II.
Stand, thou great bulwark of man's liberty!
Thou rock of shelter, rising from the wave,
Sole refuge to the overwearied brave
Who planned, arose, and battled to be free,
Fell, undeterred, then sadly turned to thee,
Saved the free spirit from their country's grave,
To rise again, and animate the slave,
When God shall ripen all things. Britons, ye
Who guard the sacred outpost, not in vain
Hold your proud peril! Freemen undefiled,
Keep watch and ward! Let battlements be piled
Around your cliffs; fleets marshalled, till the main
Sink under them; and if your courage wane,
Through force or fraud, look westward to your child!
[1853.]
G.H. Boker.
The Wreck of the Hesperus.
It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughtèr,
To bear him company.
Blue were her eyes as the fairy-flax,
Her cheeks like the dawn of day,
And her bosom white as the hawthorn buds,
That ope in the month of May.
The skipper he stood beside the helm,
His pipe was in his mouth,
And he watched how the veering flaw did blow
The smoke now West, now South.
Then up and spake an old Sailòr,
Had sailed to the Spanish Main,
"I pray thee, put into yonder port,
For I fear a hurricane.
"Last night, the moon had a golden ring,
And to-night no moon we see!"
The skipper, he blew a whiff from his pipe,
And a scornful laugh laughed he.
Colder and louder blew the wind,
A gale from the Northeast,
The snow fell hissing in the brine,
And the billows frothed like yeast.
Down came the storm, and smote amain
The vessel in its strength;
She shuddered and paused, like a frightened steed,
Then leaped her cable's length.
"Come hither! come hither! my little daughter,
And do not tremble so;
For I can weather the roughest gale
That ever wind did blow."
He wrapped her warm in his seaman's coat
Against the stinging blast;
He cut a rope from a broken spar,
And bound her to the mast.
"O father! I hear the church-bells ring,
Oh, say, what may it be?"
"'Tis a fog-bell on a rock-bound coast!"—
And he steered for the open sea.
"O father! I hear the sound of guns,
Oh, say, what may it be?"
"Some ship in distress, that cannot live
In such an angry sea!"
"O father! I see a gleaming light,
Oh, say, what may it be?"
But the father answered never a word,
A frozen corpse was he.
Lashed to the helm, all stiff and stark,
With his face turned to the skies,
The lantern gleamed through the gleaming snow
On his fixed and glassy eyes.
Then the maiden clasped her hands and prayed
That savèd she might be;
And she thought of Christ, who stilled the wave,
On the Lake of Galilee.
And fast through the midnight dark and drear,
Through the whistling sleet and snow,
Like a sheeted ghost, the vessel swept
Tow'rds the reef of Norman's Woe.
And ever the fitful gusts between
A sound came from the land;
It was the sound of the trampling surf
On the rocks and the hard sea-sand.
The breakers were right beneath her bows,
She drifted a dreary wreck,
And a whooping billow swept the crew
Like icicles from her deck.
She struck where the white and fleecy waves
Looked soft as carded wool,
But the cruel rocks, they gored her side
Like the horns of an angry bull.
Her rattling shrouds, all sheathed in ice,
With the masts went by the board;
Like a vessel of glass, she stove and sank,
Ho! ho! the breakers roared!
At daybreak, on the bleak sea-beach,
A fisherman stood aghast,
To see the form of a maiden fair,
Lashed close to a drifting mast.
The salt sea was frozen on her breast,
The salt tears in her eyes;
And he saw her hair, like the brown sea-weed,
On the billows fall and rise.
Such was the wreck of the Hesperus,
In the midnight and the snow!
Christ save us all from a death like this,
On the reef of Norman's Woe!
H.W. Longfellow.
Bedouin Song.
From the Desert I come to thee
On a stallion shod with fire,
And the winds are left behind
In the speed of my desire.
Under thy window I stand,
And the midnight hears my cry:
I love thee, I love but thee,
With a love that shall not die
Till the sun grows cold,
And the stars are old,
And the leaves of the Judgment Book unfold!
Look from thy window and see
My passion and my pain;
I lie on the sands below,
And I faint in thy disdain.
Let the night-winds touch thy brow
With the heat of my burning sigh,
And melt thee to hear the vow
Of a love that shall not die
Till the sun grows cold,
And the stars are old,
And the leaves of the Judgment Book unfold!
My steps are nightly driven,
By the fever in my breast,
To hear from thy lattice breathed
The word that shall give me rest.
