature, to trees, birds, animals, to all those things which quite clearly pursue one aim only, which blindly follow the great native instinct to be happy without any care at all for morality, or human law or divine law. I wanted, you understand, to get all joy first-hand and unadulterated, and I think it scarcely exists among men; it is obsolete."

Darcy turned in his chair.

"Ah, but what makes birds and animals happy?" he asked. "Food, food and mating."

Frank laughed gently in the stillness.

"Do not think I became a sensualist," he said. "I did not make that mistake. For the sensualist carries his miseries pick-a-back, and round his feet is wound the shroud that shall soon enwrap him. I may be mad, it is true, but I am not so stupid anyhow as to have tried that. No, what is it that makes puppies play with their own tails, that sends cats on their prowling ecstatic errands at night?".

He paused a moment.

"So I went to Nature," he said. "I sat down here in this New Forest, sat down fair and square, and looked. That was my first difficulty, to sit here quiet without being bored, to wait without being impatient, to be receptive and very alert, though for a long time nothing particular happened. The change in fact was slow in those early stages."

"Nothing happened?" asked Darcy rather impatiently, with the sturdy revolt against any new idea which to the English mind is synonymous with nonsense. "Why, what in the world should happen?"

Now Frank as he had known him was the most generous but most quick-tempered of mortal men; in other words his anger would flare to a prodigious beacon, under almost no provocation, only to be quenched again under a gust of no less impulsive kindliness. Thus the moment Darcy had spoken, an apology for his hasty question was half-way up his tongue. But there was no need for it to have traveled even so far, for Frank laughed again with kindly, genuine mirth.

"Oh, how I should have resented that a few years ago," he said. "Thank goodness that resentment is one of the things I have got rid of. I certainly wish that you should believe my story—in fact, you are going to—but that you at this moment should imply that you do not, does not concern me."

"Ah, your solitary sojournings have made you inhuman," said Darcy, still very English.

"No, human," said Frank. "Rather more human, at least rather less of an ape."

"Well, that was my first quest," he continued, after a moment, "the deliberate and unswerving pursuit of joy, and my method, the eager contemplation of Nature. As far as motive went, I daresay it was purely selfish, but as far as effect goes, it seems to me about the best thing one can do for one's fellow-creatures, for happiness is more infectious than small-pox. So, as I said, I sat down and waited; I looked at happy things, zealously avoided the sight of anything unhappy, and by degrees a little trickle of the happiness of this blissful world began to filter into me. The trickle grew more abundant, and now, my dear fellow, if I could for a moment divert from me into you one half of the torrent of joy that pours through me day and night, you would throw the world, art, everything aside, and just live, exist. When a man's body dies, it passes into trees and flowers. Well, that is what I have been trying to do with my soul before death."

The servant had brought into the pergola a table with syphons and spirits, and had set a lamp upon it. As Frank spoke he leaned forward towards the other, and Darcy for all his matter-of-fact commonsense could have sworn that his companion's face shone, was luminous in itself. His dark brown eyes glowed from within, the unconscious smile of a child irradiated and transformed his face. Darcy felt suddenly excited, exhilarated.

"Go on," he said. "Go on. I can feel you are somehow telling me sober truth. I daresay you are mad; but I don't see that matters."

Frank laughed again.

"Mad?" he said. "Yes, certainly, if you wish. But I prefer to call it sane. However, nothing matters less than what anybody chooses to call things. God never labels his gifts; He just puts them into our hands; just as he put animals in the garden of Eden, for Adam to name if he felt disposed."

"So by the continual observance and study of things that were happy," continued he, "I got happiness, I got joy. But seeking it, as I did, from Nature, I got much more which I did not seek, but stumbled upon originally by accident. It is difficult to explain, but I will try.

"About three years ago I was sitting one morning in a place I will show you to-morrow. It is down by the river brink, very green, dappled with shade and sun, and the river passes there through some little clumps of reeds. Well, as I sat there, doing nothing, but just looking and listening, I heard the sound quite distinctly of some flute-like instrument playing a strange unending melody. I thought at first it was some musical yokel on the highway and did not pay much attention. But before long the strangeness and indescribable beauty of the tune struck me. It never repeated itself, but it never came to an end, phrase after phrase ran its sweet course, it worked gradually and inevitably up to a climax, and having attained it, it went on; another climax was reached and another and another. Then with a sudden gasp of wonder I localized where it came from. It came from the reeds and from the sky and from the trees. It was everywhere, it was the sound of life. It was, my dear Darcy, as the Greeks would have said, it was Pan playing on his pipes, the voice of Nature. It was the life-melody, the world-melody."

Darcy was far too interested to interrupt, though there was a question he would have liked to ask, and Frank went on:

"Well, for the moment I was terrified, terrified with the impotent horror of nightmare, and I stopped my ears and just ran from the place and got back to the house panting, trembling, literally in a panic. Unknowingly, for at that time I only pursued joy, I had begun, since I drew my joy from Nature, to get in touch with Nature. Nature, force, God, call it what you will, had drawn across my face a little gossamer web of essential life. I saw that when I emerged from my terror, and I went very humbly back to where I had heard the Pan-pipes. But it was nearly six months before I heard them again."

