INDEX TO THE ILLUSTRATIONS

TO THE ILLUSTRATIONS

PANTOMIMICS
PAGE
Rehearsing the “fish” ballet[1]
Billy and Bunny[3]
Winning the gloves[4]
Modern languages taught in one lesson[5]
Theatre Royal—Nursery[6]
An ex(bus)horse-tive argument[7]
A pict-ure[8]
A swallow out of season[9]
“With a neck like that”[11]
Experienced young fellow[12]
Two transformation scenes[13]
Not the correct way of pudding it[15]
Humanizing influence of pantomime[16]
ON THE STAGE AND OFF
Prompt but not prepared[17]
A wordless story[18]
English as she is spoke[23]
Cassius[24]
Acting under difficulties[25]
Ever-popular criminal on the stage[27]
On the stage—and off[28]-[9]
When actors are Members of Parliament[31]
When actors become modest[32]
“Still running”[33]
The part of Hamlet[34]
Good and bad business at the theatre[35]
“A little padding”[37]
The actor’s one topic—himself[39]
A side-box talk[40]
The bald baron[41]-[4]
FUN AT THE PLAY
“Are you sitting on my hat?”[45]
Delights of theatre-going[46]-[7]
“Not so long as four solos”[49]
A little ruse[50]
A morning concert[52]
Pit, boxes, and gallery[54]
Playgoers and their eccentricities[56]
Credit where credit is due[57]
A “civil” retort[58]
AMONG THE AMATEURS
At a fancy ball[61]
Private theatricals[63]
Private theatricals at the Titwillows’[65]
THE POETS’ CORNER
Portrait of a gentleman[67]
The poets illustrated[69]
No! Don’t[70]
The poets illustrated[74]
“Mariar Martin, or the Red Baarn”[75]
An illustrated edition of the poets[77]-[9]
Poets and their patrons[80]
MAINLY ABOUT AUTHORS
Would-be novelist[85]
Lady Audley’s secret[86]
Perfect sincerity, or, thinkings aloud[88]
The ancient Britons[88]
A rural study[89]
“The great cypher work”[90]
Author’s miseries[92]-[7]
Harris-ing reflections[99]
“Hemily Fitz-Hosborn”[100]
THE EDITOR IN HIS DEN
The editor at home[101]
Romance of advertising[103]
“Pirates surprised at sunset”[104]
Fancy portrait—Oliver Twist[105]
A fact![106]
A new reading[111]
STUDIES FROM THE STUDY
“He’s sent the books”[113]
Returned—with thanks[114]
A queer cut[115]
The pursuit of letters[116]
Grand march of Intellect[116]
Catalogue of the letter P.[117]
The age of intellect[118]
Subject for a picture[119]
An awful apparition[121]
The musical neighbour[123]
British Museum catalogue[124]
Analytical papers[125]
“Couldn’t read Miss Frump’s new book”[127]
The philosopher’s revenge[129]-[136]
FUN IN THE STUDIO
“Present company always excepted!”[137]
“Very tiring”[138]
Wholesale[139]
“Qualifications”[140]
Behind the scenes[141]
“Asking for it”[142]
The commercial side[143]
Gaddy’s academy picture on view[144]
“Flattering”[145]
Profession and practice[146]
A rapid genius[147]
“English langweege”[148]
“Only their mothers”[149]
For exhibition?[150]
Pretty innocent[151]
“Aye, there’s the rub!”[152]
“Work hard and get your own living”[153]
March of science[154]
The real[154]
Pleasures of the studio[155]
A happy medium[155]
The ideal[156]
Two principal figures[157]
Answers for our artist[158]
The mother of invention[159]
Kindly meant[160]
“Where’s your beard?”[160]
How some old painters must have worked[161]
Studio persuasion[162]
“A portrait painter”[163]
Model husband and a lay figure[164]
Marvellous![165]
A visit to the studio[166]
Scene in a studio[167]
Ballet of action[168]
Turps v. Turpitude[169]
One use for “Dundrearys”[169]
Accommodating![170]
“Lucky fellow!!”[171]
“Noblesse oblige!”[172]
Our art-school conversazione[173]
“Only one spur a-piece”[174]
“Sharp’s the word”[175]
The sympathies of art[176]
Under a great master[176]
“Sent it to the wash!”[177]
“Ugly and as ridiculous as possible”[178]
Perfect sincerity; or, thinkings aloud[179]
Easily satisfied[180]
Compliments of the season[181]
“Skyed”[182]
ROUND THE GALLERIES
Caution[183]
Painters and gazers[185]
An artist’s dream[186]
“Athletic exercises”[187]
Let them exhibit their pictures outside[188]
Pleasures of the Royal Academy[189]
Art in the National Gallery[190]
Outside the Royal Academy[191]
Charming fashion of long skirts[192]
“Unto this last”[193]
“Very like—very like”[194]
The umbrella question[195]
Pictures of the English, painted by the French[196]
A-musing[197]
Perhaps[198]
Reception of pictures at Royal Academy[199]
Our historical portrait gallery[200]-[1]
A study[202]
Overheard at the Academy[203]
Suggestions for the Royal Academy catalogue[206]
THE ARTIST OUT OF DOORS
“It’s an ill wind,” etc.[207]
The old cottage[208]
The elysium of artists[209]
“A pretty prospect”[210]
Possibilities of a penny pistol and a box of caps[211]
Technical and practical[212]
“Impertinent curiosity of the vulgar”[213]
“That pre-Raphaelite fellow”[214]
Where ignorance is bliss[215]
Design for an album[216]
Studying skies[217]
Culture for the million[218]
An artist scamp in the Highlands[220]
Ingenious protection against midges[221]
Sketching from Nature[222]
“Very nearly a pound”[223]
Art at a cattle show[224]
What an artist has to put up with[224]
Enjoying himself in the Highlands[225]
“Compliments of the (sketching) season”[226]
“Fine Art”[227]
“Brother Brush”[228]
Making the best of it[229]
One reason, certainly![230]
Æsthetics[230]
A broad hint[231]
Pleasant for Jack Daubs[231]
Flattering![232]
Our adventurous artist[233]
Art and science[234]
An eye for colour[235]
Ignorance was bliss[235]
Our artist[236]
SCULPTURE AND COMEDY
“Well broke!”[237]
Venus of Milo[238]
“Ingenuas didicisse”[241]
At the great exhibition of 1861[243]
Popular history[244]
Capital punishment[245]
A flagrant attempt[246]
FUNNY FILMS: HUMOURS OF PHOTOGRAPHY
“Many a true word spoke in jest”[247]
Bobby’s camera[249]
Interesting group posed for a photograph[250]-[251]
Happy thought[252]-[253]
Pleasant for Simpkins[254]
Unanswerable[255]
Can the camera lie?[256]
The artistic(!) studio[257]
“What for?”[259]
Portrait of a distinguished photographer[260]
A photographic picture[261]
Encouragement of art[263]
“A florid complexion”[265]
Artful![266]
Subject for a picture[267]
Photographic beauties[268]
WANDERING MINSTRELS
Christmas waits[269]
Division of labour[271]
Culture for the million[273]
Nothing like advertising yourself[275]
Sketch from a study window[277]
THROUGH THE OPERA GLASSES
The opera[281]
What indeed?[284]
“French without a master”[285]
We don’t sing enough[287]
The high note[288]
The low note[289]
“Only twenty-two”[291]
Culture for the million[292]
Gentle rebuke[293]