Open the door of thy heart,
And open thy chamber door,
And my kisses shall teach thy lips
The love that shall fade no more
Till the sun grows cold,
And the stars are old,
And the leaves of the Judgment Book unfold!
B. Taylor.
Skipper Ireson's Ride.
Of all the rides since the birth of time,
Told in story or sung in rhyme,—
On Apuleius's Golden Ass,
Or one-eyed Calendar's horse of brass,
Witch astride of a human back,
Islam's prophet on Al-Borak,—
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.
Scores of women, old and young,
Strong of muscle, and glib of tongue,
Pushed and pulled up the rocky lane,
Shouting and singing the shrill refrain:
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!"
Wrinkled scolds with hands on hips,
Girls in bloom of cheek and lips,
Wild-eyed, free-limbed, such as chase
Bacchus round some antique vase,
Brief of skirt, with ankles bare,
Loose of kerchief and loose of hair,
With conch-shells blowing and fish-horns' twang,
Over and over the Mænads sang:
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!"
Small pity for him!—He sailed away
From a leaking ship, in Chaleur Bay,—
Sailed away from a sinking wreck,
With his own town's-people on her deck!
"Lay by! lay by!" they called to him.
Back he answered, "Sink or swim!
Brag of your catch of fish again!"
And off he sailed through the fog and rain!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Fathoms deep in dark Chaleur
That wreck shall lie forevermore.
Mother and sister, wife and maid,
Looked from the rocks of Marblehead
Over the moaning and rainy sea,—
Looked for the coming that might not be!
What did the winds and the sea-birds say
Of the cruel captain who sailed away?—
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Through the street, on either side,
Up flew windows, doors swung wide;
Sharp-tongued spinsters, old wives gray,
Treble lent the fish-horn's bray.
Sea-worn grandsires, cripple-bound,
Hulks of old sailors run aground,
Shook head, and fist, and hat, and cane,
And cracked with curses the hoarse refrain:
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!"
Sweetly along the Salem road
Bloom of orchard and lilac showed.
Little the wicked skipper knew
Of the fields so green and the sky so blue.
Riding there in his sorry trim,
Like an Indian idol glum and grim,
Scarcely he seemed the sound to hear
Of voices shouting, far and near:
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!"
"Hear me, neighbors!" at last he cried,—
"What to me is this noisy ride?
What is the shame that clothes the skin
To the nameless horror that lives within?
Waking or sleeping, I see a wreck,
And hear a cry from a reeling deck!
Hate me and curse me,—I only dread
The hand of God and the face of the dead!"
Said old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Then the wife of the skipper lost at sea
Said, "God has touched him! Why should we?"
Said an old wife, mourning her only son:
"Cut the rogue's tether and let him run!"
So with soft relentings and rude excuse,
Half scorn, half pity, they cut him loose,
And gave him a cloak to hide him in,
And left him alone with his shame and sin.
Poor Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
J.G. Whittier.
The Village Blacksmith.
Under a spreading chestnut-tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can,
And looks the whole world in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door;
They love to see the flaming forge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing-floor.
He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.
Toiling,—rejoicing,—sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done.
Has earned a night's repose.
Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought.
H.W. Longfellow.
The Last Leaf.
I saw him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o'er the ground
With his cane.
They say that in his prime,
Ere the pruning-knife of Time
Cut him down,
Not a better man was found
By the crier on his round
Through the town.
But now he walks the streets,
And he looks at all he meets
Sad and wan,
And he shakes his feeble head,
That it seems as if he said,
"They are gone."
The mossy marbles rest
On the lips that he has pressed
In their bloom,
And the names he loved to hear
Have been carved for many a year
On the tomb.
My grandmamma has said—
Poor old lady, she is dead
Long ago—
That he had a Roman nose,
And his cheek was like a rose
In the snow.
But now his nose is thin,
And it rests upon his chin
Like a staff,
And a crook is in his back,
And a melancholy crack
In his laugh.
I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!
And if I should live to be
The last leaf upon the tree
In the spring,
Let them smile, as I do now,
At the old, forsaken bough
Where I cling.
O.W. Holmes.
The Old Kentucky Home.
A NEGRO MELODY.
The sun shines bright in the old Kentucky Home;
'Tis summer, the darkies are gay;
The corn-top's ripe, and the meadow's in the bloom,
While the birds make music all the day.
The young folks roll on the little cabin floor,
All merry, all happy and bright;
By-'n'-by hard times comes a-knocking at the door,—
Then my old Kentucky Home, good-night!
Weep no more, my lady,
Oh, weep no more to-day!
