JAMES THOMSON
1700-1748
On the Death of a particular Friend
AS those we love decay, we die in part,
String after string is sever’d from the heart;
Till loosen’d life, at last but breathing clay,
Without one pang is glad to fall away.
Unhappy he who latest feels the blow!
Whose eyes have wept o’er every friend laid low,
Dragg’d ling’ring on from partial death to death,
Till, dying, all he can resign is—breath.
GEORGE LYTTELTON, LORD LYTTELTON
1709-1773
Tell me, my Heart if this be Love
WHEN Delia on the plain appears,
Awed by a thousand tender fears
I would approach, but dare not move:
Tell me, my heart, if this be love?
Whene’er she speaks, my ravish’d ear
No other voice than hers can hear,
No other wit but hers approve:
Tell me, my heart, if this be love?
If she some other youth commend,
Though I was once his fondest friend,
His instant enemy I prove:
Tell me, my heart, if this be love?
When she is absent, I no more
Delight in all that pleased before—
The clearest spring, or shadiest grove:
Tell me, my heart, if this be love?
When fond of power, of beauty vain,
Her nets she spread for every swain,
I strove to hate, but vainly strove:
Tell me, my heart, if this be love?
SAMUEL JOHNSON
1709-1784
One-and-Twenty
LONG-expected one-and-twenty,
Ling’ring year, at length is flown:
Pride and pleasure, pomp and plenty,
Great *** ****, are now your own.
Loosen’d from the minor’s tether,
Free to mortgage or to sell,
Wild as wind, and light as feather,
Bid the sons of thrift farewell.
Call the Betsies, Kates, and Jennies,
All the names that banish care;
Lavish of your grandsire’s guineas,
Show the spirit of an heir.
All that prey on vice and folly
Joy to see their quarry fly:
There the gamester, light and jolly,
There the lender, grave and sly.
Wealth, my lad, was made to wander,
Let it wander as it will;
Call the jockey, call the pander,
Bid them come and take their fill.
When the bonny blade carouses,
Pockets full, and spirits high—
What are acres? What are houses?
Only dirt, or wet or dry.
Should the guardian friend or mother
Tell the woes of wilful waste,
Scorn their counsel, scorn their pother;—
You can hang or drown at last!
On the Death of Mr. Robert Levet, a Practiser in Physic
CONDEMN’d to Hope’s delusive mine,
As on we toil from day to day,
By sudden blasts or slow decline
Our social comforts drop away.
Well tried through many a varying year,
See Levet to the grave descend,
Officious, innocent, sincere,
Of every friendless name the friend.
Yet still he fills affection’s eye,
Obscurely wise and coarsely kind;
Nor, lettered Arrogance, deny
Thy praise to merit unrefined.
When fainting nature call’d for aid,
And hov’ring death prepared the blow,
His vig’rous remedy display’d
The power of art without the show.
In Misery’s darkest cavern known,
His useful care was ever nigh,
Where hopeless Anguish pour’d his groan,
And lonely Want retired to die.
No summons mock’d by chill delay,
No petty gain disdain’d by pride;
The modest wants of every day
The toil of every day supplied.
His virtues walk’d their narrow round,
Nor made a pause, nor left a void;
And sure th’ Eternal Master found
The single talent well employ’d.
The busy day, the peaceful night,
Unfelt, uncounted, glided by;
His frame was firm—his powers were bright,
Though now his eightieth year was nigh.
Then with no fiery throbbing pain,
No cold gradations of decay,
Death broke at once the vital chain,
And freed his soul the nearest way.
RICHARD JAGO
1715-1781
Absence
WITH leaden foot Time creeps along
While Delia is away:
With her, nor plaintive was the song,
Nor tedious was the day.
Ah, envious Pow’r! reverse my doom;
Now double thy career,
Strain ev’ry nerve, stretch ev’ry plume,
And rest them when she’s here!
THOMAS GRAY
1716-1771
Elegy written in a Country Churchyard
THE Curfew tolls the knell of parting day,
The lowing herd wind slowly o’er the lea,
The plowman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;
Save that from yonder ivy-mantled tow’r
The moping owl does to the moon complain
Of such as, wand’ring near her secret bow’r,
Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree’s shade,
Where heaves the turf in many a mould’ring heap,
Each in his narrow cell for ever laid,
The rude Forefathers of the hamlet sleep.
The breezy call of incense-breathing Morn,
The swallow twitt’ring from the straw-built shed,
The cock’s shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn,
Or busy housewife ply her evening care:
No children run to lisp their sire’s return,
Or climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke:
How jocund did they drive their team afield!
How bow’d the woods beneath their sturdy stroke!
Let not Ambition mock their useful toil,
Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.
The boast of heraldry, the pomp of pow’r,
And all that beauty, all that wealth e’er gave,
Awaits alike th’ inevitable hour:
The paths of glory lead but to the grave.
Nor you, ye Proud, impute to These the fault,
If Memory o’er their Tomb no Trophies raise,
Where through the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.
Can storied urn or animated bust
Back to its mansion call the fleeting breath?
Can Honour’s voice provoke the silent dust,
Or Flatt’ry soothe the dull cold ear of death?
Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway’d,
Or waked to ecstasy the living lyre.
But Knowledge to their eyes her ample page
Rich with the spoils of time did ne’er unroll;
Chill Penury repress’d their noble rage,
And froze the genial current of the soul.
Full many a gem of purest ray serene
The dark unfathom’d caves of ocean bear:
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.
Some village Hampden that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell guiltless of his country’s blood.
Th’ applause of list’ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o’er a smiling land,
And read their history in a nation’s eyes,
Their lot forbade: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbade to wade through slaughter to a throne.
And shut the gates of mercy on mankind,
The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse’s flame.
Far from the madding crowd’s ignoble strife
Their sober wishes never learn’d to stray;
Along the cool sequester’d vale of life
They kept the noiseless tenor of their way.
Yet ev’n these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck’d,
Implores the passing tribute of a sigh.
Their name, their years, spelt by th’ unletter’d muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.
For who, to dumb Forgetfulness a prey,
This pleasing anxious being e’er resign’d,
Left the warm precincts of the cheerful day,
Nor cast one longing ling’ring look behind?
On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
E’en from the tomb the voice of Nature cries,
E’en in our Ashes live their wonted Fires.
For thee, who, mindful of th’ unhonour’d dead,
Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
Some kindred spirit shall inquire thy fate,
Haply some hoary-headed Swain may say,
‘Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn.
‘There at the foot of yonder nodding beech
That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
And pore upon the brook that babbles by.
‘Hard by yon wood, now smiling as in scorn,
Mutt’ring his wayward fancies he would rove,
Now drooping, woeful wan, like one forlorn,
Or crazed with care, or cross’d in hopeless love.
‘One morn I miss’d him on the custom’d hill.
Along the heath and near his fav’rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he;
‘The next with dirges due in sad array
Slow through the church-way path we saw him borne.
Approach and read (for thou canst read) the lay
Graved on the stone beneath yon aged thorn:’
THE EPITAPH.
Here rests his head upon the lap of Earth
A Youth to Fortune and to Fame unknown.
Fair Science frown’d not on his humble birth,
And Melancholy marked him for her own.
Large was his bounty, and his soul sincere,
Heav’n did a recompense as largely send:
He gave to Mis’ry all he had, a tear,
He gain’d from Heav’n (’twas all he wish’d) a friend.
No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose,)
The bosom of his Father and his God.
The Curse upon Edward
WEAVE the warp, and weave the woof,
The winding-sheet of Edward’s race.
Give ample room, and verge enough
The characters of hell to trace.
Mark the year, and mark the night,
When Severn shall re-echo with affright
The shrieks of death, thro’ Berkley’s roofs that ring,
Shrieks of an agonizing King!
She-wolf of France, with unrelenting fangs,
That tear’st the bowels of thy mangled mate,
From thee be born, who o’er thy country hangs
The scourge of Heav’n. What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow’s faded form, and Solitude behind.
Mighty Victor, mighty Lord!
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon tide beam were born?
Gone to salute the rising morn.
Fair laughs the morn, and soft the zephyr blows,
While proudly riding o’er the azure realm
In gallant trim the gilded vessel goes;
Youth on the prow, and Pleasure at the helm;
Regardless of the sweeping whirlwind’s sway,
That, hush’d in grim repose, expects his evening prey,
Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast:
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havoc urge their destined course,
And thro’ the kindred squadrons mow their way.
Ye Towers of Julius, London’s lasting shame,
With many a foul and midnight murder fed,
Revere his consort’s faith, his father’s fame,
And spare the meek usurper’s holy head.
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled boar in infant-gore
Wallows beneath the thorny shade.
Now, brothers, bending o’er th’ accursèd loom
Stamp we our vengeance deep, and ratify his doom.
Edward, lo! to sudden fate
(Weave we the woof. The thread is spun)
Half of thy heart we consecrate.
(The web is wove. The work is done.)
The Progress of Poesy
A PINDARIC ODE
AWAKE, Æolian lyre, awake,
And give to rapture all thy trembling strings,
From Helicon’s harmonious springs
A thousand rills their mazy progress take:
The laughing flowers, that round them blow,
Drink life and fragrance as they flow.
Now the rich stream of music winds along
Deep, majestic, smooth and strong,
Thro’ verdant vales, and Ceres’ golden reign:
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves rebellow to the roar.
O Sovereign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft controul.
On Thracia’s hills the Lord of War
Has curb’d the fury of his car,
And dropp’d his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feather’d king
With ruffled plumes and flagging wing:
Quench’d in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.
Thee the voice, the dance, obey,
Temper’d to thy warbled lay.
O’er Idalia’s velvet-green
The rosy-crownèd Loves are seen
On Cytherea’s day
With antic Sports, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating,
Glance their many-twinkling feet.
Slow melting strains their Queen’s approach declare:
Where’er she turns the Graces homage pay.
With arms sublime, that float upon the air,
In gliding state she wins her easy way:
O’er her warm cheek and rising bosom move
The bloom of young Desire and purple light of Love.
Man’s feeble race what ills await,
Labour, and Penury, the racks of Pain,
Disease, and Sorrow’s weeping train,
And Death, sad refuge from the storms of fate!
The fond complaint, my song, disprove
And justify the laws of Jove.
Say, has he giv’n in vain the heav’nly Muse?
Night, and all her sickly dews,
Her spectres wan, and birds of boding cry,
He gives to range the dreary sky:
Till down the eastern cliffs afar
Hyperion’s march they spy, and glitt’ring shafts of war.
In climes beyond the solar road,
Where shaggy forms o’er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shiv’ring native’s dull abode.
And oft, beneath the od’rous shade
Of Chili’s boundless forests laid,
She deigns to hear the savage youth repeat
In loose numbers wildly sweet
Their feather-cinctured chiefs, and dusky loves.
Her track, where’er the Goddess roves,
Glory pursue and generous Shame,
Th’ unconquerable Mind, and Freedom’s holy flame.
Woods, that wave o’er Delphi’s steep,
Isles, that crown th’ Ægean deep,
Fields, that cool Ilissus laves,
Or where Mæander’s amber waves
In lingering lab’rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish?
Where each old poetic mountain
Inspiration breathed around:
Ev’ry shade and hallow’d fountain
Murmur’d deep a solemn sound:
Till the sad Nine, in Greece’s evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, O Albion! next thy sea-encircled coast.
Far from the sun and summer gale,
In thy green lap was Nature’s darling laid,
What time, where lucid Avon stray’d,
To Him the mighty mother did unveil
Her awful face: the dauntless child
Stretch’d forth his little arms, and smiled.
This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal boy!
This can unlock the gates of joy;
Of horror that, and thrilling fears,
Or ope the sacred source of sympathetic tears.
Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th’ abyss to spy.
He pass’d the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but blasted with excess of light,
Closed his eyes in endless night.
Behold, where Dryden’s less presumptuous car,
Wide o’er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.
Hark, his hands the lyre explore!
Bright-eyed Fancy hovering o’er
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! ’tis heard no more——
O Lyre divine! what daring Spirit
Wakes thee now? Tho’ he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear
Sailing with supreme dominion
Thro’ the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse’s ray,
With orient hues, unborrow’d of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a vulgar fate,
Beneath the Good how far—but far above the Great.
On a Favourite Cat, Drowned in a Tub of Gold Fishes
TWAS on a lofty vase’s side,
Where China’s gayest art had dyed
The azure flowers that blow;
Demurest of the tabby kind,
The pensive Selima reclined,
Gazed on the lake below.
Her conscious tail her joy declared;
The fair round face, the snowy beard,
The velvet of her paws,
Her coat, that with the tortoise vies,
Her ears of jet, and emerald eyes,
She saw; and purr’d applause.
Still had she gazed; but ’midst the tide
Two angel forms were seen to glide,
The Genii of the stream:
Their scaly armour’s Tyrian hue
Thro’ richest purple to the view
Betray’d a golden gleam.
The hapless Nymph with wonder saw:
A whisker first and then a claw,
With many an ardent wish,
She stretch’d in vain to reach the prize.
What female heart can gold despise?
What Cat’s averse to fish?
Presumptuous Maid! with looks intent
Again she stretch’d, again she bent,
Nor knew the gulf between.
(Malignant Fate sat by, and smiled.)
The slipp’ry verge her feet beguiled,
She tumbled headlong in.
Eight times emerging from the flood
She mew’d to ev’ry wat’ry god,
Some speedy aid to send.
No Dolphin came, no Nereid stirr’d:
Nor cruel Tom, nor Susan heard.
A Fav’rite has no friend!
From hence, ye Beauties, undeceived,
Know, one false step is ne’er retrieved,
And be with caution bold.
Not all that tempts your wand’ring eyes
And heedless hearts, is lawful prize;
Nor all that glisters, gold.
WILLIAM COLLINS
1721-1759
Ode to Simplicity
O THOU, by Nature taught
To breathe her genuine thought
In numbers warmly pure and sweetly strong:
Who first on mountains wild,
In Fancy, loveliest child,
Thy babe and Pleasure’s, nursed the pow’rs of song!
Thou, who with hermit heart
Disdain’st the wealth of art,
And gauds, and pageant weeds, and trailing pall:
But com’st a decent maid,
In Attic robe array’d,
O chaste, unboastful nymph, to thee I call!
By all the honey’d store
On Hybla’s thymy shore,
By all her blooms and mingled murmurs dear,
By her whose love-lorn woe,
In evening musings slow,
Soothed sweetly sad Electra’s poet’s ear:
By old Cephisus deep,
Who spread his wavy sweep
In warbled wand’rings round thy green retreat;
On whose enamell’d side,
When holy Freedom died,
No equal haunt allured thy future feet!
O sister meek of Truth,
To my admiring youth
Thy sober aid and native charms infuse!
The flow’rs that sweetest breathe,
Though beauty cull’d the wreath,
Still ask thy hand to range their order’d hues.
While Rome could none esteem,
But virtue’s patriot theme,
You loved her hills, and led her laureate band;
But stay’d to sing alone
To one distinguish’d throne,
And turn’d thy face, and fled her alter’d land.
No more, in hall or bow’r,
The passions own thy pow’r.
Love, only Love her forceless numbers mean;
For thou hast left her shrine,
Nor olive more, nor vine,
Shall gain thy feet to bless the servile scene.
Though taste, though genius bless
To some divine excess,
Faint’s the cold work till thou inspire the whole;
What each, what all supply,
May court, may charm our eye,
Thou, only thou, canst raise the meeting soul!
Of these let others ask,
To aid some mighty task,
I only seek to find thy temperate vale;
Where oft my reed might sound
To maids and shepherds round,
And all thy sons, O Nature, learn my tale.
How sleep the Brave
HOW sleep the brave, who sink to rest
By all their country’s wishes blest!
When Spring, with dewy fingers cold,
Returns to deck their hallow’d mould,
She there shall dress a sweeter sod
Than Fancy’s feet have ever trod.
By fairy hands their knell is rung;
By forms unseen their dirge is sung;
There Honour comes, a pilgrim grey,
To bless the turf that wraps their clay;
And Freedom shall awhile repair
To dwell, a weeping hermit, there!
Ode to Evening
IF aught of oaten stop, or pastoral song,
May hope, chaste Eve, to soothe thy modest ear,
Like thy own solemn springs,
Thy springs and dying gales;
O nymph reserved, while now the bright-hair’d sun
Sits in yon western tent, whose cloudy skirts,
With brede ethereal wove,
O’erhang his wavy bed:
Now air is hush’d, save where the weak-eyed bat
With short shrill shriek flits by on leathern wing,
Or where the beetle winds
His small but sullen horn,
As oft he rises, ’midst the twilight path
Against the pilgrim borne in heedless hum:
Now teach me, maid composed,
To breathe some soften’d strain,
Whose numbers, stealing through thy darkening vale,
May not unseemly with its stillness suit,
As, musing slow, I hail
Thy genial loved return!
For when thy folding-star arising shows
His paly circlet, at his warning lamp
The fragrant hours, and elves
Who slept in buds the day,
And many a nymph who wreathes her brows with sedge,
And sheds the freshening dew, and, lovelier still,
The pensive pleasures sweet,
Prepare thy shadowy car:
Then lead, calm votaress, where some sheety lake
Cheers the lone heath, or some time-hallow’d pile,
Or upland fallows grey
Reflect its last cool gleam.
Or if chill blustering winds, or driving rain,
Prevent my willing feet, be mine the hut
That from the mountain’s side
Views wilds and swelling floods,
And hamlets brown, and dim-discover’d spires,
And hears their simple bell, and marks o’er all
Thy dewy fingers draw
The gradual dusky veil.
While Spring shall pour his show’rs, as oft he wont,
And bathe thy breathing tresses, meekest Eve!
While Summer loves to sport
Beneath thy lingering light;
While sallow Autumn fills thy lap with leaves,
Or Winter, yelling through the troublous air,
Affrights thy shrinking train,
And rudely rends thy robes:
So long, regardful of thy quiet rule,
Shall Fancy, Friendship, Science, rose-lipp’d Health
Thy gentlest influence own,
And hymn thy favourite name!
Fidele
TO fair Fidele’s grassy tomb
Soft maids and village hinds shall bring
Each opening sweet of earliest bloom,
And rifle all the breathing Spring.
No wailing ghost shall dare appear
To vex with shrieks this quiet grove;
But shepherd lads assemble here,
And melting virgins own their love.
No wither’d witch shall here be seen,
No goblins lead their nightly crew;
The female fays shall haunt the green,
And dress thy grave with pearly dew.
The redbreast oft at evening hours
Shall kindly lend his little aid,
With hoary moss, and gather’d flowers,
To deck the ground where thou art laid.
When howling winds, and beating rain,
In tempests shake thy sylvan cell;
Or ’midst the chase, on every plain,
The tender thought on thee shall dwell;
Each lonely scene shall thee restore,
For thee the tear be duly shed;
Beloved, till life can charm no more;
And mourn’d, till Pity’s self be dead.
MARK AKENSIDE
1721-1770
Amoret
IF rightly tuneful bards decide,
If it be fix’d in Love’s decrees,
That Beauty ought not to be tried
But by its native power to please,
Then tell me, youths and lovers, tell—
What fair can Amoret excel?
Behold that bright unsullied smile,
And wisdom speaking in her mien:
Yet—she so artless all the while,
So little studious to be seen—
We naught but instant gladness know,
Nor think to whom the gift we owe.
But neither music, nor the powers
Of youth and mirth and frolic cheer,
Add half the sunshine to the hours,
Or make life’s prospect half so clear,
As memory brings it to the eye
From scenes where Amoret was by.
This, sure, is Beauty’s happiest part;
This gives the most unbounded sway;
This shall enchant the subject heart
When rose and lily fade away;
And she be still, in spite of Time,
Sweet Amoret in all her prime.
The Complaint
AWAY! away!
Tempt me no more, insidious Love:
Thy soothing sway
Long did my youthful bosom prove:
At length thy treason is discerned,
At length some dear-bought caution earn’d:
Away! nor hope my riper age to move.
I know, I see
Her merit. Needs it now be shown,
Alas! to me?
How often, to myself unknown,
The graceful, gentle, virtuous maid
Have I admired! How often said—
What joy to call a heart like hers one’s own!
But, flattering god,
O squanderer of content and ease
In thy abode
Will care’s rude lesson learn to please?
O say, deceiver, hast thou won
Proud Fortune to attend thy throne,
Or placed thy friends above her stern decrees?
The Nightingale
TO-night retired, the queen of heaven
With young Endymion stays;
And now to Hesper it is given
Awhile to rule the vacant sky,
Till she shall to her lamp supply
A stream of brighter rays.
Propitious send thy golden ray,
Thou purest light above!
Let no false flame seduce to stray
Where gulf or steep lie hid for harm;
But lead where music’s healing charm
May soothe afflicted love.
To them, by many a grateful song
In happier seasons vow’d,
These lawns, Olympia’s haunts, belong:
Oft by yon silver stream we walk’d,
Or fix’d, while Philomela talk’d,
Beneath yon copses stood.
Nor seldom, where the beechen boughs
That roofless tower invade,
We came, while her enchanting Muse
The radiant moon above us held:
Till, by a clamorous owl compell’d,
She fled the solemn shade.
But hark! I hear her liquid tone!
Now Hesper guide my feet!
Down the red marl with moss o’ergrown,
Through yon wild thicket next the plain,
Whose hawthorns choke the winding lane
Which leads to her retreat.
See the green space: on either hand
Enlarged it spreads around:
See, in the midst she takes her stand,
Where one old oak his awful shade
Extends o’er half the level mead,
Enclosed in woods profound.
Hark! how through many a melting note
She now prolongs her lays:
How sweetly down the void they float!
The breeze their magic path attends;
The stars shine out; the forest bends;
The wakeful heifers graze.
Whoe’er thou art whom chance may bring
To this sequester’d spot,
If then the plaintive Siren sing,
O softly tread beneath her bower
And think of Heaven’s disposing power,
Of man’s uncertain lot.
O think, o’er all this mortal stage
What mournful scenes arise:
What ruin waits on kingly rage;
How often virtue dwells with woe;
How many griefs from knowledge flow;
How swiftly pleasure flies!
O sacred bird! let me at eve,
Thus wandering all alone,
Thy tender counsel oft receive,
Bear witness to thy pensive airs,
And pity Nature’s common cares,
Till I forget my own.
TOBIAS GEORGE SMOLLETT
1721-1771
To Leven Water
PURE stream, in whose transparent wave
My youthful limbs I wont to lave;
No torrents stain thy limpid source,
No rocks impede thy dimpling course
Devolving from thy parent lake
A charming maze thy waters make
By bowers of birch and groves of pine
And edges flower’d with eglantine.
Still on thy banks so gaily green
May numerous herds and flocks be seen,
And lasses chanting o’er the pail,
And shepherds piping in the dale,
And ancient faith that knows no guile,
And industry embrown’d with toil,
And hearts resolved and hands prepared
The blessings they enjoy to guard.
CHRISTOPHER SMART
1722-1770
Song to David
SUBLIME—invention ever young,
Of vast conception, tow’ring tongue
To God th’ eternal theme;
Notes from yon exaltations caught,
Unrivall’d royalty of thought
O’er meaner strains supreme.
His muse, bright angel of his verse,
Gives balm for all the thorns that pierce,
For all the pangs that rage;
Blest light still gaining on the gloom,
The more than Michal of his bloom,
Th’ Abishag of his age.
He sang of God—the mighty source
Of all things—the stupendous force
On which all strength depends;
From whose right arm, beneath whose eyes,
All period, power, and enterprise
Commences, reigns, and ends.
Tell them, I am, Jehovah said
To Moses; while earth heard in dread,
And, smitten to the heart,
At once above, beneath, around,
All Nature, without voice or sound,
Replied, O Lord, Thou art.
The world, the clustering spheres, He made;
The glorious light, the soothing shade,
Dale, champaign, grove, and hill;
The multitudinous abyss,
Where Secrecy remains in bliss,
And Wisdom hides her skill.
The pillars of the Lord are seven,
Which stand from earth to topmost heaven;
His Wisdom drew the plan;
His Word accomplished the design,
From brightest gem to deepest mine;
From Christ enthroned, to Man.
For Adoration all the ranks
Of Angels yield eternal thanks,
And David in the midst;
With God’s good poor, which, last and least
In man’s esteem, Thou to Thy feast,
O blessèd Bridegroom, bidd’st!
For Adoration, David’s Psalms
Lift up the heart to deeds of alms;
And he, who kneels and chants,
Prevails his passions to control,
Finds meat and medicine to the soul,
Which for translation pants.
For Adoration, in the dome
Of Christ, the sparrows find a home,
And on His olives perch:
The swallow also dwells with thee,
O man of God’s humility,
Within his Saviour’s church.
Sweet is the dew that falls betimes,
And drops upon the leafy limes;
Sweet, Hermon’s fragrant air:
Sweet is the lily’s silver bell,
And sweet the wakeful tapers’ smell
That watch for early prayer.
Sweet the young nurse, with love intense,
Which smiles o’er sleeping innocence;
Sweet, when the lost arrive:
Sweet the musician’s ardour beats,
While his vague mind’s in quest of sweets,
The choicest flowers to hive.
Strong is the horse upon his speed;
Strong in pursuit the rapid glede,
Which makes at once his game:
Strong the tall ostrich on the ground;
Strong through the turbulent profound
Shoots Xiphias to his aim.
Strong is the lion—like a coal
His eyeball,—like a bastion’s mole
His chest against the foes:
Strong the gier-eagle on his sail;
Strong against tide th’ enormous whale
Emerges as he goes.
But stronger still, in earth and air,
And in the sea, the man of prayer,
And far beneath the tide:
And in the seat to faith assigned,
Where ask is have, where seek is find,
Where knock is open wide.
Precious the penitential tear;
And precious is the sigh sincere,
Acceptable to God:
And precious are the winning flowers,
In gladsome Israel’s feast of bowers
Bound on the hallow’d sod.
Glorious the sun in mid career;
Glorious th’ assembled fires appear;
Glorious the comet’s train:
Glorious the trumpet and alarm;
Glorious the Almighty’s stretch’d-out arm;
Glorious th’ enraptured main:
glede] kite. Xiphias] sword-fish.
GLORIOUS the northern lights astream;
Glorious the song, when God’s the theme;
Glorious the thunder’s roar:
Glorious Hosanna from the den;
Glorious the catholic Amen;
Glorious the martyr’s gore:
Glorious—more glorious—is the crown
Of Him that brought salvation down,
By meekness call’d thy Son:
Thou that stupendous truth believed;—
And now the matchless deed’s achieved,
Determined, dared, and done!
JANE ELLIOT
1727-1805
A Lament for Flodden
I’ve heard them lilting at our ewe-milking,
Lasses a’ lilting before dawn o’ day;
But now they are moaning on ilka green loaning—
The Flowers of the Forest are a’ wede away.
At bughts, in the morning, nae blythe lads are scorning.
Lasses are lonely and dowie and wae;
Nae daffing, nae gabbing, but sighing and sabbing,
Ilk ane lifts her leglin and hies her away.
In hairst, at the shearing, nae youths now are jeering,
Bandsters are lyart, and runkled, and gray:
At fair or at preaching, nae wooing, nae fleeching—
The Flowers of the Forest are a’ wede away.
466. loaning] lane, field-track. wede] weeded. bughts] sheep-folds. daffing] joking. leglin] milk-pail. hairst] harvest. bandsters] binders. lyart] gray-haired. runkled] wrinkled. fleeching] coaxing.
AT e’en, in the gloaming, nae swankies are roaming
’Bout stacks wi’ the lasses at bogle to play;
But ilk ane sits eerie, lamenting her dearie—
The Flowers of the Forest are a’ wede away.
Dool and wae for the order sent our lads to the Border!
The English, for ance, by guile wan the day;
The Flowers of the Forest, that fought aye the foremost,
The prime of our land, lie cauld in the clay.
We’ll hear nae mair lilting at our ewe-milking;
Women and bairns are heartless and wae;
Sighing and moaning on ilka green loaning—
The Flowers of the Forest are a’ wede away.
466. swankies] lusty lads. bogle] bogy, hide-and-seek. dool] mourning.
OLIVER GOLDSMITH
1728-1774
Woman
WHEN lovely woman stoops to folly,
And finds too late that men betray,
What charm can soothe her melancholy?
What art can wash her tears away?
The only art her guilt to cover,
To hide her shame from ev’ry eye,
To give repentance to her lover,
And wring his bosom is—to die.
Memory
O MEMORY, thou fond deceiver,
Still importunate and vain,
To former joys recurring ever,
And turning all the past to pain:
Thou, like the world, th’ oppress’d oppressing,
Thy smiles increase the wretch’s woe:
And he who wants each other blessing
In thee must ever find a foe.
ROBERT CUNNINGHAME-GRAHAM OF GARTMORE
1735-1797
If Doughty Deeds
IF doughty deeds my lady please,
Right soon I’ll mount my steed;
And strong his arm and fast his seat,
That bears frae me the meed.
I’ll wear thy colours in my cap,
Thy picture in my heart;
And he that bends not to thine eye
Shall rue it to his smart!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake nae care I’ll take,
Tho’ ne’er another trow me.
If gay attire delight thine eye
I’ll dight me in array;
I’ll tend thy chamber door all night,
And squire thee all the day.
If sweetest sounds can win thine ear,
These sounds I’ll strive to catch;
Thy voice I’ll steal to woo thysel’,
That voice that nane can match.
Then tell me how to woo thee, Love ...
But if fond love thy heart can gain,
I never broke a vow;
Nae maiden lays her skaith to me,
I never loved but you.
For you alone I ride the ring,
For you I wear the blue;
For you alone I strive to sing,
O tell me how to woo!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake nae care I’ll take
Tho’ ne’er another trow me.
WILLIAM COWPER
1731-1800
To Mary Unwin
MARY! I want a lyre with other strings,
Such aid from Heaven as some have feign’d they drew,
An eloquence scarce given to mortals, new
And undebased by praise of meaner things;
That ere through age or woe I shed my wings,
I may record thy worth with honour due,
In verse as musical as thou art true,
And that immortalizes whom it sings:
But thou hast little need. There is a Book
By seraphs writ with beams of heavenly light,
On which the eyes of God not rarely look,
A chronicle of actions just and bright—
There all thy deeds, my faithful Mary, shine;
And since thou own’st that praise, I spare thee mine.
My Mary
THE twentieth year is wellnigh past
Since first our sky was overcast;
Ah, would that this might be the last!
My Mary!
Thy spirits have a fainter flow,
I see thee daily weaker grow;
’Twas my distress that brought thee low,
My Mary!
Thy needles, once a shining store,
For my sake restless heretofore,
Now rust disused, and shine no more;
My Mary!
For though thou gladly wouldst fulfil
The same kind office for me still,
Thy sight now seconds not thy will,
My Mary!
But well thou play’dst the housewife’s part,
And all thy threads with magic art
Have wound themselves about this heart,
My Mary!
Thy indistinct expressions seem
Like language utter’d in a dream;
Yet me they charm, whate’er the theme,
My Mary!
Thy silver locks, once auburn bright,
Are still more lovely in my sight
Than golden beams of orient light,
My Mary!
For could I view nor them nor thee,
What sight worth seeing could I see?
The sun would rise in vain for me,
My Mary!
Partakers of thy sad decline,
Thy hands their little force resign;
Yet, gently press’d, press gently mine,
My Mary!
Such feebleness of limbs thou prov’st,
That now at every step thou mov’st
Upheld by two; yet still thou lov’st,
My Mary!
And still to love, though press’d with ill,
In wintry age to feel no chill,
With me is to be lovely still,
My Mary!
But ah! by constant heed I know
How oft the sadness that I show
Transforms thy smiles to looks of woe,
My Mary!
And should my future lot be cast
With much resemblance of the past,
Thy worn-out heart will break at last—
My Mary!
JAMES BEATTIE
1735-1803
An Epitaph
LIKE thee I once have stemm’d the sea of life,
Like thee have languish’d after empty joys,
Like thee have labour’d in the stormy strife,
Been grieved for trifles, and amused with toys.
Forget my frailties; thou art also frail:
Forgive my lapses; for thyself may’st fall:
Nor read unmoved my artless tender tale—
I was a friend, O man, to thee, to all.
ISOBEL PAGAN
1740-1821
Ca’ the Yowes to the Knowes
CA’ the yowes to the knowes,
Ca’ them where the heather grows,
Ca’ them where the burnie rows,
My bonnie dearie.
As I gaed down the water side,
There I met my shepherd lad;
He row’d me sweetly in his plaid,
And he ca’d me his dearie.
‘Will ye gang down the water side,
And see the waves sae sweetly glide
Beneath the hazels spreading wide?
The moon it shines fu’ clearly.’
473. yowes] ewes. knowes] knolls, little hills. rows] rolls. row’d] rolled, wrapped.
‘I WAS bred up at nae sic school,
My shepherd lad, to play the fool,
And a’ the day to sit in dool,
And naebody to see me.’
‘Ye sall get gowns and ribbons meet,
Cauf-leather shoon upon your feet,
And in my arms ye’se lie and sleep,
And ye sall be my dearie.’
‘If ye’ll but stand to what ye’ve said,
I’se gang wi’ you, my shepherd lad,
And ye may row me in your plaid,
And I sall be your dearie.’
‘While waters wimple to the sea,
While day blinks in the lift sae hie,
Till clay-cauld death sail blin’ my e’e,
Ye aye sall be my dearie!’
473. dool] dule, sorrow. lift] sky.
ANNA LÆTITIA BARBAULD
1743-1825
Life
LIFE! I know not what thou art,
But know that thou and I must part;
And when, or how, or where we met,
I own to me’s a secret yet.
But this I know, when thou art fled,
Where’er they lay these limbs, this head,
No clod so valueless shall be
As all that then remains of me.
O whither, whither dost thou fly?
Where bend unseen thy trackless course?
And in this strange divorce,
Ah, tell where I must seek this compound I?
To the vast ocean of empyreal flame
From whence thy essence came
Dost thou thy flight pursue, when freed
From matter’s base encumbering weed?
Or dost thou, hid from sight,
Wait, like some spell-bound knight,
Through blank oblivious years th’ appointed hour
To break thy trance and reassume thy power?
Yet canst thou without thought or feeling be?
O say, what art thou, when no more thou’rt thee?
Life! we have been long together,
Through pleasant and through cloudy weather;
’Tis hard to part when friends are dear;
Perhaps ’twill cost a sigh, a tear;—
Then steal away, give little warning,
Choose thine own time;
Say not Good-night, but in some brighter clime
Bid me Good-morning!
FANNY GREVILLE
18th Cent.
Prayer for Indifference
I ASK no kind return of love,
No tempting charm to please;
Far from the heart those gifts remove,
That sighs for peace and ease.
Nor peace nor ease the heart can know,
That, like the needle true,
Turns at the touch of joy or woe,
But, turning, trembles too.
Far as distress the soul can wound,
’Tis pain in each degree:
’Tis bliss but to a certain bound,
Beyond is agony.
JOHN LOGAN
1748-1788
To the Cuckoo
HAIL, beauteous stranger of the grove!
Thou messenger of Spring!
Now Heaven repairs thy rural seat,
And woods thy welcome ring.
What time the daisy decks the green,
Thy certain voice we hear:
Hast thou a star to guide thy path,
Or mark the rolling year?
Delightful visitant! with thee
I hail the time of flowers,
And hear the sound of music sweet
From birds among the bowers.
The schoolboy, wand’ring through the wood
To pull the primrose gay,
Starts, the new voice of Spring to hear,
And imitates thy lay.
What time the pea puts on the bloom,
Thou fli’st thy vocal vale,
An annual guest in other lands,
Another Spring to hail.
Sweet bird! thy bower is ever green,
Thy sky is ever clear;
Thou hast no sorrow in thy song,
No Winter in thy year!
O could I fly, I’d fly with thee!
We’d make, with joyful wing,
Our annual visit o’er the globe,
Companions of the Spring.
LADY ANNE LINDSAY
1750-1825
Auld Robin Gray
WHEN the sheep are in the fauld, and the kye at hame,
And a’ the warld to rest are gane,
The waes o’ my heart fa’ in showers frae my e’e,
While my gudeman lies sound by me.
Young Jamie lo’ed me weel, and sought me for his bride;
But saving a croun he had naething else beside:
To make the croun a pund, young Jamie gaed to sea;
And the croun and the pund were baith for me.
He hadna been awa’ a week but only twa,
When my father brak his arm, and the cow was stown awa’;
My mother she fell sick,—and my Jamie at the sea—
And auld Robin Gray came a-courtin’ me.
My father couldna work, and my mother couldna spin;
I toil’d day and night, but their bread I couldna win;
Auld Rob maintain’d them baith, and wi’ tears in his e’e
Said, ‘Jennie, for their sakes, O, marry me!’
My heart it said nay; I look’d for Jamie back;
But the wind it blew high, and the ship it was a wrack;
His ship it was a wrack—Why didna Jamie dee?
Or why do I live to cry, Wae’s me!
My father urged me sair: my mother didna speak;
But she look’d in my face till my heart was like to break:
They gi’ed him my hand, tho’ my heart was in the sea;
Sae auld Robin Gray he was gudeman to me.
I hadna been a wife a week but only four,
When mournfu’ as I sat on the stane at the door,
I saw my Jamie’s wraith,—for I couldna think it he,
Till he said, ‘I’m come hame to marry thee.’
O sair, sair did we greet, and muckle did we say;
We took but ae kiss, and we tore ourselves away:
I wish that I were dead, but I’m no like to dee;
And why was I born to say, Wae’s me!
I gang like a ghaist, and I carena to spin;
I daurna think on Jamie, for that wad be a sin;
But I’ll do my best a gude wife aye to be,
For auld Robin Gray he is kind unto me.
SIR WILLIAM JONES
1746-1794
Epigram
ON parent knees, a naked new-born child,
Weeping thou sat’st while all around thee smiled:
So live, that sinking to thy life’s last sleep,
Calm thou may’st smile, whilst all around thee weep.
THOMAS CHATTERTON
1752-1770
Song from Ælla
O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Sweet his tongue as the throstle’s note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O he lies by the willow-tree!
My love is dead,
Gone to his death-bed
All under the willow-tree.
479. cryne] hair. rode] complexion.
Hark! the raven flaps his wing
In the brier’d dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.
See! the white moon shines on high;
Whiter is my true-love’s shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Here upon my true-love’s grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
My love is dead,
Gone to his death-bed
All under the willow-tree.
With my hands I’ll dent the briers
Round his holy corse to gre:
Ouph and fairy, light your fires,
Here my body still shall be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
dent] fasten. gre] grow. ouph] elf.
