Double Top for a Table
The need of two tables in a kitchen where there was space for only one, was the cause of devising the arrangement shown in the illustration. An ordinary kitchen table was mounted on trunk casters or domes so that it could be moved easily, whereupon a zinc top was put on it with raised edges. The table was then placed against the wall where it was to be used, and an extra, plain top fitted to it and hinged to the wall.
An Extra Top Covers the Table When It is Placed against the Wall
When it was desired to wash dishes on the zinc top, the table was pulled out without disturbing the articles on the hinged top. After drying the dishes, they are removed from the zinc top to the hinged part, and the table is pushed back against the wall.—Contributed by Louis Drummond, Philadelphia, Pa.
The Table When Drawn Out Uncovers the Zinc Tray, Fastened on Top
As a General Thing, the Veteran Fly Fisherman Prefers to Wade with the Current, and Fishes the Water in Front of Him by Making Diagonal Casts across the Stream
Fishing-Rod Making and Angling
By Stillman Taylor
Part IV—Trout Fishing with Fly and Bait
How to Cast the Fly
To be able to cast the artificial fly a distance of 50 ft., or more, and let the feathered lure alight upon the desired bit of water as lightly as a falling leaf is no small accomplishment, for fly casting is an art, and to become an expert, much practice is necessary. The personal assistance of a skillful caster is not often available, but if the angler will follow the suggestions outlined, a beginner will soon grasp the knack of handling the fly rod, and the casting will steadily improve with practice. As the knack of handling a gun is best gained—not in the field, shooting live game, but through shooting at targets—so may the art of fly casting be more quickly acquired by intelligent practice conducted away from the stream, in the back yard, or any other place roomy enough to swing the rod and a moderately long line. By practicing in this way, the angler's attention is focused upon the cast and is not partly occupied with the excitement of fishing. To make a good beginning, let the reel contain about 25 yd. of common, braided, linen line (size E is about right) and instead of a fly, or hook, affix a small split shot to the end of the line. It is well to begin with a cheap rod and save a good outfit, and if the angler learns how to make a fairly long and accurate cast with a common rod, he may feel assured that he can even do better with a first-rate outfit.
Fig. 1—The Proper Way to Take Hold of the Handle with the Reel on the Under Side
The first point to observe in making the cast is to grip the rod correctly, and this is done by grasping the rod at the right point where it balances best. By shifting the hand about this point of balance is quickly found, for at no other point will the rod "hang" well in the hand. In casting, the reel is turned to the under side of the rod with the thumb extended along the top of the grip, as shown in Fig. 1. Taking up an easy casting position, with the left foot slightly advanced, pull from the reel about 25 yd. of line and let this slack line fall in coils upon the ground in front; bring the rod up slightly above the horizontal, as shown in Fig. 2, and with a quick snap of the wrist, avoiding shoulder or body movement, throw the tip upward, checking it sharply as soon as the tip is carried over the shoulder about 25° beyond the vertical plane as in Fig. 3. This snappy upstroke of the rod makes the "back cast," by projecting the line high in the air, and carries it well behind the angler. Before the line has fully straightened out behind, and before it has an opportunity to fall much below the caster's shoulders, the rod is snapped forward with a quick wrist-and-forearm movement, which throws the line forward in front of the fisherman and in the direction he is facing, which finishes the cast with the rod in the position shown in Fig. 4.
Fig. 2—Begin the Cast with the Rod in a Position Just above the Horizontal Plane
Long and accurate fly casting is much more a matter of skill than muscle, and while some fly fishermen cast directly from the shoulder and upper arm, and thus use a considerable amount of muscular force in making the cast, this cannot be regarded as the best method of casting. The great elasticity of the fly rod ought to be taken full advantage of by the caster, and if this is done, casting will be naturally accomplished by the wrist and forearm. To make strenuous efforts to hurl the fly through the air, using an arm or body movement, is extremely tiring after an hour or so of fishing, while if the cast is made from the wrist, aided by the forearm, the snap of the rod may be depended upon to project the fly to greater length of line and allow it to fall close to the desired spot, lightly and without splashing.
Timing the back cast is the most difficult detail of fly casting, because the line is behind the angler and the eye cannot aid the hand. The novice will soon acquire the knack of casting, however, if he will remember to keep the elbow close to the side, and to keep the line well up in the air when making the back cast, and to begin the forward movement before the line has fully straightened out behind him. After a little practice, the hand will feel the slight tension communicated to the rod as the line begins to straighten out, and this should be taken advantage of to correctly time the forward movement. Counting "one" for the upstroke, "two and" for the interval required for the line to straighten out in the rear, and "three" for the forward movement, is also a good way to time the cast.