We will sing one song for the old Kentucky Home,
For the old Kentucky Home, far away.
They hunt no more for the possum and the coon,
On the meadow, the hill, and the shore;
They sing no more by the glimmer of the moon,
On the bench by the old cabin door.
The day goes by like a shadow o'er the heart,
With sorrow, where all was delight;
The time has come when the darkies have to part,—
Then my old Kentucky Home, good-night!
The head must bow, and the back will have to bend,
Wherever the darkey may go;
A few more days, and the trouble all will end,
In the field where the sugar-canes grow.
A few more days for to tote the weary load,—
No matter, 'twill never be light;
A few more days till we totter on the road,—
Then my old Kentucky Home, good-night!
Weep no more, my lady,
Oh, weep no more to-day!
We will sing one song for the old Kentucky Home,
For the old Kentucky Home, far away.
S.C. Foster.
The Black Regiment.
Port Hudson, May 27, 1863.
Dark as the clouds of even,
Ranked in the western heaven,
Waiting the breath that lifts
All the dread mass, and drifts
Tempest and falling brand
Over a ruined land;—
So still and orderly,
Arm to arm, knee to knee,
Waiting the great event,
Stands the black regiment.
Down the long, dusky line
Teeth gleam, and eyeballs shine;
And the bright bayonet,
Bristling and firmly set,
Flashed with a purpose grand,
Long ere the sharp command
Of the fierce rolling drum
Told them their time had come,
Told them what work was sent
For the black regiment.
"Now," the flag-sergeant cried,
"Though death and hell betide,
Let the whole nation see
If we are fit to be
Free in this land; or bound
Down, like the whining hound,—
Bound with red stripes of pain
In our old chains again!"
Oh, what a shout there went
From the black regiment!
"Charge!" Trump and drum awoke,
Onward the bondmen broke;
Bayonet and sabre-stroke
Vainly opposed their rush.
Through the wild battle's crush,
With but one thought aflush,
Driving their lords like chaff,
In the guns' mouths they laugh;
Or at the slippery brands
Leaping with open hands,
Down they tear man and horse,
Down in their awful course;
Trampling with bloody heel
Over the crashing steel,
All their eyes forward bent,
Rushed the black regiment.
"Freedom!" their battle-cry,—
"Freedom! or leave to die!"
Ah! and they meant the word,
Not as with us 'tis heard,
Not a mere party shout;
They gave their spirits out,
Trusted the end to God,
And on the gory sod
Rolled in triumphant blood.
Glad to strike one free blow,
Whether for weal or woe;
Glad to breathe one free breath,
Though on the lips of death;
Praying—alas! in vain!—
That they might fall again,
So they could once more see
That burst to liberty!
This was what "freedom" lent
To the black regiment.
Hundreds on hundreds fell;
But they are resting well;
Scourges and shackles strong
Never shall do them wrong.
Oh, to the living few,
Soldiers, be just and true!
Hail them as comrades tried;
Fight with them side by side;
Never, in field or tent,
Scorn the black regiment.
G.H. Boker.
Carolina.
The despot treads thy sacred sands,
Thy pines give shelter to his bands,
Thy sons stand by with idle hands,
Carolina!
He breathes at ease thy airs of balm,
He scorns the lances of thy palm;
Oh! who shall break thy craven calm,
Carolina!
Thy ancient fame is growing dim,
A spot is on thy garment's rim;
Give to the winds thy battle-hymn,
Carolina!
Call on thy children of the hill,
Wake swamp and river, coast and rill,
Rouse all thy strength and all thy skill,
Carolina!
Cite wealth and science, trade and art,
Touch with thy fire the cautious mart,
And pour thee through the people's heart,
Carolina!
Till even the coward spurns his fears,
And all thy fields, and fens, and meres
Shall bristle like thy palm with spears,
Carolina!
I hear a murmur as of waves
That grope their way through sunless caves,
Like bodies struggling in their graves,
Carolina!
And now it deepens; slow and grand
It swells, as, rolling to the land,
An ocean broke upon thy strand,
Carolina!
Shout! Let it reach the startled Huns!
And roar with all thy festal guns!
It is the answer of thy sons,
Carolina!
H. Timrod.
Dirge for a Soldier.
Close his eyes; his work is done!
What to him is friend or foeman,
Rise of moon, or set of sun,
Hand of man, or kiss of woman?
Lay him low, lay him low,
In the clover or the snow!
What cares he? He cannot know;
Lay him low!
