Typographical errors are shown with mouse-hover popups. Most spellings were left as printed even if they are probably wrong.
Where possible, hyphens and dashes are shown as printed. Brackets [ ] and asterisks—notably in “The Victim of Magical Delusion” and “The Baron De Lovzinski”—are in the original.
[Index]
[No. 53] (pg. 1-8)
[No. 54] (pg. 9-16)
[No. 55] (pg. 17-24)
[No. 56] (pg. 25-32)
[No. 57] (pg. 33-40)
[No. 58] (pg. 41-48)
[No. 59] (pg. 49-56)
[No. 60] (pg. 57-64)
[No. 61] (pg. 65-72)
[No. 62] (pg. 73-80)
[No. 63] (pg. 81-88)
[No. 64] (pg. 89-96)
[No. 65] (pg. 97-104)
[No. 66] (pg. 105-112)
[No. 67] (pg. 113-120)
[No. 68] (pg. 121-128)
[No. 69] (pg. 129-136)
[No. 70] (pg. 137-144)
[No. 71] (pg. 145-152)
[No. 72] (pg. 153-160)
[No. 73] (pg. 161-168)
[No. 74] (pg. 169-176)
[No. 75] (pg. 177-184)
[No. 76] (pg. 185-192)
[No. 77] (pg. 193-200)
[No. 78] (pg. 201-208)
[No. 79] (pg. 209-216)
[No. 80] (pg. 217-224)
[No. 81] (pg. 225-232)
[No. 82] (pg. 233-240)
[No. 83] (pg. 241-248)
[No. 84] (pg. 249-256)
[No. 85] (pg. 257-264)
[No. 86] (pg. 265-272)
[No. 87] (pg. 273-280)
[No. 88] (pg. 281-288)
[No. 89] (pg. 289-296)
[No. 90] (pg. 297-304)
[No. 91] (pg. 305-312)
[No. 92] (pg. 313-320)
[No. 93] (pg. 321-328)
[No. 94] (pg. 329-336)
[No. 95] (pg. 337-344)
[No. 96] (pg. 345-352)
[No. 97] (pg. 353-360)
[No. 98] (pg. 361-368)
[No. 99] (pg. 369-376)
[No. 100] (pg. 377-384)
[No. 101] (pg. 385-392)
[No. 102] (pg. 393-400)
[No. 103] (pg. 401-408)
[No. 104] (pg. 409-416)
[Sources]
[Description of the New-York Weekly]
[Errors and Inconsistencies]
The division of files has been adjusted to allow two longer items—a 15-part serial and a 3-part poem—to be complete in one file each. The change of editor begins exactly halfway through the volume, in No. 79; a new masthead is introduced at the 3/4 point, in No. 92.
Two of the serial stories are also available from Project Gutenberg as free-standing e-texts: “The Princess de Ponthieu” ([e-text 30794]), and “Alphonso and Marina” ([e-text 32527]).
Youth, accompanied by Virtue, and directed by Experience, approaching the Temple of happiness.