COME, with acorn-cup and thorn,
Drain my heartès blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.
GEORGE CRABBE
1754-1832
Meeting
MY Damon was the first to wake
The gentle flame that cannot die;
My Damon is the last to take
The faithful bosom’s softest sigh:
The life between is nothing worth,
O cast it from thy thought away!
Think of the day that gave it birth,
And this its sweet returning day.
Buried be all that has been done,
Or say that naught is done amiss;
For who the dangerous path can shun
In such bewildering world as this?
But love can every fault forgive,
Or with a tender look reprove;
And now let naught in memory live
But that we meet, and that we love.
Late Wisdom
WE’ve trod the maze of error round,
Long wandering in the winding glade;
And now the torch of truth is found,
It only shows us where we strayed:
By long experience taught, we know—
Can rightly judge of friends and foes;
Can all the worth of these allow,
And all the faults discern in those.
Now, ’tis our boast that we can quell
The wildest passions in their rage,
Can their destructive force repel,
And their impetuous wrath assuage.—
Ah, Virtue! dost thou arm when now
This bold rebellious race are fled?
When all these tyrants rest, and thou
Art warring with the mighty dead?
A Marriage Ring
THE ring, so worn as you behold,
So thin, so pale, is yet of gold:
The passion such it was to prove—
Worn with life’s care, love yet was love.
WILLIAM BLAKE
1757-1827
To the Muses
WHETHER on Ida’s shady brow
Or in the chambers of the East,
The chambers of the Sun, that now
From ancient melody have ceased;
Whether in heaven ye wander fair,
Or the green corners of the earth,
Or the blue regions of the air
Where the melodious winds have birth;
Whether on crystal rocks ye rove,
Beneath the bosom of the sea,
Wandering in many a coral grove;
Fair Nine, forsaking Poetry;
How have you left the ancient love
That bards of old enjoy’d in you!
The languid strings do scarcely move,
The sound is forced, the notes are few.
To Spring
O THOU with dewy locks, who lookest down
Through the clear windows of the morning, turn
Thine angel eyes upon our western isle,
Which in full choir hails thy approach, O Spring!
The hills tell one another, and the listening
Valleys hear; all our longing eyes are turn’d
Up to thy bright pavilions: issue forth
And let thy holy feet visit our clime!
Come o’er the eastern hills, and let our winds
Kiss thy perfumèd garments; let us taste
Thy morn and evening breath; scatter thy pearls
Upon our lovesick land that mourns for thee.
O deck her forth with thy fair fingers; pour
Thy soft kisses on her bosom; and put
Thy golden crown upon her languish’d head,
Whose modest tresses are bound up for thee.
Song
MY silks and fine array,
My smiles and languish’d air,
By Love are driven away;
And mournful lean Despair
Brings me yew to deck my grave:
Such end true lovers have.
His face is fair as heaven
When springing buds unfold:
O why to him was’t given,
Whose heart is wintry cold?
His breast is Love’s all-worshipp’d tomb,
Where all Love’s pilgrims come.
Bring me an axe and spade,
Bring me a winding-sheet;
When I my grave have made,
Let winds and tempests beat:
Then down I’ll lie, as cold as clay:
True love doth pass away!
Reeds of Innocence
PIPING down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:
‘Pipe a song about a Lamb!’
So I piped with merry cheer.
‘Piper, pipe that song again;’
So I piped: he wept to hear.
‘Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!’
So I sung the same again,
While he wept with joy to hear.
‘Piper, sit thee down and write
In a book that all may read.’
So he vanish’d from my sight;
And I pluck’d a hollow reed,
And I made a rural pen,
And I stain’d the water clear,
And I wrote my happy songs
Every child may joy to hear.
The Little Black Boy
MY mother bore me in the southern wild,
And I am black, but O, my soul is white!
White as an angel is the English child,
But I am black, as if bereaved of light.
My mother taught me underneath a tree,
And, sitting down before the heat of day,
She took me on her lap and kissèd me,
And, pointing to the East, began to say:
‘Look at the rising sun: there God does live,
And gives His light, and gives His heat away,
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.
‘And we are put on earth a little space,
That we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Are but a cloud, and like a shady grove.
‘For when our souls have learn’d the heat to bear,
The cloud will vanish, we shall hear His voice,
Saying, “Come out from the grove, my love and care,
And round my golden tent like lambs rejoice.”’
Thus did my mother say, and kissèd me,
And thus I say to little English boy.
When I from black and he from white cloud free,
And round the tent of God like lambs we joy,
I’ll shade him from the heat till he can bear
To lean in joy upon our Father’s knee;
And then I’ll stand and stroke his silver hair,
And be like him, and he will then love me.
Hear the Voice
HEAR the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walk’d among the ancient trees;
Calling the lapsèd soul,
And weeping in the evening dew;
That might control
The starry pole,
And fallen, fallen light renew!
‘O Earth, O Earth, return!
Arise from out the dewy grass!
Night is worn,
And the morn
Rises from the slumbrous mass.
‘Turn away no more;
Why wilt thou turn away?
The starry floor,
The watery shore,
Is given thee till the break of day.’
The Tiger
TIGER, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder and what art
Could twist the sinews of thy heart?
And, when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And watered heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Cradle Song
SLEEP, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.
Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel
Smiles as of the morning steal
O’er thy cheek, and o’er thy breast
Where thy little heart doth rest.
O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.
Night
THE sun descending in the west,
The evening star does shine;
The birds are silent in their nest.
And I must seek for mine.
The moon, like a flower
In heaven’s high bower,
With silent delight
Sits and smiles on the night.
Farewell, green fields and happy grove,
Where flocks have took delight:
Where lambs have nibbled, silent move
The feet of angels bright;
Unseen they pour blessing
And joy without ceasing
On each bud and blossom,
On each sleeping bosom.
They look in every thoughtless nest
Where birds are cover’d warm;
They visit caves of every beast,
To keep them all from harm:
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.
When wolves and tigers howl for prey,
They pitying stand and weep,
Seeking to drive their thirst away
And keep them from the sheep.
But, if they rush dreadful,
The angels, most heedful,
Receive each mild spirit,
New worlds to inherit.
And there the lion’s ruddy eyes
Shall flow with tears of gold:
And pitying the tender cries,
And walking round the fold:
Saying, ‘Wrath by His meekness,
And, by His health, sickness,
Are driven away
From our immortal day.
‘And now beside thee, bleating lamb,
I can lie down and sleep,
Or think on Him who bore thy name,
Graze after thee, and weep.
For, wash’d in life’s river,
My bright mane for ever
Shall shine like the gold
As I guard o’er the fold.’
Love’s Secret
NEVER seek to tell thy love,
Love that never told can be;
For the gentle wind doth move
Silently, invisibly.
I told my love, I told my love,
I told her all my heart,
Trembling, cold, in ghastly fears.
Ah! she did depart!
Soon after she was gone from me,
A traveller came by,
Silently, invisibly:
He took her with a sigh.
ROBERT BURNS
1759-1796
Mary Morison
O MARY, at thy window be,
It is the wish’d, the trysted hour!
Those smiles and glances let me see,
That make the miser’s treasure poor:
How blythely wad I bide the stour
A weary slave frae sun to sun,
Could I the rich reward secure,
The lovely Mary Morison!
Yestreen, when to the trembling string
The dance gaed thro’ the lighted ha’,
To thee my fancy took its wing,
I sat, but neither heard nor saw:
493. stour] dust, turmoil.
THO’ this was fair, and that was braw,
And yon the toast of a’ the town,
I sigh’d, and said amang them a’,
‘Ye are na Mary Morison.’
O Mary, canst thou wreck his peace,
Wha for thy sake wad gladly die?
Or canst thou break that heart of his,
Whase only faut is loving thee?
If love for love thou wiltna gie,
At least be pity to me shown;
A thought ungentle canna be
The thought o’ Mary Morison.
Jean
OF a’ the airts the wind can blaw,
I dearly like the west,
For there the bonnie lassie lives,
The lassie I lo’e best:
There wild woods grow, and rivers row,
And monie a hill between;
But day and night my fancy’s flight
Is ever wi’ my Jean.
I see her in the dewy flowers,
I see her sweet and fair:
I hear her in the tunefu’ birds,
I hear her charm the air:
There’s not a bonnie flower that springs
By fountain, shaw, or green;
There’s not a bonnie bird that sings,
But minds me o’ my Jean.
494. airts] points of the compass. row] roll.
Auld Lang Syne
SHOULD auld acquaintance be forgot,
And never brought to min’?
Should auld acquaintance be forgot,
And days o’ lang syne?
We twa hae rin about the braes,
And pu’d the gowans fine;
But we’ve wandered monie a weary fit
Sin’ auld lang syne.
We twa hae paidl’t i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin’ auld lang syne.
And here’s a hand, my trusty fiere,
And gie’s a hand o’ thine;
And we’ll tak a right guid-willie waught
For auld lang syne.
And surely ye’ll be your pint-stowp,
And surely I’ll be mine;
And we’ll tak a cup o’ kindness yet
For auld lang syne!
For auld lang syne, my dear,
For auld lang syne,
We’ll tak a cup o’ kindness yet
For auld lang syne.
gowans] daisies. fit] foot. dine] dinner-time. fiere] partner. guid-willie waught] friendly draught.
My Bonnie Mary
GO fetch to me a pint ’o wine,
An’ fill it in a silver tassie,
That I may drink, before I go,
A service to my bonnie lassie.
The boat rocks at the pier o’ Leith,
Fu’ loud the wind blaws frae the ferry,
The ship rides by the Berwick-law,
And I maun leave my bonnie Mary.
The trumpets sound, the banners fly,
The glittering spears are rankèd ready;
The shouts o’ war are heard afar,
The battle closes thick and bloody;
But it’s no the roar o’ sea or shore
Wad mak me langer wish to tarry;
Nor shout o’ war that’s heard afar—
It’s leaving thee, my bonnie Mary!
496. tassie] cup.
John Anderson, my Jo
JOHN Anderson, my jo, John,
When we were first acquent,
Your locks were like the raven,
Your bonnie brow was brent;
But now your brow is beld, John,
Your locks are like the snow;
But blessings on your frosty pow,
John Anderson, my jo!
497. jo] sweetheart. brent] smooth, unwrinkled. beld] bald. pow] pate.
JOHN Anderson, my jo, John,
We clamb the hill thegither;
And monie a canty day, John,
We’ve had wi’ ane anither:
Now we maun totter down, John,
But hand in hand we’ll go,
And sleep thegither at the foot,
John Anderson, my jo.
497. canty] cheerful.
The Banks o’ Doon
YE flowery banks o’ bonnie Doon,
How can ye blume sae fair!
How can ye chant, ye little birds,
And I sae fu’ o’ care!
Thou’ll break my heart, thou bonnie bird,
That sings upon the bough;
Thou minds me o’ the happy days
When my fause luve was true.
Thou’ll break my heart, thou bonnie bird,
That sings beside thy mate;
For sae I sat, and sae I sang,
And wistna o’ my fate.
Aft hae I roved by bonnie Doon,
To see the woodbine twine;
And ilka bird sang o’ its luve,
And sae did I o’ mine.
Wi’ lightsome heart I pu’d a rose
Upon a morn in June;
And sae I flourish’d on the morn,
And sae was pu’d or’ noon.
498. or’] ere.
Wi’ lightsome heart I pu’d a rose
Upon its thorny tree;
But my fause luver staw my rose,
And left the thorn wi’ me.
498. staw] stole.
Ae Fond Kiss
AE fond kiss, and then we sever;
Ae fareweel, alas, for ever!
Deep in heart-wrung tears I’ll pledge thee,
Warring sighs and groans I’ll wage thee!
Who shall say that Fortune grieves him
While the star of hope she leaves him?
Me, nae cheerfu’ twinkle lights me,
Dark despair around benights me.
I’ll ne’er blame my partial fancy;
Naething could resist my Nancy;
But to see her was to love her,
Love but her, and love for ever.
Had we never loved sae kindly,
Had we never loved sae blindly,
Never met—or never parted,
We had ne’er been broken-hearted.
Fare thee weel, thou first and fairest!
Fare thee weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, enjoyment, love, and pleasure!
Ae fond kiss, and then we sever!
Ae fareweel, alas, for ever!
Deep in heart-wrung tears I’ll pledge thee,
Warring sighs and groans I’ll wage thee!
499. wage] stake, plight.
Bonnie Lesley
O SAW ye bonnie Lesley
As she gaed o’er the Border?
She’s gane, like Alexander,
To spread her conquests farther.
To see her is to love her,
And love but her for ever;
For Nature made her what she is,
And ne’er made sic anither!
Thou art a queen, fair Lesley,
Thy subjects we, before thee:
Thou art divine, fair Lesley,
The hearts o’ men adore thee.
The Deil he couldna scaith thee,
Or aught that wad belang thee;
He’d look into thy bonnie face
And say, ‘I canna wrang thee!’
The Powers aboon will tent thee,
Misfortune sha’na steer thee:
Thou’rt like themsel’ sae lovely,
That ill they’ll ne’er let near thee.
Return again, fair Lesley,
Return to Caledonie!
That we may brag we hae a lass
There’s nane again sae bonnie!
scaith] harm. tent] watch. steer] molest.
Highland Mary
YE banks and braes and streams around
The castle o’ Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There simmer first unfauld her robes,
And there the langest tarry;
For there I took the last fareweel
O’ my sweet Highland Mary.
How sweetly bloom’d the gay green birk,
How rich the hawthorn’s blossom,
As underneath their fragrant shade
I clasp’d her to my bosom!
The golden hours on angel wings
Flew o’er me and my dearie;
For dear to me as light and life
Was my sweet Highland Mary.
Wi’ monie a vow and lock’d embrace
Our parting was fu’ tender;
And, pledging aft to meet again,
We tore oursels asunder;
But oh! fell Death’s untimely frost,
That nipt my flower sae early!
Now green’s the sod, and cauld’s the clay,
That wraps my Highland Mary!
O pale, pale now, those rosy lips
I aft hae kiss’d sae fondly!
And closed for aye the sparkling glance
That dwelt on me sae kindly!
drumlie] miry.
AND mouldering now in silent dust
That heart that lo’ed me dearly!
But still within my bosom’s core
Shall live my Highland Mary.
O were my Love yon Lilac fair
O WERE my Love yon lilac fair,
Wi’ purple blossoms to the spring,
And I a bird to shelter there,
When wearied on my little wing;
How I wad mourn when it was torn
By autumn wild and winter rude!
But I wad sing on wanton wing
When youthfu’ May its bloom renew’d.
O gin my Love were yon red rose
That grows upon the castle wa’,
And I mysel a drap o’ dew,
Into her bonnie breast to fa’;
O there, beyond expression blest,
I’d feast on beauty a’ the night;
Seal’d on her silk-saft faulds to rest,
Till fley’d awa’ by Phœbus’ light.
A Red, Red Rose
O my Luve’s like a red, red rose
That’s newly sprung in June:
O my Luve’s like the melodie
That’s sweetly play’d in tune!
As fair art thou, my bonnie lass,
So deep in luve am I:
And I will luve thee still, my dear,
Till a’ the seas gang dry:
Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will luve thee still, my dear,
While the sands o’ life shall run.
And fare thee weel, my only Luve,
And fare thee weel a while!
And I will come again, my Luve,
Tho’ it were ten thousand mile.
Lament for Culloden
THE lovely lass o’ Inverness,
Nae joy nor pleasure can she see;
For e’en and morn she cries, ‘Alas!’
And aye the saut tear blin’s her e’e:
‘Drumossie moor, Drumossie day,
A waefu’ day it was to me!
For there I lost my father dear,
My father dear and brethren three.
‘Their winding-sheet the bluidy clay,
Their graves are growing green to see;
And by them lies the dearest lad
That ever blest a woman’s e’e!
Now wae to thee, thou cruel lord,
A bluidy man I trow thou be;
For monie a heart thou hast made sair,
That ne’er did wrang to thine or thee.’
The Farewell
IT was a’ for our rightfu’ King
We left fair Scotland’s strand;
It was a’ for our rightfu’ King
We e’er saw Irish land,
My dear—
We e’er saw Irish land.
Now a’ is done that men can do,
And a’ is done in vain;
My love and native land, farewell,
For I maun cross the main,
My dear—
For I maun cross the main.
He turn’d him right and round about
Upon the Irish shore;
And gae his bridle-reins a shake,
With, Adieu for evermore,
My dear—
With, Adieu for evermore!
The sodger frae the wars returns,
The sailor frae the main;
But I hae parted frae my love,
Never to meet again,
My dear—
Never to meet again.
When day is gane, and night is come,
And a’ folk bound to sleep,
I think on him that’s far awa’,
The lee-lang night, and weep,
My dear—
The lee-lang night, and weep.
lee-lang] livelong.
Hark! The Mavis
Ca’ the yowes to the knowes,
Ca’ them where the heather grows,
Ca’ them where the burnie rows,
My bonnie dearie.
Hark! the mavis’ evening sang
Sounding Clouden’s woods amang.
Then a-faulding let us gang,
My bonnie dearie.
We’ll gae down by Clouden side,
Through the hazels spreading wide,
O’er the waves that sweetly glide
To the moon sae clearly.
Yonder Clouden’s silent towers,
Where at moonshine midnight hours
O’er the dewy bending flowers
Fairies dance sae cheery.
Ghaist nor bogle shalt thou fear;
Thou’rt to Love and Heaven sae dear,
Nocht of ill may come thee near,
My bonnie dearie.
Fair and lovely as thou art,
Thou hast stown my very heart;
I can die—but canna part,
My bonnie dearie.
While waters wimple to the sea;
While day blinks in the lift sae hie;
Till clay-cauld death shall blin’ my e’e,
Ye shall be my dearie.
Ca’ the yowes to the knowes ...
lift] sky.
HENRY ROWE
1750-1819
Sun
ANGEL, king of streaming morn;
Cherub, call’d by Heav’n to shine;
T’ orient tread the waste forlorn;
Guide ætherial, pow’r divine;
Thou, Lord of all within!
Golden spirit, lamp of day,
Host, that dips in blood the plain,
Bids the crimson’d mead be gay,
Bids the green blood burst the vein;
Thou, Lord of all within!
Soul, that wraps the globe in light;
Spirit, beckoning to arise;
Drives the frowning brow of night,
Glory bursting o’er the skies;
Thou, Lord of all within!
Moon
THEE too, modest tressèd maid,
When thy fallen stars appear;
When in lawn of fire array’d
Sov’reign of yon powder’d sphere;
To thee I chant at close of day,
Beneath, O maiden Moon! thy ray.
Throned in sapphired ring supreme,
Pregnant with celestial juice,
On silver wing thy diamond stream
Gives what summer hours produce;
While view’d impearl’d earth’s rich inlay,
Beneath, O maiden Moon! thy ray.
Glad, pale Cynthian wine I sip,
Breathed the flow’ry leaves among;
Draughts delicious wet my lip;
Drown’d in nectar drunk my song;
While tuned to Philomel the lay,
Beneath, O maiden Moon! thy ray.
Dew, that od’rous ointment yields,
Sweets, that western winds disclose,
Bathing spring’s more purpled fields,
Soft’s the band that winds the rose;
While o’er thy myrtled lawns I stray
Beneath, O maiden Moon! thy ray.
WILLIAM LISLE BOWLES
1762-1850
Time and Grief
O TIME! who know’st a lenient hand to lay
Softest on sorrow’s wound, and slowly thence
(Lulling to sad repose the weary sense)
The faint pang stealest unperceived away;
On thee I rest my only hope at last,
And think, when thou hast dried the bitter tear
That flows in vain o’er all my soul held dear,
I may look back on every sorrow past,
And meet life’s peaceful evening with a smile:
As some lone bird, at day’s departing hour,
Sings in the sunbeam, of the transient shower
Forgetful, though its wings are wet the while:—
Yet ah! how much must this poor heart endure,
Which hopes from thee, and thee alone, a cure!
JOANNA BAILLIE
1762-1851
The Outlaw’s Song
THE chough and crow to roost are gone,
The owl sits on the tree,
The hush’d wind wails with feeble moan,
Like infant charity.
The wild-fire dances on the fen,
The red star sheds its ray;
Uprouse ye then, my merry men!
It is our op’ning day.
Both child and nurse are fast asleep,
And closed is every flower,
And winking tapers faintly peep
High from my lady’s bower;
Bewilder’d hinds with shorten’d ken
Shrink on their murky way;
Uprouse ye then, my merry men!
It is our op’ning day.
Nor board nor garner own we now,
Nor roof nor latchèd door,
Nor kind mate, bound by holy vow
To bless a good man’s store;
Noon lulls us in a gloomy den,
And night is grown our day;
Uprouse ye then, my merry men!
And use it as ye may.
MARY LAMB
1765-1847
A Child
A CHILD’s a plaything for an hour;
Its pretty tricks we try
For that or for a longer space—
Then tire, and lay it by.
But I knew one that to itself
All seasons could control;
That would have mock’d the sense of pain
Out of a grievèd soul.
Thou straggler into loving arms,
Young climber-up of knees,
When I forget thy thousand ways
Then life and all shall cease.
CAROLINA, LADY NAIRNE
1766-1845
The Land o’ the Leal
I’m wearin’ awa’, John
Like snaw-wreaths in thaw, John,
I’m wearin’ awa’
To the land o’ the leal.
There’s nae sorrow there, John,
There’s neither cauld nor care, John,
The day is aye fair
In the land o’ the leal.
Our bonnie bairn’s there, John,
She was baith gude and fair, John;
And O! we grudged her sair
To the land o’ the leal.
But sorrow’s sel’ wears past, John,
And joy’s a-coming fast, John,
The joy that’s aye to last
In the land o’ the leal.
Sae dear’s the joy was bought, John,
Sae free the battle fought, John,
That sinfu’ man e’er brought
To the land o’ the leal.
O, dry your glistening e’e, John!
My saul langs to be free, John,
And angels beckon me
To the land o’ the leal.
O, haud ye leal and true, John!
Your day it’s wearin’ through, John,
And I’ll welcome you
To the land o’ the leal.
Now fare-ye-weel, my ain John,
This warld’s cares are vain, John,
We’ll meet, and we’ll be fain,
In the land o’ the leal.
JAMES HOGG
1770-1835
A Boy’s Song
WHERE the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and over the lea,
That’s the way for Billy and me.
Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That’s the way for Billy and me.
Where the mowers mow the cleanest,
Where the hay lies thick and greenest,
There to track the homeward bee,
That’s the way for Billy and me.
Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That’s the way for Billy and me.
Why the boys should drive away
Little sweet maidens from the play,
Or love to banter and fight so well,
That’s the thing I never could tell.
But this I know, I love to play
Through the meadow, among the hay;
Up the water and over the lea,
That’s the way for Billy and me.
Kilmeny
BONNIE Kilmeny gaed up the glen;
But it wasna to meet Duneira’s men,
Nor the rosy monk of the isle to see,
For Kilmeny was pure as pure could be.
It was only to hear the yorlin sing,
And pu’ the cress-flower round the spring;
The scarlet hypp and the hindberrye,
And the nut that hung frae the hazel tree;
For Kilmeny was pure as pure could be.
But lang may her minny look o’er the wa’,
And lang may she seek i’ the green-wood shaw;
Lang the laird o’ Duneira blame,
And lang, lang greet or Kilmeny come hame!
514. yorlin] the yellow-hammer. hindberrye] bramble. minny] mother. greet] mourn.
WHEN many a day had come and fled,
When grief grew calm, and hope was dead,
When mess for Kilmeny’s soul had been sung,
When the bedesman had pray’d and the dead bell rung,
Late, late in gloamin’ when all was still,
When the fringe was red on the westlin hill,
The wood was sere, the moon i’ the wane,
The reek o’ the cot hung over the plain,
Like a little wee cloud in the world its lane;
When the ingle low’d wi’ an eiry leme,
Late, late in the gloamin’ Kilmeny came hame!
‘Kilmeny, Kilmeny, where have you been?
Lang hae we sought baith holt and den;
By linn, by ford, and green-wood tree,
Yet you are halesome and fair to see.
Where gat you that joup o’ the lily scheen?
That bonnie snood of the birk sae green?
And these roses, the fairest that ever were seen?
Kilmeny, Kilmeny, where have you been?’
Kilmeny look’d up with a lovely grace,
But nae smile was seen on Kilmeny’s face;
As still was her look, and as still was her e’e,
As the stillness that lay on the emerant lea,
Or the mist that sleeps on a waveless sea.
For Kilmeny had been, she knew not where,
And Kilmeny had seen what she could not declare;
Kilmeny had been where the cock never crew,
Where the rain never fell, and the wind never blew.
But it seem’d as the harp of the sky had rung,
And the airs of heaven play’d round her tongue,
westlin] western. its lane] alone, by itself. low’d] flamed. eiry leme] eery gleam. linn] waterfall. joup] mantle.
WHEN she spake of the lovely forms she had seen,
And a land where sin had never been;
A land of love and a land of light,
Withouten sun, or moon, or night;
Where the river swa’d a living stream,
And the light a pure celestial beam;
The land of vision, it would seem,
A still, an everlasting dream.
In yon green-wood there is a waik,
And in that waik there is a wene,
And in that wene there is a maike,
That neither has flesh, blood, nor bane;
And down in yon green-wood he walks his lane.
In that green wene Kilmeny lay,
Her bosom happ’d wi’ flowerets gay;
But the air was soft and the silence deep,
And bonnie Kilmeny fell sound asleep.
She kenn’d nae mair, nor open’d her e’e,
Till waked by the hymns of a far countrye.
She ‘waken’d on a couch of the silk sae slim,
All striped wi’ the bars of the rainbow’s rim;
And lovely beings round were rife,
Who erst had travell’d mortal life;
And aye they smiled and ’gan to speer,
‘What spirit has brought this mortal here?’—
‘Lang have I journey’d, the world wide,’
A meek and reverend fere replied;
‘Baith night and day I have watch’d the fair,
Eident a thousand years and mair.
swa’d] swelled. waik] a row of deep damp grass. wene]? whin, a furze-bush. maike] a mate, match, equal. his lane] alone, by himself. happ’d] covered. speer] inquire. fere] fellow. eident] unintermittently.
YES, I have watch’d o’er ilk degree,
Wherever blooms femenitye;
But sinless virgin, free of stain
In mind and body, fand I nane.
Never, since the banquet of time,
Found I a virgin in her prime.
Till late this bonnie maiden I saw
As spotless as the morning snaw:
Full twenty years she has lived as free
As the spirits that sojourn in this countrye:
I have brought her away frae the snares of men,
That sin or death she never may ken.’—
They clasp’d her waist and her hands sae fair,
They kiss’d her cheek and they kemed her hair,
And round came many a blooming fere,
Saying, ‘Bonnie Kilmeny, ye’re welcome here!
Women are freed of the littand scorn:
O blest be the day Kilmeny was born!
Now shall the land of the spirits see,
Now shall it ken what a woman may be!
Many a lang year, in sorrow and pain,
Many a lang year through the world we’ve gane,
Commission’d to watch fair womankind,
For it’s they who nurice the immortal mind.
We have watch’d their steps as the dawning shone,
And deep in the green-wood walks alone;
By lily bower and silken bed,
The viewless tears have o’er them shed;
Have soothed their ardent minds to sleep,
Or left the couch of love to weep.
kemed] combed.
WE have seen! we have seen! but the time must come,
And the angels will weep at the day of doom!
‘O would the fairest of mortal kind
Aye keep the holy truths in mind,
That kindred spirits their motions see,
Who watch their ways with anxious e’e,
And grieve for the guilt of humanitye!
O, sweet to Heaven the maiden’s prayer,
And the sigh that heaves a bosom sae fair!
And dear to Heaven the words of truth,
And the praise of virtue frae beauty’s mouth!
And dear to the viewless forms of air,
The minds that kyth as the body fair!
‘O bonnie Kilmeny! free frae stain,
If ever you seek the world again,
That world of sin, of sorrow and fear,
O tell of the joys that are waiting here;
And tell of the signs you shall shortly see;
Of the times that are now, and the times that shall be.’—
They lifted Kilmeny, they led her away,
And she walk’d in the light of a sunless day;
The sky was a dome of crystal bright,
The fountain of vision, and fountain of light:
The emerald fields were of dazzling glow,
And the flowers of everlasting blow.
Then deep in the stream her body they laid,
That her youth and beauty never might fade;
And they smiled on heaven, when they saw her lie
In the stream of life that wander’d bye.
And she heard a song, she heard it sung,
She kenn’d not where; but sae sweetly it rung,
kyth] show, appear.
IT fell on the ear like a dream of the morn:
‘O, blest be the day Kilmeny was born!
Now shall the land of the spirits see,
Now shall it ken what a woman may be!
The sun that shines on the world sae bright,
A borrow’d gleid frae the fountain of light;
And the moon that sleeks the sky sae dun,
Like a gouden bow, or a beamless sun,
Shall wear away, and be seen nae mair,
And the angels shall miss them travelling the air.
But lang, lang after baith night and day,
When the sun and the world have elyed away;
When the sinner has gane to his waesome doom,
Kilmeny shall smile in eternal bloom!’—
They bore her away, she wist not how,
For she felt not arm nor rest below;
But so swift they wain’d her through the light,
’Twas like the motion of sound or sight;
They seem’d to split the gales of air,
And yet nor gale nor breeze was there.
Unnumber’d groves below them grew,
They came, they pass’d, and backward flew,
Like floods of blossoms gliding on,
In moment seen, in moment gone.
O, never vales to mortal view
Appear’d like those o’er which they flew!
That land to human spirits given,
The lowermost vales of the storied heaven;
From thence they can view the world below,
And heaven’s blue gates with sapphires glow,
More glory yet unmeet to know.
gleid] spark, glow. elyed] vanished.
THEY bore her far to a mountain green,
To see what mortal never had seen;
And they seated her high on a purple sward,
And bade her heed what she saw and heard,
And note the changes the spirits wrought,
For now she lived in the land of thought.
She look’d, and she saw nor sun nor skies,
But a crystal dome of a thousand dyes:
She look’d, and she saw nae land aright,
But an endless whirl of glory and light:
And radiant beings went and came,
Far swifter than wind, or the linkèd flame.
She hid her e’en frae the dazzling view;
She look’d again, and the scene was new.
She saw a sun on a summer sky,
And clouds of amber sailing bye;
A lovely land beneath her lay,
And that land had glens and mountains gray;
And that land had valleys and hoary piles,
And marlèd seas, and a thousand isles.
Its fields were speckled, its forests green
And its lakes were all of the dazzling sheen,
Like magic mirrors, where slumbering lay
The sun and the sky and the cloudlet gray;
Which heaved and trembled, and gently swung,
On every shore they seem’d to be hung;
For there they were seen on their downward plain
A thousand times and a thousand again;
In winding lake and placid firth,
Little peaceful heavens in the bosom of earth.
marlèd] variegated, parti-coloured.
KILMENY sigh’d and seem’d to grieve,
For she found her heart to that land did cleave;
She saw the corn wave on the vale,
She saw the deer run down the dale;
She saw the plaid and the broad claymore,
And the brows that the badge of freedom bore;
And she thought she had seen the land before.
She saw a lady sit on a throne,
The fairest that ever the sun shone on!
A lion lick’d her hand of milk,
And she held him in a leish of silk;
And a leifu’ maiden stood at her knee,
With a silver wand and melting e’e;
Her sovereign shield till love stole in,
And poison’d all the fount within.
Then a gruff untoward bedesman came,
And hundit the lion on his dame;
And the guardian maid wi’ the dauntless e’e,
She dropp’d a tear, and left her knee;
And she saw till the queen frae the lion fled,
Till the bonniest flower of the world lay dead;
A coffin was set on a distant plain,
And she saw the red blood fall like rain;
Then bonnie Kilmeny’s heart grew sair,
And she turn’d away, and could look nae mair.
Then the gruff grim carle girn’d amain,
And they trampled him down, but he rose again;
And he baited the lion to deeds of weir,
Till he lapp’d the blood to the kingdom dear;
leifu’] lone, wistful. girn’d] snarled. weir] war.
AND weening his head was danger-preef,
When crown’d with the rose and clover leaf,
He gowl’d at the carle, and chased him away
To feed wi’ the deer on the mountain gray.
He gowl’d at the carle, and geck’d at Heaven,
But his mark was set, and his arles given.
Kilmeny a while her e’en withdrew;
She look’d again, and the scene was new.
She saw before her fair unfurl’d
One half of all the glowing world,
Where oceans roll’d, and rivers ran,
To bound the aims of sinful man.
She saw a people, fierce and fell,
Burst frae their bounds like fiends of hell;
Their lilies grew, and the eagle flew;
And she herkèd on her ravening crew,
Till the cities and towers were wrapp’d in a blaze,
And the thunder it roar’d o’er the lands and the seas.
The widows they wail’d, and the red blood ran,
And she threatened an end to the race of man;
She never lened, nor stood in awe,
Till caught by the lion’s deadly paw.
O, then the eagle swink’d for life,
And brainyell’d up a mortal strife;
But flew she north, or flew she south,
She met wi’ the gowl o’ the lion’s mouth.
With a mooted wing and waefu’ maen,
The eagle sought her eiry again;
But lang may she cower in her bloody nest,
And lang, lang sleek her wounded breast,
gowl’d] howled. geck’d] mocked. arles] money paid on striking a bargain; fig. a beating. lened] crouched. swink’d] laboured. brainyell’d] stirred, beat. mooted] moulted.
BEFORE she sey another flight,
To play with the norland lion’s might.
But to sing the sights Kilmeny saw,
So far surpassing nature’s law,
The singer’s voice wad sink away,
And the string of his harp wad cease to play.
But she saw till the sorrows of man were bye,
And all was love and harmony;
Till the stars of heaven fell calmly away,
Like flakes of snaw on a winter day.
Then Kilmeny begg’d again to see
The friends she had left in her own countrye;
To tell of the place where she had been,
And the glories that lay in the land unseen;
To warn the living maidens fair,
The loved of Heaven, the spirits’ care,
That all whose minds unmeled remain
Shall bloom in beauty when time is gane.
With distant music, soft and deep,
They lull’d Kilmeny sound asleep;
And when she awaken’d, she lay her lane,
All happ’d with flowers, in the green-wood wene.
When seven lang years had come and fled,
When grief was calm, and hope was dead;
When scarce was remember’d Kilmeny’s name,
Late, late in a gloamin’ Kilmeny came hame!
And O, her beauty was fair to see,
But still and steadfast was her e’e!
Such beauty bard may never declare,
For there was no pride nor passion there;
sey] essay. unmeled] unblemished. her lane] alone, by herself.
AND the soft desire of maiden’s e’en
In that mild face could never be seen.
Her seymar was the lily flower,
And her cheek the moss-rose in the shower;
And her voice like the distant melodye,
That floats along the twilight sea.
But she loved to raike the lanely glen,
And keepèd afar frae the haunts of men;
Her holy hymns unheard to sing,
To suck the flowers, and drink the spring.
But wherever her peaceful form appear’d,
The wild beasts of the hill were cheer’d;
The wolf play’d blythly round the field,
The lordly byson low’d and kneel’d;
The dun deer woo’d with manner bland,
And cower’d aneath her lily hand.
And when at even the woodlands rung,
When hymns of other worlds she sung
In ecstasy of sweet devotion,
O, then the glen was all in motion!
The wild beasts of the forest came,
Broke from their bughts and faulds the tame,
And goved around, charm’d and amazed;
Even the dull cattle croon’d and gazed,
And murmur’d and look’d with anxious pain
For something the mystery to explain.
The buzzard came with the throstle-cock;
The corby left her houf in the rock;
The blackbird alang wi’ the eagle flew;
The hind came tripping o’er the dew;
seymar]=cymar, a slight covering. raike] range, wander. bughts] milking-pens. goved] stared, gazed. corby] raven. houf] haunt.
THE wolf and the kid their raike began,
And the tod, and the lamb, and the leveret ran;
The hawk and the hern attour them hung,
And the merle and the mavis forhooy’d their young;
And all in a peaceful ring were hurl’d;
It was like an eve in a sinless world!
When a month and a day had come and gane,
Kilmeny sought the green-wood wene;
There laid her down on the leaves sae green,
And Kilmeny on earth was never mair seen.
But O, the words that fell from her mouth
Were words of wonder, and words of truth!
But all the land were in fear and dread,
For they kendna whether she was living or dead.
It wasna her hame, and she couldna remain;
She left this world of sorrow and pain,
And return’d to the land of thought again.
514. raike] ramble. tod] fox. attour] out over. forhooy’d] neglected.
WILLIAM WORDSWORTH
1770-1850
Lucy
i
STRANGE fits of passion have I known:
And I will dare to tell,
But in the lover’s ear alone,
What once to me befell.
When she I loved look’d every day
Fresh as a rose in June,
I to her cottage bent my way,
Beneath an evening moon.
Upon the moon I fix’d my eye,
All over the wide lea;
With quickening pace my horse drew nigh
Those paths so dear to me.
And now we reach’d the orchard-plot;
And, as we climb’d the hill,
The sinking moon to Lucy’s cot
Came near and nearer still.
In one of those sweet dreams I slept,
Kind Nature’s gentlest boon!
And all the while my eyes I kept
On the descending moon.
My horse moved on; hoof after hoof
He raised, and never stopp’d:
When down behind the cottage roof,
At once, the bright moon dropp’d.
What fond and wayward thoughts will slide
Into a lover’s head!
‘O mercy!’ to myself I cried,
‘If Lucy should be dead!’
ii
SHE dwelt among the untrodden ways
Beside the springs of Dove,
A Maid whom there were none to praise
And very few to love:
A violet by a mossy stone
Half hidden from the eye!
Fair as a star, when only one
Is shining in the sky.
She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave, and oh,
The difference to me!
iii
I TRAVELED among unknown men,
In lands beyond the sea;
Nor, England! did I know till then
What love I bore to thee.
’Tis past, that melancholy dream!
Nor will I quit thy shore
A second time; for still I seem
To love thee more and more.
Among thy mountains did I feel
The joy of my desire;
And she I cherish’d turn’d her wheel
Beside an English fire.
Thy mornings show’d, thy nights conceal’d,
The bowers where Lucy play’d;
And thine too is the last green field
That Lucy’s eyes survey’d.
iv
THREE years she grew in sun and shower;
Then Nature said, ‘A lovelier flower
On earth was never sown;
This child I to myself will take;
She shall be mine, and I will make
A lady of my own.
‘Myself will to my darling be
Both law and impulse: and with me
The girl, in rock and plain,
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindle or restrain.
‘She shall be sportive as the fawn
That wild with glee across the lawn
Or up the mountain springs;
And hers shall be the breathing balm,
And hers the silence and the calm
Of mute insensate things.
