THE DANGER OF POETS AND ROMANCES
It is impossible for me, by any words that I can use, to express, to the extent of my thoughts, the danger of suffering young people to form their opinions from the writings of poets and romances. Nine times out of ten, the morality they teach is bad, and must have a bad tendency. Their wit is employed to ridicule virtue, as you will almost always find, if you examine the matter to the bottom. The world owes a very large part of its sufferings to tyrants; but what tyrant was there amongst the ancients, whom the poets did not place amongst the gods? Can you open an English poet without, in some part or other of his works, finding the grossest flatteries of royal and noble persons? How are young people not to think that the praises bestowed on these persons are just? Dryden, Parnell, Gay, Thomson, in short, what poet have we had, or have we, Pope only excepted, who was not, or is not, a pensioner, or a sinecure placeman, or the wretched dependant of some part of the Aristocracy? Of the extent of the power of writers in producing mischief to a nation, we have two most striking instances in the cases of Dr. Johnson and Burke.... It is, therefore, the duty of every father, when he puts a book into the hands of his son or daughter, to give the reader a true account of who and what the writer of the book was, or is.—W. Cobbett. Advice to Young Men and (incidentally) to Young Women in the Middle and Higher Ranks of Life.