At the beginning the caster should make no attempt to secure distance. Accuracy and delicacy in placing the fly on the water is of much more importance than length of cast in trout fishing, and to attain this end, it is a good plan to place a newspaper about 25 ft. distant and try to drop the end of the line on this mark. When the caster can drop the line on the target lightly and with reasonable accuracy, he may feel justified in lengthening his cast. Other casts than the overhead cast just described are occasionally used, as the Spey, switch, wind, and flip casts, but the overhead cast is mostly used, although it is much more difficult to master.
To make the Spey cast, the angler requires a rapid stream which will carry the line downstream until it is straight and taut, the tip of the rod being held as long as possible to accomplish this end. The rod is then raised high in the air with a quick wrist movement, which lifts the line from the water to the extreme end, then without pausing the rod is carried upstream with just sufficient force to let the fly fall just above the angler. The line is now on the reverse, or upper, side of the fisherman, when with a sweep of the rod the line is projected over the water's surface—not along the surface—in the manner used in making the overhead cast.
Fig. 3—The Rod is Quickly Checked When It is Carried over the Shoulder About 25 Degrees
The switch cast is sometimes useful when trees or rocks are immediately back of the fisherman, thus preventing the line from extending far enough backward to make the overhead cast. In making this cast the line is not lifted from the water, but merely to the surface by raising the tip of the rod. The line is dragged through the water by carrying the tip in the direction one is standing until it is as far in the rear as the obstructions will permit. By a quick downward sweep of the rod the line is projected with sufficient force to roll it forward in a large coil or loop, much as a wheel rolls on a track.
The wind cast is a modification of the switch cast, but easier to make. The caster brings his line almost to his feet, and with a quick downward motion of the rod the line is thrown in a long loop against the wind. The underhand and the flip casts are so simple that it seems almost unnecessary to describe them. Both are short casts and are only used when the angler is fishing in an overgrown stream. The underhand cast is really a side cast, inasmuch as the short line is lifted from the water in a loop and propelled in the desired direction by a side sweep of the rod. The flip cast is made by holding the fly between the thumb and finger and with a few coils of line in the right hand. Bend the rod like a bow, release the fly suddenly, and the snap of the rod will project it in the desired direction and allow it to drop lightly like a fly.
Handling the Flies in the Water
As a general thing the veteran fly fisherman prefers to wade with the current and fishes the water in front of him by making diagonal casts across the stream. A good fisherman will systematically cover every inch of good water and little will be left to chance. The novice is inclined to fish his flies in a contrary manner, he casts more or less at random, and is as likely to splash the flies recklessly about in the most impossible places as he is to drop them in a favorable riffle or pool. To be able to pick out fishable water, the angler should know something about the habits of the trout, their characteristics at the several seasons of the fishing year, and their habits, which differ greatly in different streams. A fishing knowledge of the stream to be visited is of much value, but if the angler knows how to make a fair cast and possesses average skill in handling flies on water, there should be no question but that he will creel a fair number of trout even though he casts in strange waters.
Fig. 4—The Cast is Finished by Throwing the Line Forward with a Quick Wrist-and-Forearm Movement
To imitate the action of the natural insect is the most successful manner of fishing the flies, and as the natural fly will struggle more or less when borne down with the current, the fisherman endeavors to duplicate this movement by making his artificial fly wriggle about. This motion must not be overdone, for if the flies are twitched and skipped about, or pulled against the current, the wary trout will refuse to fall for any such obvious deceit. A gentle motion of the wrist will cause the fly to move somewhat as the natural insect will struggle.
In making the cast do not cast directly down or upstream, but across the current at an angle. Let the flies fall upon the water as lightly as possible, so that the water will carry them downstream over the likely places where the trout are hiding. Keep the line as taut as possible by drawing the slack in with the left hand. The flies should not be allowed to soak in the water, neither should they be retrieved in haste. The experienced fly caster will invariably fish with a wet line, that is to say, with a slightly submerged fly, and will let the flies drag over as much water as possible before making a second cast. Owing to the fact that trout lie with their noses pointing upstream awaiting their food carried down by the current, the caster will naturally take pains to float his flies downstream with the leader fairly taut. To neglect this detail and allow the leader to float in a wide loop near or before the flies is slovenly fishing, and few trout will strike a fly presented in this amateurish fashion.