‘The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
Even in the motions of the storm
Grace that shall mould the maiden’s form
By silent sympathy.
‘The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face.
‘And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
While she and I together live
Here in this happy dell.’
Thus Nature spake—The work was done—
How soon my Lucy’s race was run!
She died, and left to me
This heath, this calm and quiet scene;
The memory of what has been,
And never more will be.
v
A SLUMBER did my spirit seal;
I had no human fears:
She seem’d a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Roll’d round in earth’s diurnal course,
With rocks, and stones, and trees.
Upon Westminster Bridge
EARTH has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth like a garment wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
Evening on Calais Beach
IT is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o’er the sea:
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouch’d by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham’s bosom all the year;
And worshipp’st at the Temple’s inner shrine,
God being with thee when we know it not.
On the Extinction of the Venetian Republic, 1802
ONCE did she hold the gorgeous East in fee;
And was the safeguard of the West: the worth
Of Venice did not fall below her birth,
Venice, the eldest Child of Liberty.
She was a maiden City, bright and free;
No guile seduced, no force could violate;
And, when she took unto herself a mate,
She must espouse the everlasting Sea.
And what if she had seen those glories fade,
Those titles vanish, and that strength decay;
Yet shall some tribute of regret be paid
When her long life hath reach’d its final day:
Men are we, and must grieve when even the Shade
Of that which once was great is pass’d away.
England, 1802
i
O FRIEND! I know not which way I must look
For comfort, being, as I am, opprest,
To think that now our life is only drest
For show; mean handy-work of craftsman, cook,
Or groom!—We must run glittering like a brook
In the open sunshine, or we are unblest:
The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
This is idolatry; and these we adore:
Plain living and high thinking are no more:
The homely beauty of the good old cause
Is gone; our peace, our fearful innocence,
And pure religion breathing household laws.
ii
MILTON! thou shouldst be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
O raise us up, return to us again,
And give us manners, virtue, freedom, power!
Thy soul was like a Star, and dwelt apart;
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free,
So didst thou travel on life’s common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.
iii
GREAT men have been among us; hands that penn’d
And tongues that utter’d wisdom—better none:
The later Sidney, Marvel, Harrington,
Young Vane, and others who call’d Milton friend.
These moralists could act and comprehend:
They knew how genuine glory was put on;
Taught us how rightfully a nation shone
In splendour: what strength was, that would not bend
But in magnanimous meekness. France, ’tis strange,
Hath brought forth no such souls as we had then.
Perpetual emptiness! unceasing change!
No single volume paramount, no code,
No master spirit, no determined road;
But equally a want of books and men!
iv
IT is not to be thought of that the flood
Of British freedom, which, to the open sea
Of the world’s praise, from dark antiquity
Hath flow’d, ‘with pomp of waters, unwithstood,’—
Roused though it be full often to a mood
Which spurns the check of salutary bands,—
That this most famous stream in bogs and sands
Should perish; and to evil and to good
Be lost for ever. In our halls is hung
Armoury of the invincible Knights of old:
We must be free or die, who speak the tongue
That Shakespeare spake; the faith and morals hold
Which Milton held.—In everything we are sprung
Of Earth’s first blood, have titles manifold.
v
When I have borne in memory what has tamed
Great Nations, how ennobling thoughts depart
When men change swords for ledgers, and desert
The student’s bower for gold, some fears unnamed
I had, my Country—am I to be blamed?
Now, when I think of thee, and what thou art,
Verily, in the bottom of my heart,
Of those unfilial fears I am ashamed.
For dearly must we prize thee; we who find
In thee a bulwark for the cause of men;
And I by my affection was beguiled:
What wonder if a Poet now and then,
Among the many movements of his mind,
Felt for thee as a lover or a child!
The Solitary Reaper
Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whatever the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;—
I listen'd, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
Perfect Woman
SHE was a phantom of delight
When first she gleam’d upon my sight;
A lovely apparition, sent
To be a moment’s ornament;
Her eyes as stars of twilight fair;
Like twilight’s, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.
I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature’s daily food;
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.
And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death;
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann’d,
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light.
Daffodils
I WANDER’d lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretch’d in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Ode to Duty
STERN Daughter of the Voice of God!
O Duty! if that name thou love,
Who art a light to guide, a rod
To check the erring and reprove;
Thou, who art victory and law
When empty terrors overawe;
From vain temptations dost set free;
And calm’st the weary strife of frail humanity!
There are who ask not if thine eye
Be on them; who, in love and truth,
Where no misgiving is, rely
Upon the genial sense of youth:
Glad hearts! without reproach or blot;
Who do thy work, and know it not:
O, if through confidence misplaced
They fail, thy saving arms, dread Power! around them cast.
Serene will be our days and bright,
And happy will our nature be,
When love is an unerring light,
And joy its own security.
And they a blissful course may hold
Even now, who, not unwisely bold,
Live in the spirit of this creed;
Yet seek thy firm support, according to their need.
I, loving freedom, and untried;
No sport of every random gust,
Yet being to myself a guide,
Too blindly have reposed my trust:
And oft, when in my heart was heard
Thy timely mandate, I deferr’d
The task, in smoother walks to stray;
But thee I now would serve more strictly, if I may.
Through no disturbance of my soul,
Or strong compunction in me wrought,
I supplicate for thy control;
But in the quietness of thought.
Me this uncharter’d freedom tires;
I feel the weight of chance-desires;
My hopes no more must change their name,
I long for a repose that ever is the same.
Yet not the less would I throughout
Still act according to the voice
Of my own wish; and feel past doubt
That my submissiveness was choice:
Not seeking in the school of pride
For ‘precepts over dignified,’
Denial and restraint I prize
No farther than they breed a second Will more wise.
Stern Lawgiver! yet thou dost wear
The Godhead’s most benignant grace;
Nor know we anything so fair
As is the smile upon thy face:
Flowers laugh before thee on their beds,
And fragrance in thy footing treads;
Thou dost preserve the stars from wrong;
And the most ancient heavens, through Thee, are fresh and strong.
To humbler functions, awful Power!
I call thee: I myself commend
Unto thy guidance from this hour;
O, let my weakness have an end!
Give unto me, made lowly wise,
The spirit of self-sacrifice;
The confidence of reason give;
And in the light of truth thy bondman let me live!
The Rainbow
MY heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.
The Sonnet
i
NUNS fret not at their convent’s narrow room,
And hermits are contented with their cells,
And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Sit blithe and happy; bees that soar for bloom,
High as the highest peak of Furness fells,
Will murmur by the hour in foxglove bells:
In truth the prison unto which we doom
Ourselves no prison is: and hence for me,
In sundry moods, ’twas pastime to be bound
Within the Sonnet’s scanty plot of ground;
Pleased if some souls (for such there needs must be)
Who have felt the weight of too much liberty,
Should find brief solace there, as I have found.
ii
Scorn not the Sonnet; Critic, you have frown'd,
Mindless of its just honours; with this key
Shakespeare unlock'd his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens sooth'd an exile's grief;
The Sonnet glitter'd a gay myrtle leaf
Amid the cypress with which Dante crown'd
His visionary brow: a glow-worm lamp,
It cheer'd mild Spenser, call'd from Faery-land
To struggle through dark ways; and when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains—alas, too few!
The World
THE world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gather’d now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.—Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
Ode
Intimations of Immortality from Recollections of Early Childhood
There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparell’d in celestial light,
The glory and the freshness of a dream,
It is not now as it hath been of yore;—
Turn wheresoe’er I may,
By night or day,
The things which I have seen I now can see no more.
The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath pass’d away a glory from the earth.
Now, while the birds thus sing a joyous song,
And while the young lambs bound
As to the tabor’s sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
And I again am strong:
The cataracts blow their trumpets from the steep;
No more shall grief of mine the season wrong;
I hear the echoes through the mountains throng,
The winds come to me from the fields of sleep,
And all the earth is gay;
Land and sea
Give themselves up to jollity,
And with the heart of May
Doth every beast keep holiday;—
Thou Child of Joy,
Shout round me, let me hear thy shouts, thou happy Shepherd-boy!
Ye blessèd creatures, I have heard the call
Ye to each other make; I see
The heavens laugh with you in your jubilee;
My heart is at your festival,
My head hath its coronal,
The fullness of your bliss, I feel—I feel it all.
O evil day! if I were sullen
While Earth herself is adorning,
This sweet May-morning,
And the children are culling
On every side,
In a thousand valleys far and wide,
Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother’s arm:—
I hear, I hear, with joy I hear!
—But there’s a tree, of many, one,
A single field which I have look’d upon,
Both of them speak of something that is gone:
The pansy at my feet
Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?
Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
Upon the growing Boy,
But he beholds the light, and whence it flows,
He sees it in his joy;
The Youth, who daily farther from the east
Must travel, still is Nature’s priest,
And by the vision splendid
Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.
Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother’s mind,
And no unworthy aim,
The homely nurse doth all she can
To make her foster-child, her inmate Man,
Forget the glories he hath known,
And that imperial palace whence he came.
Behold the Child among his new-born blisses,
A six years’ darling of a pigmy size!
See, where ’mid work of his own hand he lies,
Fretted by sallies of his mother’s kisses,
With light upon him from his father’s eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learnèd art;
A wedding or a festival,
A mourning or a funeral;
And this hath now his heart,
And unto this he frames his song:
Then will he fit his tongue
To dialogues of business, love, or strife;
But it will not be long
Ere this be thrown aside,
And with new joy and pride
The little actor cons another part;
Filling from time to time his ‘humorous stage’
With all the Persons, down to palsied Age,
That Life brings with her in her equipage;
As if his whole vocation
Were endless imitation.
Thou, whose exterior semblance doth belie
Thy soul’s immensity;
Thou best philosopher, who yet dost keep
Thy heritage, thou eye among the blind,
That, deaf and silent, read’st the eternal deep,
Haunted for ever by the eternal mind,—
Mighty prophet! Seer blest!
On whom those truths do rest,
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the Day, a master o’er a slave,
A presence which is not to be put by;
To whom the grave
Is but a lonely bed without the sense or sight
Of day or the warm light,
A place of thought where we in waiting lie;
Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being’s height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife?
Full soon thy soul shall have her earthly freight,
And custom lie upon thee with a weight,
Heavy as frost, and deep almost as life!
O joy! that in our embers
Is something that doth live,
That nature yet remembers
What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest—
Delight and liberty, the simple creed
Of childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:—
Not for these I raise
The song of thanks and praise;
But for those obstinate questionings
Of sense and outward things,
Fallings from us, vanishings;
Blank misgivings of a Creature
Moving about in worlds not realized,
High instincts before which our mortal Nature
Did tremble like a guilty thing surprised:
But for those first affections,
Those shadowy recollections,
Which, be they what they may,
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
Of the eternal Silence: truths that wake,
To perish never:
Which neither listlessness, nor mad endeavour,
Nor Man nor Boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy!
Hence in a season of calm weather
Though inland far we be,
Our souls have sight of that immortal sea
Which brought us hither,
Can in a moment travel thither,
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.
Then sing, ye birds, sing, sing a joyous song!
And let the young lambs bound
As to the tabor’s sound!
We in thought will join your throng,
Ye that pipe and ye that play,
Ye that through your hearts to-day
Feel the gladness of the May!
What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.
And O ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquished one delight
To live beneath your more habitual sway.
I love the brooks which down their channels fret,
Even more than when I tripp’d lightly as they;
The innocent brightness of a new-born Day
Is lovely yet;
The clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o’er man’s mortality;
Another race hath been, and other palms are won.
Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.
Desideria
Surprised by joy—impatient as the Wind
I turned to share the transport—O! with whom
But Thee, deep buried in the silent tomb,
That spot which no vicissitude can find?
Love, faithful love, recall'd thee to my mind—
But how could I forget thee? Through what power,
Even for the least division of an hour,
Have I been so beguiled as to be blind
To my most grievous loss?—That thought's return
Was the worst pang that sorrow ever bore,
Save one, one only, when I stood forlorn,
Knowing my heart's best treasure was no more;
That neither present time, nor years unborn
Could to my sight that heavenly face restore.
Valedictory Sonnet to the River Duddon
I THOUGHT of Thee, my partner and my guide,
As being pass’d away.—Vain sympathies!
For, backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall for ever glide;
The Form remains, the Function never dies;
While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish;—be it so!
Enough, if something from our hands have power
To live, and act, and serve the future hour;
And if, as toward the silent tomb we go,
Through love, through hope, and faith’s transcendent dower,
We feel that we are greater than we know.
Mutability
FROM low to high doth dissolution climb,
And sink from high to low, along a scale
Of awful notes, whose concord shall not fail;
A musical but melancholy chime,
Which they can hear who meddle not with crime.
Nor avarice, nor over-anxious care.
Truth fails not; but her outward forms that bear
The longest date do melt like frosty rime,
That in the morning whiten’d hill and plain
And is no more; drop like the tower sublime
Of yesterday, which royally did wear
His crown of weeds, but could not even sustain
Some casual shout that broke the silent air,
Or the unimaginable touch of Time.
The Trosachs
THERE’s not a nook within this solemn Pass
But were an apt confessional for one
Taught by his summer spent, his autumn gone,
That Life is but a tale of morning grass
Wither’d at eve. From scenes of art which chase
That thought away, turn, and with watchful eyes
Feed it ’mid Nature’s old felicities,
Rocks, rivers, and smooth lakes more clear than glass
Untouch’d, unbreathed upon. Thrice happy quest,
If from a golden perch of aspen spray
(October’s workmanship to rival May)
The pensive warbler of the ruddy breast
That moral sweeten by a heaven-taught lay,
Lulling the year, with all its cares, to rest!
Speak!
WHY art thou silent! Is thy love a plant
Of such weak fibre that the treacherous air
Of absence withers what was once so fair?
Is there no debt to pay, no boon to grant?
Yet have my thoughts for thee been vigilant—
Bound to thy service with unceasing care,
The mind’s least generous wish a mendicant
For naught but what thy happiness could spare.
Speak—though this soft warm heart, once free to hold
A thousand tender pleasures, thine and mine,
Be left more desolate, more dreary cold
Than a forsaken bird’s-nest fill’d with snow
’Mid its own bush of leafless eglantine—
Speak, that my torturing doubts their end may know!
SIR WALTER SCOTT
1771-1832
Proud Maisie
PROUD Maisie is in the wood,
Walking so early;
Sweet Robin sits on the bush,
Singing so rarely.
‘Tell me, thou bonny bird,
When shall I marry me?’
—‘When six braw gentlemen
Kirkward shall carry ye.’
‘Who makes the bridal bed,
Birdie, say truly?’
—‘The grey-headed sexton
That delves the grave duly.
‘The glow-worm o’er grave and stone
Shall light thee steady;
The owl from the steeple sing
Welcome, proud lady!’
Brignall Banks
O BRIGNALL banks are wild and fair,
And Greta woods are green,
And you may gather garlands there,
Would grace a summer queen:
And as I rode by Dalton Hall,
Beneath the turrets high,
A Maiden on the castle wall
Was singing merrily:—
‘O, Brignall banks are fresh and fair,
And Greta woods are green!
I’d rather rove with Edmund there
Than reign our English Queen.’
‘If, Maiden, thou wouldst wend with me
To leave both tower and town,
Thou first must guess what life lead we,
That dwell by dale and down:
And if thou canst that riddle read,
As read full well you may,
Then to the green-wood shalt thou speed
As blithe as Queen of May.’
Yet sung she, ‘Brignall banks are fair,
And Greta woods are green!
I’d rather rove with Edmund there
Than reign our English Queen.
‘I read you by your bugle horn
And by your palfrey good,
I read you for a Ranger sworn
To keep the King’s green-wood.’
‘A Ranger, Lady, winds his horn,
And ’tis at peep of light;
His blast is heard at merry morn,
And mine at dead of night.’
Yet sung she, ‘Brignall banks are fair,
And Greta woods are gay!
I would I were with Edmund there,
To reign his Queen of May!
‘With burnish’d brand and musketoon
So gallantly you come,
I read you for a bold Dragoon,
That lists the tuck of drum.’
‘I list no more the tuck of drum,
No more the trumpet hear;
But when the beetle sounds his hum,
My comrades take the spear.
‘And O! though Brignall banks be fair,
And Greta woods be gay,
Yet mickle must the maiden dare,
Would reign my Queen of May!
‘Maiden! a nameless life I lead,
A nameless death I’ll die;
The fiend whose lantern lights the mead
Were better mate than I!
And when I’m with my comrades met
Beneath the green-wood bough,
What once we were we all forget,
Nor think what we are now.’
Chorus. Yet Brignall banks are fresh and fair,
And Greta woods are green,
And you may gather flowers there
Would grace a summer queen.
Lucy Ashton’s Song
LOOK not thou on beauty’s charming;
Sit thou still when kings are arming;
Taste not when the wine-cup glistens;
Speak not when the people listens;
Stop thine ear against the singer;
From the red gold keep thy finger;
Vacant heart and hand and eye,
Easy live and quiet die.
Answer
SOUND, sound the clarion, fill the fife!
To all the sensual world proclaim,
One crowded hour of glorious life
Is worth an age without a name.
The Rover’s Adieu
A WEARY lot is thine, fair maid,
A weary lot is thine!
To pull the thorn thy brow to braid,
And press the rue for wine.
A lightsome eye, a soldier’s mien,
A feather of the blue,
A doublet of the Lincoln green—
No more of me ye knew,
My Love!
No more of me ye knew.
‘This morn is merry June, I trow,
The rose is budding fain;
But she shall bloom in winter snow
Ere we two meet again.’
—He turn’d his charger as he spake
Upon the river shore,
He gave the bridle-reins a shake,
Said ‘Adieu for evermore,
My Love!
And adieu for evermore.’
Patriotism
1. Innominatus
BREATHES there the man with soul so dead,
Who never to himself hath said,
‘This is my own, my native land!’
Whose heart hath ne’er within him burn’d
As home his footsteps he hath turn’d
From wandering on a foreign strand?
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust from whence he sprung,
Unwept, unhonour’d, and unsung.
2. Nelson, Pitt, Fox
TO mute and to material things
New life revolving summer brings;
The genial call dead Nature hears,
And in her glory reappears.
But oh, my Country’s wintry state
What second spring shall renovate?
What powerful call shall bid arise
The buried warlike and the wise;
The mind that thought for Britain’s weal,
The hand that grasp’d the victor steel?
The vernal sun new life bestows
Even on the meanest flower that blows;
But vainly, vainly may he shine
Where glory weeps o’er Nelson’s shrine;
And vainly pierce the solemn gloom
That shrouds, O Pitt, thy hallow’d tomb!
Deep graved in every British heart,
O never let those names depart!
Say to your sons,—Lo, here his grave,
Who victor died on Gadite wave!
To him, as to the burning levin,
Short, bright, resistless course was given.
Where’er his country’s foes were found
Was heard the fated thunder’s sound,
Till burst the bolt on yonder shore,
Roll’d, blazed, destroy’d—and was no more.
Nor mourn ye less his perish’d worth,
Who bade the conqueror go forth,
And launch’d that thunderbolt of war
On Egypt, Hafnia, Trafalgar;
Who, born to guide such high emprise,
For Britain’s weal was early wise;
Alas! to whom the Almighty gave,
For Britain’s sins, an early grave!
—His worth, who in his mightiest hour
A bauble held the pride of power,
Spurn’d at the sordid lust of pelf,
And served his Albion for herself;
Who, when the frantic crowd amain
Strain’d at subjection’s bursting rein,
O’er their wild mood full conquest gain’d,
The pride he would not crush, restrain’d,
Show’d their fierce zeal a worthier cause,
And brought the freeman’s arm to aid the freeman’s laws.
Hadst thou but lived, though stripp’d of power,
A watchman on the lonely tower,
Thy thrilling trump had roused the land,
When fraud or danger were at hand;
By thee, as by the beacon-light,
Our pilots had kept course aright;
As some proud column, though alone,
Thy strength had propp’d the tottering throne.
Now is the stately column broke,
The beacon-light is quench’d in smoke,
The trumpet’s silver voice is still,
The warder silent on the hill!
O think, how to his latest day,
When Death, just hovering, claim’d his prey.
With Palinure’s unalter’d mood
Firm at his dangerous post he stood;
Each call for needful rest repell’d,
With dying hand the rudder held,
Till in his fall with fateful sway
The steerage of the realm gave way.
Then—while on Britain’s thousand plains
One unpolluted church remains,
Whose peaceful bells ne’er sent around
The bloody tocsin’s maddening sound,
But still upon the hallow’d day
Convoke the swains to praise and pray;
While faith and civil peace are dear,
Grace this cold marble with a tear:—
He who preserved them, Pitt, lies here!
Nor yet suppress the generous sigh,
Because his rival slumbers nigh;
Nor be thy Requiescat dumb
Lest it be said o’er Fox’s tomb.
For talents mourn, untimely lost,
When best employ’d, and wanted most;
Mourn genius high, and lore profound,
And wit that loved to play, not wound;
And all the reasoning powers divine
To penetrate, resolve, combine;
And feelings keen, and fancy’s glow—
They sleep with him who sleeps below:
And, if thou mourn’st they could not save
From error him who owns this grave,
Be every harsher thought suppress’d,
And sacred be the last long rest.
Here, where the end of earthly things
Lays heroes, patriots, bards, and kings;
Where stiff the hand, and still the tongue,
Of those who fought, and spoke, and sung;
Here, where the fretted vaults prolong
The distant notes of holy song,
As if some angel spoke agen,
‘All peace on earth, good-will to men’;
If ever from an English heart,
O, here let prejudice depart,
And, partial feeling cast aside,
Record that Fox a Briton died!
When Europe crouch’d to France’s yoke,
And Austria bent, and Prussia broke,
And the firm Russian’s purpose brave
Was bartered by a timorous slave—
Even then dishonour’s peace he spurn’d,
The sullied olive-branch return’d,
Stood for his country’s glory fast,
And nail’d her colours to the mast!
Heaven, to reward his firmness, gave
A portion in this honour’d grave;
And ne’er held marble in its trust
Of two such wondrous men the dust.
With more than mortal powers endow’d,
How high they soar’d above the crowd!
Theirs was no common party race,
Jostling by dark intrigue for place;
Like fabled gods, their mighty war
Shook realms and nations in its jar;
Beneath each banner proud to stand,
Look’d up the noblest of the land,
Till through the British world were known
The names of Pitt and Fox alone.
Spells of such force no wizard grave
E’er framed in dark Thessalian cave,
Though his could drain the ocean dry,
And force the planets from the sky.
These spells are spent, and, spent with these,
The wine of life is on the lees.
Genius, and taste, and talent gone,
For ever tomb’d beneath the stone,
Where—taming thought to human pride!—
The mighty chiefs sleep side by side.
Drop upon Fox’s grave the tear,
’Twill trickle to his rival’s bier;
O’er Pitt’s the mournful requiem sound,
And Fox’s shall the notes rebound.
The solemn echo seems to cry,
‘Here let their discord with them die.
Speak not for those a separate doom
Whom fate made Brothers in the tomb;
But search the land of living men,
Where wilt thou find their like agen?’
SAMUEL TAYLOR COLERIDGE
1772-1834
The Rime of the Ancient Mariner
Part I
An ancient Mariner meeteth three gallants bidden to a wedding feast, and detaineth one.
IT is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?
The Bridegroom’s doors are open’d wide,
And I am next of kin;
The guests are met, the feast is set:
May’st hear the merry din.’
He holds him with his skinny hand,
‘There was a ship,’ quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropt he.
The Wedding-Guest is spellbound by the eye of the old seafaring man, and constrained to hear his tale.
HE holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.
The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.
‘The ship was cheer’d, the harbour clear’d,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.
The Mariner tells how the ship sailed southward with a good wind and fair weather, till it reached the Line.
THE Sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.
Higher and higher every day,
Till over the mast at noon——’
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.
The Wedding Guest heareth the bridal music; but the Mariner continueth his tale.
THE bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.
The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.
The ship drawn by a storm toward the South Pole.
‘AND now the Storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.
With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roar’d the blast,
And southward aye we fled.
And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.
The land of ice, and of fearful sounds, where no living thing was to be seen.
AND through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.
The ice was here, the ice was there,
The ice was all around:
It crack’d and growl’d, and roar’d and howl’d,
Like noises in a swound!
Till a great sea-bird, called the Albatross, came through the snow-fog, and was received with great joy and hospitality.
AT length did cross an Albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hail’d it in God’s name.
It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steer’d us through!
And lo! the Albatross proveth a bird of good omen, and followeth the ship as it returned northward through fog and floating ice.
AND a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariners’ hollo!
In mist or cloud, on mast or shroud,
It perch’d for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmer’d the white moonshine.’
The ancient Mariner inhospitably killeth the pious bird of good omen.
‘GOD save thee, ancient Mariner,
From the fiends, that plague thee thus!—
Why look’st thou so?’—‘With my crossbow
I shot the Albatross.
Part II
‘THE Sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.
And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!
His shipmates cry out against the ancient Mariner for killing the bird of good luck.
AND I had done a hellish thing,
And it would work ’em woe:
For all averr’d I had kill’d the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!
But when the fog cleared off, they justify the same, and thus make themselves accomplices in the crime.
NOR dim nor red, like God’s own head,
The glorious Sun uprist:
Then all averr’d I had kill’d the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.
The fair breeze continues; the ship enters the Pacific Ocean, and sails northward, even till it reaches the Line.
THE fair breeze blew, the white foam flew,
The furrow follow’d free;
We were the first that ever burst
Into that silent sea.
The ship hath been suddenly becalmed.
DOWN dropt the breeze, the sails dropt down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!
All in a hot and copper sky,
The bloody Sun, at noon,
Right up above the mast did stand,
No bigger than the Moon.
Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.
And the Albatross begins to be avenged.
WATER, water, everywhere,
And all the boards did shrink;
Water, water, everywhere,
Nor any drop to drink.
The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.
About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.
A Spirit had followed them, one of the invisible inhabitants of this planet, neither departed souls nor angels; concerning whom the learned Jew, Josephus, and the Platonic Constantinopolitan, Michael Psellus, may be consulted. They are very numerous, and there is no climate or element without one or more.
AND some in dreams assurèd were
Or the Spirit that plagued us so;
Nine fathom deep he had follow’d us
From the land of mist and snow.
And every tongue, through utter drought,
Was wither’d at the root;
We could not speak, no more than if
We had been choked with soot.
The shipmates in their sore distress, would fain throw the whole guilt on the ancient Mariner: in sign whereof they hang the dead sea-bird round his neck.
AH! well a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.
Part III
The ancient Mariner beholdeth a sign in the element afar off.
‘THERE passed a weary time. Each throat
Was parch’d, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye!
When looking westward, I beheld
A something in the sky.
At first it seem’d a little speck,
And then it seem’d a mist;
It moved and moved, and took at last
A certain shape, I wist.
A speck, a mist, a shape, I wist!
And still it near’d and near’d:
As if it dodged a water-sprite,
It plunged, and tack’d, and veer’d.
At its nearer approach, it seemeth him to be a ship; and at a dear ransom he freeth his speech from the bonds of thirst.
WITH throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I suck’d the blood,
And cried, A sail! a sail!
A flash of joy;
WITH throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.
And horror follows. For can it be a ship that comes onward without wind or tide?
SEE! see! (I cried) she tacks no more!
Hither to work us weal—
Without a breeze, without a tide,
She steadies with upright keel!
The western wave was all aflame,
The day was wellnigh done!
Almost upon the western wave
Rested the broad, bright Sun;
When that strange shape drove suddenly
Betwixt us and the Sun.
It seemeth him but the skeleton of a ship.
AND straight the Sun was fleck’d with bars
(Heaven’s Mother send us grace!),
As if through a dungeon-grate he peer’d
With broad and burning face.
Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the Sun,
Like restless gossameres?
And its ribs are seen as bars on the face of the setting Sun. The Spectre-Woman and her Death-mate, and no other, on board the skeleton ship. Like vessel, like crew!
ARE those her ribs through which the Sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?
Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.
Death and Life-in-Death have diced for the ship’s crew, and she (the latter) winneth the ancient Mariner.
THE naked hulk alongside came,
And the twain were casting dice;
“The game is done! I’ve won! I’ve won!”
Quoth she, and whistles thrice.
No twilight within the courts of the Sun.
THE Sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper, o’er the sea,
Off shot the spectre-bark.
At the rising of the Moon,
WE listen’d and look’d sideways up!
Fear at my heart, as at a cup,
My life-blood seem’d to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleam’d white;
From the sails the dew did drip—
Till clomb above the eastern bar
The hornèd Moon, with one bright star
Within the nether tip.
One after another,
ONE after one, by the star-dogg’d Moon,
Too quick for groan or sigh,
Each turn’d his face with a ghastly pang,
And cursed me with his eye.
His shipmates drop down dead.
FOUR times fifty living men
(And I heard nor sigh nor groan),
With heavy thump, a lifeless lump,
They dropp’d down one by one.
But Life-in-Death begins her work on the ancient Mariner.
THE souls did from their bodies fly—
They fled to bliss or woe!
And every soul, it pass’d me by
Like the whizz of my crossbow!’
Part IV
The Wedding-Guest feareth that a spirit is talking to him.
‘I FEAR thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribb’d sea-sand.
But the ancient Mariner assureth him of his bodily life, and proceedeth to relate his horrible penance.
I FEAR thee and thy glittering eye,
And thy skinny hand so brown.’—
‘Fear not, fear not, thou Wedding-Guest!
This body dropt not down.
Alone, alone, all, all alone,
Alone on a wide, wide sea!
And never a saint took pity on
My soul in agony.
He despiseth the creatures of the calm.
THE many men, so beautiful!
And they all dead did lie:
And a thousand thousand slimy things
Lived on; and so did I.
And envieth that they should live, and so many lie dead.
I LOOK’d upon the rotting sea,
And drew my eyes away;
I look’d upon the rotting deck,
And there the dead men lay.
I look’d to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came, and made
My heart as dry as dust.
I closed my lids, and kept them close,
And the balls like pulses beat;
But the sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.
But the curse liveth for him in the eye of the dead men.
THE cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they look’d on me
Had never pass’d away.
An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.
In his loneliness and fixedness he yearneth towards the Moon, and the stars that still sojourn, yet still move onward; and everywhere the blue sky belongs to them, and is their appointed rest and their native country and their own natural homes, which they enter unannounced, as lords that are certainly expected, and yet there is a silent joy at their arrival.
THE moving Moon went up the sky,
And nowhere did abide;
Softly she was going up,
And a star or two beside—
Her beams bemock’d the sultry main,
Like April hoar-frost spread;
But where the ship’s huge shadow lay,
The charmèd water burnt alway
A still and awful red.
By the light of the Moon he beholdeth God’s creatures of the great calm.
BEYOND the shadow of the ship,
I watch’d the water-snakes:
They moved in tracks of shining white,
And when they rear’d, the elfish light
Fell off in hoary flakes.
Within the shadow of the ship
I watch’d their rich attire:
Blue, glossy green, and velvet black,
They coil’d and swam; and every track
Was a flash of golden fire.
Their beauty and their happiness.
He blesseth them in his heart.
O HAPPY living things! no tongue
Their beauty might declare:
A spring of love gush’d from my heart,
And I bless’d them unaware:
Sure my kind saint took pity on me,
And I bless’d them unaware.
The spell begins to break.
THE selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.
Part V
‘O SLEEP! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from Heaven,
That slid into my soul.
By grace of the holy Mother, the ancient Mariner is refreshed with rain.
THE silly buckets on the deck,
That had so long remain’d,
I dreamt that they were fill’d with dew;
And when I awoke, it rain’d.
My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.
I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessèd ghost.
He heareth sounds and seeth strange sights and commotions in the sky and the element.
AND soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.
The upper air burst into life;
And a hundred fire-flags sheen;
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.
And the coming wind did roar more loud.
And the sails did sigh like sedge;
And the rain pour’d down from one black cloud;
The Moon was at its edge.
The thick black cloud was cleft, and still
The Moon was at its side;
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.
The bodies of the ship’s crew are inspired, and the ship moves on;
THE loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the Moon
The dead men gave a groan.
They groan’d, they stirr’d, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.
The helmsman steer’d, the ship moved on;
Yet never a breeze up-blew;
The mariners all ’gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.
The body of my brother’s son
Stood by me, knee to knee:
The body and I pull’d at one rope,
But he said naught to me.’
But not by the souls of the men, nor by demons of earth or middle air, but by a blessed troop of angelic spirits, sent down by the invocation of the guardian saint.
‘I FEAR thee, ancient Mariner!’
‘Be calm, thou Wedding-Guest:
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:
For when it dawn’d—they dropp’d their arms,
And cluster’d round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies pass’d.
Around, around, flew each sweet sound,
Then darted to the Sun;
Slowly the sounds came back again,
Now mix’d, now one by one.
Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seem’d to fill the sea and air
With their sweet jargoning!
And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the Heavens be mute.
It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.
Till noon we quietly sail’d on,
Yet never a breeze did breathe:
Slowly and smoothly went the ship,
Moved onward from beneath.
The lonesome Spirit from the South Pole carries on the ship as far as the Line, in obedience to the angelic troop, but still requireth vengeance.
UNDER the keel nine fathom deep,
From the land, of mist and snow,
The Spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.
The Sun, right up above the mast,
Had fix’d her to the ocean:
But in a minute she ’gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.
Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.
The Polar Spirit’s fellow-demons, the invisible inhabitants of the element, take part in his wrong; and two of them relate, one to the other, that penance long and heavy for the ancient Mariner hath been accorded to the Polar Spirit, who returneth southward.
HOW long in that same fit I lay,
I have not to declare;
But ere my living life return’d,
I heard, and in my soul discern’d
Two voices in the air.
“Is it he?” quoth one, “is this the man?
By Him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.
The Spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.”
The other was a softer voice,
As soft as honey-dew:
Quoth he, “The man hath penance done,
And penance more will do.”
Part VI
First Voice:
‘“But tell me, tell me! speak again.
Thy soft response renewing—
What makes that ship drive on so fast?
What is the Ocean doing?”
Second Voice:
“Still as a slave before his lord,
The Ocean hath no blast;
His great bright eye most silently
Up to the Moon is cast—
If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.”
The Mariner hath been cast into a trance; for the angelic power causeth the vessel to drive northward faster than human life could endure.
First Voice:
“But why drives on that ship so fast,
Without or wave or wind?”
Second Voice:
“The air is cut away before,
And closes from behind.
Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.’
The super-natural motion is retarded; the Mariner awakes, and his penance begins anew.
I WOKE, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the Moon was high;
The dead men stood together.
All stood together on the deck,
For a charnel-dungeon fitter:
All fix’d on me their stony eyes,
That in the Moon did glitter.
The pang, the curse, with which they died.
Had never pass’d away:
I could not draw my eyes from theirs,
Nor turn them up to pray.
The curse is finally expiated.
AND now this spell was snapt: once more
I viewed the ocean green,
And look’d far forth, yet little saw
Of what had else been seen—
Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.
But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.
It raised my hair, it fann’d my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.
Swiftly, swiftly flew the ship,
Yet she sail’d softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.
And the ancient Mariner beholdeth his native country.
O DREAM of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own countree?
We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.
The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the Moon.
The rock shone bright, the kirk no less
That stands above the rock:
The moonlight steep’d in silentness
The steady weathercock.
The angelic spirits leave the dead bodies,
AND the bay was white with silent light
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.
And appear in their own forms of light.
A LITTLE distance from the prow
Those crimson shadows were:
I turn’d my eyes upon the deck—
O Christ! what saw I there!
Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.
This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;
This seraph-band, each waved his hand,
No voice did they impart—
No voice; but O, the silence sank
Like music on my heart.
But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turn’d perforce away,
And I saw a boat appear.
The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord in Heaven! it was a joy
The dead men could not blast.
I saw a third—I heard his voice:
It is the Hermit good!
He singeth loud his godly hymns
That he makes in the wood.
He’ll shrieve my soul, he’ll wash away
The Albatross’s blood.
Part VII
The Hermit of the Wood.
‘THIS hermit good lives in that wood
Which slopes down to the sea.
How loudly his sweet voice he rears!
He loves to talk with marineres
That come from a far countree.
He kneels at morn, and noon, and eve—
He hath a cushion plump.
It is the moss that wholly hides
The rotted old oak-stump.
The skiff-boat near’d: I heard them talk,
“Why, this is strange, I trow!
Where are those lights so many and fair,
That signal made but now?”
Approacheth the ship with wonder.
“Strange, by my faith!” the Hermit said—
“And they answer’d not our cheer!
The planks look warp’d! and see those sails,
How thin they are and sere!
I never saw aught like to them,
Unless perchance it were
Brown skeletons of leaves that lag
My forest-brook along;
When the ivy-tod is heavy with snow,
And the owlet whoops to the wolf below,
That eats the she-wolf’s young.”
“Dear Lord! it hath a fiendish look—
(The Pilot made reply)
I am a-fear’d.”—“Push on, push on!”
Said the Hermit cheerily.
The boat came closer to the ship,
But I nor spake nor stirr’d;
The boat came close beneath the ship,
And straight a sound was heard.
The ship suddenly sinketh.
UNDER the water it rumbled on,
Still louder and more dread:
It reach’d the ship, it split the bay;
The ship went down like lead.
The ancient Mariner is saved in the Pilot’s boat.
STUNN’d by that loud and dreadful sound,
Which sky and ocean smote,
Like one that hath been seven days drown’d
My body lay afloat;
But swift as dreams, myself I found
Within the Pilot’s boat.
Upon the whirl, where sank the ship,
The boat spun round and round;
And all was still, save that the hill
Was telling of the sound.
I moved my lips—the Pilot shriek’d
And fell down in a fit;
The holy Hermit raised his eyes,
And pray’d where he did sit.
I took the oars: the Pilot’s boy,
Who now doth crazy go,
Laugh’d loud and long, and all the while
His eyes went to and fro.
“Ha! ha!” quoth he, “full plain I see
The Devil knows how to row.”
And now, all in my own countree,
I stood on the firm land!
The Hermit stepp’d forth from the boat,
And scarcely he could stand.
The ancient Mariner earnestly entreateth the Hermit to shrieve him; and the penance of life falls on him.
“O shrieve me, shrieve me, holy man!”
The Hermit cross’d his brow.
“Say quick,” quoth he, “I bid thee say—
What manner of man art thou?”
Forthwith this frame of mine was wrench’d
With a woful agony,
Which forced me to begin my tale;
And then it left me free.