As man may, he fought his fight,
Proved his truth by his endeavor;
Let him sleep in solemn night,
Sleep forever and forever.
Lay him low, lay him low,
In the clover or the snow!
What cares he? He cannot know;
Lay him low!
Fold him in his country's stars,
Roll the drum and fire the volley!
What to him are all our wars,
What but death bemocking folly?
Lay him low, lay him low,
In the clover or the snow!
What cares he? He cannot know;
Lay him low!
Leave him to God's watching eye;
Trust him to the hand that made him.
Mortal love weeps idly by;
God alone has power to aid him.
Lay him low, lay him low,
In the clover or the snow!
What cares he? He cannot know!
Lay him low!
G.H. Boker.
Battle-hymn of the Republic.
Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fatal lightning of His terrible swift sword:
His truth is marching on.
I have seen Him in the watch-fires of a hundred circling camps;
They have builded Him an altar in the evening dews and damps;
I can read His righteous sentence by the dim and flaring lamps:
His day is marching on.
I have read a fiery gospel, writ in burnished rows of steel:
"As ye deal with My contemners, so with you My grace shall deal;
Let the Hero, born of woman, crush the serpent with His heel!
Since God is marching on."
He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment seat;
Oh! be swift, my soul, to answer Him! be jubilant, my feet!
Our God is marching on.
In the beauty of the lilies Christ was born, across the sea,
With a glory in His bosom that transfigures you and me:
As He died to make men holy, let us die to make men free,
While God is marching on.
J.W. Howe.
Farragut.
Farragut, Farragut,
Old Heart of Oak,
Daring Dave Farragut,
Thunderbolt stroke,
Watches the hoary mist
Lift from the bay,
Till his flag, glory-kissed,
Greets the young day.
Far, by gray Morgan's walls,
Looms the black fleet.
Hark, deck to rampart calls
With the drums' beat!
Buoy your chains overboard,
While the steam hums;
Men! to the battlement,
Farragut comes.
See, as the hurricane
Hurtles in wrath
Squadrons of clouds amain
Back from its path!
Back to the parapet,
To the guns' lips,
Thunderbolt Farragut
Hurls the black ships.
Now through the battle's roar
Clear the boy sings,
"By the mark fathoms four,"
While his lead swings.
Steady the wheelmen five
"Nor' by east keep her,"
"Steady," but two alive:
How the shells sweep her!
Lashed to the mast that sways
Over red decks,
Over the flame that plays
Round the torn wrecks,
Over the dying lips
Framed for a cheer,
Farragut leads his ships,
Guides the line clear.
On by heights cannon-browed,
While the spars quiver;
Onward still flames the cloud
Where the hulks shiver.
See, yon fort's star is set,
Storm and fire past.
Cheer him, lads,—Farragut,
Lashed to the mast!
Oh! while Atlantic's breast
Bears a white sail,
While the Gulf's towering crest
Tops a green vale;
Men thy bold deeds shall tell,
Old Heart of Oak,
Daring Dave Farragut,
Thunderbolt stroke!
W.T. Meredith.
My Maryland.
The despot's heel is on thy shore,
Maryland!
His torch is at thy temple door,
Maryland!
Avenge the patriotic gore
That flecked the streets of Baltimore,
And be the battle-queen of yore,
Maryland, my Maryland!
Hark to an exiled son's appeal,
Maryland!
My Mother State, to thee I kneel,
Maryland!
For life and death, for woe and weal,
Thy peerless chivalry reveal,
And gird thy beauteous limbs with steel,
Maryland, my Maryland!
Thou wilt not cower in the dust,
Maryland!
Thy beaming sword shall never rust,
Maryland!
Remember Carroll's sacred trust,
Remember Howard's warlike thrust,
And all thy slumberers with the just,
Maryland, my Maryland!
Come! 'tis the red dawn of the day,
Maryland!
Come with thy panoplied array,
Maryland!
With Ringgold's spirit for the fray,
With Watson's blood at Monterey,
With fearless Lowe and dashing May,
Maryland, my Maryland!
Dear Mother, burst the tyrant's chain,
Maryland!
Virginia should not call in vain,
Maryland!
She meets her sisters on the plain,—
"Sic semper!" 'tis the proud refrain
That baffles minions back amain,
Maryland!
Arise in majesty again,
Maryland, my Maryland!
Come! for thy shield is bright and strong,
Maryland!
Come! for thy dalliance does thee wrong,
Maryland!
Come to thine own heroic throng
Stalking with Liberty along,
And chant thy dauntless slogan-song,
Maryland, my Maryland!