"Why was that?" asked Darcy.

"Surely because I had revolted, rebelled, and worst of all been frightened. For I believe that just as there is nothing in the world which so injures one's body as fear, so there is nothing that so much shuts up the soul. I was afraid, you see, of the one thing in the world which has real existence. No wonder its manifestation was withdrawn."

"And after six months?"

"After six months one blessed morning I heard the piping again. I wasn't afraid that time. And since then it has grown louder, it has become more constant. I now hear it often, and I can put myself into such an attitude towards Nature that the pipes will almost certainly sound. And never yet have they played the same tune, it is always something new, something fuller, richer, more complete than before."

"What do you mean by 'such an attitude towards Nature'?" asked Darcy.

"I can't explain that; but by translating it into a bodily attitude it is this."

Frank sat up for a moment quite straight in his chair, then slowly sunk back with arms outspread and head drooped.

"That," he said, "an effortless attitude, but open, resting, receptive. It is just that which you must do with your soul."

Then he sat up again.

"One word more," he said, "and I will bore you no further. Nor unless you ask me questions shall I talk about it again. You will find me, in fact, quite sane in my mode of life. Birds and beasts you will see behaving somewhat intimately to me, like that moor-hen, but that is all. I will walk with you, ride with you, play golf with you, and talk with you on any subject you like. But I wanted you on the threshold to know what has happened to me. And one thing more will happen."

He paused again, and a slight look of fear crossed his eyes.

"There will be a final revelation," he said, "a complete and blinding stroke which will throw open to me, once and for all, the full knowledge, the full realization and comprehension that I am one, just as you are, with life. In reality there is no 'me,' no 'you,' no 'it.' Everything is part of the one and only thing which is life. I know that that is so, but the realization of it is not yet mine. But it will be, and on that day, so I take it, I shall see Pan. It may mean death, the death of my body, that is, but I don't care. It may mean immortal, eternal life lived here and now and for ever. Then having gained that, ah, my dear Darcy, I shall preach such a gospel of joy, showing myself as the living proof of the truth, that Puritanism, the dismal religion of sour faces, shall vanish like a breath of smoke, and be dispersed and disappear in the sunlit air. But first the full knowledge must be mine."

Darcy watched his face narrowly.

"You are afraid of that moment," he said.

Frank smiled at him.

"Quite true; you are quick to have seen that. But when it comes I hope I shall not be afraid."

For some little time there was silence; then Darcy rose.

"You have bewitched me, you extraordinary boy," he said. "You have been telling me a fairy-story, and I find myself saying, 'Promise me it is true.'"

"I promise you that," said the other.

"And I know I shan't sleep," added Darcy.

Frank looked at him with a sort of mild wonder as if he scarcely understood.

"Well, what does that matter?" he said.

"I assure you it does. I am wretched unless I sleep."

"Of course I can make you sleep if I want," said Frank in a rather bored voice.

"Well, do."

"Very good: go to bed. I'll come upstairs in ten minutes."

Frank busied himself for a little after the other had gone, moving the table back under the awning of the veranda and quenching the lamp. Then he went with his quick silent tread upstairs and into Darcy's room. The latter was already in bed, but very wide-eyed and wakeful, and Frank with an amused smile of indulgence, as for a fretful child, sat down on the edge of the bed.

"Look at me," he said, and Darcy looked.

"The birds are sleeping in the brake," said Frank softly, "and the winds are asleep. The sea sleeps, and the tides are but the heaving of its breast. The stars swing slow, rocked in the great cradle of the Heavens, and——"

He stopped suddenly, gently blew out Darcy's candle, and left him sleeping.

Morning brought to Darcy a flood of hard commonsense, as clear and crisp as the sunshine that filled his room. Slowly as he woke he gathered together the broken threads of the memories of the evening which had ended, so he told himself, in a trick of common hypnotism. That accounted for it all; the whole strange talk he had had was under a spell of suggestion from the extraordinary vivid boy who had once been a man; all his own excitement, his acceptance of the incredible had been merely the effect of a stronger, more potent will imposed on his own. How strong that will was, he guessed from his own instantaneous obedience to Frank's suggestion of sleep. And armed with impenetrable commonsense he came down to breakfast. Frank had already begun, and was consuming a large plateful of porridge and milk with the most prosaic and healthy appetite.

"Slept well?" he asked.

"Yes, of course. Where did you learn hypnotism?"

"By the side of the river."

"You talked an amazing quantity of nonsense last night," remarked Darcy, in a voice prickly with reason.

"Rather. I felt quite giddy. Look, I remembered to order a dreadful daily paper for you. You can read about money markets or politics or cricket matches."

Darcy looked at him closely. In the morning light Frank looked even fresher, younger, more vital than he had done the night before, and the sight of him somehow dinted Darcy's armor of commonsense.