And ever and anon throughout his future life an agony constraineth him to travel from land to land;
SINCE then, at an uncertain hour,
That agony returns:
And till my ghastly tale is told,
This heart within me burns.
I pass, like night, from land to land;
I have strange power of speech;
That moment that his face I see,
I know the man that must hear me:
To him my tale I teach.
What loud uproar bursts from that door!
The wedding-guests are there:
But in the garden-bower the bride
And bride-maids singing are:
And hark, the little vesper bell,
Which biddeth me to prayer!
O Wedding-Guest! this soul hath been
Alone on a wide, wide sea:
So lonely ’twas, that God Himself
Scarce seemèd there to be.
O sweeter than the marriage-feast,
’Tis sweeter far to me,
To walk together to the kirk
With a goodly company!—
To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men, and babes, and loving friends,
And youths and maidens gay!
And to teach, by his own example, love and reverence to all things that God made and loveth.
FAREWELL, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.’
The Mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone: and now the Wedding-Guest
Turn’d from the bridegroom’s door,
He went like one that hath been stunn’d,
And is of sense forlorn:
A sadder and a wiser man
He rose the morrow morn.
Kubla Khan
IN Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills
Where blossom’d many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But O, that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced;
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And ’mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reach’d the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she play’d,
Singing of Mount Abora.
Could I revive within me,
Her symphony and song,
To such a deep delight ’twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.
Love
ALL thoughts, all passions, all delights,
Whatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.
Oft in my waking dreams do I
Live o’er again that happy hour,
When midway on the mount I lay,
Beside the ruin’d tower.
The moonshine, stealing o’er the scene,
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!
She lean’d against the armèd man,
The statue of the armèd Knight;
She stood and listen’d to my lay,
Amid the lingering light.
Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best whene’er I sing
The songs that make her grieve.
I play’d a soft and doleful air;
I sang an old and moving story—
An old rude song, that suited well
That ruin wild and hoary.
She listen’d with a flitting blush,
With downcast eyes and modest grace;
For well she knew I could not choose
But gaze upon her face.
I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he woo’d
The Lady of the Land.
I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another’s love,
Interpreted my own.
She listened with a flitting blush,
With downcast eyes, and modest grace;
And she forgave me, that I gazed
Too fondly on her face!
But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he cross’d the mountain-woods,
Nor rested day nor night;
That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade—
There came and look’d him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!
And that, unknowing what he did,
He leap’d amid a murderous band,
And saved from outrage worse than death
The Lady of the Land;—
And how she wept and clasp’d his knees;
And how she tended him in vain—
And ever strove to expiate
The scorn that crazed his brain;—
And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest leaves
A dying man he lay;—
His dying words—but when I reach’d
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturb’d her soul with pity!
All impulses of soul and sense
Had thrill’d my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;
And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherish’d long!
She wept with pity and delight,
She blush’d with love and virgin shame;
And like the murmur of a dream,
I heard her breathe my name.
Her bosom heaved—she stepp’d aside,
As conscious of my look she stept—
Then suddenly, with timorous eye
She fled to me and wept.
She half enclosed me with her arms,
She press’d me with a meek embrace;
And bending back her head, look’d up,
And gazed upon my face.
’Twas partly love, and partly fear,
And partly ’twas a bashful art,
That I might rather feel, than see.
The swelling of her heart.
I calm’d her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride.
Youth and Age
VERSE, a breeze ’mid blossoms straying,
Where Hope clung feeding, like a bee—
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young:
When I was young?—Ah, woful When:
Ah! for the change ’twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O’er aery cliffs and glittering sands,
How lightly then it flash’d along—
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Naught cared this body for wind or weather
When Youth and I lived in ’t together.
Flowers are lovely! Love is flower-like;
Friendship is a sheltering tree;
O the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old? Ah, woful Ere,
Which tells me, Youth’s no longer here!
O Youth! for years so many and sweet,
’Tis known that thou and I were one;
I’ll think it but a fond conceit—
It cannot be that thou art gone!
Thy vesper-bell hath not yet toll’d—
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe that thou art gone?
I see these locks in silvery slips,
This drooping gait, this alter’d size:
But springtide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are housemates still.
Dewdrops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life’s a warning
That only serves to make us grieve,
When we are old!
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest
That may not rudely be dismist.
Yet hath outstay’d his welcome while,
And tells the jest without the smile.
Time, Real and Imaginary
AN ALLEGORY
ON the wide level of a mountain’s head
(I knew not where, but ’twas some faery place),
Their pinions, ostrich-like, for sails outspread,
Two lovely children run an endless race,
A sister and a brother!
This far outstripp’d the other;
Yet ever runs she with reverted face,
And looks and listens for the boy behind:
For he, alas! is blind!
O’er rough and smooth with even step he pass’d,
And knows not whether he be first or last.
Work without Hope
ALL Nature seems at work. Slugs leave their lair—
The bees are stirring—birds are on the wing—
And Winter, slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrighten’d, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
Glycine’s Song
A SUNNY shaft did I behold,
From sky to earth it slanted:
And poised therein a bird so bold—
Sweet bird, thou wert enchanted!
He sank, he rose, he twinkled, he troll’d
Within that shaft of sunny mist;
His eyes of fire, his beak of gold,
All else of amethyst!
And thus he sang: ‘Adieu! adieu!
Love’s dreams prove seldom true.
The blossoms, they make no delay:
The sparking dew-drops will not stay.
Sweet month of May,
We must away;
Far, far away!
To-day! to-day!’
ROBERT SOUTHEY
1774-1843
His Books
MY days among the Dead are past;
Around me I behold,
Where’er these casual eyes are cast,
The mighty minds of old:
My never-failing friends are they,
With whom I converse day by day.
With them I take delight in weal
And seek relief in woe;
And while I understand and feel
How much to them I owe,
My cheeks have often been bedew’d
With tears of thoughtful gratitude.
My thoughts are with the Dead; with them
I live in long-past years,
Their virtues love, their faults condemn,
Partake their hopes and fears;
And from their lessons seek and find
Instruction with an humble mind.
My hopes are with the Dead; anon
My place with them will be,
And I with them shall travel on
Through all Futurity;
Yet leaving here a name, I trust,
That will not perish in the dust.
WALTER SAVAGE LANDOR
1775-1864
The Maid’s Lament
I LOVED him not; and yet now he is gone,
I feel I am alone.
I check’d him while he spoke; yet, could he speak,
Alas! I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him; I now would give
My love, could he but live
Who lately lived for me, and when he found
’Twas vain, in holy ground
He hid his face amid the shades of death.
I waste for him my breath
Who wasted his for me; but mine returns,
And this lorn bosom burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears.
‘Merciful God!’ such was his latest prayer,
‘These may she never share!’
Quieter is his breath, his breast more cold
Than daisies in the mould,
Where children spell, athwart the churchyard gate,
His name and life’s brief date.
Pray for him, gentle souls, whoe’er you be,
And, O, pray too for me!
Rose Aylmer
AH, what avails the sceptred race!
Ah, what the form divine!
What every virtue, every grace!
Rose Aylmer, all were thine.
Rose Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and sighs
I consecrate to thee.
Ianthe
FROM you, Ianthe, little troubles pass
Like little ripples down a sunny river;
Your pleasures spring like daisies in the grass,
Cut down, and up again as blithe as ever.
Twenty Years hence
TWENTY years hence my eyes may grow,
If not quite dim, yet rather so;
Yet yours from others they shall know,
Twenty years hence.
Twenty years hence, though it may hap
That I be call’d to take a nap
In a cool cell where thunder-clap
Was never heard,
There breathe but o’er my arch of grass
A not too sadly sigh’d ‘Alas!’
And I shall catch, ere you can pass,
That wingèd word.
Verse
PAST ruin’d Ilion Helen lives,
Alcestis rises from the shades;
Verse calls them forth; ’tis verse that gives
Immortal youth to mortal maids.
Soon shall Oblivion’s deepening veil
Hide all the peopled hills you see,
The gay, the proud, while lovers hail
These many summers you and me.
Proud Word you never spoke
PROUD word you never spoke, but you will speak
Four not exempt from pride some future day.
Resting on one white hand a warm wet cheek,
Over my open volume you will say,
‘This man loved me’—then rise and trip away.
Resignation
WHY, why repine, my pensive friend,
At pleasures slipp’d away?
Some the stern Fates will never lend,
And all refuse to stay.
I see the rainbow in the sky,
The dew upon the grass;
I see them, and I ask not why
They glimmer or they pass.
With folded arms I linger not
To call them back; ’twere vain:
In this, or in some other spot,
I know they’ll shine again.
Mother, I cannot mind my Wheel
MOTHER, I cannot mind my wheel;
My fingers ache, my lips are dry:
O, if you felt the pain I feel!
But O, who ever felt as I?
No longer could I doubt him true—
All other men may use deceit;
He always said my eyes were blue,
And often swore my lips were sweet.
Autumn
MILD is the parting year, and sweet
The odour of the falling spray;
Life passes on more rudely fleet,
And balmless is its closing day.
I wait its close, I court its gloom,
But mourn that never must there fall
Or on my breast or on my tomb
The tear that would have soothed it all.
Remain!
REMAIN, ah not in youth alone!
—Tho’ youth, where you are, long will stay—
But when my summer days are gone,
And my autumnal haste away.
‘Can I be always by your side?’
No; but the hours you can, you must,
Nor rise at Death’s approaching stride,
Nor go when dust is gone to dust.
Absence
HERE, ever since you went abroad,
If there be change, no change I see:
I only walk our wonted road,
The road is only walk’d by me.
Yes; I forgot; a change there is—
Was it of that you bade me tell?
I catch at times, at times I miss
The sight, the tone, I know so well.
Only two months since you stood here?
Two shortest months? Then tell me why
Voices are harsher than they were,
And tears are longer ere they dry.
Of Clementina
IN Clementina’s artless mien
Lucilla asks me what I see,
And are the roses of sixteen
Enough for me?
Lucilla asks, if that be all,
Have I not cull’d as sweet before:
Ah yes, Lucilla! and their fall
I still deplore.
I now behold another scene,
Where Pleasure beams with Heaven’s own light,
More pure, more constant, more serene,
And not less bright.
Faith, on whose breast the Loves repose,
Whose chain of flowers no force can sever,
And Modesty who, when she goes,
Is gone for ever.
Ianthe’s Question
‘DO you remember me? or are you proud?’
Lightly advancing thro’ her star-trimm’d crowd,
Ianthe said, and look’d into my eyes.
‘A yes, a yes to both: for Memory
Where you but once have been must ever be,
And at your voice Pride from his throne must rise.’
On Catullus
TELL me not what too well I know
About the bard of Sirmio.
Yes, in Thalia’s son
Such stains there are—as when a Grace
Sprinkles another’s laughing face
With nectar, and runs on.
Dirce
STAND close around, ye Stygian set,
With Dirce in one boat convey’d!
Or Charon, seeing, may forget
That he is old and she a shade.
Alciphron and Leucippe
AN ancient chestnut’s blossoms threw
Their heavy odour over two:
Leucippe, it is said, was one;
The other, then, was Alciphron.
‘Come, come! why should we stand beneath
This hollow tree’s unwholesome breath?’
Said Alciphron, ‘here’s not a blade
Of grass or moss, and scanty shade.
Come; it is just the hour to rove
In the lone dingle shepherds love;
There, straight and tall, the hazel twig
Divides the crookèd rock-held fig,
O’er the blue pebbles where the rill
In winter runs and may run still.
Come then, while fresh and calm the air,
And while the shepherds are not there.’
Leucippe. But I would rather go when they
Sit round about and sing and play.
Then why so hurry me? for you
Like play and song, and shepherds too.
Alciphron. I like the shepherds very well,
And song and play, as you can tell.
But there is play, I sadly fear,
And song I would not have you hear.
Leucippe. What can it be? What can it be?
Alciphron. To you may none of them repeat
The play that you have play’d with me,
The song that made your bosom beat.
Leucippe. Don’t keep your arm about my waist.
Alciphron. Might you not stumble?
Leucippe. Well then, do.
But why are we in all this haste?
Alciphron. To sing.
Leucippe. Alas! and not play too?
Years
YEARS, many parti-colour’d years,
Some have crept on, and some have flown
Since first before me fell those tears
I never could see fall alone.
Years, not so many, are to come,
Years not so varied, when from you
One more will fall: when, carried home,
I see it not, nor hear Adieu.
Separation
THERE is a mountain and a wood between us,
Where the lone shepherd and late bird have seen us
Morning and noon and eventide repass.
Between us now the mountain and the wood
Seem standing darker than last year they stood,
And say we must not cross—alas! alas!
Late Leaves
THE leaves are falling; so am I;
The few late flowers have moisture in the eye;
So have I too.
Scarcely on any bough is heard
Joyous, or even unjoyous, bird
The whole wood through.
Winter may come: he brings but nigher
His circle (yearly narrowing) to the fire
Where old friends meet.
Let him; now heaven is overcast,
And spring and summer both are past,
And all things sweet.
Finis
I STROVE with none, for none was worth my strife.
Nature I loved and, next to Nature, Art:
I warm’d both hands before the fire of life;
It sinks, and I am ready to depart.
CHARLES LAMB
1775-1834
The Old Familiar Faces
I HAVE had playmates, I have had companions,
In my days of childhood, in my joyful school-days—
All, all are gone, the old familiar faces.
I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom cronies—
All, all are gone, the old familiar faces.
I loved a Love once, fairest among women:
Closed are her doors on me, I must not see her—
All, all are gone, the old familiar faces.
I have a friend, a kinder friend has no man:
Like an ingrate, I left my friend abruptly;
Left him, to muse on the old familiar faces.
Ghost-like I paced round the haunts of my childhood,
Earth seem’d a desert I was bound to traverse,
Seeking to find the old familiar faces.
Friend of my bosom, thou more than a brother,
Why wert not thou born in my father’s dwelling?
So might we talk of the old familiar faces—
How some they have died, and some they have left me,
And some are taken from me; all are departed—
All, all are gone, the old familiar faces.
Hester
WHEN maidens such as Hester die
Their place ye may not well supply,
Though ye among a thousand try
With vain endeavour.
A month or more hath she been dead,
Yet cannot I by force be led
To think upon the wormy bed
And her together.
A springy motion in her gait,
A rising step, did indicate
Of pride and joy no common rate,
That flush’d her spirit:
I know not by what name beside
I shall it call: if ’twas not pride,
It was a joy to that allied,
She did inherit.
Her parents held the Quaker rule,
Which doth the human feeling cool;
But she was train’d in Nature’s school;
Nature had blest her.
A waking eye, a prying mind;
A heart that stirs, is hard to bind;
A hawk’s keen sight ye cannot blind;
Ye could not Hester.
My sprightly neighbour! gone before
To that unknown and silent shore,
Shall we not meet, as heretofore,
Some summer morning—
When from thy cheerful eyes a ray
Hath struck a bliss upon the day,
A bliss that would not go away,
A sweet forewarning?
On an Infant dying as soon as born
I SAW where in the shroud did lurk
A curious frame of Nature’s work;
A floweret crush’d in the bud,
A nameless piece of Babyhood,
Was in her cradle-coffin lying;
Extinct, with scarce the sense of dying:
So soon to exchange the imprisoning womb
For darker closets of the tomb!
She did but ope an eye, and put
A clear beam forth, then straight up shut
For the long dark: ne’er more to see
Through glasses of mortality.
Riddle of destiny, who can show
What thy short visit meant, or know
What thy errand here below?
Shall we say that Nature blind
Check’d her hand, and changed her mind,
Just when she had exactly wrought
A finish’d pattern without fault?
Could she flag, or could she tire,
Or lack’d she the Promethean fire
(With her nine moons’ long workings sicken’d)
That should thy little limbs have quicken’d?
Limbs so firm, they seem’d to assure
Life of health, and days mature:
Woman’s self in miniature!
Limbs so fair, they might supply
(Themselves now but cold imagery)
The sculptor to make Beauty by.
Or did the stern-eyed Fate descry
That babe or mother, one must die;
So in mercy left the stock
And cut the branch; to save the shock
Of young years widow’d, and the pain
When single state comes back again
To the lone man who, reft of wife,
Thenceforward drags a maimèd life?
The economy of Heaven is dark,
And wisest clerks have miss’d the mark,
Why human buds, like this, should fall,
More brief than fly ephemeral
That has his day; while shrivell’d crones
Stiffen with age to stocks and stones;
And crabbèd use the conscience sears
In sinners of an hundred years.
Mother’s prattle, mother’s kiss,
Baby fond, thou ne’er wilt miss:
Rites, which custom does impose,
Silver bells, and baby clothes;
Coral redder than those lips
Which pale death did late eclipse;
Music framed for infants’ glee,
Whistle never tuned for thee;
Though thou want’st not, thou shalt have them,
Loving hearts were they which gave them.
Let not one be missing; nurse,
See them laid upon the hearse
Of infant slain by doom perverse.
Why should kings and nobles have
Pictured trophies to their grave,
And we, churls, to thee deny
Thy pretty toys with thee to lie—
A more harmless vanity?
THOMAS CAMPBELL
1774-1844
Ye Mariners of England
YE Mariners of England
That guard our native seas!
Whose flag has braved a thousand years
The battle and the breeze!
Your glorious standard launch again
To match another foe;
And sweep through the deep,
While the stormy winds do blow!
While the battle rages loud and long
And the stormy winds do blow.
The spirits of your fathers
Shall start from every wave—
For the deck it was their field of fame,
And Ocean was their grave:
Where Blake and mighty Nelson fell
Your manly hearts shall glow,
As ye sweep through the deep,
While the stormy winds do blow!
While the battle rages loud and long
And the stormy winds do blow.
Britannia needs no bulwarks,
No towers along the steep;
Her march is o’er the mountain-waves,
Her home is on the deep.
With thunders from her native oak
She quells the floods below,
As they roar on the shore,
When the stormy winds do blow!
When the battle rages loud and long,
And the stormy winds do blow.
The meteor flag of England
Shall yet terrific burn;
Till danger’s troubled night depart
And the star of peace return.
Then, then, ye ocean-warriors!
Our song and feast shall flow
To the fame of your name,
When the storm has ceased to blow!
When the fiery fight is heard no more,
And the storm has ceased to blow.
The Battle of the Baltic
Of Nelson and the North
Sing the glorious day's renown,
When to battle fierce came forth
All the might of Denmark's crown,
And her arms along the deep proudly shone;
By each gun the lighted brand
In a bold determined hand,
And the Prince of all the land
Led them on.
Like leviathans afloat
Lay their bulwarks on the brine,
While the sign of battle flew
On the lofty British line:
It was ten of April morn by the chime:
As they drifted on their path
There was silence deep as death,
And the boldest held his breath
For a time.
But the might of England flush'd
To anticipate the scene;
And her van the fleeter rush'd
O'er the deadly space between:
‘Hearts of oak!’ our captains cried, when each gun
From its adamantine lips
Spread a death-shade round the ships,
Like the hurricane eclipse
Of the sun.
Again! again! again!
And the havoc did not slack,
Till a feeble cheer the Dane
To our cheering sent us back;—
Their shots along the deep slowly boom:—
Then ceased—and all is wail,
As they strike the shattered sail,
Or in conflagration pale
Light the gloom.
Out spoke the victor then
As he hail’d them o’er the wave:
‘Ye are brothers! ye are men!
And we conquer but to save:—
So peace instead of death let us bring
But yield, proud foe, thy fleet,
With the crews, at England’s feet,
And make submission meet
To our King.’...
Now joy, old England, raise!
For the tidings of thy might,
By the festal cities' blaze,
Whilst the wine-cup shines in light!
And yet amidst that joy and uproar,
Let us think of them that sleep
Full many a fathom deep,
By thy wild and stormy steep,
Elsinore!
THOMAS MOORE
1779-1852
The Young May Moon
THE young May moon is beaming, love,
The glow-worm’s lamp is gleaming, love;
How sweet to rove
Through Morna’s grove,
When the drowsy world is dreaming, love!
Then awake!—the heavens look bright, my dear,
’Tis never too late for delight, my dear;
And the best of all ways
To lengthen our days
Is to steal a few hours from the night, my dear!
Now all the world is sleeping, love,
But the Sage, his star-watch keeping, love,
And I, whose star
More glorious far
Is the eye from that casement peeping, love.
Then awake!—till rise of sun, my dear,
The Sage’s glass we’ll shun, my dear,
Or in watching the flight
Of bodies of light
He might happen to take thee for one, my dear!
The Irish Peasant to His Mistress
THROUGH grief and through danger thy smile hath cheer’d my way,
Till hope seem’d to bud from each thorn that round me lay;
The darker our fortune, the brighter our pure love burn’d,
Till shame into glory, till fear into zeal was turn’d:
Yes, slave as I was, in thy arms my spirit felt free,
And bless’d even the sorrows that made me more dear to thee.
Thy rival was honour’d, while thou wert wrong’d and scorn’d;
Thy crown was of briers, while gold her brows adorn’d;
She woo’d me to temples, whilst thou lay’st hid in caves;
Her friends were all masters, while thine, alas! were slaves;
Yet cold in the earth, at thy feet, I would rather be
Than wed what I loved not, or turn one thought from thee.
They slander thee sorely, who say thy vows are frail—
Hadst thou been a false one, thy cheek had look’d less pale!
They say, too, so long thou hast worn those lingering chains,
That deep in thy heart they have printed their servile stains:
O, foul is the slander!—no chain could that soul subdue—
Where shineth thy spirit, there Liberty shineth too!
The Light of Other Days
OFT, in the stilly night,
Ere slumber’s chain has bound me,
Fond Memory brings the light
Of other days around me:
The smiles, the tears
Of boyhood’s years,
The words of love then spoken;
The eyes that shone,
Now dimm’d and gone,
The cheerful hearts now broken!
Thus, in the stilly night,
Ere slumber’s chain has bound me,
Sad Memory brings the light
Of other days around me.
When I remember all
The friends, so link’d together,
I’ve seen around me fall
Like leaves in wintry weather,
I feel like one
Who treads alone
Some banquet-hall deserted,
Whose lights are fled,
Whose garlands dead,
And all but he departed!
Thus, in the stilly night,
Ere slumber’s chain has bound me.
Sad Memory brings the light
Of other days around me.
At the Mid Hour of Night
AT the mid hour of night, when stars are weeping, I fly
To the lone vale we loved, when life shone warm in thine eye;
And I think oft, if spirits can steal from the regions of air
To revisit past scenes of delight, thou wilt come to me there,
And tell me our love is remembered even in the sky.
Then I sing the wild song it once was rapture to hear,
When our voices commingling breathed like one on the ear;
And as Echo far off through the vale my sad orison rolls,
I think, O my love! ’tis thy voice from the Kingdom of Souls
Faintly answering still the notes that once were so dear.
EDWARD THURLOW, LORD THURLOW
1781-1829
May
MAY! queen of blossoms,
And fulfilling flowers,
With what pretty music
Shall we charm the hours?
Wilt thou have pipe and reed,
Blown in the open mead?
Or to the lute give heed
In the green bowers?
Thou hast no need of us,
Or pipe or wire;
Thou hast the golden bee
Ripen’d with fire;
And many thousand more
Songsters, that thee adore,
Filling earth’s grassy floor
With new desire.
Thou hast thy mighty herds,
Tame and free-livers;
Doubt not, thy music too
In the deep rivers;
And the whole plumy flight
Warbling the day and night—
Up at the gates of light,
See, the lark quivers!
EBENEZER ELLIOTT
1781-1849
Battle Song
DAY, like our souls, is fiercely dark;
What then? ’Tis day!
We sleep no more; the cock crows—hark!
To arms! away!
They come! they come! the knell is rung
Of us or them;
Wide o’er their march the pomp is flung
Of gold and gem.
What collar’d hound of lawless sway,
To famine dear—
What pensioned slave of Attila,
Leads in the rear?
Come they from Scythian wilds afar,
Our blood to spill?
Wear they the livery of the Czar?
They do his will.
Nor tassell’d silk, nor epaulet,
Nor plume, nor torse—
No splendour gilds, all sternly met,
Our foot and horse.
But, dark and still, we inly glow,
Condensed in ire!
Strike, tawdry slaves, and ye shall know
Our gloom is fire.
In vain your pomp, ye evil powers,
Insults the land;
Wrongs, vengeance, and the Cause are ours,
And God’s right hand!
Madmen! they trample into snakes
The wormy clod!
Like fire, beneath their feet awakes
The sword of God!
Behind, before, above, below,
They rouse the brave;
Where’er they go, they make a foe,
Or find a grave.
Plaint
DARK, deep, and cold the current flows
Unto the sea where no wind blows,
Seeking the land which no one knows.
O’er its sad gloom still comes and goes
The mingled wail of friends and foes,
Borne to the land which no one knows.
Why shrieks for help yon wretch, who goes
With millions, from a world of woes,
Unto the land which no one knows?
Though myriads go with him who goes,
Alone he goes where no wind blows,
Unto the land which no one knows.
For all must go where no wind blows,
And none can go for him who goes;
None, none return whence no one knows.
Yet why should he who shrieking goes
With millions, from a world of woes,
Reunion seek with it or those?
Alone with God, where no wind blows,
And Death, his shadow—doom’d, he goes.
That God is there the shadow shows.
O shoreless Deep, where no wind blows!
And thou, O Land which no one knows!
That God is All, His shadow shows.
ALLAN CUNNINGHAM
1784-1843
The Sun rises bright in France
THE sun rises bright in France,
And fair sets he;
But he has tint the blythe blink he had
In my ain countree.
O, it’s nae my ain ruin
That saddens aye my e’e,
But the dear Marie I left behin’
Wi’ sweet bairnies three.
589. tint] lost.
MY lanely hearth burn’d bonnie,
And smiled my ain Marie;
I’ve left a’ my heart behin’
In my ain countree.
The bud comes back to summer,
And the blossom to the bee;
But I’ll win back, O never,
To my ain countree.
O, I am leal to high Heaven,
Where soon I hope to be,
An’ there I’ll meet ye a’ soon
Frae my ain countree!
Hame, Hame, Hame
HAME, hame, hame, O hame fain wad I be—
O hame, hame, hame, to my ain countree!
When the flower is i’ the bud and the leaf is on the tree,
The larks shall sing me hame in my ain countree;
Hame, hame, hame, O hame fain wad I be—
O hame, hame, hame, to my ain countree!
The green leaf o’ loyaltie’s beginning for to fa’,
The bonnie White Rose it is withering an’ a’;
But I’ll water ’t wi’ the blude of usurping tyrannie,
An’ green it will graw in my ain countree.
O, there’s nocht now frae ruin my country can save,
But the keys o’ kind heaven, to open the grave;
That a’ the noble martyrs wha died for loyaltie
May rise again an’ fight for their ain countree.
The great now are gane, a’ wha ventured to save,
The new grass is springing on the tap o’ their grave;
But the sun through the mirk blinks blythe in my e’e,
‘I’ll shine on ye yet in your ain countree.’
Hame, hame, hame, O hame fain wad I be—
O hame, hame, hame, to my ain countree!
The Spring of the Year
GONE were but the winter cold,
And gone were but the snow,
I could sleep in the wild woods
Where primroses blow.
Cold’s the snow at my head,
And cold at my feet;
And the finger of death’s at my e’en,
Closing them to sleep.
Let none tell my father
Or my mother so dear,—
I’ll meet them both in heaven
At the spring of the year.
LEIGH HUNT
1784-1859
Jenny kiss’d Me
JENNY kiss’d me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I’m weary, say I’m sad,
Say that health and wealth have miss’d me,
Say I’m growing old, but add,
Jenny kiss’d me.
THOMAS LOVE PEACOCK
1785-1866
Love and Age
I PLAY’d with you ’mid cowslips blowing,
When I was six and you were four;
When garlands weaving, flower-balls throwing,
Were pleasures soon to please no more.
Through groves and meads, o’er grass and heather,
With little playmates, to and fro,
We wander’d hand in hand together;
But that was sixty years ago.
You grew a lovely roseate maiden,
And still our early love was strong;
Still with no care our days were laden,
They glided joyously along;
And I did love you very dearly,
How dearly words want power to show,
I thought your heart was touch’d as nearly;
But that was fifty years ago.
Then other lovers came around you,
Your beauty grew from year to year,
And many a splendid circle found you
The centre of its glittering sphere.
I saw you then, first vows forsaking,
On rank and wealth your hand bestow;
O, then I thought my heart was breaking!—
But that was forty years ago.
And I lived on, to wed another:
No cause she gave me to repine;
And when I heard you were a mother,
I did not wish the children mine.
My own young flock, in fair progression,
Made up a pleasant Christmas row:
My joy in them was past expression;
But that was thirty years ago.
You grew a matron plump and comely,
You dwelt in fashion’s brightest blaze;
My earthly lot was far more homely;
But I too had my festal days.
No merrier eyes have ever glisten’d
Around the hearth-stone’s wintry glow,
Than when my youngest child was christen’d;
But that was twenty years ago.
Time pass’d. My eldest girl was married,
And I am now a grandsire gray;
One pet of four years old I’ve carried
Among the wild-flower’d meads to play.
In our old fields of childish pleasure,
Where now, as then, the cowslips blow,
She fills her basket’s ample measure;
And that is not ten years ago.
But though first love’s impassion’d blindness
Has pass’d away in colder light,
I still have thought of you with kindness,
And shall do, till our last good-night.
The ever-rolling silent hours
Will bring a time we shall not know,
When our young days of gathering flowers
Will be an hundred years ago.
The Grave of Love
I DUG, beneath the cypress shade,
What well might seem an elfin’s grave;
And every pledge in earth I laid,
That erst thy false affection gave.
I press’d them down the sod beneath;
I placed one mossy stone above;
And twined the rose’s fading wreath
Around the sepulchre of love.
Frail as thy love, the flowers were dead
Ere yet the evening sun was set:
But years shall see the cypress spread,
Immutable as my regret.
Three Men of Gotham
SEAMEN three! What men be ye?
Gotham’s three wise men we be.
Whither in your bowl so free?
To rake the moon from out the sea.
The bowl goes trim. The moon doth shine.
And our ballast is old wine.—
And your ballast is old wine.
Who art thou, so fast adrift?
I am he they call Old Care.
Here on board we will thee lift.
No: I may not enter there.
Wherefore so? ’Tis Jove’s decree,
In a bowl Care may not be.—
In a bowl Care may not be.
Fear ye not the waves that roll?
No: in charmèd bowl we swim.
What the charm that floats the bowl?
Water may not pass the brim.
The bowl goes trim. The moon doth shine.
And our ballast is old wine.—
And your ballast is old wine.
CAROLINE SOUTHEY
1787-1854
To Death
COME not in terrors clad, to claim
An unresisting prey:
Come like an evening shadow, Death!
So stealthily, so silently!
And shut mine eyes, and steal my breath;
Then willingly, O willingly,
With thee I’ll go away!
What need to clutch with iron grasp
What gentlest touch may take?
What need with aspect dark to scare,
So awfully, so terribly,
The weary soul would hardly care,
Call’d quietly, call’d tenderly,
From thy dread power to break?
’Tis not as when thou markest out
The young, the blest, the gay,
The loved, the loving—they who dream
So happily, so hopefully;
Then harsh thy kindest call may seem,
And shrinkingly, reluctantly,
The summon’d may obey.
But I have drunk enough of life—
The cup assign’d to me
Dash’d with a little sweet at best,
So scantily, so scantily—
To know full well that all the rest
More bitterly, more bitterly,
Drugg’d to the last will be.
And I may live to pain some heart
That kindly cares for me:
To pain, but not to bless. O Death!
Come quietly—come lovingly—
And shut mine eyes, and steal my breath;
Then willingly, O willingly,
I’ll go away with thee!
GEORGE GORDON BYRON, LORD BYRON
1788-1824
When we Two parted
WHEN we two parted
In silence and tears,
Half broken-hearted
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.
The dew of the morning
Sunk chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame;
I hear thy name spoken,
And share in its shame.
They name thee before me,
A knell to mine ear;
A shudder comes o’er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee,
Too deeply to tell.
In secret we met—
In silence I grieve,
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.
For Music
THERE be none of Beauty’s daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmèd ocean’s pausing,
The waves lie still and gleaming,
And the lull’d winds seem dreaming:
And the midnight moon is weaving
Her bright chain o’er the deep;
Whose breast is gently heaving,
As an infant’s asleep:
So the spirit bows before thee,
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer’s ocean.
We’ll go no more a-roving
SO, we’ll go no more a-roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.
For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.
Though the night was made for loving,
And the day returns too soon,
Yet we’ll go no more a-roving
By the light of the moon.
She walks in Beauty
SHE walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair’d the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
The Isles of Greece
THE isles of Greece! the isles of Greece
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phœbus sprung!
Eternal summer gilds them yet,
But all, except their sun, is set.
The Scian and the Teian muse,
The hero’s harp, the lover’s lute,
Have found the fame your shores refuse:
Their place of birth alone is mute
To sounds which echo further west
Than your sires’ ‘Islands of the Blest.’
The mountains look on Marathon—
And Marathon looks on the sea;
And musing there an hour alone,
I dream’d that Greece might still be free;
For standing on the Persians’ grave,
I could not deem myself a slave.
A king sate on the rocky brow
Which looks o’er sea-born Salamis;
And ships, by thousands, lay below,
And men in nations;—all were his!
He counted them at break of day—
And when the sun set, where were they?
And where are they? and where art thou,
My country? On thy voiceless shore
The heroic lay is tuneless now—
The heroic bosom beats no more!
And must thy lyre, so long divine,
Degenerate into hands like mine?
’Tis something in the dearth of fame,
Though link’d among a fetter’d race,
To feel at least a patriot’s shame,
Even as I sing, suffuse my face;
For what is left the poet here?
For Greeks a blush—for Greece a tear.
Must we but weep o’er days more blest?
Must we but blush?—Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylæ!
What, silent still? and silent all?
Ah! no;—the voices of the dead
Sound like a distant torrent’s fall,
And answer, ‘Let one living head,
But one, arise,—we come, we come!’
’Tis but the living who are dumb.
In vain—in vain: strike other chords;
Fill high the cup with Samian wine!
Leave battles to the Turkish hordes,
And shed the blood of Scio’s vine!
Hark! rising to the ignoble call—
How answers each bold Bacchanal!
You have the Pyrrhic dance as yet;
Where is the Pyrrhic phalanx gone?
Of two such lessons, why forget
The nobler and the manlier one?
You have the letters Cadmus gave—
Think ye he meant them for a slave?
Fill high the bowl with Samian wine!
We will not think of themes like these!
It made Anacreon’s song divine:
He served—but served Polycrates—
A tyrant; but our masters then
Were still, at least, our countrymen.
The tyrant of the Chersonese
Was freedom’s best and bravest friend;
That tyrant was Miltiades!
O that the present hour would lend
Another despot of the kind!
Such chains as his were sure to bind.
Fill high the bowl with Samian wine!
On Suli’s rock, and Parga’s shore,
Exists the remnant of a line
Such as the Doric mothers bore;
And there, perhaps, some seed is sown,
The Heracleidan blood might own.
Trust not for freedom to the Franks—
They have a king who buys and sells;
In native swords and native ranks
The only hope of courage dwells:
But Turkish force and Latin fraud
Would break your shield, however broad.
Fill high the bowl with Samian wine!
Our virgins dance beneath the shade—
I see their glorious black eyes shine;
But gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves.
Place me on Sunium’s marbled steep,
Where nothing, save the waves and I,
May hear our mutual murmurs sweep;
There, swan-like, let me sing and die:
A land of slaves shall ne’er be mine—
Dash down yon cup of Samian wine!
SIR AUBREY DE VERE
1788-1846
The Children Band
ALL holy influences dwell within
The breast of Childhood: instincts fresh from God
Inspire it, ere the heart beneath the rod
Of grief hath bled, or caught the plague of sin.
How mighty was that fervour which could win
Its way to infant souls!—and was the sod
Of Palestine by infant Croises trod?
Like Joseph went they forth, or Benjamin,
In all their touching beauty to redeem?
And did their soft lips kiss the Sepulchre?
Alas! the lovely pageant as a dream
Faded! They sank not through ignoble fear;
They felt not Moslem steel. By mountain, stream,
In sands, in fens, they died—no mother near!
CHARLES WOLFE
1791-1823
The Burial of Sir John Moore after Corunna
NOT a drum was heard, not a funeral note,
As his corse to the rampart we hurried;
Not a soldier discharged his farewell shot
O’er the grave where our hero we buried.
We buried him darkly at dead of night,
The sods with our bayonets turning,
By the struggling moonbeam’s misty light
And the lanthorn dimly burning.
No useless coffin enclosed his breast,
Not in sheet or in shroud we wound him;
But he lay like a warrior taking his rest
With his martial cloak around him.
Few and short were the prayers we said,
And we spoke not a word of sorrow;
But we steadfastly gazed on the face that was dead,
And we bitterly thought of the morrow.
We thought, as we hollow’d his narrow bed
And smoothed down his lonely pillow,
That the foe and the stranger would tread o’er his head,
And we far away on the billow!
Lightly they’ll talk of the spirit that’s gone,
And o’er his cold ashes upbraid him—
But little he’ll reck, if they let him sleep on
In the grave where a Briton has laid him.
But half of our heavy task was done
When the clock struck the hour for retiring;
And we heard the distant and random gun
That the foe was sullenly firing.
Slowly and sadly we laid him down,
From the field of his fame fresh and gory;
We carved not a line, and we raised not a stone,
But we left him alone with his glory.
To Mary
IF I had thought thou couldst have died,
I might not weep for thee;
But I forgot, when by thy side,
That thou couldst mortal be:
It never through my mind had past
The time would e’er be o’er,
And I on thee should look my last,
And thou shouldst smile no more!
And still upon that face I look,
And think ’twill smile again;
And still the thought I will not brook,
That I must look in vain.
But when I speak—thou dost not say
What thou ne’er left’st unsaid;
And now I feel, as well I may,
Sweet Mary, thou art dead!
If thou wouldst stay, e’en as thou art,
All cold and all serene—
I still might press thy silent heart,
And where thy smiles have been.
While e’en thy chill, bleak corse I have,
Thou seemest still mine own;
But there—I lay thee in thy grave,
And I am now alone!
I do not think, where’er thou art,
Thou hast forgotten me;
And I, perhaps, may soothe this heart
In thinking too of thee:
Yet there was round thee such a dawn
Of light ne’er seen before,
As fancy never could have drawn,
And never can restore!
PERCY BYSSHE SHELLEY
1792-1822
Hymn of Pan
FROM the forests and highlands
We come, we come;
From the river-girt islands,
Where loud waves are dumb,
Listening to my sweet pipings.