I see the blush upon thy cheek,
Maryland!
For thou wast ever bravely meek,
Maryland!
But lo! there surges forth a shriek,
From hill to hill, from creek to creek,
Potomac calls to Chesapeake,
Maryland, my Maryland!
Thou wilt not yield the Vandal toll,
Maryland!
Thou wilt not crook to his control,
Maryland!
Better the fire upon thee roll,
Better the shot, the blade, the bowl,
Than crucifixion of the soul,
Maryland, my Maryland!
I hear the distant thunder-hum,
Maryland!
The old Line's bugle, fife, and drum,
Maryland!
She is not dead, nor deaf, nor dumb;
Huzza! she spurns the Northern scum!
She breathes! She burns! She'll come!
She'll come!
Maryland, my Maryland!
J.R. Randall.
After All.[1]
The apples are ripe in the orchard,
The work of the reaper is done,
And the golden woodlands redden
In the blood of the dying sun.
At the cottage door the grandsire
Sits, pale, in his easy-chair,
While a gentle wind of twilight
Plays with his silver hair.
A woman is kneeling beside him;
A fair young head is prest,
In the first wild passion of sorrow,
Against his aged breast.
And far from over the distance
The faltering echoes come,
Of the flying blast of trumpet,
And the rattling roll of drum.
And the grandsire speaks in a whisper:
"The end no man can see;
But we give him to his country,
And we give our prayers to Thee."
The violets star the meadows,
The rose-buds fringe the door,
And over the grassy orchard
The pink-white blossoms pour.
But the grandsire's chair is empty,
The cottage is dark and still,
There's a nameless grave in the battle-field,
And a new one under the hill.
And a pallid, tearless woman
By the cold hearth sits alone,
And the old clock in the corner
Ticks on with a steady drone.
William Winter.
[1] From "Wanderers," copyright, 1892, by Macmillan and Co.
The Song of the Camp.
"Give us a song!" the soldiers cried,
The outer trenches guarding,
When the heated guns of the camps allied
Grew weary of bombarding.
The dark Redan, in silent scoff,
Lay grim and threatening under;
And the tawny mound of the Malakoff
No longer belch'd its thunder.
There was a pause. A guardsman said:
"We storm the forts to-morrow;
Sing while we may, another day
Will bring enough of sorrow."
They lay along the battery's side,
Below the smoking cannon:
Brave hearts from Severn and from Clyde,
And from the banks of Shannon.
They sang of love, and not of fame;
Forgot was Britain's glory:
Each heart recall'd a different name,
But all sang "Annie Laurie."
Voice after voice caught up the song,
Until its tender passion
Rose like an anthem, rich and strong,—
Their battle-eve confession.
Dear girl, her name he dared not speak,
But as the song grew louder,
Something upon the soldier's cheek
Washed off the stains of powder.
Beyond the darkening ocean burn'd
The bloody sunset's embers,
While the Crimean valleys learn'd
How English love remembers.
And once again a fire of hell
Rain'd on the Russian quarters,
With scream of shot, and burst of shell,
And bellowing of the mortars!
And Irish Nora's eyes are dim
For a singer dumb and gory;
And English Mary mourns for him
Who sang of "Annie Laurie."
Sleep, soldiers! still in honor'd rest
Your truth and valor wearing:
The bravest are the tenderest,—
The loving are the daring.
B. Taylor.
In the Hospital.
I lay me down to sleep,
With little thought or care
Whether my waking find
Me here or there.
A bowing, burdened head,
That only asks to rest,
Unquestioning, upon
A loving breast.
My good right hand forgets
Its cunning now.
To march the weary march
I know not how.
I am not eager, bold,
Nor strong—all that is past;
I am ready not to do
At last, at last.
My half day's work is done,
And this is all my part;
I give a patient God
My patient heart,
And grasp His banner still,
Though all its blue be dim;
These stripes, no less than stars,
Lead after Him.
M.W. Howland.
Under the Violets.
Her hands are cold; her face is white;
No more her pulses come and go;
Her eyes are shut to life and light;—
Fold the white vesture, snow on snow,
And lay her where the violets blow.
But not beneath a graven stone,
To plead for tears with alien eyes;
A slender cross of wood alone
Shall say, that here a maiden lies
In peace beneath the peaceful skies.
And gray old trees of hugest limb
Shall wheel their circling shadows round
To make the scorching sunlight dim
That drinks the greenness from the ground,
And drop their dead leaves on her mound.