"You are the most extraordinary fellow I ever saw," he said. "I want to ask you some more questions."

"Ask away," said Frank.


For the next day or two Darcy plied his friend with many questions, objections and criticisms on the theory of life and gradually got out of him a coherent and complete account of his experience. In brief then, Frank believed that "by lying naked," as he put it, to the force which controls the passage of the stars, the breaking of a wave, the budding of a tree, the love of a youth and maiden, he had succeeded in a way hitherto undreamed of in possessing himself of the essential principle of life. Day by day, so he thought, he was getting nearer to, and in closer union with the great power itself which caused all life to be, the spirit of nature, of force, or the spirit of God. For himself, he confessed to what others would call paganism; it was sufficient for him that there existed a principle of life. He did not worship it, he did not pray to it, he did not praise it. Some of it existed in all human beings, just as it existed in trees and animals; to realize and make living to himself the fact that it was all one, was his sole aim and object.

Here perhaps Darcy would put in a word of warning. "Take care," he said. "To see Pan meant death, did it not?"

Frank's eyebrows would rise at this.

"What does that matter?" he said. "True, the Greeks were always right, and they said so, but there is another possibility. For the nearer I get to it, the more living, the more vital and young I become."

"What then do you expect the final revelation will do for you?"

"I have told you," said he. "It will make me immortal."

But it was not so much from speech and argument that Darcy grew to grasp his friend's conception, as from the ordinary conduct of his life. They were passing, for instance, one morning down the village street, when an old woman, very bent and decrepit, but with an extraordinary cheerfulness of face, hobbled out from her cottage. Frank instantly stopped when he saw her.

"You old darling! How goes it all?" he said.

But she did not answer, her dim old eyes were riveted on his face; she seemed to drink in like a thirsty creature the beautiful radiance which shone there. Suddenly she put her two withered old hands on his shoulders.

"You're just the sunshine itself," she said, and he kissed her and passed on.

But scarcely a hundred yards further a strange contradiction of such tenderness occurred. A child running along the path towards them fell on its face, and set up a dismal cry of fright and pain. A look of horror came into Frank's eyes, and, putting his fingers in his ears, he fled at full speed down the street, and did not pause till he was out of hearing. Darcy, having ascertained that the child was not really hurt, followed him in bewilderment.

"Are you without pity then?" he asked.

Frank shook his head impatiently.

"Can't you see?" he asked. "Can't you understand that that sort of thing, pain, anger, anything unlovely throws me back, retards the coming of the great hour! Perhaps when it comes I shall be able to piece that side of life on to the other, on to the true religion of joy. At present I can't."

"But the old woman. Was she not ugly?"

Frank's radiance gradually returned.

"Ah, no. She was like me. She longed for joy, and knew it when she saw it, the old darling."

Another question suggested itself.

"Then what about Christianity?" asked Darcy.

"I can't accept it. I can't believe in any creed of which the central doctrine is that God who is Joy should have had to suffer. Perhaps it was so; in some inscrutable way I believe it may have been so, but I don't understand how it was possible. So I leave it alone; my affair is joy."

They had come to the weir above the village, and the thunder of riotous cool water was heavy in the air. Trees dipped into the translucent stream with slender trailing branches, and the meadow where they stood was starred with midsummer blossomings. Larks shot up caroling into the crystal dome of blue, and a thousand voices of June sang round them. Frank, bare-headed as was his wont, with his coat slung over his arm and his shirt sleeves rolled up above the elbow, stood there like some beautiful wild animal with eyes half-shut and mouth half-open, drinking in the scented warmth of the air. Then suddenly he flung himself face downwards on the grass at the edge of the stream, burying his face in the daisies and cowslips, and lay stretched there in wide-armed ecstasy, with his long fingers pressing and stroking the dewy herbs of the field. Never before had Darcy seen him thus fully possessed by his idea; his caressing fingers, his half-buried face pressed close to the grass, even the clothed lines of his figure were instinct with a vitality that somehow was different from that of other men. And some faint glow from it reached Darcy, some thrill, some vibration from that charged recumbent body passed to him, and for a moment he understood as he had not understood before, despite his persistent questions and the candid answers they received, how real, and how realized by Frank, his idea was.

Then suddenly the muscles in Frank's neck became stiff and alert, and he half-raised his head, whispering, "The Pan-pipes, the Pan-pipes. Close, oh, so close."

Very slowly, as if a sudden movement might interrupt the melody, he raised himself and leaned on the elbow of his bent arm. His eyes opened wider, the lower lids drooped as if he focused his eyes on something very far away, and the smile on his face broadened and quivered like sunlight on still water, till the exultance of its happiness was scarcely human. So he remained motionless and rapt for some minutes, then the look of listening died from his face, and he bowed his head satisfied.

"Ah, that was good," he said. "How is it possible you did not hear? Oh, you poor fellow! Did you really hear nothing?"