The wind in the reeds and the rushes,
The bees on the bells of thyme,
The birds on the myrtle bushes,
The cicale above in the lime,
And the lizards below in the grass,
Were as silent as ever old Tmolus was,
Listening to my sweet pipings.
Liquid Peneus was flowing,
And all dark Tempe lay
In Pelion’s shadow, outgrowing
The light of the dying day,
Speeded by my sweet pipings.
The Sileni and Sylvans and Fauns,
And the Nymphs of the woods and waves,
To the edge of the moist river-lawns,
And the brink of the dewy caves,
And all that did then attend and follow,
Were silent with love, as you now, Apollo,
With envy of my sweet pipings.
I sang of the dancing stars,
I sang of the dædal earth,
And of heaven, and the giant wars,
And love, and death, and birth.
And then I changed my pipings—
Singing how down the vale of Mænalus
I pursued a maiden, and clasp’d a reed:
Gods and men, we are all deluded thus;
It breaks in our bosom, and then we bleed.
All wept—as I think both ye now would,
If envy or age had not frozen your blood—
At the sorrow of my sweet pipings.
The Invitation
BEST and brightest, come away!
Fairer far than this fair Day,
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle on the brake.
The brightest hour of unborn Spring,
Through the winter wandering,
Found, it seems, the halcyon Morn
To hoar February born.
Bending from heaven, in azure mirth,
It kiss’d the forehead of the Earth;
And smiled upon the silent sea;
And bade the frozen streams be free;
And waked to music all their fountains;
And breathed upon the frozen mountains;
And like a prophetess of May
Strew’d flowers upon the barren way,
Making the wintry world appear
Like one on whom thou smilest, dear.
Away, away, from men and towns,
To the wild wood and the downs—
To the silent wilderness
Where the soul need not repress
Its music lest it should not find
An echo in another’s mind,
While the touch of Nature’s art
Harmonizes heart to heart.
I leave this notice on my door
For each accustomed visitor:—
‘I am gone into the fields
To take what this sweet hour yields.
Reflection, you may come to-morrow;
Sit by the fireside with Sorrow.
You with the unpaid bill, Despair,—
You tiresome verse-reciter, Care,—
I will pay you in the grave,—
Death will listen to your stave.
Expectation too, be off!
To-day is for itself enough.
Hope, in pity, mock not Woe
With smiles, nor follow where I go;
Long having lived on your sweet food,
At length I find one moment’s good
After long pain: with all your love,
This you never told me of.’
Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains;
And the pools where winter rains
Image all their roof of leaves;
Where the pine its garland weaves
Of sapless green and ivy dun
Round stems that never kiss the sun;
Where the lawns and pastures be,
And the sandhills of the sea;
When the melting hoar-frost wets
The daisy-star that never sets,
And wind-flowers, and violets
Which yet join not scent to hue,
Crown the pale year weak and new;
When the night is left behind
In the deep east, dun and blind,
And the blue noon is over us,
And the multitudinous
Billows murmur at our feet
Where the earth and ocean meet,
And all things seem only one
In the universal sun.
Hellas
THE world’s great age begins anew,
The golden years return,
The earth doth like a snake renew
Her winter weeds outworn:
Heaven smiles, and faiths and empires gleam
Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains
From waves serener far;
A new Peneus rolls his fountains
Against the morning star;
Where fairer Tempes bloom, there sleep
Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main,
Fraught with a later prize;
Another Orpheus sings again,
And loves, and weeps, and dies;
A new Ulysses leaves once more
Calypso for his native shore.
O write no more the tale of Troy,
If earth Death’s scroll must be—
Nor mix with Laian rage the joy
Which dawns upon the free,
Although a subtler Sphinx renew
Riddles of death Thebes never knew.
Another Athens shall arise,
And to remoter time
Bequeath, like sunset to the skies,
The splendour of its prime;
And leave, if naught so bright may live,
All earth can take or Heaven can give.
Saturn and Love their long repose
Shall burst, more bright and good
Than all who fell, than One who rose,
Than many unsubdued:
Not gold, not blood, their altar dowers,
But votive tears and symbol flowers.
O cease! must hate and death return?
Cease! must men kill and die?
Cease! drain not to its dregs the urn
Of bitter prophecy!
The world is weary of the past—
O might it die or rest at last!
To a Skylark
HAIL to thee, blithe spirit!
Bird thou never wert—
That from heaven or near it
Pourest thy full heart
In profuse strains of unpremeditated art.
Higher still and higher
From the earth thou springest,
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.
In the golden light’ning
Of the sunken sun,
O’er which clouds are bright’ning,
Thou dost float and run,
Like an unbodied joy whose race is just begun.
The pale purple even
Melts around thy flight;
Like a star of heaven,
In the broad daylight
Thou art unseen, but yet I hear thy shrill delight—
Keen as are the arrows
Of that silver sphere
Whose intense lamp narrows
In the white dawn clear,
Until we hardly see, we feel that it is there.
All the earth and air
With thy voice is loud,
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflow’d.
What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody:—
Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:
Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:
Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view:
Like a rose embower’d
In its own green leaves,
By warm winds deflower’d,
Till the scent it gives
Makes faint with too much sweet these heavy-wingèd thieves
Sound of vernal showers
On the twinkling grass,
Rain-awaken’d flowers—
All that ever was
Joyous and clear and fresh—thy music doth surpass.
Teach us, sprite or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus hymeneal,
Or triumphal chant,
Match’d with thine would be all
But an empty vaunt—
A thing wherein we feel there is some hidden want.
What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?
With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest, but ne’er knew love’s sad satiety.
Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?
We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
Yet, if we could scorn
Hate and pride and fear,
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
Teach me half the gladness
That thy brain must know;
Such harmonious madness
From my lips would flow,
The world should listen then, as I am listening now.
The Moon
I
AND, like a dying lady lean and pale,
Who totters forth, wrapp’d in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky east
A white and shapeless mass.
II
ART thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?
Ode to the West Wind
I
O WILD West Wind, thou breath of Autumn’s being
Thou from whose unseen presence the leaves dead
Are driven like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes! O thou
Who chariotest to their dark wintry bed
The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill;
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, O hear!
II
THOU on whose stream, ’mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the ‘tangled boughs of heaven and ocean,
Angels of rain and lightning! there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head
Of some fierce Mænad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail, will burst: O hear!
III
THOU who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,
Beside a pumice isle in Baiæ’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,
All overgrown with azure moss, and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: O hear!
IV
IF I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! if even
I were as in my boyhood, and could be
The comrade of thy wanderings over heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision—I would ne’er have striven
As thus with thee in prayer in my sore need.
O! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chained and bow’d
One too like thee—tameless, and swift, and proud.
V
MAKE me thy lyre, even as the forest is:
What if my leaves are falling like its own?
The tumult of thy mighty harmonies
Will take from both a deep autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe,
Like wither’d leaves, to quicken a new birth;
And, by the incantation of this verse,
Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
The Indian Serenade
I ARISE from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright.
I arise from dreams of thee,
And a spirit in my feet
Hath led me—who knows how?
To thy chamber window, Sweet!
The wandering airs they faint
On the dark, the silent stream—
And the Champak’s odours [pine]
Like sweet thoughts in a dream;
The nightingale’s complaint,
It dies upon her heart,
As I must on thine,
O belovèd as thou art!
O lift me from the grass!
I die! I faint! I fail!
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast:
O press it to thine own again,
Where it will break at last!
Night
SWIFTLY walk over the western wave,
Spirit of Night!
Out of the misty eastern cave,—
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear
Which make thee terrible and dear,—
Swift be thy flight!
Wrap thy form in a mantle grey,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out.
Then wander o’er city and sea and land,
Touching all with thine opiate wand—
Come, long-sought!
When I arose and saw the dawn,
I sigh’d for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn’d to her rest,
Lingering like an unloved guest,
I sigh’d for thee.
Thy brother Death came, and cried,
‘Wouldst thou me?’
Thy sweet child Sleep, the filmy-eyed,
Murmur’d like a noontide bee,
‘Shall I nestle near thy side?
Wouldst thou me?’—And I replied,
‘No, not thee!’
Death will come when thou art dead,
Soon, too soon—
Sleep will come when thou art fled.
Of neither would I ask the boon
I ask of thee, belovèd Night—
Swift be thine approaching flight,
Come soon, soon!
From the Arabic
AN IMITATION
MY faint spirit was sitting in the light
Of thy looks, my love;
It panted for thee like the hind at noon
For the brooks, my love.
Thy barb, whose hoofs outspeed the tempest’s flight,
Bore thee far from me;
My heart, for my weak feet were weary soon,
Did companion thee.
Ah! fleeter far than fleetest storm or steed,
Or the death they bear,
The heart which tender thought clothes like a dove
With the wings of care;
In the battle, in the darkness, in the need,
Shall mine cling to thee,
Nor claim one smile for all the comfort, love,
It may bring to thee.
Lines
WHEN the lamp is shatter’d,
The light in the dust lies dead;
When the cloud is scatter’d,
The rainbow’s glory is shed:
When the lute is broken,
Sweet tones are remember’d not
When the lips have spoken,
Loved accents are soon forgot.
As music and splendour
Survive not the lamp and the lute,
The heart’s echoes render
No song when the spirit is mute—
No song but sad dirges,
Like the wind through a ruin’d cell,
Or the mournful surges
That ring the dead seaman’s knell.
When hearts have once mingled,
Love first leaves the well-built nest;
The weak one is singled
To endure what it once possest.
O Love, who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier?
Its passions will rock thee,
As the storms rock the ravens on high:
Bright reason will mock thee,
Like the sun from a wintry sky.
From thy nest every rafter
Will rot, and thine eagle home
Leave thee naked to laughter,
When leaves fall and cold winds come.
To——
ONE word is too often profaned
For me to profane it;
One feeling too falsely disdain’d
For thee to disdain it;
One hope is too like despair
For prudence to smother;
And pity from thee more dear
Than that from another.
I can give not what men call love:
But wilt thou accept not
The worship the heart lifts above
And the heavens reject not,
The desire of the moth for the star,
Of the night for the morrow,
The devotion to something afar
From the sphere of our sorrow?
The Question
I DREAM’d that, as I wander’d by the way,
Bare Winter suddenly was changed to Spring;
And gentle odours led my steps astray,
Mix’d with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kiss’d it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets;
Daisies, those pearl’d Arcturi of the earth,
The constellated flower that never sets;
Faint oxlips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets—
Like a child, half in tenderness and mirth—
Its mother’s face with heaven-collected tears
When the low wind, its playmate’s voice, it hears.
And in the warm hedge grew lush eglantine,
Green cowbind and the moonlight-colour’d May,
And cherry-blossoms, and white cups whose wine
Was the bright dew yet drain’d not by the day;
And wild roses, and ivy serpentine,
With its dark buds and leaves wandering astray;
And flowers, azure, black, and streak’d with gold,
Fairer than any waken’d eyes behold.
And nearer to the river’s trembling edge
There grew broad flag-flowers, purple prank’d with white,
And starry river-buds among the sedge,
And floating water-lilies, broad and bright,
Which lit the oak that overhung the hedge
With moonlight beams of their own watery light;
And bulrushes, and reeds of such deep green
As soothed the dazzled eye with sober sheen.
Methought that of these visionary flowers
I made a nosegay, bound in such a way
That the same hues which in their natural bowers
Were mingled or opposed, the like array
Kept these imprison’d children of the Hours
Within my hand;—and then, elate and gay,
I hasten’d to the spot whence I had come,
That I might there present it—O! to whom?
Remorse
AWAY! the moor is dark beneath the moon,
Rapid clouds have drunk the last pale beam of even:
Away! the gathering winds will call the darkness soon,
And profoundest midnight shroud the serene lights of heaven.
Pause not! the time is past! Every voice cries ‘Away!’
Tempt not with one last tear thy friend’s ungentle mood:
Thy lover’s eye, so glazed and cold, dares not entreat thy stay:
Duty and dereliction guide thee back to solitude.
Away, away! to thy sad and silent home;
Pour bitter tears on its desolated hearth;
Watch the dim shades as like ghosts they go and come,
And complicate strange webs of melancholy mirth.
The leaves of wasted autumn woods shall float around thine head,
The blooms of dewy Spring shall gleam beneath thy feet:
But thy soul or this world must fade in the frost that binds the dead,
Ere midnight’s frown and morning’s smile, ere thou and peace, may meet.
The cloud shadows of midnight possess their own repose,
For the weary winds are silent, or the moon is in the deep;
Some respite to its turbulence unresting ocean knows;
Whatever moves or toils or grieves hath its appointed sleep.
Thou in the grave shalt rest:—yet, till the phantoms flee,
Which that house and heath and garden made dear to thee erewhile,
Thy remembrance and repentance and deep musings are not free
From the music of two voices, and the light of one sweet smile.
Music, when Soft Voices die
MUSIC, when soft voices die,
Vibrates in the memory;
Odours, when sweet violets sicken,
Live within the sense they quicken.
Rose leaves, when the rose is dead,
Are heap’d for the belovèd’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.
HEW AINSLIE
1792-1878
Willie and Helen
‘WHAREFORE sou’d ye talk o’ love,
Unless it be to pain us?
Wharefore sou’d ye talk o’ love
Whan ye say the sea maun twain us?’
‘It’s no because my love is light,
Nor for your angry deddy;
It’s a’ to buy ye pearlins bright,
An’ to busk ye like a leddy.’
‘O Willy, I can caird an’ spin,
Se ne’er can want for cleedin’;
An’ gin I hae my Willy’s heart,
I hae a’ the pearls I’m heedin’.
‘Will it be time to praise this cheek
Whan years an’ tears has blench’d it?
Will it be time to talk o’ love
Whan cauld an’ care has quench’d it?’
He’s laid ae han’ about her waist—
The ither’s held to heaven;
An’ his luik was like the luik o’ man
Wha’s heart in twa is riven.
619. cleedin’] clothing.
JOHN KEBLE
1792-1866
Burial of the Dead
I THOUGHT to meet no more, so dreary seem’d
Death’s interposing veil, and thou so pure,
Thy place in Paradise
Beyond where I could soar:
Friend of this worthless heart! but happier thoughts
Spring like unbidden violets from the sod,
Where patiently thou tak’st
Thy sweet and sure repose.
The shadows fall more soothing: the soft air
Is full of cheering whispers like thine own;
While Memory, by thy grave,
Lives o’er thy funeral day;
The deep knell dying down, the mourners’ pause,
Waiting their Saviour’s welcome at the gate.—
Sure with the words of Heaven
Thy spirit met us there,
And sought with us along th’ accustom’d way
The hallow’d porch, and entering in, beheld
The pageant of sad joy
So dear to Faith and Hope.
O! hadst thou brought a strain from Paradise
To cheer us, happy soul, thou hadst not touch’d
The sacred springs of grief
More tenderly and true,
Than those deep-warbled anthems, high and low,
Low as the grave, high as th’ Eternal Throne,
Guiding through light and gloom
Our mourning fancies wild,
Till gently, like soft golden clouds at eve
Around the western twilight, all subside
Into a placid faith,
That even with beaming eye
Counts thy sad honours, coffin, bier, and pall;
So many relics of a frail love lost,
So many tokens dear
Of endless love begun.
Listen! it is no dream: th’ Apostles’ trump
Gives earnest of th’ Archangel’s;—calmly now,
Our hearts yet beating high
To that victorious lay
(Most like a warrior’s, to the martial dirge
Of a true comrade), in the grave we trust
Our treasure for awhile:
And if a tear steal down,
If human anguish o’er the shaded brow
Pass shuddering, when the handful of pure earth
Touches the coffin-lid;
If at our brother’s name,
Once and again the thought, ‘for ever gone,’
Come o’er us like a cloud; yet, gentle spright,
Thou turnest not away,
Thou know’st us calm at heart.
One look, and we have seen our last of thee,
Till we too sleep and our long sleep be o’er.
O cleanse us, ere we view
That countenance pure again,
Thou, who canst change the heart, and raise the dead!
As Thou art by to soothe our parting hour,
Be ready when we meet,
With Thy dear pardoning words.
JOHN CLARE
1793-1864
Written in Northampton County Asylum
I AM! yet what I am who cares, or knows?
My friends forsake me like a memory lost.
I am the self-consumer of my woes;
They rise and vanish, an oblivious host,
Shadows of life, whose very soul is lost.
And yet I am—I live—though I am toss’d
Into the nothingness of scorn and noise,
Into the living sea of waking dream,
Where there is neither sense of life, nor joys,
But the huge shipwreck of my own esteem
And all that’s dear. Even those I loved the best
Are strange—nay, they are stranger than the rest.
I long for scenes where man has never trod—
For scenes where woman never smiled or wept—
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Full of high thoughts, unborn. So let me lie,—
The grass below; above, the vaulted sky.
FELICIA DOROTHEA HEMANS
1793-1835
Dirge
CALM on the bosom of thy God,
Fair spirit, rest thee now!
E’en while with ours thy footsteps trod,
His seal was on thy brow.
Dust, to its narrow house beneath!
Soul, to its place on high!
They that have seen thy look in death
No more may fear to die.
JOHN KEATS
1795-1821
Song of the Indian Maid
FROM ‘ENDYMION’
O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?—
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?—
To give the glow-worm light?
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
623. sea-spry] sea-spray.
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?—
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow
Heart’s lightness from the merriment of May?—
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day—
Nor any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her,
And so leave her,
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,—
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour’d bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue—
’Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din—
’Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown’d with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:—
I rush’d into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus’ pearly bite;
And near him rode Silenus on his ass,
Pelted with flowers as he on did pass
Tipsily quaffing.
‘Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
Your lutes, and gentler fate?’—
‘We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:—
Come hither, lady fair, and joinèd be
To our wild minstrelsy!’
‘Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
Your nuts in oak-tree cleft?’—
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joinèd be
To our mad minstrelsy!’
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads—with song and dance,
With zebras striped, and sleek Arabians’ prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers’ toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
Mounted on panthers’ furs and lions’ manes,
From rear to van they scour about the plains;
A three days’ journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch’d Abyssinia rouse and sing
To the silver cymbals’ ring!
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearlèd hail;
Great Brahma from his mystic heaven groans,
And all his priesthood moans,
Before young Bacchus’ eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary—so I took a whim
To stray away into these forests drear,
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I’ve been a ranger
In search of pleasure throughout every clime;
Alas! ’tis not for me!
Bewitch’d I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one,
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade.
Ode to a Nightingale
MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
’Tis not through envy of thy happy lot,
But being too happy in thy happiness,
That thou, light-wingèd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a draught of vintage! that hath been
Cool’d a long age in the deep-delvèd earth,
Tasting of Flora and the country-green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South!
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster’d around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmèd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover’d up in leaves;
And mid-May’s eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and for many a time
I have been half in love with easeful Death,
Call’d him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm’d magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now ’tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep?
Ode on a Grecian Urn
THOU still unravish’d bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearièd,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul, to tell
Why thou art desolate, can e’er return.
O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity. Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
‘Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.’
Ode to Psyche
O GODDESS! hear these tuneless numbers, wrung
By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
Even into thine own soft-conchèd ear:
Surely I dream’d to-day, or did I see
The wingèd Psyche with awaken’d eyes?
I wander’d in a forest thoughtlessly,
And, on the sudden, fainting with surprise,
Saw two fair creatures, couchèd side by side
In deepest grass, beneath the whisp’ring roof
Of leaves and trembled blossoms, where there ran
A brooklet, scarce espied:
’Mid hush’d, cool-rooted flowers fragrant-eyed,
Blue, silver-white, and budded Tyrian
They lay calm-breathing on the bedded grass;
Their arms embracèd, and their pinions too;
Their lips touch’d not, but had not bade adieu,
As if disjoinèd by soft-handed slumber,
And ready still past kisses to outnumber
At tender eye-dawn of aurorean love:
The wingèd boy I knew;
But who wast thou, O happy, happy dove?
His Psyche true!
O latest-born and loveliest vision far
Of all Olympus’ faded hierarchy!
Fairer than Phœbe’s sapphire-region’d star,
Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
Nor altar heap’d with flowers;
Nor Virgin-choir to make delicious moan
Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
Of pale-mouth’d prophet dreaming.
O brightest! though too late for antique vows,
Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
Holy the air, the water, and the fire;
Yet even in these days so far retired
From happy pieties, thy lucent fans,
Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspired.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swingèd censer teeming:
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth’d prophet dreaming.
Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branchèd thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster’d trees
Fledge the wild-ridgèd mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
The moss-lain Dryads shall be lull’d to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
With the wreath’d trellis of a working brain,
With buds, and bells, and stars without a name,
With all the gardener Fancy e’er could feign,
Who, breeding flowers, will never breed the same;
And there shall be for thee all soft delight
That shadowy thought can win,
A bright torch, and a casement ope at night,
To let the warm Love in!
To Autumn
SEASON of mists and mellow fruitfulness!
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind,
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twinèd flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barrèd clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Ode on Melancholy
NO, no! go not to Lethe, neither twist
Wolf’s-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kist
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow’s mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globèd peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil’d Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy’s grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
Fragment of an Ode to Maia
(Written on May-Day, 1818)
MOTHER of Hermes! and still youthful Maia!
May I sing to thee
As thou wast hymnèd on the shores of Baiæ?
Or may I woo thee
In earlier Sicilian? or thy smiles
Seek as they once were sought, in Grecian isles,
By bards who died content on pleasant sward,
Leaving great verse unto a little clan?
O give me their old vigour! and unheard
Save of the quiet primrose, and the span
Of heaven, and few ears,
Rounded by thee, my song should die away
Content as theirs,
Rich in the simple worship of a day.
Bards of Passion and of Mirth
Written on the Blank Page before Beaumont and Fletcher’s Tragi-Comedy ‘The Fair Maid of the Inn’
BARDS of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Doubled-lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wondrous,
And the parle of voices thund’rous;
With the whisper of heaven’s trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian’s fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, trancèd thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.
Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber’d, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.
Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
Fancy
EVER let the Fancy roam,
Pleasure never is at home:
At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let wingèd Fancy wander
Through the thought still spread beyond her:
Open wide the mind’s cage-door,
She’ll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer’s joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming:
Autumn’s red-lipp’d fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?
Sit thee by the ingle, when
The sear faggot blazes bright,
Spirit of a winter’s night;
When the soundless earth is muffled,
And the cakèd snow is shuffled
From the ploughboy’s heavy shoon;
When the Night doth meet the Noon
In a dark conspiracy
To banish Even from her sky.
Sit thee there, and send abroad,
With a mind self-overawed,
Fancy, high-commission’d:—send her!
She has vassals to attend her:
She will bring, in spite of frost,
Beauties that the earth hath lost;
She will bring thee, all together,
All delights of summer weather;
All the buds and bells of May,
From dewy sward or thorny spray;
All the heapèd Autumn’s wealth,
With a still, mysterious stealth:
She will mix these pleasures up
Like three fit wines in a cup,
And thou shalt quaff it:—thou shalt hear
Distant harvest-carols clear;
Rustle of the reapèd corn;
Sweet birds antheming the morn:
And, in the same moment—hark!
’Tis the early April lark,
Or the rooks, with busy caw,
Foraging for sticks and straw.
Thou shalt, at one glance, behold
The daisy and the marigold;
White-plumed lilies, and the first
Hedge-grown primrose that hath burst;
Shaded hyacinth, alway
Sapphire queen of the mid-May;
And every leaf, and every flower
Pearlèd with the self-same shower.
Thou shalt see the fieldmouse peep
Meagre from its cellèd sleep;
And the snake all winter-thin
Cast on sunny bank its skin;
Freckled nest-eggs thou shalt see
Hatching in the hawthorn-tree,
When the hen-bird’s wing doth rest
Quiet on her mossy nest;
Then the hurry and alarm
When the beehive casts its swarm;
Acorns ripe down-pattering
While the autumn breezes sing.
O sweet Fancy! let her loose;
Every thing is spoilt by use:
Where’s the cheek that doth not fade,
Too much gazed at? Where’s the maid
Whose lip mature is ever new?
Where’s the eye, however blue,
Doth not weary? Where’s the face
One would meet in every place?
Where’s the voice, however soft,
One would hear so very oft?
At a touch sweet Pleasure melteth
Like to bubbles when rain pelteth.
Let, then, wingèd Fancy find
Thee a mistress to thy mind:
Dulcet-eyed as Ceres’ daughter,
Ere the God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe’s, when her zone
Slipt its golden clasp, and down
Fell her kirtle to her feet,
While she held the goblet sweet,
And Jove grew languid.—Break the mesh
Of the Fancy’s silken leash;
Quickly break her prison-string,
And such joys as these she’ll bring.—
Let the wingèd Fancy roam,
Pleasure never is at home.
Stanzas
IN a drear-nighted December,
Too happy, happy tree,
Thy branches ne’er remember
Their green felicity:
The north cannot undo them,
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.
In a drear-nighted December,
Too happy, happy brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.
Ah! would ’twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passèd joy?
To know the change and feel it,
When there is none to heal it,
Nor numbèd sense to steal it,
Was never said in rhyme.
La Belle Dame sans Merci
‘O WHAT can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge is wither’d from the lake,
And no birds sing.
‘O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
‘I see a lily on thy brow
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.’
‘I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
‘I made a garland for her head,
And bracelets too, and fragrant zone;
She look’d at me as she did love,
And made sweet moan.
‘I set her on my pacing steed
And nothing else saw all day long,
For sideways would she lean, and sing
A faery’s song.
‘She found me roots of relish sweet,
And honey wild and manna dew,
And sure in language strange she said,
“I love thee true!”
‘She took me to her elfin grot,
And there she wept and sigh’d full sore;
And there I shut her wild, wild eyes
With kisses four.
‘And there she lullèd me asleep,
And there I dream’d—Ah! woe betide!
The latest dream I ever dream’d
On the cold hill’s side.
‘I saw pale kings and princes too,
Pale warriors, death-pale were they all;
Who cried—“La belle Dame sans Merci
Hath thee in thrall!”
‘I saw their starved lips in the gloam
With horrid warning gapèd wide,
And I awoke and found me here
On the cold hill’s side.
‘And this is why I sojourn here
Alone and palely loitering,
Though the sedge is wither’d from the lake,
And no birds sing.’
On first looking into Chapman’s Homer
MUCH have I travell’d in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow’d Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He stared at the Pacific—and all his men
Look’d at each other with a wild surmise—
Silent, upon a peak in Darien.
When I have Fears that I may cease to be
WHEN I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high-pilèd books, in charact’ry,
Hold like full garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And feel that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think,
Till Love and Fame to nothingness do sink.
To Sleep
O SOFT embalmer of the still midnight!
Shutting with careful fingers and benign
Our gloom-pleased eyes, embower’d from the light,
Enshaded in forgetfulness divine;
O soothest Sleep! if so it please thee, close,
In midst of this thine hymn, my willing eyes,
Or wait the amen, ere thy poppy throws
Around my bed its lulling charities;
Then save me, or the passèd day will shine
Upon my pillow, breeding many woes;
Save me from curious conscience, that still lords
Its strength for darkness, burrowing like a mole;
Turn the key deftly in the oilèd wards,
And seal the hushèd casket of my soul.
Last Sonnet
BRIGHT Star, would I were steadfast as thou art—
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature’s patient sleepless Eremite,
The moving waters at their priest-like task
Of pure ablution round earth’s human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still steadfast, still unchangeable,
Pillow’d upon my fair love’s ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.
JEREMIAH JOSEPH CALLANAN
1795-1839
The Outlaw of Loch Lene
FROM THE IRISH
O MANY a day have I made good ale in the glen,
That came not of stream or malt, like the brewing of men:
My bed was the ground; my roof, the green-wood above;
And the wealth that I sought, one far kind glance from my Love.
Alas! on that night when the horses I drove from the field,
That I was not near from terror my angel to shield!
She stretch’d forth her arms; her mantle she flung to the wind,
And swam o’er Loch Lene, her outlaw’d lover to find.
O would that a freezing sleet-wing’d tempest did sweep,
And I and my love were alone, far off on the deep;
I’d ask not a ship, or a bark, or a pinnace, to save—
With her hand round my waist, I’d fear not the wind or the wave.
’Tis down by the lake where the wild tree fringes its sides,
The maid of my heart, my fair one of Heaven resides:
I think, as at eve she wanders its mazes among,
The birds go to sleep by the sweet wild twist of her song.
WILLIAM SIDNEY WALKER
1795-1846
TOO solemn for day, too sweet for night,
Come not in darkness, come not in light;
But come in some twilight interim,
When the gloom is soft, and the light is dim.
GEORGE DARLEY
1795-1846
Song
SWEET in her green dell the flower of beauty slumbers,
Lull’d by the faint breezes sighing through her hair;
Sleeps she and hears not the melancholy numbers
Breathed to my sad lute ’mid the lonely air.
Down from the high cliffs the rivulet is teeming
To wind round the willow banks that lure him from above:
O that in tears, from my rocky prison streaming,
I too could glide to the bower of my love!
Ah! where the woodbines with sleepy arms have wound her,
Opes she her eyelids at the dream of my lay,
Listening, like the dove, while the fountains echo round her,
To her lost mate’s call in the forests far away.
Come then, my bird! For the peace thou ever bearest,
Still Heaven’s messenger of comfort to me—
Come—this fond bosom, O faithfullest and fairest,
Bleeds with its death-wound, its wound of love for thee!
To Helene
On a Gift-ring carelessly lost
I SENT a ring—a little band
Of emerald and ruby stone,
And bade it, sparkling on thy hand,
Tell thee sweet tales of one
Whose constant memory
Was full of loveliness, and thee.
A shell was graven on its gold,—
’Twas Cupid fix’d without his wings—
To Helene once it would have told
More than was ever told by rings:
But now all’s past and gone,
Her love is buried with that stone.
Thou shalt not see the tears that start
From eyes by thoughts like these beguiled;
Thou shalt not know the beating heart,
Ever a victim and a child:
Yet Helene, love, believe
The heart that never could deceive.
I’ll hear thy voice of melody
In the sweet whispers of the air;
I’ll see the brightness of thine eye
In the blue evening’s dewy star;
In crystal streams thy purity;
And look on Heaven to look on thee.
The Fallen Star
A STAR is gone! a star is gone!
There is a blank in Heaven;
One of the cherub choir has done
His airy course this even.
He sat upon the orb of fire
That hung for ages there,
And lent his music to the choir
That haunts the nightly air.
But when his thousand years are pass’d,
With a cherubic sigh
He vanish’d with his car at last,
For even cherubs die!
Hear how his angel-brothers mourn—
The minstrels of the spheres—
Each chiming sadly in his turn
And dropping splendid tears.
The planetary sisters all
Join in the fatal song,
And weep this hapless brother’s fall,
Who sang with them so long.
But deepest of the choral band
The Lunar Spirit sings,
And with a bass-according hand
Sweeps all her sullen strings.
From the deep chambers of the dome
Where sleepless Uriel lies,
His rude harmonic thunders come
Mingled with mighty sighs.
The thousand car-borne cherubim,
The wandering eleven,
All join to chant the dirge of him
Who fell just now from Heaven.
HARTLEY COLERIDGE
1796-1849
The Solitary-Hearted
SHE was a queen of noble Nature’s crowning,
A smile of hers was like an act of grace;
She had no winsome looks, no pretty frowning,
Like daily beauties of the vulgar race:
But if she smiled, a light was on her face,
A clear, cool kindliness, a lunar beam
Of peaceful radiance, silvering o’er the stream
Of human thought with unabiding glory;
Not quite a waking truth, not quite a dream,
A visitation, bright and transitory.
But she is changed,—hath felt the touch of sorrow,
No love hath she, no understanding friend;
O grief! when Heaven is forced of earth to borrow
What the poor niggard earth has not to lend;
But when the stalk is snapt, the rose must bend.
The tallest flower that skyward rears its head
Grows from the common ground, and there must shed
Its delicate petals. Cruel fate, too surely,
That they should find so base a bridal bed,
Who lived in virgin pride, so sweet and purely.
She had a brother, and a tender father,
And she was loved, but not as others are
From whom we ask return of love,—but rather
As one might love a dream; a phantom fair
Of something exquisitely strange and rare,
Which all were glad to look on, men and maids,
Yet no one claim’d—as oft, in dewy glades,
The peering primrose, like a sudden gladness,
Gleams on the soul, yet unregarded fades;—
The joy is ours, but all its own the sadness.
’Tis vain to say—her worst of grief is only
The common lot, which all the world have known;
To her ’tis more, because her heart is lonely,
And yet she hath no strength to stand alone,—
Once she had playmates, fancies of her own,
And she did love them. They are past away
As Fairies vanish at the break of day;
And like a spectre of an age departed,
Or unsphered Angel wofully astray,
She glides along—the solitary-hearted.
Song
SHE is not fair to outward view
As many maidens be,
Her loveliness I never knew
Until she smiled on me;
O, then I saw her eye was bright,
A well of love, a spring of light!
But now her looks are coy and cold,
To mine they ne’er reply,
And yet I cease not to behold
The love-light in her eye:
Her very frowns are fairer far
Than smiles of other maidens are.
Early Death
SHE pass’d away like morning dew
Before the sun was high;
So brief her time, she scarcely knew
The meaning of a sigh.
As round the rose its soft perfume,
Sweet love around her floated;
Admired she grew—while mortal doom
Crept on, unfear’d, unnoted.
Love was her guardian Angel here,
But Love to Death resign’d her;
Tho’ Love was kind, why should we fear
But holy Death is kinder?
Friendship
WHEN we were idlers with the loitering rills,
The need of human love we little noted:
Our love was nature; and the peace that floated
On the white mist, and dwelt upon the hills,
To sweet accord subdued our wayward wills:
One soul was ours, one mind, one heart devoted,
That, wisely doting, ask’d not why it doted,
And ours the unknown joy, which knowing kills.
But now I find how dear thou wert to me;
That man is more than half of nature’s treasure,
Of that fair beauty which no eye can see,
Of that sweet music which no ear can measure;
And now the streams may sing for others’ pleasure,
The hills sleep on in their eternity.
THOMAS HOOD
1798-1845
Autumn
I SAW old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;—
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
Where are the songs of Summer?—With the sun,
Oping the dusky eyelids of the south,
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?—Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noonday,
And tear with horny beak their lustrous eyes.
Where are the blooms of Summer?—In the west,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest
Like tearful Proserpine, snatch’d from her flow’rs
To a most gloomy breast.
Where is the pride of Summer,—the green prime,—
The many, many leaves all twinkling?—Three
On the moss’d elm; three on the naked lime
Trembling,—and one upon the old oak-tree!
Where is the Dryad’s immortality?—
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly’s green eternity.
The squirrel gloats on his accomplished hoard,
The ants have brimm’d their garners with ripe grain,
And honey bees have stored
The sweets of Summer in their luscious cells;
The swallows all have wing’d across the main;
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up the dead and gone
With the last leaves for a love-rosary,
Whilst all the wither’d world looks drearily,
Like a dim picture of the drownèd past
In the hush’d mind’s mysterious far away,
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.
O go and sit with her, and be o’ershaded
Under the languid downfall of her hair:
She wears a coronal of flowers faded
Upon her forehead, and a face of care;—
There is enough of wither’d everywhere
To make her bower,—and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty’s,—she that with the living bloom
Of conscious cheeks most beautifies the light:
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,—
Enough of chilly droppings for her bowl;
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!
Silence
THERE is a silence where hath been no sound,
There is a silence where no sound may be,
In the cold grave—under the deep, deep sea,
Or in wide desert where no life is found,
Which hath been mute, and still must sleep profound;
No voice is hush’d—no life treads silently,
But clouds and cloudy shadows wander free,
That never spoke, over the idle ground:
But in green ruins, in the desolate walls
Of antique palaces, where Man hath been,
Though the dun fox or wild hyæna calls,
And owls, that flit continually between,
Shriek to the echo, and the low winds moan—
There the true Silence is, self-conscious and alone.
Death
IT is not death, that sometime in a sigh
This eloquent breath shall take its speechless flight;
That sometime these bright stars, that now reply
In sunlight to the sun, shall set in night;
That this warm conscious flesh shall perish quite,
And all life’s ruddy springs forget to flow;
That thoughts shall cease, and the immortal sprite
Be lapp’d in alien clay and laid below;
It is not death to know this—but to know
That pious thoughts, which visit at new graves
In tender pilgrimage, will cease to go
So duly and so oft—and when grass waves
Over the pass’d-away, there may be then
No resurrection in the minds of men.
Fair Ines
O SAW ye not fair Ines?
She’s gone into the West,
To dazzle when the sun is down,
And rob the world of rest:
She took our daylight with her,
The smiles that we love best,
With morning blushes on her cheek,
And pearls upon her breast.
O turn again, fair Ines,
Before the fall of night,
For fear the Moon should shine alone,
And stars unrivall’d bright;
And blessèd will the lover be
That walks beneath their light,
And breathes the love against thy cheek
I dare not even write!
Would I had been, fair Ines,
That gallant cavalier,
Who rode so gaily by thy side,
And whisper’d thee so near!
Were there no bonny dames at home,
Or no true lovers here,
That he should cross the seas to win
The dearest of the dear?
I saw thee, lovely Ines,
Descend along the shore,
With bands of noble gentlemen,
And banners waved before;
And gentle youth and maidens gay,
And snowy plumes they wore:
It would have been a beauteous dream,—
If it had been no more!
Alas, alas! fair Ines,
She went away with song,
With Music waiting on her steps,
And shoutings of the throng;
But some were sad, and felt no mirth,
But only Music’s wrong,
In sounds that sang Farewell, farewell,
To her you’ve loved so long.
Farewell, farewell, fair Ines!
That vessel never bore
So fair a lady on its deck,
Nor danced so light before,—
Alas for pleasure on the sea,
And sorrow on the shore!
The smile that bless’d one lover’s heart
Has broken many more!
Time of Roses
IT was not in the Winter
Our loving lot was cast;
It was the time of roses—
We pluck’d them as we pass’d!
That churlish season never frown’d
On early lovers yet:
O no—the world was newly crown’d
With flowers when first we met!
’Twas twilight, and I bade you go,
But still you held me fast;
It was the time of roses—
We pluck’d them as we pass’d!
Ruth
SHE stood breast-high amid the corn,
Clasp’d by the golden light of morn,
Like the sweetheart of the sun,
Who many a glowing kiss had won.
On her cheek an autumn flush,
Deeply ripen’d;—such a blush
In the midst of brown was born,
Like red poppies grown with corn.
Round her eyes her tresses fell,
Which were blackest none could tell,
But long lashes veiled a light,
That had else been all too bright.