Early in the fishing season, and when the stream is flooded and discolored after a heavy rain, it is a good plan to fish the flies below the surface. Fishing in this manner makes it more difficult to tell when to strike a fish, and some little practice is needed to determine the opportune moment by feeling the slight tension on the line. Many fish will be pricked to be sure, but some trout will be creeled, and fishing with the submerged fly is sometimes the only way trout can be taken.
On fair days and in smooth water, better luck may be expected when the fly is kept upon the surface, and this is easily managed by keeping the tip of the rod well in the air. Often the fisherman can take advantage of a bit of floating foam, and if the fly is cast upon it and allowed to float with it downstream, the ruse will often prove effective.
The trout is a hard striker and it is not unusual to have a trout rush ahead of the fly in his attempt to mouth it. In rapid water the savage rush of the fish is sufficient to hook it securely, but when casting in quiet pools, the hook is imbedded by a snap of the wrist. At what exact moment to strike, as well as the amount of force to use, depends upon circumstances. When fishing in small streams and brooks where the trout run small, much less force is necessary to hook the fish, but in quiet water and in larger streams where 2 or 3-lb. trout are not uncommon, the fish may be struck with a smart upward jerk of the forearm and wrist. So far as my experience goes, the matter of striking is governed by the temperament as well as the judgment of the angler. The deliberate thinking man is likely to strike too late, while the nervous individual, striking too early, is apt to prick the trout and roll him over.
The best time to fish for trout is when they are feeding on the surface; and in the early days of spring, when there are few flies about, the warmer part of the day, say, from 10 in the morning to 5 in the afternoon, will prove to be the most successful time. Later on, when flies are numerous, good luck may be expected at an early hour in the morning, and in the hot summer months the cooler hours of the day may be chosen. Of course, there are many exceptions, since there are many cool days in summer, as well as exceptionally warm days in spring, and these changes of weather should be considered. However, extremes are not likely to make good fishing, and the trout will not rise as freely on cold, windy days, nor will they fight as gamely. On hot days, too, not so much luck can be expected during the hours of the greatest heat—12 to 4—but a good basket of trout may be creeled early in the morning or late in the afternoon of summer. A bright, clear day is usually the best for fly fishing, because the sun brings out more flies, but a warm rain, or even a fog, is also considered good fishing weather.
Among the live baits available for trout fishing are the minnow, white grub, cricket, grasshopper, and other insects, and last, but by no means least, the common angle or earthworm. The minnow is beyond a doubt the most enticing morsel that can be offered to a hungry trout, and a minnow may be reckoned to secure a rise when other baits fail. The inconvenience of transporting this bait is a great drawback, and as minnows are delicate fish, a minnow bucket is necessary for their preservation. This means a lot of trouble, as the water must be frequently changed or aerated, and this labor, together with the difficulty of carrying a bulky pail through the brush, makes this desirable bait almost impossible for stream and brook fishing. The salt-water minnow, known as a "shiner" or "mummychug," is a topnotch trout bait, and being much tougher than the fresh-water minnow, makes a bait often used by anglers residing near the seacoast.
The white grub, or larvae of the so-called May beetle, is a good bait available for early-season fishing, and may be obtained in the early spring months by spading up grass land. The grub is about 1 in. long, and of a creamy yellow color with a darker head. It may be kept a month, or more, by putting it in a box with a number of pieces of fresh turf.
Crickets, grasshoppers, and many other insects, make good baits, while the earthworm is a good all-around bait for trout. A supply dug some days before and kept by packing in fresh moss and slightly moistening with milk and water will prove more attractive in appearance and the worms will be tougher and cleaner to handle than when carried in earth.
Other good baits include the fin of a trout, and if this is used in combination with the eye of the same fish, it forms an attractive lure. In using this bait, do not puncture the eyeball, but hook through the thin flexible skin surrounding the eye. A fat piece of salt pork, cut into pieces 1 in. long and 1/4 in. wide, makes a fairly good bait. Spoons and other spinning baits are presumably attractive, but few sportsmen use them when angling for so fine a fish as trout.
Houses Made of Poles
Houses Made of Poles
By Lola A. Pinchon
[In this article descriptions are given of several shelters suitable for a resort, but the reader may select any one of them that answers his needs and build a camp house, or fit up a more substantial one to make living quarters for the whole year.—Editor.]