A week of this outdoor and stimulating life did wonders in restoring to Darcy the vigor and health which his weeks of fever had filched from him, and as his normal activity and higher pressure of vitality returned, he seemed to himself to fall even more under the spell which the miracle of Frank's youth cast over him. Twenty times a day he found himself saying to himself suddenly at the end of some ten minutes' silent resistance to the absurdity of Frank's idea: "But it isn't possible; it can't be possible," and from the fact of his having to assure himself so frequently of this, he knew that he was struggling and arguing with a conclusion which already had taken root in his mind. For in any case a visible living miracle confronted him, since it was equally impossible that this youth, this boy, trembling on the verge of manhood, was thirty-five. Yet such was the fact.

July was ushered in by a couple of days of blustering and fretful rain, and Darcy, unwilling to risk a chill, kept to the house. But to Frank this weeping change of weather seemed to have no bearing on the behavior of man, and he spent his days exactly as he did under the suns of June, lying in his hammock, stretched on the dripping grass, or making huge rambling excursions into the forest, the birds hopping from tree to tree after him, to return in the evening, drenched and soaked, but with the same unquenchable flame of joy burning within him.

"Catch cold?" he would ask, "I've forgotten how to do it, I think. I suppose it makes one's body more sensible always to sleep out-of-doors. People who live indoors always remind me of something peeled and skinless."

"Do you mean to say you slept out-of-doors last night in that deluge?" asked Darcy. "And where, may I ask?"

Frank thought a moment.

"I slept in the hammock till nearly dawn," he said. "For I remember the light blinked in the east when I awoke. Then I went—where did I go?—oh, yes, to the meadow where the Pan-pipes sounded so close a week ago. You were with me, do you remember? But I always have a rug if it is wet."

And he went whistling upstairs.

Somehow that little touch, his obvious effort to recall where he had slept, brought strangely home to Darcy the wonderful romance of which he was the still half-incredulous beholder. Sleep till close on dawn in a hammock, then the tramp—or probably scamper—underneath the windy and weeping heavens to the remote and lonely meadow by the weir! The picture of other such nights rose before him; Frank sleeping perhaps by the bathing-place under the filtered twilight of the stars, or the white blaze of moon-shine, a stir and awakening at some dead hour, perhaps a space of silent wide-eyed thought, and then a wandering through the hushed woods to some other dormitory, alone with his happiness, alone with the joy and the life that suffused and enveloped him, without other thought or desire or aim except the hourly and never-ceasing communion with the joy of nature.

They were in the middle of dinner that night, talking on indifferent subjects, when Darcy suddenly broke off in the middle of a sentence.

"I've got it," he said. "At last I've got it."

"Congratulate you," said Frank. "But what?"

"The radical unsoundness of your idea. It is this: All nature from highest to lowest is full, crammed full of suffering; every living organism in nature preys on another, yet in your aim to get close to, to be one with nature, you leave suffering altogether out; you run away from it, you refuse to recognize it. And you are waiting, you say, for the final revelation."

Frank's brow clouded slightly.

"Well?" he asked, rather wearily.

"Cannot you guess then when the final revelation will be? In joy you are supreme, I grant you that; I did not know a man could be so master of it. You have learned perhaps practically all that nature can teach. And if, as you think, the final revelation is coming to you, it will be the revelation of horror, suffering, death, pain in all its hideous forms. Suffering does exist: you hate it and fear it."

Frank held up his hand.

"Stop; let me think," he said.

There was silence for a long minute.

"That never struck me," he said at length. "It is possible that what you suggest is true. Does the sight of Pan mean that, do you think? Is it that nature, take it altogether, suffers horribly, suffers to a hideous inconceivable extent? Shall I be shown all the suffering?"

He got up and came round to where Darcy sat.

"If it is so, so be it," he said. "Because, my dear fellow, I am near, so splendidly near to the final revelation. To-day the pipes have sounded almost without pause. I have even heard the rustle in the bushes, I believe, of Pan's coming. I have seen, yes, I saw to-day, the bushes pushed aside as if by a hand, and piece of a face, not human, peered through. But I was not frightened, at least I did not run away this time."

He took a turn up to the window and back again.

"Yes, there is suffering all through," he said, "and I have left it all out of my search. Perhaps, as you say, the revelation will be that. And in that case, it will be good-bye. I have gone on one line. I shall have gone too far along one road, without having explored the other. But I can't go back now. I wouldn't if I could; not a step would I retrace! In any case, whatever the revelation is, it will be God. I'm sure of that."

The rainy weather soon passed, and with the return of the sun Darcy again joined Frank in long rambling days. It grew extraordinarily hotter, and with the fresh bursting of life, after the rain, Frank's vitality seemed to blaze higher and higher. Then, as is the habit of the English weather, one evening clouds began to bank themselves up in the west, the sun went down in a glare of coppery thunder-rack, and the whole earth broiling under an unspeakable oppression and sultriness paused and panted for the storm. After sunset the remote fires of lightning began to wink and flicker on the horizon, but when bed-time came the storm seemed to have moved no nearer, though a very low unceasing noise of thunder was audible. Weary and oppressed by the stress of the day, Darcy fell at once into a heavy uncomforting sleep.