And her hat, with shady brim,
Made her tressy forehead dim;
Thus she stood amid the stooks,
Praising God with sweetest looks:—
Sure, I said, Heav’n did not mean,
Where I reap thou shouldst but glean,
Lay thy sheaf adown and come,
Share my harvest and my home.
The Death-bed
WE watch’d her breathing thro’ the night,
Her breathing soft and low,
As in her breast the wave of life
Kept heaving to and fro.
So silently we seem’d to speak,
So slowly moved about,
As we had lent her half our powers
To eke her living out.
Our very hopes belied our fears,
Our fears our hopes belied—
We thought her dying when she slept,
And sleeping when she died.
For when the morn came dim and sad,
And chill with early showers,
Her quiet eyelids closed—she had
Another morn than ours.
The Bridge of Sighs
ONE more Unfortunate,
Weary of breath,
Rashly importunate,
Gone to her death!
Take her up tenderly,
Lift her with care;
Fashion’d so slenderly
Young, and so fair!
Look at her garments
Clinging like cerements;
Whilst the wave constantly
Drips from her clothing;
Take her up instantly,
Loving, not loathing.
Touch her not scornfully;
Think of her mournfully,
Gently and humanly;
Not of the stains of her,
All that remains of her
Now is pure womanly.
Make no deep scrutiny
Into her mutiny
Rash and undutiful:
Past all dishonour,
Death has left on her
Only the beautiful.
Still, for all slips of hers,
One of Eve’s family—
Wipe those poor lips of hers
Oozing so clammily.
Loop up her tresses
Escaped from the comb,
Her fair auburn tresses;
Whilst wonderment guesses
Where was her home?
Who was her father?
Who was her mother?
Had she a sister?
Had she a brother?
Or was there a dearer one
Still, and a nearer one
Yet, than all other?
Alas! for the rarity
Of Christian charity
Under the sun!
O, it was pitiful!
Near a whole city full,
Home she had none.
Sisterly, brotherly,
Fatherly, motherly
Feelings had changed:
Love, by harsh evidence,
Thrown from its eminence;
Even God’s providence
Seeming estranged.
Where the lamps quiver
So far in the river,
With many a light
From window and casement,
From garret to basement,
She stood, with amazement,
Houseless by night.
The bleak wind of March
Made her tremble and shiver;
But not the dark arch,
Or the black flowing river:
Mad from life’s history,
Glad to death’s mystery,
Swift to be hurl’d—
Anywhere, anywhere
Out of the world!
In she plunged boldly—
No matter how coldly
The rough river ran—
Over the brink of it,
Picture it—think of it,
Dissolute Man!
Lave in it, drink of it,
Then, if you can!
Take her up tenderly,
Lift her with care;
Fashion’d so slenderly,
Young, and so fair!
Ere her limbs frigidly
Stiffen too rigidly,
Decently, kindly,
Smooth and compose them;
And her eyes, close them,
Staring so blindly!
Dreadfully staring
Thro’ muddy impurity,
As when with the daring
Last look of despairing
Fix’d on futurity.
Perishing gloomily,
Spurr’d by contumely,
Cold inhumanity,
Burning insanity,
Into her rest.—
Cross her hands humbly
As if praying dumbly,
Over her breast!
Owning her weakness,
Her evil behaviour,
And leaving, with meekness,
Her sins to her Saviour!
WILLIAM THOM
1798-1848
The Blind Boy’s Pranks
MEN grew sae cauld, maids sae unkind,
Love kentna whaur to stay:
Wi’ fient an arrow, bow, or string—
Wi’ droopin’ heart an’ drizzled wing,
He faught his lonely way.
‘Is there nae mair in Garioch fair
Ae spotless hame for me?
Hae politics an’ corn an’ kye
Ilk bosom stappit? Fie, O fie!
I’ll swithe me o’er the sea.’
He launch’d a leaf o’ jessamine,
On whilk he daur’d to swim,
An’ pillow’d his head on a wee rosebud,
Syne laithfu’, lanely, Love ’gan scud
Down Ury’s waefu’ stream.
655. kentna] knew not. wi’ fient an arrow] i. q. with deuce an arrow. swithe] hie quickly. laithfu’] regretful.
THE birds sang bonnie as Love drew near,
But dowie when he gaed by;
Till lull’d wi’ the sough o’ monie a sang,
He sleepit fu’ soun’ and sail’d alang
’Neath Heaven’s gowden sky.
’Twas just whaur creeping Ury greets
Its mountain cousin Don,
There wander’d forth a weelfaur’d dame,
Wha listless gazed on the bonnie stream,
As it flirted an’ play’d with a sunny beam
That flicker’d its bosom upon.
Love happit his head, I trow, that time
The jessamine bark drew nigh,
The lassie espied the wee rosebud,
An’ aye her heart gae thud for thud,
An’ quiet it wadna lie.
‘O gin I but had yon wearie wee flower
That floats on the Ury sae fair!’—
She lootit her hand for the silly rose-leaf,
But little wist she o’ the pawkie thief
That was lurkin’ an’ laughin’ there!
Love glower’d when he saw her bonnie dark e’e,
An’ swore by Heaven’s grace
He ne’er had seen nor thought to see,
Since e’er he left the Paphian lea,
Sae lovely a dwallin’-place.
dowie] dejectedly. weelfaur’d] well-favoured, comely. happit] covered up. lootit] lowered. pawkie] sly. glower’d] stared.
SYNE first of a’ in her blythesome breast
He built a bower, I ween;
An’ what did the waefu’ devilick neist?
But kindled a gleam like the rosy east,
That sparkled frae baith her e’en.
An’ then beneath ilk high e’e-bree
He placed a quiver there;
His bow? What but her shinin’ brow?
An’ O sic deadly strings he drew
Frae out her silken hair!
Guid be our guard! Sic deeds waur deen
Roun’ a’ our countrie then;
An’ monie a hangin’ lug was seen
’Mang farmers fat, an’ lawyers lean,
An’ herds o’ common men!
655. e’e-bree] eyebrow. lug] ear.
SIR HENRY TAYLOR
1800-1886
Elena’s Song
QUOTH tongue of neither maid nor wife
To heart of neither wife nor maid—
Lead we not here a jolly life
Betwixt the shine and shade?
Quoth heart of neither maid nor wife
To tongue of neither wife nor maid—
Thou wagg’st, but I am worn with strife,
And feel like flowers that fade.
THOMAS BABINGTON MACAULAY, LORD MACAULAY
1800-1859
A Jacobite’s Epitaph
TO my true king I offer’d free from stain
Courage and faith; vain faith, and courage vain.
For him I threw lands, honours, wealth, away,
And one dear hope, that was more prized than they.
For him I languished in a foreign clime,
Gray-hair’d with sorrow in my manhood’s prime;
Heard on Lavernia Scargill’s whispering trees,
And pined by Arno for my lovelier Tees;
Beheld each night my home in fever’d sleep,
Each morning started from the dream to weep;
Till God, who saw me tried too sorely, gave
The resting-place I ask’d, an early grave.
O thou, whom chance leads to this nameless stone,
From that proud country which was once mine own,
By those white cliffs I never more must see,
By that dear language which I spake like thee,
Forget all feuds, and shed one English tear
O’er English dust. A broken heart lies here.
WILLIAM BARNES
1801-1886
Mater Dolorosa
I’d a dream to-night
As I fell asleep,
O! the touching sight
Makes me still to weep:
Of my little lad,
Gone to leave me sad,
Ay, the child I had,
But was not to keep.
As in heaven high,
I my child did seek,
There in train came by
Children fair and meek,
Each in lily white,
With a lamp alight;
Each was clear to sight,
But they did not speak.
Then, a little sad,
Came my child in turn,
But the lamp he had,
O it did not burn!
He, to clear my doubt,
Said, half turn’d about,
‘Your tears put it out;
Mother, never mourn.’
The Wife a-lost
SINCE I noo mwore do zee your feäce,
Up steärs or down below,
I’ll zit me in the lwonesome pleäce,
Where flat-bough’d beech do grow;
Below the beeches’ bough, my love,
Where you did never come,
An’ I don’t look to meet ye now,
As I do look at hwome.
Since you noo mwore be at my zide,
In walks in zummer het,
I’ll goo alwone where mist do ride,
Droo trees a-drippèn wet;
Below the rain-wet bough, my love,
Where you did never come,
An’ I don’t grieve to miss ye now,
As I do grieve at hwome.
Since now bezide my dinner-bwoard
Your vaïce do never sound,
I’ll eat the bit I can avword
A-vield upon the ground;
Below the darksome bough, my love,
Where you did never dine,
An’ I don’t grieve to miss ye now,
As I at hwome do pine.
Since I do miss your vaïce an’ feäce
In praÿer at eventide,
I’ll praÿ wi’ woone sad vaïce vor greäce
To goo where you do bide;
Above the tree an’ bough, my love,
Where you be gone avore,
An’ be a-waitèn vor me now,
To come vor evermwore.
WINTHROP MACKWORTH PRAED
1802-1839
Fairy Song
HE has conn’d the lesson now;
He has read the book of pain:
There are furrows on his brow;
I must make it smooth again.
Lo! I knock the spurs away;
Lo! I loosen belt and brand;
Hark! I hear the courser neigh
For his stall in Fairy-land.
Bring the cap, and bring the vest;
Buckle on his sandal shoon;
Fetch his memory from the chest
In the treasury of the moon.
I have taught him to be wise
For a little maiden’s sake;—
Lo! he opens his glad eyes.
Softly, slowly: Minstrel, wake!
SARA COLERIDGE
1802-1850
O sleep my Babe
SLEEP, my babe, hear not the rippling wave,
Nor feel the breeze that round thee ling’ring strays
To drink thy balmy breath,
And sigh one long farewell.
Soon shall it mourn above thy wat’ry bed,
And whisper to me, on the wave-beat shore,
Deep murm’ring in reproach,
Thy sad untimely fate.
Ere those dear eyes had open’d on the light,
In vain to plead, thy coming life was sold,
O waken’d but to sleep,
Whence it can wake no more!
A thousand and a thousand silken leaves
The tufted beech unfolds in early spring,
All clad in tenderest green,
All of the self-same shape:
A thousand infant faces, soft and sweet,
Each year sends forth, yet every mother views
Her last not least beloved
Like its dear self alone.
No musing mind hath ever yet foreshaped
The face to-morrow’s sun shall first reveal,
No heart hath e’er conceived
What love that face will bring.
O sleep, my babe, nor heed how mourns the gale
To part with thy soft locks and fragrant breath,
As when it deeply sighs
O’er autumn’s latest bloom.
The Child
SEE yon blithe child that dances in our sight!
Can gloomy shadows fall from one so bright?
Fond mother, whence these fears?
While buoyantly he rushes o’er the lawn,
Dream not of clouds to stain his manhood’s dawn,
Nor dim that sight with tears.
No cloud he spies in brightly glowing hours,
But feels as if the newly vested bowers
For him could never fade:
Too well we know that vernal pleasures fleet,
But having him, so gladsome, fair, and sweet,
Our loss is overpaid.
Amid the balmiest flowers that earth can give
Some bitter drops distil, and all that live
A mingled portion share;
But, while he learns these truths which we lament,
Such fortitude as ours will sure be sent,
Such solace to his care.
GERALD GRIFFIN
1803-1840
Eileen Aroon
WHEN like the early rose,
Eileen Aroon!
Beauty in childhood blows,
Eileen Aroon!
When, like a diadem,
Buds blush around the stem,
Which is the fairest gem?—
Eileen Aroon!
Is it the laughing eye,
Eileen Aroon!
Is it the timid sigh,
Eileen Aroon!
Is it the tender tone,
Soft as the string’d harp’s moan?
O, it is truth alone,—
Eileen Aroon!
When like the rising day,
Eileen Aroon!
Love sends his early ray,
Eileen Aroon!
What makes his dawning glow,
Changeless through joy or woe?
Only the constant know:—
Eileen Aroon!
I know a valley fair,
Eileen Aroon!
I knew a cottage there,
Eileen Aroon!
Far in that valley’s shade
I knew a gentle maid,
Flower of a hazel glade,—
Eileen Aroon!
Who in the song so sweet?
Eileen Aroon!
Who in the dance so fleet?
Eileen Aroon!
Dear were her charms to me,
Dearer her laughter free,
Dearest her constancy,—
Eileen Aroon!
Were she no longer true,
Eileen Aroon!
What should her lover do?
Eileen Aroon!
Fly with his broken chain
Far o’er the sounding main,
Never to love again,—
Eileen Aroon!
Youth must with time decay,
Eileen Aroon!
Beauty must fade away,
Eileen Aroon!
Castles are sack’d in war,
Chieftains are scatter’d far,
Truth is a fixèd star,—
Eileen Aroon!
JAMES CLARENCE MANGAN
1803-1840
Dark Rosaleen
O MY Dark Rosaleen,
Do not sigh, do not weep!
The priests are on the ocean green,
They march along the deep.
There’s wine from the royal Pope,
Upon the ocean green;
And Spanish ale shall give you hope,
My Dark Rosaleen!
My own Rosaleen!
Shall glad your heart, shall give you hope,
Shall give you health, and help, and hope,
My Dark Rosaleen!
Over hills, and thro’ dales,
Have I roam’d for your sake;
All yesterday I sail’d with sails
On river and on lake.
The Erne, at its highest flood,
I dash’d across unseen,
For there was lightning in my blood,
My Dark Rosaleen!
My own Rosaleen!
O, there was lightning in my blood,
Red lightning lighten’d thro’ my blood.
My Dark Rosaleen!
All day long, in unrest,
To and fro, do I move.
The very soul within my breast
Is wasted for you, love!
The heart in my bosom faints
To think of you, my Queen,
My life of life, my saint of saints,
My Dark Rosaleen!
My own Rosaleen!
To hear your sweet and sad complaints,
My life, my love, my saint of saints,
My Dark Rosaleen!
Woe and pain, pain and woe,
Are my lot, night and noon,
To see your bright face clouded so,
Like to the mournful moon.
But yet will I rear your throne
Again in golden sheen;
’Tis you shall reign, shall reign alone,
My Dark Rosaleen!
My own Rosaleen!
’Tis you shall have the golden throne,
’Tis you shall reign, and reign alone,
My Dark Rosaleen!
Over dews, over sands,
Will I fly, for your weal:
Your holy delicate white hands
Shall girdle me with steel.
At home, in your emerald bowers,
From morning’s dawn till e’en,
You’ll pray for me, my flower of flowers,
My Dark Rosaleen!
My fond Rosaleen!
You’ll think of me through daylight hours,
My virgin flower, my flower of flowers,
My Dark Rosaleen!
I could scale the blue air,
I could plough the high hills,
O, I could kneel all night in prayer,
To heal your many ills!
And one beamy smile from you
Would float like light between
My toils and me, my own, my true,
My Dark Rosaleen!
My fond Rosaleen!
Would give me life and soul anew,
A second life, a soul anew,
My Dark Rosaleen!
O, the Erne shall run red,
With redundance of blood,
The earth shall rock beneath our tread,
And flames wrap hill and wood,
And gun-peal and slogan-cry
Wake many a glen serene,
Ere you shall fade, ere you shall die,
My Dark Rosaleen!
My own Rosaleen!
The Judgement Hour must first be nigh,
Ere you can fade, ere you can die,
My Dark Rosaleen!
The Nameless One
ROLL forth, my song, like the rushing river,
That sweeps along to the mighty sea;
God will inspire me while I deliver
My soul of thee!
Tell thou the world, when my bones lie whitening
Amid the last homes of youth and eld,
That once there was one whose veins ran lightning
No eye beheld.
Tell how his boyhood was one drear night-hour,
How shone for him, through his griefs and gloom,
No star of all heaven sends to light our
Path to the tomb.
Roll on, my song, and to after ages
Tell how, disdaining all earth can give,
He would have taught men, from wisdom’s pages,
The way to live.
And tell how trampled, derided, hated,
And worn by weakness, disease, and wrong,
He fled for shelter to God, who mated
His soul with song.
—With song which alway, sublime or vapid,
Flow’d like a rill in the morning beam,
Perchance not deep, but intense and rapid—
A mountain stream.
Tell how this Nameless, condemn’d for years long
To herd with demons from hell beneath,
Saw things that made him, with groans and tears, long
For even death.
Go on to tell how, with genius wasted,
Betray’d in friendship, befool’d in love,
With spirit shipwreck’d, and young hopes blasted,
He still, still strove;
Till, spent with toil, dreeing death for others
(And some whose hands should have wrought for him,
If children live not for sires and mothers),
His mind grew dim;
And he fell far through that pit abysmal,
The gulf and grave of Maginn and Burns,
And pawn’d his soul for the devil’s dismal
Stock of returns.
But yet redeemed it in days of darkness,
And shapes and signs of the final wrath,
When death, in hideous and ghastly starkness,
Stood on his path.
And tell how now, amid wreck and sorrow,
And want, and sickness, and houseless nights,
He bides in calmness the silent morrow,
That no ray lights.
And lives he still, then? Yes! Old and hoary
At thirty-nine, from despair and woe,
He lives, enduring what future story
Will never know.
Him grant a grave to, ye pitying noble,
Deep in your bosoms: there let him dwell!
He too, had tears for all souls in trouble,
Here and in hell.
THOMAS LOVELL BEDDOES
1803-1849
Wolfram’s Dirge
IF thou wilt ease thine heart
Of love and all its smart,
Then sleep, dear, sleep;
And not a sorrow
Hang any tear on your eyelashes;
Lie still and deep,
Sad soul, until the sea-wave washes
The rim of the sun to-morrow,
In eastern sky.
But wilt thou cure thine heart
Of love and all its smart,
Then die, dear, die;
’Tis deeper, sweeter,
Than on a rose-bank to lie dreaming
With folded eye;
And there alone, amid the beaming
Of Love’s stars, thou’lt meet her
In eastern sky.
Dream-Pedlary
IF there were dreams to sell,
What would you buy?
Some cost a passing bell;
Some a light sigh,
That shakes from Life’s fresh crown
Only a rose-leaf down.
If there were dreams to sell,
Merry and sad to tell,
And the crier rang the bell,
What would you buy?
A cottage lone and still,
With bowers nigh,
Shadowy, my woes to still,
Until I die.
Such pearl from Life’s fresh crown
Fain would I shake me down.
Were dreams to have at will,
This would best heal my ill,
This would I buy.
Song
HOW many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall’n year,
Whose white and sable hours appear
The latest flake of Eternity:
So many times do I love thee, dear.
How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravell’d from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.
RALPH WALDO EMERSON
1803-1882
Give All to Love
GIVE all to love;
Obey thy heart;
Friends, kindred, days,
Estate, good fame,
Plans, credit, and the Muse—
Nothing refuse.
’Tis a brave master;
Let it have scope:
Follow it utterly,
Hope beyond hope:
High and more high
It dives into noon,
With wing unspent,
Untold intent;
But it is a god,
Knows its own path,
And the outlets of the sky.
It was never for the mean;
It requireth courage stout,
Souls above doubt,
Valour unbending:
Such ’twill reward;—
They shall return
More than they were,
And ever ascending.
Leave all for love;
Yet, hear me, yet,
One word more thy heart behoved,
One pulse more of firm endeavour—
Keep thee to-day,
To-morrow, for ever,
Free as an Arab
Of thy beloved.
Cling with life to the maid;
But when the surprise,
First vague shadow of surmise,
Flits across her bosom young,
Of a joy apart from thee,
Free be she, fancy-free;
Nor thou detain her vesture’s hem,
Nor the palest rose she flung
From her summer diadem.
Though thou loved her as thyself,
As a self of purer clay;
Though her parting dims the day,
Stealing grace from all alive;
Heartily know,
When half-gods go
The gods arrive.
Uriel
IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coin’d itself
Into calendar months and days.
This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Sayd overheard the young gods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discuss’d
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirr’d the devils everywhere,
Gave his sentiment divine
Against the being of a line.
‘Line in nature is not found;
Unit and universe are round;
In vain produced, all rays return;
Evil will bless, and ice will burn.’
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads;
The seraphs frown’d from myrtle-beds;
Seem’d to the holy festival
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bounds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.
A sad self-knowledge withering fell
On the beauty of Uriel;
In heaven once eminent, the god
Withdrew that hour into his cloud;
Whether doom’d to long gyration
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway a forgetting wind
Stole over the celestial kind,
And their lips the secret kept,
If in ashes the fire-seed slept.
But, now and then, truth-speaking things
Shamed the angels’ veiling wings;
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel’s voice of cherub scorn,
And a blush tinged the upper sky,
And the gods shook, they knew not why.
Bacchus
BRING me wine, but wine which never grew
In the belly of the grape,
Or grew on vine whose tap-roots, reaching through
Under the Andes to the Cape,
Suffer’d no savour of the earth to ’scape.
Let its grapes the morn salute
From a nocturnal root,
Which feels the acrid juice
Of Styx and Erebus;
And turns the woe of Night,
By its own craft, to a more rich delight.
We buy ashes for bread;
We buy diluted wine;
Give me of the true,
Whose ample leaves and tendrils curl’d
Among the silver hills of heaven
Draw everlasting dew;
Wine of wine,
Blood of the world,
Form of forms, and mould of statures,
That I intoxicated,
And by the draught assimilated,
May float at pleasure through all natures;
The bird-language rightly spell,
And that which roses say so well:
Wine that is shed
Like the torrents of the sun
Up the horizon walls,
Or like the Atlantic streams, which run
When the South Sea calls.
Water and bread,
Food which needs no transmuting,
Rainbow-flowering, wisdom-fruiting,
Wine which is already man,
Food which teach and reason can.
Wine which Music is,—
Music and wine are one,—
That I, drinking this,
Shall hear far Chaos talk with me;
Kings unborn shall walk with me;
And the poor grass shall plot and plan
What it will do when it is man.
Quicken’d so, will I unlock
Every crypt of every rock.
I thank the joyful juice
For all I know;
Winds of remembering
Of the ancient being blow,
And seeming-solid walls of use
Open and flow.
Pour, Bacchus! the remembering wine;
Retrieve the loss of me and mine!
Vine for vine be antidote,
And the grape requite the lote!
Haste to cure the old despair;
Reason in Nature’s lotus drench’d—
The memory of ages quench’d—
Give them again to shine;
Let wine repair what this undid;
And where the infection slid,
A dazzling memory revive;
Refresh the faded tints,
Recut the agèd prints,
And write my old adventures with the pen
Which on the first day drew,
Upon the tablets blue,
The dancing Pleiads and eternal men.
Brahma
IF the red slayer think he slays,
Or if the slain think he is slain,
They know not well the subtle ways
I keep, and pass, and turn again.
Far or forgot to me is near;
Shadow and sunlight are the same;
The vanish’d gods to me appear;
And one to me are shame and fame.
They reckon ill who leave me out;
When me they fly, I am the wings;
I am the doubter and the doubt,
And I the hymn the Brahmin sings.
The strong gods pine for my abode,
And pine in vain the sacred Seven;
But thou, meek lover of the good!
Find me, and turn thy back on heaven.
RICHARD HENRY HORNE
1803-1884
The Plough
A LANDSCAPE IN BERKSHIRE
ABOVE yon sombre swell of land
Thou see’st the dawn’s grave orange hue,
With one pale streak like yellow sand,
And over that a vein of blue.
The air is cold above the woods;
All silent is the earth and sky,
Except with his own lonely moods
The blackbird holds a colloquy.
Over the broad hill creeps a beam,
Like hope that gilds a good man’s brow;
And now ascends the nostril-stream
Of stalwart horses come to plough.
Ye rigid Ploughmen, bear in mind
Your labour is for future hours:
Advance—spare not—nor look behind—
Plough deep and straight with all your powers!
ROBERT STEPHEN HAWKER
1804-1875
King Arthur’s Waes-hael
WAES-hael for knight and dame!
O merry be their dole!
Drink-hael! in Jesu’s name
We fill the tawny bowl;
But cover down the curving crest,
Mould of the Orient Lady’s breast.
Waes-hael! yet lift no lid:
Drain ye the reeds for wine.
Drink-hael! the milk was hid
That soothed that Babe divine;
Hush’d, as this hollow channel flows,
He drew the balsam from the rose.
Waes-hael! thus glow’d the breast
Where a God yearn’d to cling;
Drink-hael! so Jesu press’d
Life from its mystic spring;
Then hush and bend in reverent sign
And breathe the thrilling reeds for wine.
Waes-hael! in shadowy scene
Lo! Christmas children we:
Drink-hael! behold we lean
At a far Mother’s knee;
To dream that thus her bosom smiled,
And learn the lip of Bethlehem’s Child.
Are they not all Ministering Spirits?
WE see them not—we cannot hear
The music of their wing—
Yet know we that they sojourn near,
The Angels of the spring!
They glide along this lovely ground
When the first violet grows;
Their graceful hands have just unbound
The zone of yonder rose.
I gather it for thy dear breast,
From stain and shadow free:
That which an Angel’s touch hath blest
Is meet, my love, for thee!
THOMAS WADE
1805-1875
The Half-asleep
O FOR the mighty wakening that aroused
The old-time Prophets to their missions high;
And to blind Homer’s inward sunlike eye
Show’d the heart’s universe where he caroused
Radiantly; the Fishers poor unhoused,
And sent them forth to preach divinity;
And made our Milton his great dark defy,
To the light of one immortal theme espoused!
But half asleep are those now most awake;
And save calm-thoughted Wordsworth, we have none
Who for eternity put time at stake,
And hold a constant course as doth the sun:
We yield but drops that no deep thirstings slake;
And feebly cease ere we have well begun.
FRANCIS MAHONY
1805-1866
The Bells of Shandon
WITH deep affection,
And recollection,
I often think of
Those Shandon bells,
Whose sounds so wild would,
In the days of childhood,
Fling around my cradle
Their magic spells.
On this I ponder
Where’er I wander,
And thus grow fonder,
Sweet Cork, of thee;
With thy bells of Shandon,
That sound so grand on
The pleasant waters
Of the River Lee.
I’ve heard bells chiming
Full many a clime in,
Tolling sublime in
Cathedral shrine,
While at a glib rate
Brass tongues would vibrate—
But all their music
Spoke naught like thine;
For memory, dwelling
On each proud swelling
Of the belfry knelling
Its bold notes free,
Made the bells of Shandon
Sound far more grand on
The pleasant waters
Of the River Lee.
I’ve heard bells tolling
Old Adrian’s Mole in,
Their thunder rolling
From the Vatican,
And cymbals glorious
Swinging uproarious
In the gorgeous turrets
Of Notre Dame;
But thy sounds were sweeter
Than the dome of Peter
Flings o’er the Tiber,
Pealing solemnly—
O, the bells of Shandon
Sound far more grand on
The pleasant waters
Of the River Lee.
There’s a bell in Moscow,
While on tower and kiosk O!
In Saint Sophia
The Turkman gets,
And loud in air
Calls men to prayer
From the tapering summits
Of tall minarets.
Such empty phantom
I freely grant them;
But there’s an anthem
More dear to me,—
’Tis the bells of Shandon,
That sound so grand on
The pleasant waters
Of the River Lee.
ELIZABETH BARRETT BROWNING
1806-1861
Rosalind’s Scroll
I LEFT thee last, a child at heart,
A woman scarce in years:
I come to thee, a solemn corpse
Which neither feels nor fears.
I have no breath to use in sighs;
They laid the dead-weights on mine eyes
To seal them safe from tears.
Look on me with thine own calm look:
I meet it calm as thou.
No look of thine can change this smile,
Or break thy sinful vow:
I tell thee that my poor scorn’d heart
Is of thine earth—thine earth—a part:
It cannot vex thee now.
I have pray’d for thee with bursting sob
When passion’s course was free;
I have pray’d for thee with silent lips
In the anguish none could see;
They whisper’d oft, ‘She sleepeth soft’—
But I only pray’d for thee.
Go to! I pray for thee no more:
The corpse’s tongue is still;
Its folded fingers point to heaven,
But point there stiff and chill:
No farther wrong, no farther woe
Hath licence from the sin below
Its tranquil heart to thrill.
I charge thee, by the living’s prayer,
And the dead’s silentness,
To wring from out thy soul a cry
Which God shall hear and bless!
Lest Heaven’s own palm droop in my hand,
And pale among the saints I stand,
A saint companionless.
The Deserted Garden
I MIND me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanish’d quite;
And wheresoe’er had struck the spade,
The greenest grasses Nature laid,
To sanctify her right.
I call’d the place my wilderness,
For no one enter’d there but I.
The sheep look’d in, the grass to espy,
And pass’d it ne’ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out,
But not a happy child.
Adventurous joy it was for me;
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar-tree.
Old garden rose-trees hedged it in;
Bedropt with roses waxen-white,
Well satisfied with dew and light,
And careless to be seen.
Long years ago, it might befall,
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some Lady, stately overmuch,
Here moving with a silken noise,
Has blush’d beside them at the voice
That liken’d her to such.
Or these, to make a diadem,
She often may have pluck’d and twined;
Half-smiling as it came to mind,
That few would look at them.
O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!—
Nor thought that gardener (full of scorns
For men unlearn’d and simple phrase)
A child would bring it all its praise,
By creeping through the thorns!
To me upon my low moss seat,
Though never a dream the roses sent
Of science or love’s compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed:
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Hath childhood ’twixt the sun and sward;
We draw the moral afterward—
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side.
Nor he nor I did e’er incline
To peck or pluck the blossoms white:—
How should I know but that they might
Lead lives as glad as mine?
To make my hermit-home complete,
I brought clear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale)
To ‘gentle hermit of the dale,’
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees,
And then I shut the book.
If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight.
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse
The madrigals which sweetest are;
No more for me!—myself afar
Do sing a sadder verse.
Ah me! ah me! when erst I lay
In that child’s-nest so greenly wrought,
I laugh’d unto myself and thought,
‘The time will pass away.’
And still I laugh’d, and did not fear
But that, whene’er was pass’d away
The childish time, some happier play
My womanhood would cheer.
I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray!
The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose,—
When wiser, meeker thoughts are given,
And I have learnt to lift my face,
Reminded how earth’s greenest place
The colour draws from heaven,—
It something saith for earthly pain,
But more for heavenly promise free,
That I who was, would shrink to be
That happy child again.
Consolation
ALL are not taken; there are left behind
Living Belovèds, tender looks to bring
And make the daylight still a happy thing,
And tender voices, to make soft the wind:
But if it were not so—if I could find
No love in all this world for comforting,
Nor any path but hollowly did ring
Where ‘dust to dust’ the love from life disjoin’d,
And if, before those sepulchres unmoving
I stood alone (as some forsaken lamb
Goes bleating up the moors in weary dearth)
Crying ‘Where are ye, O my loved and loving?’—
I know a voice would sound, ‘Daughter, I AM.
Can I suffice for Heaven and not for earth?’
Grief
I TELL you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God’s throne in loud access
Of shrieking and reproach. Full desertness
In souls as countries lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens. Deep-hearted man, express
Grief for thy Dead in silence like to death—
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet:
If it could weep, it could arise and go.
Sonnets from the Portuguese
i
I thought once how Theocritus had sung
Of the sweet years, the dear and wish’d-for years,
Who each one in a gracious hand appears
To bear a gift for mortals old or young:
And, as I mused it in his antique tongue,
I saw in gradual vision through my tears
The sweet, sad years, the melancholy years—
Those of my own life, who by turns had flung
A shadow across me. Straightway I was ’ware,
So weeping, how a mystic Shape did move
Behind me, and drew me backward by the hair;
And a voice said in mastery, while I strove,
‘Guess now who holds thee?’—‘Death’ I said. But there
The silver answer rang—‘Not Death, but Love.’
ii
UNLIKE are we, unlike, O princely Heart!
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me—
A poor, tired, wandering singer, singing through
The dark, and leaning up a cypress tree?
The chrism is on thine head—on mine the dew—
And Death must dig the level where these agree.
iii
GO from me. Yet I feel that I shall stand
Henceforward in thy shadow. Nevermore
Alone upon the threshold of my door
Of individual life I shall command
The uses of my soul, nor lift my hand
Serenely in the sunshine as before,
Without the sense of that which I forbore—
Thy touch upon the palm. The widest land
Doom takes to part us, leaves thy heart in mine
With pulses that beat double. What I do
And what I dream include thee, as the wine
Must taste of its own grapes. And when I sue
God for myself, He hears that name of thine,
And sees within my eyes the tears of two.
iv
IF thou must love me, let it be for naught
Except for love’s sake only. Do not say,
‘I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day—
For these things in themselves, Belovèd, may
Be changed, or change for thee—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou mayst love on, through love’s eternity.
v
WHEN our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curving point,—what bitter wrong
Can the earth do us, that we should not long
Be here contented? Think! In mounting higher,
The angels would press on us, and aspire
To drop some golden orb of perfect song
Into our deep, dear silence. Let us stay
Rather on earth, Belovèd—where the unfit
Contrarious moods of men recoil away
And isolate pure spirits, and permit
A place to stand and love in for a day,
With darkness and the death-hour rounding it.
A Musical Instrument
WHAT was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
He tore out a reed, the great god Pan,
From the deep cool bed of the river;
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
High on the shore sat the great god Pan,
While turbidly flow’d the river;
And hack’d and hew’d as a great god can
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.
He cut it short, did the great god Pan
(How tall it stood in the river!),
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notch’d the poor dry empty thing
In holes, as he sat by the river.
‘This is the way’ laugh’d the great god Pan
(Laugh’d while he sat by the river),
‘The only way, since gods began
To make sweet music, they could succeed.’
Then dropping his mouth to a hole in the reed,
He blew in power by the river.
Sweet, sweet, sweet, O Pan!
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.
Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man:
The true gods sigh for the cost and pain—
For the reed which grows nevermore again
As a reed with the reeds of the river.
FREDERICK TENNYSON
1807-1898
The Holy Tide
THE days are sad, it is the Holy tide.
The Winter morn is short, the Night is long;
So let the lifeless Hours be glorified
With deathless thoughts and echo’d in sweet song:
And through the sunset of this purple cup
They will resume the roses of their prime,
And the old Dead will hear us and wake up,
Pass with dim smiles and make our hearts sublime!
The days are sad, it is the Holy tide:
Be dusky mistletoes and hollies strown,
Sharp as the spear that pierced His sacred side,
Red as the drops upon His thorny crown;
No haggard Passion and no lawless Mirth
Fright off the solemn Muse,—tell sweet old tales,
Sing songs as we sit brooding o’er the hearth,
Till the lamp flickers, and the memory fails.
HENRY WADSWORTH LONGFELLOW
1807-1882
My Lost Youth
OFTEN I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
‘A Boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
I remember the black wharves and the slips,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun with its hollow roar,
The drum-beat repeated o’er and o’er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
I remember the sea-fight far away,
How it thunder’d o’er the tide!
And the dead sea-captains, as they lay
In their graves o’erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
I can see the breezy dome of groves,
The shadows of Deering’s woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighbourhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
I remember the gleams and glooms that dart
Across the schoolboy’s brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o’ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
And Deering’s woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
‘A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.’
JOHN GREENLEAF WHITTIER
1807-1892
Vesta
O CHRIST of God! whose life and death
Our own have reconciled,
Most quietly, most tenderly
Take home thy star-named child!
Thy grace is in her patient eyes,
Thy words are on her tongue;
The very silence round her seems
As if the angels sung.
Her smile is as a listening child’s
Who hears its mother’s call;
The lilies of Thy perfect peace
About her pillow fall.
She leans from out our clinging arms
To rest herself in Thine;
Alone to Thee, dear Lord, can we
Our well-beloved resign.
O, less for her than for ourselves
We bow our heads and pray;
Her setting star, like Bethlehem’s,
To Thee shall point the way!
HELEN SELINA, LADY DUFFERIN
1807-1867
Lament of the Irish Emigrant
I’m sittin’ on the stile, Mary,
Where we sat side by side
On a bright May mornin’ long ago,
When first you were my bride;
The corn was springin’ fresh and green,
And the lark sang loud and high—
And the red was on your lip, Mary,
And the love-light in your eye.
The place is little changed, Mary,
The day is bright as then,
The lark’s loud song is in my ear,
And the corn is green again;
But I miss the soft clasp of your hand,
And your breath warm on my cheek,
And I still keep list’ning for the words
You never more will speak.
’Tis but a step down yonder lane,
And the little church stands near,
The church where we were wed, Mary,
I see the spire from here.
But the graveyard lies between, Mary,
And my step might break your rest—
For I’ve laid you, darling! down to sleep,
With your baby on your breast.
I’m very lonely now, Mary,
For the poor make no new friends,
But, O, they love the better still,
The few our Father sends!
And you were all I had, Mary,
My blessin’ and my pride:
There’s nothin’ left to care for now,
Since my poor Mary died.
Yours was the good, brave heart, Mary,
That still kept hoping on,
When the trust in God had left my soul,
And my arm’s young strength was gone:
There was comfort ever on your lip,
And the kind look on your brow—
I bless you, Mary, for that same,
Though you cannot hear me now.
I thank you for the patient smile
When your heart was fit to break,
When the hunger pain was gnawin’ there,
And you hid it, for my sake!
I bless you for the pleasant word,
When your heart was sad and sore—
O, I’m thankful you are gone, Mary,
Where grief can’t reach you more!
I’m biddin’ you a long farewell,
My Mary—kind and true!
But I’ll not forget you, darling!
In the land I’m goin’ to;
They say there’s bread and work for all,
And the sun shines always there—
But I’ll not forget old Ireland,
Were it fifty times as fair!
And often in those grand old woods
I’ll sit, and shut my eyes,
And my heart will travel back again
To the place where Mary lies;
And I’ll think I see the little stile
Where we sat side by side:
And the springin’ corn, and the bright May morn,
When first you were my bride.
CAROLINE ELIZABETH SARAH NORTON
1808-1876
I do not love Thee
I DO not love thee!—no! I do not love thee!
And yet when thou art absent I am sad;
And envy even the bright blue sky above thee,
Whose quiet stars may see thee and be glad.
I do not love thee!—yet, I know not why,
Whate’er thou dost seems still well done, to me:
And often in my solitude I sigh
That those I do love are not more like thee!
I do not love thee!—yet, when thou art gone,
I hate the sound (though those who speak be dear)
Which breaks the lingering echo of the tone
Thy voice of music leaves upon my ear.
I do not love thee!—yet thy speaking eyes,
With their deep, bright, and most expressive blue,
Between me and the midnight heaven arise,
Oftener than any eyes I ever knew.
I know I do not love thee! yet, alas!
Others will scarcely trust my candid heart;
And oft I catch them smiling as they pass,
Because they see me gazing where thou art.
