THE LANDING OF WILLIAM PENN.

BY THE EDITOR.

(See the [Frontispiece].)

The first landing of William Penn at Newcastle, in 1682, is one of those striking historical events that are peculiarly suited for pictorial illustration. The late Mr. Duponceau, in one of his discourses, first suggested the idea of making it the subject of an historical painting. This idea is seized with avidity by Mr. Dixon, the most recent biographer of the great Quaker, and the circumstances of the landing are given accordingly, with much minuteness. The artist who designed the picture that forms the frontispiece to the present volume has had this description in view. I cannot do better, therefore, than to quote the words of Mr. Dixon as the best possible commentary upon the picture.

"On the 27th of October, nine weeks after the departure from Deal, the Welcome moored off Newcastle, in the territories lately ceded by the Duke of York, and William Penn first set foot in the New World.[1] His landing made a general holiday in the town; young and old, Welsh, Dutch, English, Swedes, and Germans, crowded down to the landing-place, each eager to catch a glimpse of the great man who had come amongst them, less as their lord and governor than as their friend. In the centre of the foreground, only distinguished from the few companions of his voyage who have yet landed, by the nobleness of his mien, and a light blue silken sash tied round his waist, stands William Penn; erect in stature, every motion indicating courtly grace, his countenance lighted up with hope and honest pride,—in every limb and feature the expression of a serene and manly beauty.[2] The young officer before him, dressed in the gay costume of the English service, is his lieutenant, Markham, come to welcome his relative to the new land, and to give an account of his own stewardship. On the right stand the chief settlers of the district, arrayed in their national costumes, the light hair and quick eye of the Swede finding a good foil in the stolid look of the heavy Dutchman, who doffs his cap, but doubts whether he shall take the pipe out of his mouth even to say welcome to the new governor. A little apart, as if studying with the intense eagerness of Indian skill the physiognomy of the ruler who has come with his children to occupy their hunting-grounds, stands the wise and noble leader of the Red Men, Taminent, and a party of the Lenni Lenapé in their picturesque paints and costume. Behind the central figure are grouped the principal companions of his voyage; and on the dancing waters of the Delaware rides the stately ship, while between her and the shore a multitude of light canoes dart to and fro, bringing the passengers and merchandise to land. Part of the background shows an irregular line of streets and houses, the latter with the pointed roofs and fantastic gables which still delight the artist's eye in the streets of Leyden or Rotterdam; and further on the view is lost in one of those grand old pine and cedar forests which belong essentially to an American scene."

I take much pleasure in quoting also, in this connexion, another scene of somewhat similar character, though greatly misrepresented in the ordinary pictures of it heretofore given. Penn's personal appearance has been even more misapprehended than his character. He was, indeed, one of the most handsome men of his age, and at the time of his first coming to America he was in the very prime of life. West makes him an ugly, fat old fellow, in a costume half a century out of date. So says Mr. Dixon. The passage referred to, and about to be quoted, is from a description of the celebrated Treaty with the Indians at Shackamaxon.

"This conference has become one of the most striking scenes in history. Artists have painted, poets have sung, philosophers have applauded it; but it is nevertheless clear, that in words and colours it has been equally and generally misrepresented, because painters, poets, and historians have chosen to draw on their own imaginations for the features of a scene, every marking line of which they might have recovered from authentic sources.

"The great outlines of nature are easily obtained. There, the dense masses of cedar, pine, and chestnut, stretching far away into the interior of the land; here, the noble river rolling its waters down to the Atlantic Ocean; along its surface rose the purple smoke of the settlers' homestead; on the opposite shores lay the fertile and settled country of New Jersey. Here stood the gigantic elm which was to become immortal from that day forward,—and there lay the verdant council chamber formed by nature on the surface of the soil. In the centre stood William Penn, in costume undistinguished from the surrounding group, save by the silken sash. His costume was simple, but not pedantic or ungainly: an outer coat, reaching to the knees, and covered with buttons, a vest of other materials, but equally ample, trousers extremely full, slashed at the sides, and tied with strings or ribbons, a profusion of shirt sleeves and ruffles, with a hat of the cavalier shape (wanting only the feather), from beneath the brim of which escaped the curls of a new peruke, were the chief and not ungraceful ingredients.[3] At his right hand stood Colonel Markham, who had met the Indians in council more than once on that identical spot, and was regarded by them as a firm and faithful friend; on his left Pearson, the intrepid companion of his voyage; and near his person, but a little backward, a band of his most attached adherents. When the Indians approached in their old forest costume, their bright feathers sparkling in the sun, and their bodies painted in the most gorgeous manner, the governor received them with the easy dignity of one accustomed to mix with European courts. As soon as the reception was over, the sachems retired to a short distance, and after a brief consultation among themselves, Taminent, the chief sachem or king, a man whose virtues are still remembered by the sons of the forest, advanced again a few paces, and put upon his own head a chaplet, into which was twisted a small horn: this chaplet was his symbol of power; and in the customs of the Lenni Lenapé, whenever the chief placed it upon his brows the spot became at once sacred, and the person of every one present inviolable. The venerable Indian king then seated himself on the ground, with the older sachems on his right and left, the middle-aged warriors ranged themselves in the form of a crescent or half-moon round them, and the younger men formed a third and outer semicircle. All being seated in this striking and picturesque order, the old monarch announced to the governor that the natives were prepared to hear and consider his words. Penn then rose to address them, his countenance beaming with all the pride of manhood. He was at this time thirty-eight years old; light and graceful in form; the handsomest, best-looking, most lively gentleman she had ever seen, wrote a lady who was an eyewitness of the ceremony."

[1] "Watson, 16; Day, 299. The landing of Penn in America is commemorated on the 24th of October, that being the date given by Clarkson; but the diligent antiquary, Mr. J. F. Watson, has found in the records of Newcastle the original entry of his arrival."

[2] "The portrait by West is utterly spurious and unlike. Granville Penn, MSS."

[3] "Penn. Hist. Soc. Mem., iii. part ii. 76."