He woke suddenly into full consciousness, with the din of some appalling explosion of thunder in his ears, and sat up in bed with racing heart. Then for a moment, as he recovered himself from the panic-land which lies between sleeping and waking, there was silence, except for the steady hissing of rain on the shrubs outside his window. But suddenly that silence was shattered and shredded into fragments by a scream from somewhere close at hand outside in the black garden, a scream of supreme and despairing terror. Again, and once again it shrilled up, and then a babble of awful words was interjected. A quivering sobbing voice that he knew, said:

"My God, oh, my God; oh, Christ!"

And then followed a little mocking, bleating laugh. Then was silence again; only the rain hissed on the shrubs.

All this was but the affair of a moment, and without pause either to put on clothes or light a candle, Darcy was already fumbling at his door-handle. Even as he opened it he met a terror-stricken face outside, that of the man-servant who carried a light.

"Did you hear?" he asked.

The man's face was bleached to a dull shining whiteness.

"Yes, sir," he said. "It was the master's voice."


Together they hurried down the stairs, and through the dining-room where an orderly table for breakfast had already been laid, and out on to the terrace. The rain for the moment had been utterly stayed, as if the tap of the heavens had been turned off, and under the lowering black sky, not quite dark, since the moon rode somewhere serene behind the conglomerated thunder-clouds, Darcy stumbled into the garden, followed by the servant with the candle. The monstrous leaping shadow of himself was cast before him on the lawn; lost and wandering odors of rose and lily and damp earth were thick about him, but more pungent was some sharp and acrid smell that suddenly reminded him of a certain châlet in which he had once taken refuge in the Alps. In the blackness of the hazy light from the sky, and the vague tossing of the candle behind him, he saw that the hammock in which Frank so often lay was tenanted. A gleam of white shirt was there, as if a man sitting up in it, but across that there was an obscure dark shadow, and as he approached the acrid odor grew more intense.

He was now only some few yards away, when suddenly the black shadow seemed to jump into the air, then came down with tappings of hard hoofs on the brick path that ran down the pergola, and with frolicsome skippings galloped off into the bushes. When that was gone Darcy could see quite clearly that a shirted figure sat up in the hammock. For one moment, from sheer terror of the unseen, he hung on his step, and the servant joining him they walked together to the hammock.

It was Frank. He was in shirt and trousers only, and he sat up with braced arms. For one half-second he stared at them, his face a mask of horrible contorted terror. His upper lip was drawn back so that the gums of the teeth appeared, and his eyes were focused not on the two who approached him but on something quite close to him; his nostrils were widely expanded, as if he panted for breath, and terror incarnate and repulsion and deathly anguish ruled dreadful lines on his smooth cheeks and forehead. Then even as they looked the body sank backwards, and the ropes of the hammock wheezed and strained.

Darcy lifted him out and carried him indoors. Once he thought there was a faint convulsive stir of the limbs that lay with so dead a weight in his arms, but when they got inside, there was no trace of life. But the look of supreme terror and agony of fear had gone from his face, a boy tired with play but still smiling in his sleep was the burden he laid on the floor. His eyes had closed, and the beautiful mouth lay in smiling curves, even as when a few mornings ago, in the meadow by the weir, it had quivered to the music of the unheard melody of Pan's pipes. Then they looked further.

Frank had come back from his bath before dinner that night in his usual costume of shirt and trousers only. He had not dressed, and during dinner, so Darcy remembered, he had rolled up the sleeves of his shirt to above the elbow. Later, as they sat and talked after dinner on the close sultriness of the evening, he had unbuttoned the front of his shirt to let what little breath of wind there was play on his skin. The sleeves were rolled up now, the front of the shirt was unbuttoned, and on his arms and on the brown skin of his chest were strange discolorations which grew momently more clear and defined, till they saw that the marks were pointed prints, as if caused by the hoofs of some monstrous goat that had leaped and stamped upon him.


THE WOMAN'S GHOST STORY[I]

By Algernon Blackwood

"Yes," she said, from her seat in the dark corner, "I'll tell you an experience if you care to listen. And, what's more, I'll tell it briefly, without trimmings—I mean without unessentials. That's a thing story-tellers never do, you know," she laughed. "They drag in all the unessentials and leave their listeners to disentangle; but I'll give you just the essentials, and you can make of it what you please. But on one condition: that at the end you ask no questions, because I can't explain it and have no wish to."

We agreed. We were all serious. After listening to a dozen prolix stories from people who merely wished to "talk" but had nothing to tell, we wanted "essentials."

"In those days," she began, feeling from the quality of our silence that we were with her, "in those days I was interested in psychic things, and had arranged to sit up alone in a haunted house in the middle of London. It was a cheap and dingy lodging-house in a mean street, unfurnished. I had already made a preliminary examination in daylight that afternoon, and the keys from the caretaker, who lived next door, were in my pocket. The story was a good one—satisfied me, at any rate, that it was worth investigating; and I won't weary you with details as to the woman's murder and all the tiresome elaboration as to why the place was alive. Enough that it was.