CHARLES TENNYSON TURNER
1808-1879
Letty’s Globe
WHEN Letty had scarce pass’d her third glad year,
And her young artless words began to flow,
One day we gave the child a colour’d sphere
Of the wide earth, that she might mark and know,
By tint and outline, all its sea and land.
She patted all the world; old empires peep’d
Between her baby fingers; her soft hand
Was welcome at all frontiers. How she leap’d,
And laugh’d and prattled in her world-wide bliss;
But when we turn’d her sweet unlearnèd eye
On our own isle, she raised a joyous cry—
‘Oh! yes, I see it, Letty’s home is there!’
And while she hid all England with a kiss,
Bright over Europe fell her golden hair.
EDGAR ALLAN POE
1809-1849
To Helen
HELEN, thy beauty is to me
Like those Nicèan barks of yore
That gently, o’er a perfumed sea,
The weary way-worn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece,
And the grandeur that was Rome.
Lo, in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are holy land!
Annabel Lee
IT was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee.
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child
In this kingdom by the sea:
But we loved with a love that was more than love—
I and my Annabel Lee,
With a love that the wingèd seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee,
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me—
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud one night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee:
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
For Annie
THANK Heaven! the crisis—
The danger is past,
And the lingering illness
Is over at last—
And the fever called ‘Living’
Is conquer’d at last.
Sadly, I know
I am shorn of my strength,
And no muscle I move
As I lie at full length:
But no matter—I feel
I am better at length.
And I rest so composedly
Now, in my bed,
That any beholder
Might fancy me dead—
Might start at beholding me,
Thinking me dead.
The moaning and groaning,
The sighing and sobbing,
Are quieted now,
With that horrible throbbing
At heart—ah, that horrible,
Horrible throbbing!
The sickness—the nausea—
The pitiless pain—
Have ceased, with the fever
That madden’d my brain—
With the fever called ‘Living’
That burn’d in my brain.
And O! of all tortures
That torture the worst
Has abated—the terrible
Torture of thirst
For the naphthaline river
Of Passion accurst—
I have drunk of a water
That quenches all thirst.
—Of a water that flows,
With a lullaby sound,
From a spring but a very few
Feet under ground—
From a cavern not very far
Down under ground.
And ah! let it never
Be foolishly said
That my room it is gloomy,
And narrow my bed;
For man never slept
In a different bed—
And, to sleep, you must slumber
In just such a bed.
My tantalized spirit
Here blandly reposes,
Forgetting, or never
Regretting its roses—
Its old agitations
Of myrtles and roses:
For now, while so quietly
Lying, it fancies
A holier odour
About it, of pansies—
A rosemary odour,
Commingled with pansies—
With rue and the beautiful
Puritan pansies.
And so it lies happily,
Bathing in many
A dream of the truth
And the beauty of Annie—
Drown’d in a bath
Of the tresses of Annie.
She tenderly kiss’d me,
She fondly caress’d,
And then I fell gently
To sleep on her breast—
Deeply to sleep
From the heaven of her breast.
When the light was extinguish’d,
She cover’d me warm,
And she pray’d to the angels
To keep me from harm—
To the queen of the angels
To shield me from harm.
And I lie so composedly,
Now, in my bed
(Knowing her love),
That you fancy me dead—
And I rest so contentedly,
Now, in my bed
(With her love at my breast),
That you fancy me dead—
That you shudder to look at me,
Thinking me dead.
But my heart it is brighter
Than all of the many
Stars in the sky,
For it sparkles with Annie—
It glows with the light
Of the love of my Annie—
With the thought of the light
Of the eyes of my Annie.
EDWARD FITZGERALD
1809-1883
Old Song
’TIS a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, O sighing!
When such a time cometh
I do retire
Into an old room
Beside a bright fire:
O, pile a bright fire!
And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings—
O, drearily sings!
I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!
But close at the hearth,
Like a cricket, sit I,
Reading of summer
And chivalry—
Gallant chivalry!
Then with an old friend
I talk of our youth—
How ’twas gladsome, but often
Foolish, forsooth:
But gladsome, gladsome!
Or, to get merry,
We sing some old rhyme
That made the wood ring again
In summer time—
Sweet summer time!
Then go we smoking,
Silent and snug:
Naught passes between us,
Save a brown jug—
Sometimes!
And sometimes a tear
Will rise in each eye,
Seeing the two old friends
So merrily—
So merrily!
And ere to bed
Go we, go we,
Down on the ashes
We kneel on the knee,
Praying together!
Thus, then, live I
Till, ’mid all the gloom,
By Heaven! the bold sun
Is with me in the room
Shining, shining!
Then the clouds part,
Swallows soaring between;
The spring is alive,
And the meadows are green!
I jump up like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!
From Omar Khayyám
I
A BOOK of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread—and Thou
Beside me singing in the Wilderness—
O. Wilderness were Paradise enow!
Some for the Glories of This World; and some
Sigh for the Prophet’s Paradise to come;
Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!
Look to the blowing Rose about us—‘Lo,
Laughing,’ she says, ‘into the world I blow,
At once the silken tassel of my Purse
Tear, and its Treasure on the Garden throw.’
And those who husbanded the Golden grain
And those who flung it to the winds like Rain
Alike to no such aureate Earth are turn’d
As, buried once, Men want dug up again.
II
THINK, in this batter’d Caravanserai
Whose Portals are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his destined Hour, and went his way.
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahrám, that great Hunter—the wild Ass
Stamps o’er his Head, but cannot break his Sleep.
I sometimes think that never blows so red
The Rose as where some buried Cæsar bled;
That every Hyacinth the Garden wears
Dropt in her Lap from some once lovely Head.
And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean—
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!
Ah, my Belovèd, fill the Cup that clears
To-day of past Regrets and Future Fears:
To-morrow!—Why, To-morrow I may be
Myself with Yesterday’s Sev’n thousand Years.
For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to rest.
And we, that now make merry in the Room
They left, and Summer dresses in new bloom,
Ourselves must we beneath the Couch of Earth
Descend—ourselves to make a Couch—for whom?
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust unto Dust, and under Dust to lie,
Sans Wine, sans Song, sans Singer, and—sans End!
III
AH, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And lay me, shrouded in the living Leaf,
By some not unfrequented Garden-side....
Yon rising Moon that looks for us again—
How oft hereafter will she wax and wane;
How oft hereafter rising look for us
Through this same Garden—and for one in vain!
And when like her, O Sákí, you shall pass
Among the Guests star-scatter’d on the Grass,
And in your joyous errand reach the spot
Where I made One—turn down an empty Glass!
ALFRED TENNYSON, LORD TENNYSON
1809-1892
Mariana
WITH blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look’d sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, ‘The night is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen’s low
Came to her: without hope of change,
In sleep she seem’d to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, ‘The day is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
About a stone-cast from the wall
A sluice with blacken’d waters slept,
And o’er it many, round and small,
The cluster’d marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarlèd bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, ‘The night is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
All day within the dreamy house,
The doors upon their hinges creak’d;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek’d,
Or from the crevice peer’d about.
Old faces glimmer’d thro’ the doors,
Old footsteps trod the upper floors,
Old voices call’d her from without.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,’
I would that I were dead!’
The sparrow’s chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, ‘I am very dreary,
He will not come,’ she said;
She wept, ‘I am aweary, aweary,
O God, that I were dead!’
The Lady of Shalott
Part I
ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
To many-tower’d Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro’ the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil’d,
Slide the heavy barges trail’d
By slow horses; and unhail’d
The shallop flitteth silken-sail’d
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower’d Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ‘’Tis the fairy
Lady of Shalott.’
Part II
THERE she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro’ a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair’d page in crimson clad,
Goes by to tower’d Camelot;
And sometimes thro’ the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror’s magic sights,
For often thro’ the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
‘I am half sick of shadows,’ said
The Lady of Shalott.
Part III
A BOW-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro’ the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel’d
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter’d free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot;
And from his blazon’d baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell’d shone the saddle-leather,
The helmet and the helmet-feather
Burn’d like one burning flame together,
As he rode down to Camelot.
As often thro’ the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow’d;
On burnish’d hooves his war-horse trode;
From underneath his helmet flow’d
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash’d into the crystal mirror,
‘Tirra lirra,’ by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro’ the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look’d down to Camelot.
Out flew the web and floated wide;
The mirror crack’d from side to side;
‘The curse is come upon me!’ cried
The Lady of Shalott.
Part IV
IN the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower’d Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river’s dim expanse—
Like some bold seer in a trance,
Seeing all his own mischance—
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right—
The leaves upon her falling light—
Thro’ the noises of the night
She floated down to Camelot;
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn’d to tower’d Camelot;
For ere she reach’d upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross’d themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, ‘She has a lovely face;
God in His mercy lend her grace,
The Lady of Shalott.’
The Miller’s Daughter
IT is the miller’s daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear:
For hid in ringlets day and night,
I’d touch her neck so warm and white.
And I would be the girdle
About her dainty dainty waist,
And her heart would beat against me,
In sorrow and in rest:
And I should know if it beat right,
I’d clasp it round so close and tight.
And I would be the necklace,
And all day long to fall and rise
Upon her balmy bosom,
With her laughter or her sighs:
And I would lie so light, so light,
I scarce should be unclasp’d at night.
Song of the Lotos-Eaters
THERE is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tired eyelids upon tired eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro’ the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep.
Why are we weigh’d upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber’s holy balm;
Nor harken what the inner spirit sings,
‘There is no joy but calm!’—
Why should we only toil, the roof and crown of things?
Lo! in the middle of the wood,
The folded leaf is woo’d from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep’d at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten’d with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days,
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.
Hateful is the dark-blue sky,
Vaulted o’er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful Past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.
How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other’s whisper’d speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap’d over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!
Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer’d change;
For surely now our household hearths are cold:
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years’ war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
’Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto agèd breath,
Sore task to hearts worn out with many wars
And eyes grown dim with gazing on the pilot-stars.
But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelids still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill—
To hear the dewy echoes calling
From cave to cave thro’ the thick-twinèd vine—
To watch the emerald-colour’d water falling
Thro’ many a wov’n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch’d out beneath the pine.
The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro’ every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll’d to starboard, roll’d to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl’d
Far below them in the valleys, and the clouds are lightly curl’d
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho’ the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer—some, ’tis whisper’d—down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O rest ye, brother mariners, we will not wander more.
St. Agnes’ Eve
DEEP on the convent-roof the snows
Are sparkling to the moon:
My breath to heaven like vapour goes:
May my soul follow soon!
The shadows of the convent-towers
Slant down the snowy sward,
Still creeping with the creeping hours
That lead me to my Lord:
Make Thou my spirit pure and clear
As are the frosty skies,
Or this first snowdrop of the year
That in my bosom lies.
As these white robes are soil’d and dark,
To yonder shining ground;
As this pale taper’s earthly spark,
To yonder argent round;
So shows my soul before the Lamb,
My spirit before Thee;
So in mine earthly house I am,
To that I hope to be.
Break up the heavens, O Lord! and far,
Thro’ all yon starlight keen,
Draw me, thy bride, a glittering star,
In raiment white and clean.
He lifts me to the golden doors;
The flashes come and go;
All heaven bursts her starry floors,
And strows her lights below,
And deepens on and up! the gates
Roll back, and far within
For me the Heavenly Bridegroom waits,
To make me pure of sin.
The sabbaths of Eternity,
One sabbath deep and wide—
A light upon the shining sea—
The Bridegroom with his bride!
Blow, Bugle, blow
THE splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.
O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
Summer Night
NOW sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The firefly wakens: waken thou with me.
Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.
Come down, O Maid
COME down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang).
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro’ the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.
From ‘In Memoriam’
(ARTHUR HENRY HALLAM, MDCCCXXXIII)
I
FAIR ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
II
I HEAR the noise about thy keel;
I hear the bell struck in the night;
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
III
CALM is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
IV
TO-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
V
THOU comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou mayst roam
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
VI
NOW, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
VII
HOW fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs)
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
VIII
THE wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
IX
‘SO careful of the type?’ but no.
From scarpèd cliff and quarried stone
She cries, ‘A thousand types are gone
I care for nothing, all shall go.
Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law—
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed—
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music matched with him.
O life as futile, then as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
X
UNWATCH’d, the garden bough shall sway,
The tender blossom flutter down;
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sunflower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
XI
NOW fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
XII
LOVE is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
Maud
COME into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr’d
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, ‘There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play.’
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, ‘The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those
For one that will never be thine?
But mine, but mine,’ so I sware to the rose,
‘For ever and ever, mine.’
And the soul of the rose went into my blood,
As the music clash’d in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh’d for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls.
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, ‘She is near, she is near;’
And the white rose weeps, ‘She is late,’
The larkspur listens, ‘I hear, I hear;’
And the lily whispers, ‘I wait.’
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
O that ’twere possible
O THAT ’twere possible
After long grief and pain
To find the arms of my true love
Round me once again!...
A shadow flits before me,
Not thou, but like to thee:
Ah, Christ! that it were possible
For one short hour to see
The souls we loved, that they might tell us
What and where they be!
RICHARD MONCKTON MILNES, LORD HOUGHTON
1809-1885
Shadows
THEY seem’d, to those who saw them meet,
The casual friends of every day;
Her smile was undisturb’d and sweet,
His courtesy was free and gay.
But yet if one the other’s name
In some unguarded moment heard,
The heart you thought so calm and tame
Would struggle like a captured bird:
And letters of mere formal phrase
Were blister’d with repeated tears,—
And this was not the work of days,
But had gone on for years and years!
Alas, that love was not too strong
For maiden shame and manly pride!
Alas, that they delay’d so long
The goal of mutual bliss beside!
Yet what no chance could then reveal,
And neither would be first to own,
Let fate and courage now conceal,
When truth could bring remorse alone.
HENRY ALFORD
1810-1871
The Bride
‘RISE,’ said the Master, ‘come unto the feast.’
She heard the call and rose with willing feet;
But thinking it not otherwise than meet
For such a bidding to put on her best,
She is gone from us for a few short hours
Into her bridal closet, there to wait
For the unfolding of the palace gate
That gives her entrance to the blissful bowers.
We have not seen her yet, though we have been
Full often to her chamber door, and oft
Have listen’d underneath the postern green,
And laid fresh flowers, and whisper’d short and soft.
But she hath made no answer, and the day
From the clear west is fading fast away.
SIR SAMUEL FERGUSON
1810-1886
Cean Dubh Deelish
PUT your head, darling, darling, darling,
Your darling black head my heart above;
O mouth of honey, with thyme for fragrance,
Who, with heart in breast, could deny you love?
O many and many a young girl for me is pining.
Letting her locks of gold to the cold wind free,
For me, the foremost of our gay young fellows;
But I’d leave a hundred, pure love, for thee!
Cashel of Munster
FROM THE IRISH
I’d wed you without herds, without money or rich array.
And I’d wed you on a dewy morn at day-dawn gray;
My bitter woe it is, love, that we are not far away
In Cashel town, tho’ the bare deal board were our marriage-bed this day!
O fair maid, remember the green hill-side,
Remember how I hunted about the valleys wide;
Time now has worn me; my locks are turn’d to gray;
The year is scarce and I am poor—but send me not, love, away!
O deem not my blood is of base strain, my girl;
O think not my birth was as the birth of a churl;
Marry me and prove me, and say soon you will
That noble blood is written on my right side still.
My purse holds no red gold, no coin of the silver white;
No herds are mine to drive through the long twilight;
But the pretty girl that would take me, all bare tho’ I be and lone,
O, I’d take her with me kindly to the county Tyrone!
O my girl, I can see ’tis in trouble you are;
And O my girl, I see ’tis your people’s reproach you bear!
—I am a girl in trouble for his sake with whom I fly,
And, O, may no other maiden know such reproach as I!
The Fair Hills of Ireland
FROM THE IRISH
A PLENTEOUS place is Ireland for hospitable cheer,
Uileacan dubh O!
Where the wholesome fruit is bursting from the yellow barley ear;
Uileacan dubh O!
There is honey in the trees where her misty vales expand,
And her forest paths in summer are by falling waters fann’d,
There is dew at high noontide there, and springs i’ the yellow sand,
On the fair hills of holy Ireland.
Curl’d he is and ringleted, and plaited to the knee—
Uileacan dubh O!
Each captain who comes sailing across the Irish Sea;
Uileacan dubh O!
And I will make my journey, if life and health but stand,
Unto that pleasant country, that fresh and fragrant strand,
And leave your boasted braveries, your wealth and high command,
For the fair hills of holy Ireland.
Large and profitable are the stacks upon the ground,
Uileacan dubh O!
The butter and the cream do wondrously abound;
Uileacan dubh O!
The cresses on the water and the sorrels are at hand,
And the cuckoo’s calling daily his note of music bland,
And the bold thrush sings so bravely his song i’ the forests grand,
On the fair hills of holy Ireland.
ROBERT BROWNING
1812-1889
Song from ‘Paracelsus’
HEAP cassia, sandal-buds and stripes
Of labdanum, and aloe-balls,
Smear’d with dull nard an Indian wipes
From out her hair: such balsam falls
Down sea-side mountain pedestals,
From tree-tops where tired winds are fain,
Spent with the vast and howling main,
To treasure half their island-gain.
And strew faint sweetness from some old
Egyptian’s fine worm-eaten shroud
Which breaks to dust when once unroll’d;
Or shredded perfume, like a cloud
From closet long to quiet vow’d,
With moth’d and dropping arras hung,
Mouldering her lute and books among,
As when a queen, long dead, was young.
The Wanderers
OVER the sea our galleys went,
With cleaving prows in order brave
To a speeding wind and a bounding wave—
A gallant armament:
Each bark built out of a forest-tree
Left leafy and rough as first it grew,
And nail’d all over the gaping sides,
Within and without, with black bull-hides,
Seethed in fat and suppled in flame,
To bear the playful billows’ game;
So, each good ship was rude to see,
Rude and bare to the outward view.
But each upbore a stately tent
Where cedar pales in scented row
Kept out the flakes of the dancing brine,
And an awning droop’d the mast below,
In fold on fold of the purple fine,
That neither noontide nor star-shine
Nor moonlight cold which maketh mad,
Might pierce the regal tenement.
When the sun dawn’d, O, gay and glad
We set the sail and plied the oar;
But when the night-wind blew like breath,
For joy of one day’s voyage more,
We sang together on the wide sea,
Like men at peace on a peaceful shore;
Each sail was loosed to the wind so free,
Each helm made sure by the twilight star,
And in a sleep as calm as death,
We, the voyagers from afar,
Lay stretch’d along, each weary crew
In a circle round its wondrous tent
Whence gleam’d soft light and curl’d rich scent,
And with light and perfume, music too:
So the stars wheel’d round, and the darkness past,
And at morn we started beside the mast,
And still each ship was sailing fast!
Now, one morn, land appear’d—a speck
Dim trembling betwixt sea and sky—
‘Avoid it,’ cried our pilot, ‘check
The shout, restrain the eager eye!’
But the heaving sea was black behind
For many a night and many a day,
And land, though but a rock, drew nigh
So we broke the cedar pales away,
Let the purple awning flap in the wind,
And a statue bright was on every deck!
We shouted, every man of us,
And steer’d right into the harbour thus,
With pomp and pæan glorious.
A hundred shapes of lucid stone!
All day we built its shrine for each,
A shrine of rock for every one,
Nor paused till in the westering sun
We sat together on the beach
To sing because our task was done;
When lo! what shouts and merry songs!
What laughter all the distance stirs!
A loaded raft with happy throngs
Of gentle islanders!
‘Our isles are just at hand,’ they cried,
‘Like cloudlets faint in even sleeping;
Our temple-gates are open’d wide,
Our olive-groves thick shade are keeping
For these majestic forms’—they cried.
O, then we awoke with sudden start
From our deep dream, and knew, too late,
How bare the rock, how desolate,
Which had received our precious freight:
Yet we call’d out—‘Depart!
Our gifts, once given, must here abide:
Our work is done; we have no heart
To mar our work,’—we cried.
Thus the Mayne glideth
THUS the Mayne glideth
Where my Love abideth;
Sleep’s no softer: it proceeds
On through lawns, on through meads,
On and on, whate’er befall.
Meandering and musical,
Though the niggard pasturage
Bears not on its shaven ledge
Aught but weeds and waving grasses
To view the river as it passes,
Save here and there a scanty patch
Of primroses too faint to catch
A weary bee.... And scarce it pushes
Its gentle way through strangling rushes
Where the glossy kingfisher
Flutters when noon-heats are near,
Glad the shelving banks to shun,
Red and steaming in the sun,
Where the shrew-mouse with pale throat
Burrows, and the speckled stoat;
Where the quick sandpipers flit
In and out the marl and grit
That seems to breed them, brown as they;
Naught disturbs its quiet way,
Save some lazy stork that springs,
Trailing it with legs and wings,
Whom the shy fox from the hill
Rouses, creep he ne’er so still.
Pippa’s Song
THE year’s at the spring,
And day’s at the morn;
Morning’s at seven;
The hill-side’s dew-pearl’d;
The lark’s on the wing;
The snail’s on the thorn;
God’s in His heaven—
All’s right with the world!
You’ll love Me yet
YOU’ll love me yet!—and I can tarry
Your love’s protracted growing:
June rear’d that bunch of flowers you carry,
From seeds of April’s sowing.
I plant a heartful now: some seed
At least is sure to strike,
And yield—what you’ll not pluck indeed,
Not love, but, may be, like.
You’ll look at least on love’s remains,
A grave’s one violet:
Your look?—that pays a thousand pains.
What’s death? You’ll love me yet!
Porphyria’s Lover
THE rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listen’d with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneel’d and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soil’d gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And call’d me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o’er all, her yellow hair,
Murmuring how she loved me—she
Too weak, for all her heart’s endeavour,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me for ever.
But passion sometimes would prevail,
Nor could to-night’s gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I look’d up at her eyes
Happy and proud; at last I knew
Porphyria worshipp’d me; surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laugh’d the blue eyes without a stain.
And I untighten’d next the tress
About her neck; her cheek once more
Blush’d bright beneath my burning kiss:
I propp’d her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorn’d at once is fled,
And I, its love, am gain’d instead!
Porphyria’s love: she guess’d not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirr’d,
And yet God has not said a word!
Song
NAY but you, who do not love her,
Is she not pure gold, my mistress?
Holds earth aught—speak truth—above her?
Aught like this tress, see, and this tress,
And this last fairest tress of all,
So fair, see, ere I let it fall?
Because, you spend your lives in praising;
To praise, you search the wide world over:
Then why not witness, calmly gazing,
If earth holds aught—speak truth—above her?
Above this tress, and this, I touch
But cannot praise, I love so much!
Earl Mertoun’s Song
THERE’s a woman like a dewdrop, she’s so purer than the purest;
And her noble heart’s the noblest, yes, and her sure faith’s the surest:
And her eyes are dark and humid, like the depth on depth of lustre
Hid i’ the harebell, while her tresses, sunnier than the wild-grape cluster,
Gush in golden-tinted plenty down her neck’s rose-misted marble:
Then her voice’s music ... call it the well’s bubbling, the bird’s warble!
And this woman says, ‘My days were sunless and my nights were moonless,
Parch’d the pleasant April herbage, and the lark’s heart’s outbreak tuneless,
If you loved me not!’ And I who (ah, for words of flame!) adore her,
Who am mad to lay my spirit prostrate palpably before her—
I may enter at her portal soon, as now her lattice takes me,
And by noontide as by midnight make her mine, as hers she makes me!
In a Gondola
THE moth’s kiss, first!
Kiss me as if you made me believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.
The bee’s kiss, now!
Kiss me as if you enter’d gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is render’d up,
And passively its shatter’d cup
Over your head to sleep I bow.
Meeting at Night
THE gray sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, thro’ its joys and fears,
Than the two hearts beating each to each!
Parting at Morning
ROUND the cape of a sudden came the sea,
And the sun look’d over the mountain’s rim
And straight was a path of gold for him,
And the need of a world of men for me.
The Lost Mistress
ALL’s over, then: does truth sound bitter
As one at first believes?
Hark, ’tis the sparrows’ good-night twitter
About your cottage eaves!
And the leaf-buds on the vine are woolly,
I noticed that, to-day;
One day more bursts them open fully
—You know the red turns gray.
To-morrow we meet the same then, dearest?
May I take your hand in mine?
Mere friends are we,—well, friends the merest
Keep much that I resign:
For each glance of the eye so bright and black,
Though I keep with heart’s endeavour,—
Your voice, when you wish the snowdrops back,
Though it stay in my soul for ever!—
Yet I will but say what mere friends say,
Or only a thought stronger;
I will hold your hand but as long as all may,
Or so very little longer!
The Last Ride together
I SAID—Then, dearest, since ’tis so,
Since now at length my fate I know,
Since nothing all my love avails,
Since all, my life seem’d meant for, fails,
Since this was written and needs must be—
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave,—I claim
Only a memory of the same,
—And this beside, if you will not blame;
Your leave for one more last ride with me.
My mistress bent that brow of hers,
Those deep dark eyes where pride demurs
When pity would be softening through,
Fix’d me a breathing-while or two
With life or death in the balance: right!
The blood replenish’d me again;
My last thought was at least not vain:
I and my mistress, side by side
Shall be together, breathe and ride,
So, one day more am I deified.
Who knows but the world may end to-night?
Hush! if you saw some western cloud
All billowy-bosom’d, over-bow’d
By many benedictions—sun’s
And moon’s and evening-star’s at once—
And so, you, looking and loving best,
Conscious grew, your passion drew
Cloud, sunset, moonrise, star-shine too,
Down on you, near and yet more near,
Till flesh must fade for heaven was here!—
Thus leant she and linger’d—joy and fear!
Thus lay she a moment on my breast.
Then we began to ride. My soul
Smooth’d itself out, a long-cramp’d scroll
Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry?
Had I said that, had I done this,
So might I gain, so might I miss.
Might she have loved me? just as well
She might have hated, who can tell!
Where had I been now if the worst befell?
And here we are riding, she and I.
Fail I alone, in words and deeds?
Why, all men strive and who succeeds?
We rode; it seem’d my spirit flew,
Saw other regions, cities new,
As the world rush’d by on either side.
I thought,—All labour, yet no less
Bear up beneath their unsuccess.
Look at the end of work, contrast
The petty done, the undone vast,
This present of theirs with the hopeful past!
I hoped she would love me; here we ride.
What hand and brain went ever pair’d?
What heart alike conceived and dared?
What act proved all its thought had been?
What will but felt the fleshly screen?
We ride and I see her bosom heave.
There’s many a crown for who can reach.
Ten lines, a statesman’s life in each!
The flag stuck on a heap of bones,
A soldier’s doing! what atones?
They scratch his name on the Abbey-stones.
My riding is better, by their leave.
What does it all mean, poet? Well,
Your brains beat into rhythm, you tell
What we felt only; you express’d
You hold things beautiful the best,
And pace them in rhyme so, side by side.
’Tis something, nay ’tis much: but then,
Have you yourself what’s best for men?
Are you—poor, sick, old ere your time—
Nearer one whit your own sublime
Than we who never have turn’d a rhyme?
Sing, riding’s a joy! For me, I ride.
And you, great sculptor—so, you gave
A score of years to Art, her slave,
And that’s your Venus, whence we turn
To yonder girl that fords the burn!
You acquiesce, and shall I repine?
What, man of music, you grown gray
With notes and nothing else to say,
Is this your sole praise from a friend,
‘Greatly his opera’s strains intend,
But in music we know how fashions end!’
I gave my youth: but we ride, in fine.
Who knows what’s fit for us? Had fate
Proposed bliss here should sublimate
My being—had I sign’d the bond—
Still one must lead some life beyond,
Have a bliss to die with, dim-descried.
This foot once planted on the goal,
This glory-garland round my soul,
Could I descry such? Try and test!
I sink back shuddering from the quest.
Earth being so good, would heaven seem best?
Now, heaven and she are beyond this ride.
And yet—she has not spoke so long!
What if heaven be that, fair and strong
At life’s best, with our eyes upturn’d
Whither life’s flower is first discern’d,
We, fix’d so, ever should so abide?
What if we still ride on, we two
With life for ever old yet new,
Changed not in kind but in degree,
The instant made eternity,—
And heaven just prove that I and she
Ride, ride together, for ever ride?
Misconceptions
THIS is a spray the Bird clung to,
Making it blossom with pleasure,
Ere the high tree-top she sprung to,
Fit for her nest and her treasure.
O, what a hope beyond measure
Was the poor spray’s, which the flying feet hung to,—
So to be singled out, built in, and sung to!
This is a heart the Queen leant on,
Thrill’d in a minute erratic,
Ere the true bosom she bent on,
Meet for love’s regal dalmatic.
O, what a fancy ecstatic
Was the poor heart’s, ere the wanderer went on—
Love to be saved for it, proffer’d to, spent on!
Home-thoughts, from Abroad
O TO be in England
Now that April’s there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England—now!
And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossom’d pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops—at the bent spray’s edge—
That’s the wise thrush; he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children’s dower
—Far brighter than this gaudy melon-flower!
Home-thoughts, from the Sea
NOBLY, nobly Cape Saint Vincent to the North-west died away;
Sunset ran, one glorious blood-red, reeking into Cadiz Bay;
Bluish ’mid the burning water, full in face Trafalgar lay;
In the dimmest North-east distance dawn’d Gibraltar grand and gray;
‘Here and here did England help me: how can I help England?’—say,
Whoso turns as I, this evening, turn to God to praise and pray,
While Jove’s planet rises yonder, silent over Africa.
WILLIAM BELL SCOTT
1812-1890
The Witch’s Ballad
O I hae come from far away,
From a warm land far away,
A southern land across the sea,
With sailor-lads about the mast,
Merry and canny, and kind to me.
And I hae been to yon town
To try my luck in yon town;
Nort, and Mysie, Elspie too.
Right braw we were to pass the gate,
Wi’ gowden clasps on girdles blue.
Mysie smiled wi’ miminy mouth,
Innocent mouth, miminy mouth;
731. miminy] prim, demure.
ELSPIE wore a scarlet gown,
Nort’s grey eyes were unco’ gleg.
My Castile comb was like a crown.
We walk’d abreast all up the street,
Into the market up the street;
Our hair with marigolds was wound,
Our bodices with love-knots laced,
Our merchandise with tansy bound.
Nort had chickens, I had cocks,
Gamesome cocks, loud-crowing cocks;
Mysie ducks, and Elspie drakes,—
For a wee groat or a pound;
We lost nae time wi’ gives and takes.
—Lost nae time, for well we knew,
In our sleeves full well we knew,
When the gloaming came that night,
Duck nor drake, nor hen nor cock
Would be found by candle-light.
And when our chaffering all was done,
All was paid for, sold and done,
We drew a glove on ilka hand,
We sweetly curtsied, each to each,
And deftly danced a saraband.
The market-lassies look’d and laugh’d,
Left their gear, and look’d and laugh’d;
They made as they would join the game,
But soon their mithers, wild and wud,
With whack and screech they stopp’d the same.
gleg] bright, sharp. wud] mad.
Sae loud the tongues o’ randies grew,
The flytin’ and the skirlin’ grew,
At all the windows in the place,
Wi’ spoons or knives, wi’ needle or awl,
Was thrust out every hand and face.
And down each stair they throng’d anon,
Gentle, semple, throng’d anon:
Souter and tailor, frowsy Nan,
The ancient widow young again,
Simpering behind her fan.
Without a choice, against their will,
Doited, dazed, against their will,
The market lassie and her mither,
The farmer and his husbandman,
Hand in hand dance a’ thegither.
Slow at first, but faster soon,
Still increasing, wild and fast,
Hoods and mantles, hats and hose,
Blindly doff’d and cast away,
Left them naked, heads and toes.
They would have torn us limb from limb,
Dainty limb from dainty limb;
But never one of them could win
Across the line that I had drawn
With bleeding thumb a-widdershin.
But there was Jeff the provost’s son,
Jeff the provost’s only son;
randies] viragoes. flytin’] scolding. skirlin’] shrieking. souter] cobbler. doited] mazed. a-widdershin] the wrong way of the sun: or E. to W. through N.
THERE was Father Auld himsel’,
The Lombard frae the hostelry,
And the lawyer Peter Fell.
All goodly men we singled out,
Waled them well, and singled out,
And drew them by the left hand in;
Mysie the priest, and Elspie won
The Lombard, Nort the lawyer carle,
I mysel’ the provost’s son.
Then, with cantrip kisses seven,
Three times round with kisses seven,
Warp’d and woven there spun we
Arms and legs and flaming hair,
Like a whirlwind on the sea.
Like a wind that sucks the sea,
Over and in and on the sea,
Good sooth it was a mad delight;
And every man of all the four
Shut his eyes and laugh’d outright.
Laugh’d as long as they had breath,
Laugh’d while they had sense or breath;
And close about us coil’d a mist
Of gnats and midges, wasps and flies,
Like the whirlwind shaft it rist.
Drawn up I was right off my feet,
Into the mist and off my feet;
And, dancing on each chimney-top,
I saw a thousand darling imps
Keeping time with skip and hop.
waled] chose. cantrip] magic.
AND on the provost’s brave ridge-tile,
On the provost’s grand ridge-tile,
The Blackamoor first to master me
I saw, I saw that winsome smile,
The mouth that did my heart beguile,
And spoke the great Word over me,
In the land beyond the sea.
I call’d his name, I call’d aloud,
Alas! I call’d on him aloud;
And then he fill’d his hand with stour,
And threw it towards me in the air;
My mouse flew out, I lost my pow’r!
My lusty strength, my power were gone;
Power was gone, and all was gone.
He will not let me love him more!
Of bell and whip and horse’s tail
He cares not if I find a store.
But I am proud if he is fierce!
I am as proud as he is fierce;
I’ll turn about and backward go,
If I meet again that Blackamoor,
And he’ll help us then, for he shall know
I seek another paramour.
And we’ll gang once more to yon town,
Wi’ better luck to yon town;
We’ll walk in silk and cramoisie,
And I shall wed the provost’s son
My lady of the town I’ll be!
stour] dust. cramoisie] crimson.
FOR I was born a crown’d king’s child,
Born and nursed a king’s child,
King o’ a land ayont the sea,
Where the Blackamoor kiss’d me first,
And taught me art and glamourie.
Each one in her wame shall hide
Her hairy mouse, her wary mouse.
Fed on madwort and agramie,—
Wear amber beads between her breasts,
And blind-worm’s skin about her knee.
The Lombard shall be Elspie’s man,
Elspie’s gowden husband-man;
Nort shall take the lawyer’s hand;
The priest shall swear another vow:
We’ll dance again the saraband!
ayont] beyond. glamourie] wizardry.
AUBREY DE VERE
1814-1902
Serenade
SOFTLY, O midnight Hours!
Move softly o’er the bowers
Where lies in happy sleep a girl so fair!
For ye have power, men say,
Our hearts in sleep to sway,
And cage cold fancies in a moonlight snare.
Round ivory neck and arm
Enclasp a separate charm;
Hang o’er her poised, but breathe nor sigh nor prayer
Silently ye may smile,
But hold your breath the while,
And let the wind sweep back your cloudy hair!
Bend down your glittering urns,
Ere yet the dawn returns,
And star with dew the lawn her feet shall tread;
Upon the air rain balm,
Bid all the woods be calm,
Ambrosial dreams with healthful slumbers wed;
That so the Maiden may
With smiles your care repay,
When from her couch she lifts her golden head;
Waking with earliest birds,
Ere yet the misty herds
Leave warm ’mid the gray grass their dusky bed.
Sorrow
COUNT each affliction, whether light or grave,
God’s messenger sent down to thee; do thou
With courtesy receive him; rise and bow;
And, ere his shadow pass thy threshold, crave
Permission first his heavenly feet to lave;
Then lay before him all thou hast; allow
No cloud of passion to usurp thy brow,
Or mar thy hospitality; no wave
Of mortal tumult to obliterate
The soul’s marmoreal calmness: Grief should be,
Like joy, majestic, equable, sedate;
Confirming, cleansing, raising, making free;
Strong to consume small troubles; to commend
Great thoughts, grave thoughts, thoughts lasting to the end.
GEORGE FOX
1815-?
The County of Mayo
FROM THE IRISH OF THOMAS LAVELLE
ON the deck of Patrick Lynch’s boat I sat in woful plight,
Through my sighing all the weary day and weeping all the night;
Were it not that full of sorrow from my people forth I go,
By the blessèd sun! ’tis royally I’d sing thy praise, Mayo!
When I dwelt at home in plenty, and my gold did much abound,
In the company of fair young maids the Spanish ale went round—
’Tis a bitter change from those gay days that now I’m forced to go
And must leave my bones in Santa Cruz, far from my own Mayo.
They are alter’d girls in Irrul now; ’tis proud they’re grown and high,
With their hair-bags and their top-knots, for I pass their buckles by—
But it’s little now I heed their airs, for God will have it so,
That I must depart for foreign lands and leave my sweet Mayo.
’Tis my grief that Patrick Loughlin is not Earl of Irrul still,
And that Brian Duff no longer rules as Lord upon the hill:
And that Colonel Hugh McGrady should be lying dead and low,
And I sailing, sailing swiftly from the county of Mayo.
EMILY BRONTË
1818-1848
My Lady’s Grave
THE linnet in the rocky dells,
The moor-lark in the air,
The bee among the heather bells
That hide my lady fair:
The wild deer browse above her breast;
The wild birds raise their brood;
And they, her smiles of love caress’d,
Have left her solitude!
I ween that when the grave’s dark wall
Did first her form retain,
They thought their hearts could ne’er recall
The light of joy again.
They thought the tide of grief would flow
Uncheck’d through future years;
But where is all their anguish now,
And where are all their tears?
Well, let them fight for honour’s breath,
Or pleasure’s shade pursue—
The dweller in the land of death
Is changed and careless too.
And if their eyes should watch and weep
Till sorrow’s source were dry,
She would not, in her tranquil sleep,
Return a single sigh!
Blow, west wind, by the lonely mound:
And murmur, summer streams!
There is no need of other sound
To soothe my lady’s dreams.
Remembrance
COLD in the earth—and the deep snow piled above thee,
Far, far removed, cold in the dreary grave!
Have I forgot, my only Love, to love thee,
Sever’d at last by Time’s all-severing wave?
Now, when alone, do my thoughts no longer hover
Over the mountains, on that northern shore,
Resting their wings where heath and fern-leaves cover
Thy noble heart for ever, ever more?
Cold in the earth—and fifteen wild Decembers
From those brown hills have melted into spring:
Faithful, indeed, is the spirit that remembers
After such years of change and suffering!