When o'er their boughs the squirrels run,
And through their leaves the robins call,
And, ripening in the autumn sun,
The acorns and the chestnuts fall,
Doubt not that she will heed them all.
For her the morning choir shall sing
Its matins from the branches high,
And every minstrel voice of Spring,
That trills beneath the April sky,
Shall greet her with its earliest cry.
When, turning round their dial-track,
Eastward the lengthening shadows pass,
Her little mourners, clad in black,
The crickets, sliding through the grass,
Shall pipe for her an evening mass.
At last the rootlets of the trees
Shall find the prison where she lies,
And bear the buried dust they seize
In leaves and blossoms to the skies.
So may the soul that warmed it rise!
If any, born of kindlier blood,
Should ask, What maiden lies below?
Say only this: A tender bud,
That tried to blossom in the snow,
Lies withered where the violets blow.
O.W. Holmes.
Days.
Daughters of Time, the hypocritic Days,
Muffled and dumb like barefoot dervishes,
And marching single in an endless file,
Bring diadems and fagots in their hands.
To each they offer gifts after his will,
Bread, kingdoms, stars, and sky that holds them all.
I, in my pleachèd garden, watched the pomp,
Forgot my morning wishes, hastily
Took a few herbs and apples, and the Day
Turned and departed silent. I, too late,
Under her solemn fillet saw the scorn.
R.W. Emerson.
Song.[2]
You know the old Hidalgo
(His box is next to ours),
Who threw the Prima Donna
The wreath of orange-flowers;
He owns the half of Aragon,
With mines beyond the main;
A very ancient nobleman,
And gentleman of Spain.
They swear that I must wed him,
In spite of yea or nay,
Though uglier than the Scaramouch,
The spectre in the play;
But I will sooner die a maid
Than wear a gilded chain,
For all the ancient noblemen
And gentlemen of Spain!
R.H. Stoddard.
[2] From "The Poems of R.H. Stoddard," copyright, 1880, by Charles Scribner's Sons.
Aladdin.
When I was a beggarly boy,
And lived in a cellar damp,
I had not a friend nor a toy,
But I had Aladdin's lamp;
When I could not sleep for cold,
I had fire enough in my brain,
And builded, with roofs of gold,
My beautiful castles in Spain!
Since then I have toiled day and night,
I have money and power good store,
But I'd give all my lamps of silver bright,
For the one that is mine no more;
Take, Fortune, whatever you choose,—
You gave, and may snatch again;
I have nothing 'twould pain me to lose,
For I own no more castles in Spain!
J.R. Lowell.
The Flight of Youth.[3]
There are gains for all our losses,
There are balms for all our pain;
But when youth, the dream, departs,
It takes something from our hearts,
And it never comes again.
We are stronger, and are better,
Under manhood's sterner reign;
Still, we feel that something sweet
Followed youth, with flying feet,
And will never come again.
Something beautiful is vanished,
And we sigh for it in vain;
We behold it everywhere,
On the earth, and in the air,
But it never comes again.
R.H. Stoddard.
[3] From "The Poems of R.H. Stoddard," copyright, 1880, by Charles Scribner's Sons.
My Playmate.
The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine:
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May:
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,—
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice:
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,—
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,—
The moaning of the sea of change
Between myself and thee!
J.G. Whittier.
The Fire of Driftwood.
DEVEREUX FARM, NEAR MARBLEHEAD.
We sat within the farmhouse old,
Whose windows, looking o'er the bay,
Gave to the sea-breeze, damp and cold,
An easy entrance, night and day.
Not far away we saw the port,
The strange, old-fashioned, silent town,
The lighthouse, the dismantled fort,
The wooden houses, quaint and brown.
We sat and talked until the night,
Descending, filled the little room;
Our faces faded from the sight,
Our voices only broke the gloom.
We spake of many a vanished scene,
Of what we once had thought and said,
Of what had been, and might have been,
And who was changed, and who was dead;
And all that fills the hearts of friends,
When first they feel, with secret pain,
Their lives thenceforth have separate ends,
And never can be one again;
The first slight swerving of the heart,
That words are powerless to express,
And leave it still unsaid in part,
Or say it in too great excess.
The very tones in which we spake
Had something strange, I could but mark;
The leaves of memory seemed to make
A mournful rustling in the dark.
Oft died the words upon our lips,
As suddenly, from out the fire
Built of the wreck of stranded ships,
The flames would leap and then expire.
And, as their splendor flashed and failed,
We thought of wrecks upon the main,
Of ships dismasted, that were hailed
And sent no answer back again.