"I was a good deal bored, therefore, to see a man, whom I took to be the talkative old caretaker, waiting for me on the steps when I went in at 11 p.m., for I had sufficiently explained that I wished to be there alone for the night.

"'I wished to show you the room,' he mumbled, and of course I couldn't exactly refuse, having tipped him for the temporary loan of a chair and table.

"'Come in, then, and let's be quick,' I said.

"We went in, he shuffling after me through the unlighted hall up to the first floor where the murder had taken place, and I prepared myself to hear his inevitable account before turning him out with the half-crown his persistence had earned. After lighting the gas I sat down in the arm-chair he had provided—a faded, brown plush arm-chair—and turned for the first time to face him and get through with the performance as quickly as possible. And it was in that instant I got my first shock. The man was not the caretaker. It was not the old fool, Carey, I had interviewed earlier in the day and made my plans with. My heart gave a horrid jump.

"'Now who are you, pray?' I said. 'You're not Carey, the man I arranged with this afternoon. Who are you?'

"I felt uncomfortable, as you may imagine. I was a 'psychical researcher,' and a young woman of new tendencies, and proud of my liberty, but I did not care to find myself in an empty house with a stranger. Something of my confidence left me. Confidence with women, you know, is all humbug after a certain point. Or perhaps you don't know, for most of you are men. But anyhow my pluck ebbed in a quick rush, and I felt afraid.

"'Who are you?' I repeated quickly and nervously. The fellow was well dressed, youngish and good-looking, but with a face of great sadness. I myself was barely thirty. I am giving you essentials, or I would not mention it. Out of quite ordinary things comes this story. I think that's why it has value.

"'No,' he said; 'I'm the man who was frightened to death.'

"His voice and his words ran through me like a knife, and I felt ready to drop. In my pocket was the book I had bought to make notes in. I felt the pencil sticking in the socket. I felt, too, the extra warm things I had put on to sit up in, as no bed or sofa was available—a hundred things dashed through my mind, foolishly and without sequence or meaning, as the way is when one is really frightened. Unessentials leaped up and puzzled me, and I thought of what the papers might say if it came out, and what my 'smart' brother-in-law would think, and whether it would be told that I had cigarettes in my pocket, and was a free-thinker.

"'The man who was frightened to death!' I repeated aghast.

"'That's me,' he said stupidly.

"I stared at him just as you would have done—any one of you men now listening to me—and felt my life ebbing and flowing like a sort of hot fluid. You needn't laugh! That's how I felt. Small things, you know, touch the mind with great earnestness when terror is there—real terror. But I might have been at a middle-class tea-party, for all the ideas I had: they were so ordinary!

"'But I thought you were the caretaker I tipped this afternoon to let me sleep here!' I gasped. 'Did—did Carey send you to meet me?'

"'No,' he replied in a voice that touched my boots somehow. 'I am the man who was frightened to death. And what is more, I am frightened now!'

"'So am I!' I managed to utter, speaking instinctively. 'I'm simply terrified.'

"'Yes,' he replied in that same odd voice that seemed to sound within me. 'But you are still in the flesh, and I—am not!'

"I felt the need for vigorous self-assertion. I stood up in that empty, unfurnished room, digging the nails into my palms and clenching my teeth. I was determined to assert my individuality and my courage as a new woman and a free soul.

"'You mean to say you are not in the flesh!' I gasped. 'What in the world are you talking about?'

"The silence of the night swallowed up my voice. For the first time I realized that darkness was over the city; that dust lay upon the stairs; that the floor above was untenanted and the floor below empty. I was alone in an unoccupied and haunted house, unprotected, and a woman. I chilled. I heard the wind round the house, and knew the stars were hidden. My thoughts rushed to policemen and omnibuses, and everything that was useful and comforting. I suddenly realized what a fool I was to come to such a house alone. I was icily afraid. I thought the end of my life had come. I was an utter fool to go in for psychical research when I had not the necessary nerve.

"'Good God!' I gasped. 'If you're not Carey, the man I arranged with, who are you?'

"I was really stiff with terror. The man moved slowly towards me across the empty room. I held out my arm to stop him, getting up out of my chair at the same moment, and he came to halt just opposite to me, a smile on his worn, sad face.

"'I told you who I am,' he repeated quietly with a sigh, looking at me with the saddest eyes I have ever seen, 'and I am frightened still.'

"By this time I was convinced that I was entertaining either a rogue or a madman, and I cursed my stupidity in bringing the man in without having seen his face. My mind was quickly made up, and I knew what to do. Ghosts and psychic phenomena flew to the winds. If I angered the creature my life might pay the price. I must humor him till I got to the door, and then race for the street. I stood bolt upright and faced him. We were about of a height, and I was a strong, athletic woman who played hockey in winter and climbed Alps in summer. My hand itched for a stick, but I had none.