Being forced to take the open-air treatment to regain health, a person adopted the plan of building a pole house in the woods, and the scheme was so successful that it was decided to make a resort grounds, to attract crowds during holidays, by which an income could be realized for living expenses. All the pavilions, stands, furniture, and amusement devices were constructed of straight poles cut from young growth of timber with the bark remaining on them. Outside of boards for flooring and roofing material, the entire construction of the buildings and fences consisted of poles.
The Frame Construction of the House Made Entirely of Rough Poles, the Verticals being Set in the Ground, Plumbed, and Sighted to Make a Perfect Rectangle of the Desired Proportions
A level spot was selected and a house built having three rooms. The location was in a grove of young timbers, most of it being straight, and 13 trees were easily found that would make posts 12 ft. long, required for the sides, and two poles 16 ft. long, for the center of the ends, so that they would reach to the ridge. The plot was laid out rectangular and marked for the poles, which were set in the ground for a depth of 4 ft., at distances of 6 ft. apart. This made the house 8 ft. high at the eaves with a square pitch roof; that is, the ridge was 3 ft. high in the center from the plate surfaces for this width of a house. The rule for finding this height is to take one-quarter of the width of the house for the height in the center from the plate.
The Steps are Supported on Pairs of Vertical Poles Set in the Ground to Make Different Levels
The corner poles were carefully located to make the size 12 by 24 ft., with a lean-to 8 by 12 ft., and then plumbed to get them straight vertically. The plates for the sides, consisting of five poles, were selected as straight as possible and their ends and centers hewn down to about one-half their thickness, as shown at A and B, and nailed to the tops of the vertical poles, the connection for center poles being as shown at C.
The next step was to secure the vertical poles with crosspieces between them which were used later for supporting the siding. These poles were cut about 6 ft. long, their ends being cut concave to fit the curve of the upright poles, as shown at D. These were spaced evenly, about 2 ft. apart from center to center, on the sides and ends, as shown in the sketch, and toenailed in place. The doors and window openings were cut in the horizontal poles wherever wanted, and casements set in and nailed. The first row of horizontal poles was placed close to the ground and used both as support for the lower ends of the siding and to nail the ends of the flooring boards to, which were fastened in the center to poles laid on stones, or, better still, placed on top of short blocks, 5 ft. long, set in the ground. These poles for the floor should be placed not over 2 ft. apart to make the flooring solid.
Gate Openings were Made in the Fence Where Necessary, and Gates of Poles Hung in the Ordinary Manner
A lean-to was built by setting three poles at a distance of 8 ft. from one side, beginning at the center and extending to the end of the main building. These poles were about 6 ft. long above the ground. The rafter poles for this part were about 9-1/2 ft. long, notched at both ends for the plates, the ends of the house rafters being sawed off even with the outside of the plate along this edge. The rafter poles for the house were 10 in all, 8 ft. long, and were laid off and cut to fit a ridge made of a board. These poles were notched about 15 in. from their lower ends to fit over the rounding edge of the plate pole, and were then placed directly over each vertical wall pole. They were nailed both to the plate and to the ridge, also further strengthened by a brace made of a piece of board or a small pole, placed under the ridge and nailed to both rafters. On top of the rafters boards were placed horizontally, spaced about 1 ft. apart, but this is optional with the builder, as other roofing material can be used. In this instance metal roofing was used, and it only required fastening at intervals, and to prevent rusting out, it was well painted on the under side before laying it and coated on the outside when fastened in place. If a more substantial shelter is wanted, it is best to lay the roof solid with boards, then cover it with the regular prepared roofing material.
Some large trees were selected and felled, then cut into 4-ft. lengths and the bark removed, or if desired, the bark removed in 4-ft. lengths, and nailed on the outside of the poles, beginning at the bottom in the same manner as laying shingles, to form the siding of the house. If a more substantial house is wanted, boards can be nailed on the poles, then the bark fastened to the boards; also, the interior can be finished in wall board.
The same general construction is used for the porch, with horizontal poles latticed, as shown, to form the railing. It is very easy to make ornamental parts, such as shown, on the eave of the porch, by splitting sticks and nailing them on closely together to make a frieze. Floors are laid on the porch and in the house, and doors hung and window sash fitted in the same manner as in an ordinary house.
