No. 5 John Street

By Richard Whiteing

(English author and journalist, born 1840. The volume here quoted is one of the most amazing pictures of slum-life ever penned)

After midnight the gangs return in carousal from the gin shops, the more thoughtful of them with stored liquor for the morning draft. Now it is three stages of man—no more: man gushing, confiding, uplifted, as he feels the effect of the lighter fumes; disputatious, quarrelsome, as the heavier mount in a second brew of hell; raging with wrath and hate, as the very dregs send their emanations to the tortured brain.

The embrace, the wrangle, and the blow—this is the order of succession. Till one—to mark it by the clock—we sing, “‘Art to ‘art an’ ‘and to ‘and.” At about one forty-five you may expect the tribal row between the gangs, who prey on one another for recreation, and on society for a living. Our brutes read the current gospel of the survival of the fittest in their own way, and they dimly apprehend that mankind is still organized as a predatory horde. The ever-open door brings us much trouble from the outside. The unlighted staircase is a place of rendezvous, and, not unfrequently, of deadly quarrel, in undertones of concentrated fury, between wretches who seek seclusion for the work of manslaughter. Our latest returning inmate, the other night, stumbled over the body of a woman not known at No. 5. She had been kicked to death within sight and sound of lodgers who, believing it to be a matrimonial difference, held interference to be no business of theirs.

The first thud of war between the “Hooligans” is generally for two sharp. The seconds set to, along with their principals, as in the older duel. For mark that in most things we are as our betters were just so many centuries ago, and are simply belated with our flint age. And now our shapelier waves of sound break into a mere foam of oath and shriek. At times there is an interval of silence more awful than the tumult; and you may know that the knife is at its silent work, and that the whole meaner conflict is suspended for an episode of tragedy. If it is a hospital case, it closes the celebration. If it is not, the entertainment probably dies out in a slanging match between two of the fair; and the unnamable in invective and vituperation rises, as in blackest vapor, from our pit to the sky. At this, every room that holds a remnant of decency closes its window, and all withdraw, except, perhaps, the little boys and girls, who are beginning to pair according to the laws of the ooze and of the slime....

Night in the Slums[L]

(From “The People of the Abyss”)

By Jack London

(See pages [62], [125])

I was glad the keepers were there, for I did not have on my “seafaring” clothes, and I was what is called a “mark” for the creatures of prey that prowled up and down. At times, between keepers, these males looked at me sharply, hungrily, gutter-wolves that they were, and I was afraid of their hands, of their naked hands, as one may be afraid of the paws of a gorilla. They reminded me of gorillas. Their bodies were small, ill-shaped, and squat. There were no swelling muscles, no abundant thews and wide-spreading shoulders. They exhibited, rather, an elemental economy of nature, such as the cave-men must have exhibited. But there was strength in those meagre bodies, the ferocious, primordial strength to clutch and tear and gripe and rend. When they spring upon their human prey they are known even to bend the victim backward and double its body till the back is broken. They possess neither conscience nor sentiment, and they will kill for half a sovereign, without fear or favor....

The dear soft people of the golden theatres and wonder-mansions of the West End do not see these creatures, do not dream that they exist. But they are here, alive, very much alive in their jungle. And woe the day when England is fighting in her last trench, and her able-bodied men are on the firing line! For on that day they will crawl out of their dens and lairs, and the people of the West End will see them, as the dear soft aristocrats of Feudal France saw them and asked one another, “Whence come they?” “Are they men?”

But they were not the only beasts that ranged the menagerie. They were only here and there, lurking in dark courts and passing like grey shadows along the walls; but the women from whose rotten loins they spring were everywhere. They whined insolently, and in maudlin tones begged me for pennies, and worse. They held carouse in every boozing den, slatternly, unkempt, bleary-eyed, and tousled, leering and gibbering, overspilling with foulness and corruption, and, gone in debauch, sprawling across benches and bars, unspeakably repulsive, fearful to look upon.

And there were others, strange, weird faces and forms and twisted monstrosities that shouldered me on every side, inconceivable types of sodden ugliness, the wrecks of society, the perambulating carcasses, the living deaths—women, blasted by disease and drink till their shame brought not tuppence in the open mart; and men, in fantastic rags, wrenched by hardship and exposure out of all semblance of men, their faces in a perpetual writhe of pain, grinning idiotically, shambling like apes, dying with every step they took and every breath they drew. And there were young girls, of eighteen and twenty, with trim bodies and faces yet untouched with twist and bloat, who had fetched the bottom of the Abyss plump, in one swift fall. And I remember a lad of fourteen, and one of six or seven, white-faced and sickly, homeless, the pair of them, who sat upon the pavement with their backs against a railing and watched it all....

The unfit and the unneeded! The miserable and despised and forgotten, dying in the social shambles. The progeny of prostitution—of the prostitution of men and women and children, of flesh and blood, and sparkle and spirit; in brief, the prostitution of labor. If this is the best that civilization can do for the human, then give us howling and naked savagery. Far better to be a people of the wilderness and desert, of the cave and the squatting place, than to be a people of the machine and the Abyss.