"'Now, of course, I remember,' I said with a sort of stiff smile that was very hard to force. 'Now I remember your case and the wonderful way you behaved. . . .'

"The man stared at me stupidly, turning his head to watch me as I backed more and more quickly to the door. But when his face broke into a smile I could control myself no longer. I reached the door in a run, and shot out on to the landing. Like a fool, I turned the wrong way, and stumbled over the stairs leading to the next story. But it was too late to change. The man was after me, I was sure, though no sound of footsteps came; and I dashed up the next flight, tearing my skirt and banging my ribs in the darkness, and rushed headlong into the first room I came to. Luckily the door stood ajar, and, still more fortunate, there was a key in the lock. In a second I had slammed the door, flung my whole weight against it, and turned the key.

"I was safe, but my heart was beating like a drum. A second later it seemed to stop altogether, for I saw that there was some one else in the room besides myself. A man's figure stood between me and the windows, where the street lamps gave just enough light to outline his shape against the glass. I'm a plucky woman, you know, for even then I didn't give up hope, but I may tell you that I have never felt so vilely frightened in all my born days. I had locked myself in with him!

"The man leaned against the window, watching me where I lay in a collapsed heap upon the floor. So there were two men in the house with me, I reflected. Perhaps other rooms were occupied too! What could it all mean? But, as I stared something changed in the room, or in me—hard to say which—and I realized my mistake, so that my fear, which had so far been physical, at once altered its character and became psychical. I became afraid in my soul instead of in my heart, and I knew immediately who this man was.

"'How in the world did you get up here?' I stammered to him across the empty room, amazement momentarily stemming my fear.

"'Now, let me tell you,' he began, in that odd faraway voice of his that went down my spine like a knife. 'I'm in different space, for one thing, and you'd find me in any room you went into; for according to your way of measuring, I'm all over the house. Space is a bodily condition, but I am out of the body, and am not affected by space. It's my condition that keeps me here. I want something to change my condition for me, for then I could get away. What I want is sympathy. Or, really, more than sympathy; I want affection—I want love!'

"While he was speaking I gathered myself slowly upon my feet. I wanted to scream and cry and laugh all at once, but I only succeeded in sighing, for my emotion was exhausted and a numbness was coming over me. I felt for the matches in my pocket and made a movement towards the gas jet.

"'I should be much happier if you didn't light the gas,' he said at once, 'for the vibrations of your light hurt me a good deal. You need not be afraid that I shall injure you. I can't touch your body to begin with, for there's a great gulf fixed, you know; and really this half-light suits me best. Now, let me continue what I was trying to say before. You know, so many people have come to this house to see me, and most of them have seen me, and one and all have been terrified. If only, oh, if only some one would be not terrified, but kind and loving to me! Then, you see, I might be able to change my condition and get away.'

"His voice was so sad that I felt tears start somewhere at the back of my eyes; but fear kept all else in check, and I stood shaking and cold as I listened to him.

"'Who are you then? Of course Carey didn't send you, I know now,' I managed to utter. My thoughts scattered dreadfully and I could think of nothing to say. I was afraid of a stroke.

"'I know nothing about Carey, or who he is,' continued the man quietly, 'and the name my body had I have forgotten, thank God; but I am the man who was frightened to death in this house ten years ago, and I have been frightened ever since, and am frightened still; for the succession of cruel and curious people who come to this house to see the ghost, and thus keep alive its atmosphere of terror, only helps to render my condition worse. If only some one would be kind to me—laugh, speak gently and rationally with me, cry if they like, pity, comfort, soothe me—anything but come here in curiosity and tremble as you are now doing in that corner. Now, madam, won't you take pity on me?' His voice rose to a dreadful cry. 'Won't you step out into the middle of the room and try to love me a little?'

"A horrible laughter came gurgling up in my throat as I heard him, but the sense of pity was stronger than the laughter, and I found myself actually leaving the support of the wall and approaching the center of the floor.

"'By God!' he cried, at once straightening up against the window, 'you have done a kind act. That's the first attempt at sympathy that has been shown me since I died, and I feel better already. In life, you know, I was a misanthrope. Everything went wrong with me, and I came to hate my fellow men so much that I couldn't bear to see them even. Of course, like begets like, and this hate was returned. Finally I suffered from horrible delusions, and my room became haunted with demons that laughed and grimaced, and one night I ran into a whole cluster of them near the bed—and the fright stopped my heart and killed me. It's hate and remorse, as much as terror, that clogs me so thickly and keeps me here. If only some one could feel pity, and sympathy, and perhaps a little love for me, I could get away and be happy. When you came this afternoon to see over the house I watched you, and a little hope came to me for the first time. I saw you had courage, originality, resource—love. If only I could touch your heart, without frightening you, I knew I could perhaps tap that love you have stored up in your being there, and thus borrow the wings for my escape!'

"Now I must confess my heart began to ache a little, as fear left me and the man's words sank their sad meaning into me. Still, the whole affair was so incredible, and so touched with unholy quality, and the story of a woman's murder I had come to investigate had so obviously nothing to do with this thing, that I felt myself in a kind of wild dream that seemed likely to stop at any moment and leave me somewhere in bed after a nightmare.