All Furniture, Together with the Large Lawn Swings, Took on the General Appearance of the Woodland, and As the Pieces were Made Up of the Same Material As the Houses, the Cost Was Only the Labor and a Few Nails
A band stand was constructed on sloping ground, and after setting the poles, the floor horizontals were placed about 2 ft. above the ground, on the upper side, and 4 ft. on the lower side. The poles used were about 18 ft. long. Instead of having the horizontals 2 ft. apart, the first was placed 1 ft. above the floor, the next at about one-half the distance from the lower one to the plate at the top, and the space between was ornamented with cross poles, as shown. A balcony or bay was constructed at one end, and a fancy roof was made of poles whose ends rested on a curved pole attached to the vertical pieces. Steps were formed of several straight poles, hewn down on their ends to make a level place to rest on horizontal pieces attached to stakes at the ends. A pair of stakes were used at each end of a step, and these were fastened to a slanting piece at the top, their lower ends being set into the ground. The manner of bracing and crossing with horizontals makes a rigid form of construction, and if choice poles are selected for the step pieces, they will be comparatively level and of sufficient strength to hold up all the load put on them. The roof of this building was made for a sun shade only and consisted of boards nailed closely together on the rafters.
The Entrance to the Grounds was Given an Inviting Appearance with Large Posts and Swinging Gates
An ice-cream parlor was built on the same plan, but without any board floor; the ground, being level, was used instead. There were five vertical poles used for each end with a space left between the two poles at the center, on both sides, for an entrance. This building was covered with prepared roofing, so that the things kept for sale could be protected in case of a shower.
A peanut stand was also built without a floor, and to make it with nine sides, nine poles were set in the ground to form a perfect nonagon and joined at their tops with latticed horizontals. Then a rafter was run from the top of each post to the center, and boards were fitted on each pair of rafters over the V-shaped openings. The boards were then covered with prepared roofing. A railing was formed of horizontals set in notches, cut in the posts, and then ornamented in the same manner as for the other buildings.
Fences were constructed about the grounds, made of pole posts with horizontals on top, hewn down and fitted as the plates for the house; and the lower pieces were set in the same as for making the house railing. Gates were made of two vertical pieces, the height of the posts, and two horizontals, then braced with a piece running from the lower corner at the hinge side to the upper opposite corner, the other cross brace being joined to the sides of the former, whereupon two short horizontals were fitted in the center. A blacksmith formed some hinges of rods and strap iron, as shown, and these were fastened in holes bored in the post and the gate vertical. A latch was made by boring a hole through the gate vertical and into the end of the short piece. Then a slot was cut in the side to receive a pin inserted in a shaft made to fit the horizontal hole. A keeper was made in the post by boring a hole to receive the end of the latch.
Large posts were constructed at the entrance to the grounds, and on these double swing gates, made up in the same manner as the small one, were attached. These large posts were built up of four slender poles and were considerably higher than the fence poles. The poles were set in a perfect square, having sides about 18 in. long, and a square top put on by mitering the corners, whereupon four small rafters were fitted on top. The gates were swung on hinges made like those for the small gate.
Among the best and most enjoyed amusement devices on the grounds were the swings. Several of these were built, with and without tables. Four poles, about 20 ft. long, were set in the ground at an angle, and each pair of side poles was joined with two horizontals, about 12 ft. long, spreaders being fastened between the two horizontals to keep the tops of the poles evenly spaced. The distance apart of the poles will depend on the size of the swing and the number of persons to be seated. Each pair of side poles are further strengthened with crossed poles, as shown. If no table is to be used in the swing, the poles may be set closer together, so that the top horizontals will be about 8 ft. long. The platform for the swinging part consists of two poles, 12 ft. long, which are swung on six vertical poles, about 14 ft. long. These poles are attached to the top horizontals with long bolts, or rods, running through both, the bottom being attached in the same manner. Poles are nailed across the platform horizontals at the bottom for a floor, and a table with seats at the ends is formed of poles. The construction is obvious.
A short space between two trees can be made into a seat by fastening two horizontals, one on each tree, with the ends supported by braces. Poles are nailed on the upper surface for a seat.
Other furniture for the house and grounds was made of poles in the manner illustrated. Tables were built for picnickers by setting four or six poles in the ground and making a top of poles or boards. Horizontals were placed across the legs with extending ends, on which seats were made for the tables. Chairs and settees were built in the same manner, poles being used for the entire construction.