The windows, rattling in their frames,
The ocean, roaring up the beach,
The gusty blast, the bickering flames,
All mingled vaguely in our speech;
Until they made themselves a part
Of fancies floating through the brain,
The long-lost ventures of the heart,
That send no answers back again.
O flames that glowed! O hearts that yearned!
They were indeed too much akin,
The driftwood fire without that burned,
The thoughts that burned and glowed within.
H.W. Longfellow.
A Death-bed.
Her suffering ended with the day,
Yet lived she at its close,
And breathed the long, long night away
In statue-like repose.
But when the sun in all his state
Illumed the eastern skies,
She passed through Glory's morning gate
And walked in Paradise.
J. Aldrich.
Telling the Bees.
Here is the place; right over the hill
Runs the path I took;
You can see the gap in the old wall still,
And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred,
And the poplars tall;
And the barn's brown length, and the cattle-yard,
And the white horns tossing above the wall.
There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor flowers, weed-o'errun,—
Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes,
Heavy and slow;
And the same rose blows, and the same sun glows,
And the same brook sings of a year ago.
There's the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.
I mind me how with a lover's care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brookside my brow and throat.
Since we parted, a month had passed,—
To love, a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.
I can see it all now,—the slantwise rain
Of light through the leaves,
The sundown's blaze on her window-pane,
The bloom of her roses under the eaves.
Just the same as a month before,—
The house and the trees,
The barn's brown gable, the vine by the door,—
Nothing changed but the hives of bees.
Before them, under the garden wall,
Forward and back,
Went, drearily singing, the chore-girl small,
Draping each hive with a shred of black.
Trembling, I listened; the summer sun
Had the chill of snow;
For I knew she was telling the bees of one
Gone on the journey we all must go!
Then I said to myself, "My Mary weeps
For the dead to-day;
Haply her blind old grandsire sleeps
The fret and the pain of his age away."
But her dog whined low; on the doorway sill,
With his cane to his chin,
The old man sat; and the chore-girl still
Sung to the bees stealing out and in.
And the song she was singing ever since
In my ear sounds on:
"Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone!"
J.G. Whittier.
Katie.
It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought
Along with English creeds and thought—
Entangled in her golden hair—
Some English sunshine, warmth, and air!
I cannot tell,—but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!
I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath;
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by;
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear—with cheeks that flush and pale—
The passion of the nightingale!
H. Timrod.
My Love.
Not as all other women are
Is she that to my soul is dear;
Her glorious fancies come from far,
Beneath the silver evening-star,
And yet her heart is ever near.
Great feelings hath she of her own,
Which lesser souls may never know;
God giveth them to her alone,
And sweet they are as any tone
Wherewith the wind may choose to blow.
Yet in herself she dwelleth not,
Although no home were half so fair;
No simplest duty is forgot;
Life hath no dim and lowly spot
That doth not in her sunshine share.
She doeth little kindnesses,
Which most leave undone, or despise;
For naught that sets one heart at ease,
And giveth happiness or peace,
Is low-esteemèd in her eyes.
She hath no scorn of common things,
And, though she seem of other birth,
Round us her heart intwines and clings,
And patiently she folds her wings
To tread the humble paths of earth.
Blessing she is; God made her so,
And deeds of week-day holiness
Fall from her noiseless as the snow,
Nor hath she ever chanced to know
That aught were easier than to bless.
She is most fair, and thereunto
Her life doth rightly harmonize;
Feeling or thought that was not true
Ne'er made less beautiful the blue
Unclouded heaven of her eyes.
She is a woman; one in whom
The spring-time of her childish years
Hath never lost its fresh perfume,
Though knowing well that life hath room
For many blights and many tears.
I love her with a love as still
As a broad river's peaceful might,
Which, by high tower and lowly mill,
Goes wandering at its own will,
And yet doth ever flow aright.
And, on its full, deep breast serene,
Like quiet isles my duties lie;
It flows around them and between,
And makes them fresh, and fair, and green,
Sweet homes wherein to live and die.
J.R. Lowell.
She Came and Went.
As a twig trembles, which a bird
Lights on to sing, then leaves unbent,
So is my memory thrilled and stirred;—
I only know she came and went.
As clasps some lake, by gusts unriven,
The blue dome's measureless content,
So my soul held that moment's heaven;—
I only know she came and went.
As, at one bound, our swift spring heaps
The orchards full of bloom and scent,
So clove her May my wintry sleeps;—
I only know she came and went.