"Moreover, his words possessed me to such an extent that I found it impossible to reflect upon anything else at all, or to consider adequately any ways or means of action or escape.

"I moved a little nearer to him in the gloom, horribly frightened, of course, but with the beginnings of a strange determination in my heart.

"'You women,' he continued, his voice plainly thrilling at my approach, 'you wonderful women, to whom life often brings no opportunity of spending your great love, oh, if you only could know how many of us simply yearn for it! It would save our souls, if but you knew. Few might find the chance that you now have, but if you only spent your love freely, without definite object, just letting it flow openly for all who need, you would reach hundreds and thousands of souls like me, and release us! Oh, madam, I ask you again to feel with me, to be kind and gentle—and if you can to love me a little!'

"My heart did leap within me and this time the tears did come, for I could not restrain them. I laughed too, for the way he called me 'madam' sounded so odd, here in this empty room at midnight in a London street, but my laughter stopped dead and merged in a flood of weeping when I saw how my change of feeling affected him. He had left his place by the window and was kneeling on the floor at my feet, his hands stretched out towards me, and the first signs of a kind of glory about his head.

"'Put your arms round me and kiss me, for the love of God!' he cried. 'Kiss me, oh, kiss me, and I shall be freed! You have done so much already—now do this!'

"I stuck there, hesitating, shaking, my determination on the verge of action, yet not quite able to compass it. But the terror had almost gone.

"'Forget that I'm a man and you're a woman,' he continued in the most beseeching voice I ever heard. 'Forget that I'm a ghost, and come out boldly and press me to you with a great kiss, and let your love flow into me. Forget yourself just for one minute and do a brave thing! Oh, love me, love me, love me! and I shall be free!'

"The words, or the deep force they somehow released in the center of my being, stirred me profoundly, and an emotion infinitely greater than fear surged up over me and carried me with it across the edge of action. Without hesitation I took two steps forward towards him where he knelt, and held out my arms. Pity and love were in my heart at that moment, genuine pity, I swear, and genuine love. I forgot myself and my little tremblings in a great desire to help another soul.

"'I love you! poor, aching, unhappy thing! I love you,' I cried through hot tears; 'and I am not the least bit afraid in the world.'

"The man uttered a curious sound, like laughter, yet not laughter, and turned his face up to me. The light from the street below fell on it, but there was another light, too, shining all round it that seemed to come from the eyes and skin. He rose to his feet and met me, and in that second I folded him to my breast and kissed him full on the lips again and again."

All our pipes had gone out, and not even a skirt rustled in that dark studio as the story-teller paused a moment to steady her voice, and put a hand softly up to her eyes before going on again.

"Now, what can I say, and how can I describe to you, all you skeptical men sitting there with pipes in your mouths, the amazing sensation I experienced of holding an intangible, impalpable thing so closely to my heart that it touched my body with equal pressure all the way down, and then melted away somewhere into my very being? For it was like seizing a rush of cool wind and feeling a touch of burning fire the moment it had struck its swift blow and passed on. A series of shocks ran all over and all through me; a momentary ecstasy of flaming sweetness and wonder thrilled down into me; my heart gave another great leap—and then I was alone.

"The room was empty. I turned on the gas and struck a match to prove it. All fear had left me, and something was singing round me in the air and in my heart like the joy of a spring morning in youth. Not all the devils or shadows or hauntings in the world could then have caused me a single tremor.

"I unlocked the door and went all over the dark house, even into kitchen and cellar and up among the ghostly attics. But the house was empty. Something had left it. I lingered a short hour, analyzing, thinking, wondering—you can guess what and how, perhaps, but I won't detail, for I promised only essentials, remember—and then went out to sleep the remainder of the night in my own flat, locking the door behind me upon a house no longer haunted.

"But my uncle, Sir Henry, the owner of the house, required an account of my adventure, and of course I was in duty bound to give him some kind of a true story. Before I could begin, however, he held up his hand to stop me.

"'First,' he said, 'I wish to tell you a little deception I ventured to practice on you. So many people have been to that house and seen the ghost that I came to think the story acted on their imaginations, and I wished to make a better test. So I invented for their benefit another story, with the idea that if you did see anything I could be sure it was not due merely to an excited imagination.'

"'Then what you told me about a woman having been murdered, and all that, was not the true story of the haunting?'

"'It was not. The true story is that a cousin of mine went mad in that house, and killed himself in a fit of morbid terror following upon years of miserable hypochondriasis. It is his figure that investigators see.'

"'That explains, then,' I gasped——

"'Explains what?'

"I thought of that poor struggling soul, longing all these years for escape, and determined to keep my story for the present to myself.

"'Explains, I mean, why I did not see the ghost of the murdered woman,' I concluded.

"'Precisely,' said Sir Henry, 'and why, if you had seen anything, it would have had value, inasmuch as it could not have been caused by the imagination working upon a story you already knew.'"