An angel stood and met my gaze,
Through the low doorway of my tent;
The tent is struck, the vision stays;—
I only know she came and went.
Oh, when the room grows slowly dim,
And life's last oil is nearly spent,
One gush of light these eyes will brim,
Only to think she came and went.
J.R. Lowell.
Her Epitaph.
The handful here, that once was Mary's earth,
Held, while it breathed, so beautiful a soul,
That, when she died, all recognized her birth,
And had their sorrow in serene control.
"Not here! not here!" to every mourner's heart
The wintry wind seemed whispering round her bier;
And when the tomb-door opened, with a start
We heard it echoed from within,—"Not here!"
Shouldst thou, sad pilgrim, who mayst hither pass,
Note in these flowers a delicater hue,
Should spring come earlier to this hallowed grass,
Or the bee later linger on the dew,—
Know that her spirit to her body lent
Such sweetness, grace, as only goodness can;
That even her dust, and this her monument,
Have yet a spell to stay one lonely man,
Lonely through life, but looking for the day
When what is mortal of himself shall sleep,
When human passion shall have passed away,
And Love no longer be a thing to weep.
T.W. Parsons.
Apart.
At sea are tossing ships;
On shore are dreaming shells,
And the waiting heart and the loving lips,
Blossoms and bridal bells.
At sea are sails a-gleam;
On shore are longing eyes,
And the far horizon's haunting dream
Of ships that sail the skies.
At sea are masts that rise
Like spectres from the deep;
On shore are the ghosts of drowning cries
That cross the waves of sleep.
At sea are wrecks a-strand;
On shore are shells that moan,
Old anchors buried in barren sand,
Sea-mist and dreams alone.
J.J. Piatt.
The Discoverer.
I have a little kinsman
Whose earthly summers are but three,
And yet a voyager is he
Greater than Drake or Frobisher,
Than all their peers together!
He is a brave discoverer,
And, far beyond the tether
Of them who seek the frozen Pole,
Has sailed where the noiseless surges roll.
Ay, he has travelled whither
A winged pilot steered his bark
Through the portals of the dark,
Past hoary Mimir's well and tree,
Across the unknown sea.
Suddenly, in his fair young hour,
Came one who bore a flower,
And laid it in his dimpled hand
With this command:
"Henceforth thou art a rover!
Thou must make a voyage far,
Sail beneath the evening star,
And a wondrous land discover."
—With his sweet smile innocent
Our little kinsman went.
Since that time no word
From the absent has been heard.
Who can tell
How he fares, or answer well
What the little one has found
Since he left us, outward bound?
Would that he might return!
Then should we learn
From the pricking of his chart
How the skyey roadways part.
Hush! does not the baby this way bring,
To lay beside this severed curl,
Some starry offering
Of chrysolite or pearl?
Ah, no! not so!
We may follow on his track,
But he comes not back.
And yet I dare aver
He is a brave discoverer
Of climes his elders do not know.
He has more learning than appears
On the scroll of twice three thousand years,
More than in the groves is taught,
Or from furthest Indies brought;
He knows, perchance, how spirits fare,—
What shapes the angels wear,
What is their guise and speech
In those lands beyond our reach,—
And his eyes behold
Things that shall never, never be to mortal hearers told.
E.C. Stedman.
At Last.[4]
When first the bride and bridegroom wed,
They love their single selves the best;
A sword is in the marriage bed,
Their separate slumbers are not rest.
They quarrel, and make up again,
They give and suffer worlds of pain.
Both right and wrong,
They struggle long,
Till some good day, when they are old,
Some dark day, when the bells are tolled,
Death having taken their best of life,
They lose themselves, and find each other;
They know that they are husband, wife,
For, weeping, they are Father, Mother!
R.H. Stoddard.
[4] From "The Poems of R.H. Stoddard," copyright 1880, by Charles Scribner's Sons.
"Thalatta."
CRY OF THE TEN THOUSAND.
I stand upon the summit of my years.
Behind, the toil, the camp, the march, the strife,
The wandering and the desert; vast, afar,
Beyond this weary way, behold! the Sea!
The sea o'erswept by clouds and winds and wings,
By thoughts and wishes manifold, whose breath
Is freshness and whose mighty pulse is peace.
Palter no question of the dim Beyond;
Cut loose the bark; such voyage itself is rest;
Majestic motion, unimpeded scope,
A widening heaven, a current without care.
Eternity!—Deliverance, Promise, Course!
Time-tired souls salute thee from the shore.
J.B. Brown.