Sweet Love of youth, forgive, if I forget thee,
While the world’s tide is bearing me along;
Other desires and other hopes beset me,
Hopes which obscure, but cannot do thee wrong!
No later light has lighten’d up my heaven,
No second morn has ever shone for me;
All my life’s bliss from thy dear life was given,
All my life’s bliss is in the grave with thee.
But when the days of golden dreams had perish’d,
And even Despair was powerless to destroy;
Then did I learn how existence could be cherish’d,
Strengthen’d and fed without the aid of joy.
Then did I check the tears of useless passion—
Wean’d my young soul from yearning after thine;
Sternly denied its burning wish to hasten
Down to that tomb already more than mine.
And, even yet, I dare not let it languish,
Dare not indulge in memory’s rapturous pain;
Once drinking deep of that divinest anguish,
How could I seek the empty world again?
The Prisoner
STILL let my tyrants know, I am not doom’d to wear
Year after year in gloom and desolate despair;
A messenger of Hope comes every night to me,
And offers for short life, eternal liberty.
He comes with Western winds, with evening’s wandering airs,
With that clear dusk of heaven that brings the thickest stars:
Winds take a pensive tone, and stars a tender fire,
And visions rise, and change, that kill me with desire.
Desire for nothing known in my maturer years,
When Joy grew mad with awe, at counting future tears:
When, if my spirit’s sky was full of flashes warm,
I knew not whence they came, from sun or thunder-storm.
But first, a hush of peace—a soundless calm descends;
The struggle of distress and fierce impatience ends.
Mute music soothes my breast—unutter’d harmony
That I could never dream, till Earth was lost to me.
Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels;
Its wings are almost free—its home, its harbour found,
Measuring the gulf, it stoops, and dares the final bound.
O dreadful is the check—intense the agony—
When the ear begins to hear, and the eye begins to see;
When the pulse begins to throb—the brain to think again—
The soul to feel the flesh, and the flesh to feel the chain.
Yet I would lose no sting, would wish no torture less;
The more that anguish racks, the earlier it will bless;
And robed in fires of hell, or bright with heavenly shine,
If it but herald Death, the vision is divine.
Last Lines
NO coward soul is mine,
No trembler in the world’s storm-troubled sphere:
I see Heaven’s glories shine,
And faith shines equal, arming me from fear.
O God within my breast,
Almighty, ever-present Deity!
Life—that in me has rest,
As I—undying Life—have power in Thee!
Vain are the thousand creeds
That move men’s hearts: unutterably vain;
Worthless as wither’d weeds,
Or idlest froth amid the boundless main,
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchor’d on
The steadfast rock of immortality.
With wide-embracing love
Thy Spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone,
And suns and universes cease to be,
And Thou were left alone,
Every existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void:
Thou—Thou art Being and Breath,
And what Thou art may never be destroyed.
CHARLES KINGSLEY
1819-1875
Airly Beacon
AIRLY Beacon, Airly Beacon;
O the pleasant sight to see
Shires and towns from Airly Beacon,
While my love climb’d up to me!
Airly Beacon, Airly Beacon;
O the happy hours we lay
Deep in fern on Airly Beacon,
Courting through the summer’s day!
Airly Beacon, Airly Beacon;
O the weary haunt for me,
All alone on Airly Beacon,
With his baby on my knee!
The Sands of Dee
‘O MARY, go and call the cattle home,
And call the cattle home,
And call the cattle home,
Across the sands of Dee.’
The western wind was wild and dark with foam,
And all alone went she.
The western tide crept up along the sand,
And o’er and o’er the sand,
And round and round the sand,
As far as eye could see.
The rolling mist came down and hid the land:
And never home came she.
‘O is it weed, or fish, or floating hair—
A tress of golden hair,
A drownèd maiden’s hair,
Above the nets at sea?’
Was never salmon yet that shone so fair
Among the stakes of Dee.
They row’d her in across the rolling foam,
The cruel crawling foam,
The cruel hungry foam,
To her grave beside the sea.
But still the boatmen hear her call the cattle home,
Across the sands of Dee.
ARTHUR HUGH CLOUGH
1819-1861
Say not the Struggle Naught availeth
SAY not the struggle naught availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke conceal’d,
Your comrades chase e’en now the fliers,
And, but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light;
In front the sun climbs slow, how slowly!
But westward, look, the land is bright!
WALT WHITMAN
1819-1892
The Imprisoned Soul
AT the last, tenderly,
From the walls of the powerful, fortress’d house,
From the clasp of the knitted locks—from the keep of the well-closed doors,
Let me be wafted.
Let me glide noiselessly forth;
With the key of softness unlock the locks—with a whisper
Set ope the doors, O soul!
Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love!)
O Captain! My Captain!
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red!
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores crowding,
For you they call, the swaying mass, their eager faces turning;
Here, Captain! dear father!
This arm beneath your head!
It is some dream that on the deck
You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult, O shores! and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
JOHN RUSKIN
1819-1900
Trust Thou Thy Love
TRUST thou thy Love: if she be proud, is she not sweet?
Trust thou thy Love: if she be mute, is she not pure?
Lay thou thy soul full in her hands, low at her feet;
Fail, Sun and Breath!—yet, for thy peace, She shall endure.
EBENEZER JONES
1820-1860
When the World is burning
WHEN the world is burning,
Fired within, yet turning
Round with face unscathed;
Ere fierce flames, uprushing,
O’er all lands leap, crushing,
Till earth fall, fire-swathed;
Up amidst the meadows,
Gently through the shadows,
Gentle flames will glide,
Small, and blue, and golden.
Though by bard beholden,
When in calm dreams folden,—
Calm his dreams will bide.
Where the dance is sweeping,
Through the greensward peeping,
Shall the soft lights start;
Laughing maids, unstaying,
Deeming it trick-playing,
High their robes upswaying,
O’er the lights shall dart;
And the woodland haunter
Shall not cease to saunter
When, far down some glade,
Of the great world’s burning,
One soft flame upturning
Seems, to his discerning,
Crocus in the shade.
FREDERICK LOCKER-LAMPSON
1821-1895
At Her Window
BEATING Heart! we come again
Where my Love reposes:
This is Mabel’s window-pane;
These are Mabel’s roses.
Is she nested? Does she kneel
In the twilight stilly,
Lily clad from throat to heel,
She, my virgin Lily?
Soon the wan, the wistful stars,
Fading, will forsake her;
Elves of light, on beamy bars,
Whisper then, and wake her.
Let this friendly pebble plead
At her flowery grating;
If she hear me will she heed?
Mabel, I am waiting.
Mabel will be deck’d anon,
Zoned in bride’s apparel;
Happy zone! O hark to yon
Passion-shaken carol!
Sing thy song, thou trancèd thrush,
Pipe thy best, thy clearest;—
Hush, her lattice moves, O hush—
Dearest Mabel!—dearest ...
MATTHEW ARNOLD
1822-1888
The Forsaken Merman
COME, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way!
Call her once before you go.
Call once yet.
In a voice that she will know:
‘Margaret! Margaret!’
Children’s voices should be dear
(Call once more) to a mother’s ear;
Children’s voices, wild with pain.
Surely she will come again.
Call her once and come away.
This way, this way!
‘Mother dear, we cannot stay.’
The wild white horses foam and fret.
Margaret! Margaret!
Come, dear children, come away down.
Call no more.
One last look at the white-wall’d town,
And the little grey church on the windy shore.
Then come down.
She will not come though you call all day.
Come away, come away.
Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail, and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb’d its bright hair, and she tended it well,
When down swung the sound of the far-off bell.
She sigh’d, she look’d up through the clear green sea.
She said, ‘I must go, for my kinsfolk pray
In the little grey church on the shore to-day.
’Twill be Easter-time in the world—ah me!
And I lose my poor soul, Merman, here with thee.’
I said, ‘Go up, dear heart, through the waves.
Say thy prayer, and come back to the kind sea-caves.’
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?
Children dear, were we long alone?
‘The sea grows stormy, the little ones moan.
Long prayers,’ I said, ‘in the world they say.
Come,’ I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall’d town.
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold-blowing airs.
We climb’d on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
‘Margaret, hist! come quick, we are here.
Dear heart,’ I said, ‘we are long alone.
The sea grows stormy, the little ones moan.’
But, ah! she gave me never a look,
For her eyes were seal’d to the holy book.
Loud prays the priest; shut stands the door.
Come away, children, call no more.
Come away, come down, call no more.
Down, down, down;
Down to the depths of the sea.
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: ‘O joy, O joy,
For the humming street, and the child with its toy.
For the priest, and the bell, and the holy well.
For the wheel where I spun,
And the blessed light of the sun.’
And so she sings her fill,
Singing most joyfully,
Till the shuttle falls from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand;
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.
Come away, away, children.
Come children, come down.
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, ‘Here came a mortal,
But faithless was she:
And alone dwell for ever
The kings of the sea.’
But, children, at midnight,
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low:
When sweet airs come seaward
From heaths starr’d with broom;
And high rocks throw mildly
On the blanch’d sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side—
And then come back down.
Singing, ‘There dwells a loved one,
But cruel is she.
She left lonely for ever
The kings of the sea.’
The Song of Callicles
THROUGH the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.
Where the moon-silver’d inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull’d by the rills,
Lie wrapt in their blankets,
Asleep on the hills.
—What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower’d broom?
What sweet-breathing Presence
Out-perfumes the thyme?
What voices enrapture
The night’s balmy prime?—
’Tis Apollo comes leading
His choir, The Nine.
—The Leader is fairest,
But all are divine.
They are lost in the hollows.
They stream up again.
What seeks on this mountain
The glorified train?—
They bathe on this mountain,
In the spring by their road.
Then on to Olympus,
Their endless abode.
—Whose praise do they mention
Of what is it told?—
What will be for ever.
What was from of old.
First hymn they the Father
Of all things: and then,
The rest of Immortals,
The action of men.
The Day in his hotness,
The strife with the palm;
The Night in her silence,
The Stars in their calm.
To Marguerite
YES: in the sea of life enisled,
With echoing straits between us thrown.
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.
But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing;
And lovely notes, from shore to shore,
Across the sounds and channels pour;
O then a longing like despair
Is to their farthest caverns sent!
For surely once, they feel, we were
Parts of a single continent.
Now round us spreads the watery plain—
O might our marges meet again!
Who order’d that their longing’s fire
Should be, as soon as kindled, cool’d?
Who renders vain their deep desire?—
A God, a God their severance ruled;
And bade betwixt their shores to be
The unplumb’d, salt, estranging sea.
Requiescat
STREW on her roses, roses,
And never a spray of yew.
In quiet she reposes:
Ah! would that I did too.
Her mirth the world required:
She bathed it in smiles of glee.
But her heart was tired, tired,
And now they let her be.
Her life was turning, turning,
In mazes of heat and sound.
But for peace her soul was yearning,
And now peace laps her round.
Her cabin’d, ample Spirit,
It flutter’d and fail’d for breath.
To-night it doth inherit
The vasty hall of Death.
The Scholar-Gipsy
GO, for they call you, Shepherd, from the hill;
Go, Shepherd, and untie the wattled cotes:
No longer leave thy wistful flock unfed,
Nor let thy bawling fellows rack their throats,
Nor the cropp’d grasses shoot another head.
But when the fields are still,
And the tired men and dogs all gone to rest,
And only the white sheep are sometimes seen
Cross and recross the strips of moon-blanch’d green;
Come, Shepherd, and again begin the quest.
Here, where the reaper was at work of late,
In this high field’s dark corner, where he leaves
His coat, his basket, and his earthen cruise,
And in the sun all morning binds the sheaves,
Then here, at noon, comes back his stores to use;
Here will I sit and wait,
While to my ear from uplands far away
The bleating of the folded flocks is borne,
With distant cries of reapers in the corn—
All the live murmur of a summer’s day.
Screen’d is this nook o’er the high, half-reap’d field,
And here till sundown, Shepherd, will I be.
Through the thick corn the scarlet poppies peep,
And round green roots and yellowing stalks I see
Pale blue convolvulus in tendrils creep:
And air-swept lindens yield
Their scent, and rustle down their perfumed showers
Of bloom on the bent grass where I am laid,
And bower me from the August sun with shade;
And the eye travels down to Oxford’s towers:
And near me on the grass lies Glanvil’s book—
Come, let me read the oft-read tale again:
The story of that Oxford scholar poor,
Of pregnant parts and quick inventive brain,
Who, tired of knocking at Preferment’s door,
One summer morn forsook
His friends, and went to learn the Gipsy lore,
And roam’d the world with that wild brotherhood,
And came, as most men deem’d, to little good,
But came to Oxford and his friends no more.
But once, years after, in the country lanes,
Two scholars, whom at college erst he knew,
Met him, and of his way of life inquired.
Whereat he answer’d that the Gipsy crew,
His mates, had arts to rule as they desired
The workings of men’s brains;
And they can bind them to what thoughts they will:
‘And I,’ he said, ‘the secret of their art,
When fully learn’d, will to the world impart:
But it needs Heaven-sent moments for this skill!’
This said, he left them, and return’d no more,
But rumours hung about the country-side,
That the lost Scholar long was seen to stray,
Seen by rare glimpses, pensive and tongue-tied,
In hat of antique shape, and cloak of grey,
The same the Gipsies wore.
Shepherds had met him on the Hurst in spring;
At some lone alehouse in the Berkshire moors,
On the warm ingle-bench, the smock-frock’d boors
Had found him seated at their entering,
But, ’mid their drink and clatter, he would fly:
And I myself seem half to know thy looks,
And put the shepherds, Wanderer, on thy trace;
And boys who in lone wheatfields scare the rooks
I ask if thou hast pass’d their quiet place;
Or in my boat I lie
Moor’d to the cool bank in the summer heats,
‘Mid wide grass meadows which the sunshine fills,
And watch the warm green-muffled Cumnor hills,
And wonder if thou haunt’st their shy retreats.
For most, I know, thou lov’st retirèd ground.
Thee, at the ferry, Oxford riders blithe,
Returning home on summer nights, have met
Crossing the stripling Thames at Bablock-hithe,
Trailing in the cool stream thy fingers wet,
As the slow punt swings round:
And leaning backwards in a pensive dream,
And fostering in thy lap a heap of flowers
Pluck’d in shy fields and distant Wychwood bowers,
And thine eyes resting on the moonlit stream:
And then they land, and thou art seen no more.
Maidens who from the distant hamlets come
To dance around the Fyfield elm in May,
Oft through the darkening fields have seen thee roam,
Or cross a stile into the public way.
Oft thou hast given them store
Of flowers—the frail-leaf’d, white anemone—
Dark bluebells drench’d with dews of summer eves,
And purple orchises with spotted leaves—
But none has words she can report of thee.
And, above Godstow Bridge, when hay-time’s here
In June, and many a scythe in sunshine flames,
Men who through those wide fields of breezy grass
Where black-wing’d swallows haunt the glittering Thames,
To bathe in the abandon’d lasher pass,
Have often pass’d thee near
Sitting upon the river bank o’ergrown:
Mark’d thine outlandish garb, thy figure spare,
Thy dark vague eyes, and soft abstracted air;
But, when they came from bathing, thou wert gone.
At some lone homestead in the Cumnor hills,
Where at her open door the housewife darns,
Thou hast been seen, or hanging on a gate
To watch the threshers in the mossy barns.
Children, who early range these slopes and late
For cresses from the rills,
Have known thee watching, all an April day,
The springing pastures and the feeding kine;
And mark’d thee, when the stars come out and shine,
Through the long dewy grass move slow away.
In autumn, on the skirts of Bagley Wood,
Where most the Gipsies by the turf-edged way
Pitch their smoked tents, and every bush you see
With scarlet patches tagg’d and shreds of gray,
Above the forest-ground call’d Thessaly—
The blackbird picking food
Sees thee, nor stops his meal, nor fears at all;
So often has he known thee past him stray
Rapt, twirling in thy hand a wither’d spray,
And waiting for the spark from Heaven to fall.
And once, in winter, on the causeway chill
Where home through flooded fields foot-travellers go,
Have I not pass’d thee on the wooden bridge
Wrapt in thy cloak and battling with the snow,
Thy face towards Hinksey and its wintry ridge?
And thou hast climb’d the hill
And gain’d the white brow of the Cumnor range;
Turn’d once to watch, while thick the snowflakes fall,
The line of festal light in Christ Church hall—
Then sought thy straw in some sequester’d grange.
But what—I dream! Two hundred years are flown
Since first thy story ran through Oxford halls,
And the grave Glanvil did the tale inscribe
That thou wert wander’d from the studious walls
To learn strange arts, and join a Gipsy tribe:
And thou from earth art gone
Long since, and in some quiet churchyard laid;
Some country nook, where o’er thy unknown grave
Tall grasses and white flowering nettles wave—
Under a dark red-fruited yew-tree’s shade.
—No, no, thou hast not felt the lapse of hours.
For what wears out the life of mortal men?
’Tis that from change to change their being rolls:
’Tis that repeated shocks, again, again,
Exhaust the energy of strongest souls,
And numb the elastic powers.
Till having used our nerves with bliss and teen,
And tired upon a thousand schemes our wit,
To the just-pausing Genius we remit
Our worn-out life, and are—what we have been.
Thou hast not lived, why shouldst thou perish, so?
Thou hadst one aim, one business, one desire:
Else wert thou long since number’d with the dead—
Else hadst thou spent, like other men, thy fire.
The generations of thy peers are fled,
And we ourselves shall go;
But thou possessest an immortal lot,
And we imagine thee exempt from age
And living as thou liv’st on Glanvil’s page,
Because thou hadst—what we, alas, have not!
For early didst thou leave the world, with powers
Fresh, undiverted to the world without,
Firm to their mark, not spent on other things;
Free from the sick fatigue, the languid doubt,
Which much to have tried, in much been baffled, brings.
O Life unlike to ours!
Who fluctuate idly without term or scope,
Of whom each strives, nor knows for what he strives,
And each half lives a hundred different lives;
Who wait like thee, but not, like thee, in hope.
Thou waitest for the spark from Heaven: and we,
Vague half-believers of our casual creeds,
Who never deeply felt, nor clearly will’d,
Whose insight never has borne fruit in deeds,
Whose weak resolves never have been fulfill’d;
For whom each year we see
Breeds new beginnings, disappointments new;
Who hesitate and falter life away,
And lose to-morrow the ground won to-day—
Ah, do not we, Wanderer, await it too?
Yes, we await it, but it still delays,
And then we suffer; and amongst us One,
Who most has suffer’d, takes dejectedly
His seat upon the intellectual throne;
And all his store of sad experience he
Lays bare of wretched days;
Tells us his misery’s birth and growth and signs,
And how the dying spark of hope was fed,
And how the breast was soothed, and how the head,
And all his hourly varied anodynes.
This for our wisest: and we others pine,
And wish the long unhappy dream would end,
And waive all claim to bliss, and try to bear,
With close-lipp’d Patience for our only friend,
Sad Patience, too near neighbour to Despair:
But none has hope like thine.
Thou through the fields and through the woods dost stray,
Roaming the country-side, a truant boy,
Nursing thy project in unclouded joy,
And every doubt long blown by time away.
O born in days when wits were fresh and clear,
And life ran gaily as the sparkling Thames;
Before this strange disease of modern life,
With its sick hurry, its divided aims,
Its heads o’ertax’d, its palsied hearts, was rife—
Fly hence, our contact fear!
Still fly, plunge deeper in the bowering wood!
Averse, as Dido did with gesture stern
From her false friend’s approach in Hades turn,
Wave us away, and keep thy solitude.
Still nursing the unconquerable hope,
Still clutching the inviolable shade,
With a free onward impulse brushing through,
By night, the silver’d branches of the glade—
Far on the forest-skirts, where none pursue.
On some mild pastoral slope
Emerge, and resting on the moonlit pales,
Freshen thy flowers, as in former years,
With dew, or listen with enchanted ears,
From the dark dingles, to the nightingales.
But fly our paths, our feverish contact fly!
For strong the infection of our mental strife,
Which, though it gives no bliss, yet spoils for rest;
And we should win thee from thy own fair life,
Like us distracted, and like us unblest.
Soon, soon thy cheer would die,
Thy hopes grow timorous, and unfix’d thy powers,
And thy clear aims be cross and shifting made:
And then thy glad perennial youth would fade,
Fade, and grow old at last, and die like ours.
Then fly our greetings, fly our speech and smiles!
—As some grave Tyrian trader, from the sea,
Descried at sunrise an emerging prow
Lifting the cool-hair’d creepers stealthily,
The fringes of a southward-facing brow
Among the Ægean isles;
And saw the merry Grecian coaster come,
Freighted with amber grapes, and Chian wine,
Green bursting figs, and tunnies steep’d in brine;
And knew the intruders on his ancient home,
The young light-hearted Masters of the waves;
And snatch’d his rudder, and shook out more sail,
And day and night held on indignantly
O’er the blue Midland waters with the gale,
Betwixt the Syrtes and soft Sicily,
To where the Atlantic raves
Outside the Western Straits, and unbent sails
There, where down cloudy cliffs, through sheets of foam,
Shy traffickers, the dark Iberians come;
And on the beach undid his corded bales.
Philomela
HARK! ah, the Nightingale!
The tawny-throated!
Hark! from that moonlit cedar what a burst!
What triumph! hark—what pain!
O Wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewilder’d brain
That wild, unquench’d, deep-sunken, old-world pain—
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy rack’d heart and brain
Afford no balm?
Dost thou to-night behold
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and sear’d eyes
The too clear web, and thy dumb Sister’s shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor Fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia—
How thick the bursts come crowding through the leaves
Again—thou hearest!
Eternal Passion!
Eternal Pain!
Shakespeare
OTHERS abide our question. Thou art free.
We ask and ask: Thou smilest and art still,
Out-topping knowledge. For the loftiest hill
That to the stars uncrowns his majesty,
Planting his steadfast footsteps in the sea,
Making the heaven of heavens his dwelling-place.
Spares but the cloudy border of his base
To the foil’d searching of mortality;
And thou, who didst the stars and sunbeams know,
Self-school’d, self-scann’d, self-honour’d, self-secure,
Didst walk on earth unguess’d at. Better so!
All pains the immortal spirit must endure,
All weakness that impairs, all griefs that bow,
Find their sole voice in that victorious brow.
From the Hymn of Empedocles
IS it so small a thing
To have enjoy’d the sun,
To have lived light in the spring,
To have loved, to have thought, to have done;
To have advanced true friends, and beat down baffling foes;
That we must feign a bliss
Of doubtful future date,
And while we dream on this
Lose all our present state,
And relegate to worlds yet distant our repose?
Not much, I know, you prize
What pleasures may be had,
Who look on life with eyes
Estranged, like mine, and sad:
And yet the village churl feels the truth more than you;
Who’s loth to leave this life
Which to him little yields:
His hard-task’d sunburnt wife,
His often-labour’d fields;
The boors with whom he talk’d, the country spots he knew.
But thou, because thou hear’st
Men scoff at Heaven and Fate;
Because the gods thou fear’st
Fail to make blest thy state,
Tremblest, and wilt not dare to trust the joys there are.
I say, Fear not! life still
Leaves human effort scope.
But, since life teems with ill,
Nurse no extravagant hope.
Because thou must not dream, thou need’st not then despair.
WILLIAM BRIGHTY RANDS
1823-1880
The Flowers
WHEN Love arose in heart and deed
To wake the world to greater joy,
‘What can she give me now?’ said Greed,
Who thought to win some costly toy.
He rose, he ran, he stoop’d, he clutch’d;
And soon the Flowers, that Love let fall,
In Greed’s hot grasp were fray’d and smutch’d,
And Greed said, ‘Flowers! Can this be all?’
He flung them down and went his way,
He cared no jot for thyme or rose;
But boys and girls came out to play,
And some took these and some took those—
Red, blue, and white, and green and gold;
And at their touch the dew return’d,
And all the bloom a thousandfold—
So red, so ripe, the roses burn’d!
The Thought
INTO the skies, one summer’s day,
I sent a little Thought away;
Up to where, in the blue round,
The sun sat shining without sound.
Then my Thought came back to me.—
Little Thought, what did you see
In the regions whence you come?
And when I spoke, my Thought was dumb.
But she breathed of what was there,
In the pure bright upper air;
And, because my Thought so shone,
I knew she had been shone upon.
Next, by night a Thought I sent
Up into the firmament;
When the eager stars were out,
And the still moon shone about.
And my Thought went past the moon
In between the stars, but soon
Held her breath and durst not stir,
For the fear that covered her;
Then she thought, in this demur:
‘Dare I look beneath the shade,
Into where the worlds are made;
Where the suns and stars are wrought?
Shall I meet another Thought?
‘Will that other Thought have wings?
Shall I meet strange, heavenly things?
Thought of Thoughts, and Light of Lights,
Breath of Breaths, and Night of Nights?’
Then my Thought began to hark
In the illuminated dark,
Till the silence, over, under,
Made her heart beat more than thunder.
And my Thought, came trembling back,
But with something on her track,
And with something at her side;
Nor till she has lived and died,
Lived and died, and lived again,
Will that awful thing seem plain.
WILLIAM PHILPOT
1823-1889
Maritæ Suæ
I
OF all the flowers rising now,
Thou only saw’st the head
Of that unopen’d drop of snow
I placed beside thy bed.
In all the blooms that blow so fast,
Thou hast no further part,
Save those the hour I saw thee last,
I laid above thy heart.
Two snowdrops for our boy and girl,
A primrose blown for me,
Wreathed with one often-play’d-with curl
From each bright head for thee.
And so I graced thee for thy grave,
And made these tokens fast
With that old silver heart I gave,
My first gift—and my last.
II
I DREAM’d, her babe upon her breast,
Here she might lie and calmly rest
Her happy eyes on that far hill
That backs the landscape fresh and still.
I hoped her thoughts would thrid the boughs
Where careless birds on love carouse,
And gaze those apple-blossoms through
To revel in the boundless blue.
But now her faculty of sight
Is elder sister to the light,
And travels free and unconfined
Through dense and rare, through form and mind.
Or else her life to be complete
Hath found new channels full and meet—
Then, O, what eyes are leaning o’er,
If fairer than they were before!
WILLIAM (JOHNSON) CORY
1823-1892
Mimnermus in Church
YOU promise heavens free from strife,
Pure truth, and perfect change of will;
But sweet, sweet is this human life,
So sweet, I fain would breathe it still;
Your chilly stars I can forgo,
This warm kind world is all I know.
You say there is no substance here,
One great reality above:
Back from that void I shrink in fear,
And child-like hide myself in love:
Show me what angels feel. Till then
I cling, a mere weak man, to men.
You bid me lift my mean desires
From faltering lips and fitful veins
To sexless souls, ideal quires,
Unwearied voices, wordless strains:
My mind with fonder welcome owns
One dear dead friend’s remember’d tones.
Forsooth the present we must give
To that which cannot pass away;
All beauteous things for which we live
By laws of time and space decay.
But O, the very reason why
I clasp them, is because they die.
Heraclitus
THEY told me, Heraclitus, they told me you were dead,
They brought me bitter news to hear and bitter tears to shed.
I wept as I remember’d how often you and I
Had tired the sun with talking and sent him down the sky.
And now that thou art lying, my dear old Carian guest,
A handful of grey ashes, long, long ago at rest,
Still are thy pleasant voices, thy nightingales, awake;
For Death, he taketh all away, but them he cannot take.
COVENTRY PATMORE
1823-1896
The Married Lover
WHY, having won her, do I woo?
Because her spirit’s vestal grace
Provokes me always to pursue,
But, spirit-like, eludes embrace;
Because her womanhood is such
That, as on court-days subjects kiss
The Queen’s hand, yet so near a touch
Affirms no mean familiarness;
Nay, rather marks more fair the height
Which can with safety so neglect
To dread, as lower ladies might,
That grace could meet with disrespect;
Thus she with happy favour feeds
Allegiance from a love so high
That thence no false conceit proceeds
Of difference bridged, or state put by;
Because although in act and word
As lowly as a wife can be,
Her manners, when they call me lord,
Remind me ’tis by courtesy;
Not with her least consent of will,
Which would my proud affection hurt,
But by the noble style that still
Imputes an unattain’d desert;
Because her gay and lofty brows,
When all is won which hope can ask,
Reflect a light of hopeless snows
That bright in virgin ether bask;
Because, though free of the outer court
I am, this Temple keeps its shrine
Sacred to Heaven; because, in short,
She’s not and never can be mine.
‘If I were dead’
‘IF I were dead, you’d sometimes say, Poor Child!’
The dear lips quiver’d as they spake,
And the tears brake
From eyes which, not to grieve me, brightly smiled.
Poor Child, poor Child!
I seem to hear your laugh, your talk, your song.
It is not true that Love will do no wrong.
Poor Child!
And did you think, when you so cried and smiled,
How I, in lonely nights, should lie awake,
And of those words your full avengers make?
Poor Child, poor Child!
And now, unless it be
That sweet amends thrice told are come to thee,
O God, have Thou no mercy upon me!
Poor Child!
Departure
IT was not like your great and gracious ways!
Do you, that have naught other to lament,
Never, my Love, repent
Of how, that July afternoon,
You went,
With sudden, unintelligible phrase,
And frighten’d eye,
Upon your journey of so many days
Without a single kiss, or a good-bye?
I knew, indeed, that you were parting soon;
And so we sate, within the low sun’s rays,
You whispering to me, for your voice was weak,
Your harrowing praise.
Well, it was well
To hear you such things speak,
And I could tell
What made your eyes a growing gloom of love,
As a warm South-wind sombres a March grove.
And it was like your great and gracious ways
To turn your talk on daily things, my Dear,
Lifting the luminous, pathetic lash
To let the laughter flash,
Whilst I drew near,
Because you spoke so low that I could scarcely hear.
But all at once to leave me at the last,
More at the wonder than the loss aghast,
With huddled, unintelligible phrase,
And frighten’d eye,
And go your journey of all days
With not one kiss, or a good-bye,
And the only loveless look the look with which you pass’d:
’Twas all unlike your great and gracious ways.
The Toys
MY little Son, who look’d from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey’d,
I struck him, and dismissed
With hard words and unkiss’d,
—His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darkened eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein’d stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray’d
To God, I wept, and said:
Ah, when at last we lie with trancèd breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou’lt leave Thy wrath, and say,
‘I will be sorry for their childishness.’
A Farewell
WITH all my will, but much against my heart,
We two now part.
My Very Dear,
Our solace is, the sad road lies so clear.
It needs no art,
With faint, averted feet
And many a tear,
In our opposèd paths to persevere.
Go thou to East, I West.
We will not say
There’s any hope, it is so far away.
But, O, my Best,
When the one darling of our widowhead,
The nursling Grief,
Is dead,
And no dews blur our eyes
To see the peach-bloom come in evening skies,
Perchance we may,
Where now this night is day,
And even through faith of still averted feet,
Making full circle of our banishment,
Amazèd meet;
The bitter journey to the bourne so sweet
Seasoning the termless feast of our content
With tears of recognition never dry.
SYDNEY DOBELL
1824-1874
The Ballad of Keith of Ravelston
THE murmur of the mourning ghost
That keeps the shadowy kine,
‘O Keith of Ravelston,
The sorrows of thy line!’
Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro’ the silver meads;
Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother’s kine,
The song that sang she!
She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston
Rode thro’ the Monday morn.
His henchmen sing, his hawk-bells ring,
His belted jewels shine;
O Keith of Ravelston,
The sorrows of thy line!
Year after year, where Andrew came,
Comes evening down the glade,
And still there sits a moonshine ghost
Where sat the sunshine maid.
Her misty hair is faint and fair,
She keeps the shadowy kine;
O Keith of Ravelston,
The sorrows of thy line!
I lay my hand upon the stile,
The stile is lone and cold,
The burnie that goes babbling by
Says naught that can be told.
Yet, stranger! here, from year to year,
She keeps her shadowy kine;
O Keith of Ravelston,
The sorrows of thy line!
Step out three steps, where Andrew stood—
Why blanch thy cheeks for fear?
The ancient stile is not alone,
’Tis not the burn I hear!
She makes her immemorial moan,
She keeps her shadowy kine;
O Keith of Ravelston,
The sorrows of thy line!
Return!
RETURN, return! all night my lamp is burning,
All night, like it, my wide eyes watch and burn;
Like it, I fade and pale, when day returning
Bears witness that the absent can return,
Return, return.
Like it, I lessen with a lengthening sadness,
Like it, I burn to waste and waste to burn,
Like it, I spend the golden oil of gladness
To feed the sorrowy signal for return,
Return, return.
Like it, like it, whene’er the east wind sings,
I bend and shake; like it, I quake and yearn,
When Hope’s late butterflies, with whispering wings,
Fly in out of the dark, to fall and burn—
Burn in the watchfire of return,
Return, return.
Like it, the very flame whereby I pine
Consumes me to its nature. While I mourn
My soul becomes a better soul than mine,
And from its brightening beacon I discern
My starry love go forth from me, and shine
Across the seas a path for thy return,
Return, return.
Return, return! all night I see it burn,
All night it prays like me, and lifts a twin
Of palmèd praying hands that meet and yearn—
Yearn to the impleaded skies for thy return.
Day, like a golden fetter, locks them in,
And wans the light that withers, tho’ it burn
As warmly still for thy return;
Still thro’ the splendid load uplifts the thin
Pale, paler, palest patience that can learn
Naught but that votive sign for thy return—
That single suppliant sign for thy return,
Return, return.
Return, return! lest haply, love, or e’er
Thou touch the lamp the light have ceased to burn,
And thou, who thro’ the window didst discern
The wonted flame, shalt reach the topmost stair
To find no wide eyes watching there,
No wither’d welcome waiting thy return!
A passing ghost, a smoke-wreath in the air,
The flameless ashes, and the soulless urn,
Warm with the famish’d fire that lived to burn—
Burn out its lingering life for thy return,
Its last of lingering life for thy return,
Its last of lingering life to light thy late return,
Return, return.
A Chanted Calendar
FIRST came the primrose,
On the bank high,
Like a maiden looking forth
From the window of a tower
When the battle rolls below,
So look’d she,
And saw the storms go by.
Then came the wind-flower
In the valley left behind,
As a wounded maiden, pale
With purple streaks of woe,
When the battle has roll’d by
Wanders to and fro,
So totter’d she,
Dishevelled in the wind.
Then came the daisies,
On the first of May,
Like a banner’d show’s advance
While the crowd runs by the way,
With ten thousand flowers about them they came trooping through the fields.
As a happy people come,
So came they,
As a happy people come
When the war has roll’d away,
With dance and tabor, pipe and drum.
And all make holiday.
Then came the cowslip,
Like a dancer in the fair,
She spread her little mat of green,
And on it danced she.
With a fillet bound about her brow,
A fillet round her happy brow,
A golden fillet round her brow,
And rubies in her hair.
Laus Deo
IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape—the grand old bed where she was wed—
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain’d door,
And with steps of muffled woe pass breathless o’er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;
‘Touch him not,’ she shriek’d and cried, ‘he is but newly dead!’
‘O my own dear mistress,’ the ancient Nurse did say,
‘Seven long days and seven long nights you have watch’d him where he lay.’
‘Seven long days and seven long nights,‘the hoary Steward said;
‘Seven long days and seven long nights,’ groan’d the Warrener gray;
‘Seven,’ said the old Henchman, and bow’d his aged head;
‘On your lives!’ she shriek’d and cried,‘he is but newly dead!’
Then a father Priest they sought,
The Priest that taught her all she knew,
And they told him of her loss.
‘For she is mild and sweet of will,
She loved him, and his words are peace,
And he shall heal her ill.’
But her watch she did not cease.
He bless’d her where she sat distraught,
And show’d her holy cross,—
The cross she kiss’d from year to year—
But she neither saw nor heard;
And said he in her deaf ear
All he had been wont to teach,
All she had been fond to hear,
Missall’d prayer, and solemn speech,
But she answer’d not a word.
Only when he turn’d to speak with those who wept about the bed,
‘On your lives!’ she shriek’d and cried, ‘he is but newly dead!’
Then how sadly he turn’d from her, it were wonderful to tell,
And he stood beside the death-bed as by one who slumbers well,
And he lean’d o’er him who lay there, and in cautious whisper low,
‘He is not dead, but sleepeth,’ said the Priest, and smooth’d his brow.
‘Sleepeth?’ said she, looking up, and the sun rose in her face!
‘He must be better than I thought, for the sleep is very sound.’
‘He is better,’ said the Priest, and call’d her maidens round.
With them came that ancient dame who nursed her when a child;
O Nurse!’ she sigh’d, ‘O Nurse!’ she cried, ‘O Nurse!’ and then she smiled,
And then she wept; with that they drew
About her, as of old;
Her dying eyes were sweet and blue,
Her trembling touch was cold;
But she said, ‘My maidens true,
No more weeping and well-away;
Let them kill the feast.
I would be happy in my soul.
“He is better,” saith the Priest;
He did but sleep the weary day,
And will waken whole.
Carry me to his dear side,
And let the halls be trim;
Whistly, whistly,’ said she,
‘I am wan with watching and wail,
He must not wake to see me pale,
Let me sleep with him.
See you keep the tryst for me,
I would rest till he awake
And rise up like a bride.
But whistly, whistly!’ said she.
‘Yet rejoice your Lord doth live;
And for His dear sake
Say Laus, Domine.’
Silent they cast down their eyes,
And every breast a sob did rive,
She lifted her in wild surprise
And they dared not disobey.
‘Laus Deo,’ said the Steward, hoary when her days were new;
‘Laus Deo,’ said the Warrener, whiter than the warren snows;
‘Laus Deo,’ the bald Henchman, who had nursed her on his knee.
The old Nurse moved her lips in vain,
And she stood among the train
Like a dead tree shaking dew.
Then the Priest he softly slept
Midway in the little band,
And he took the Lady’s hand.
‘Laus Deo,’ he said aloud,
‘Laus Deo,’ they said again,
Yet again, and yet again,
Humbly cross’d and lowly bow’d,
Till in wont and fear it rose
To the Sabbath strain.
But she neither turn’d her head
Nor ‘Whistly, whistly,’ said she.
Her hands were folded as in grace,
We laid her with her ancient race
And all the village wept.
WILLIAM ALLINGHAM
1824-1889
The Fairies
UP the airy mountain,
Down the rushy glen,
We daren’t go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl’s feather!
Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs,
All night awake.
High on the hill-top
The old King sits;
He is now so old and gray
He’s nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights
To sup with the Queen
Of the gay Northern Lights.
They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lake,
On a bed of flag-leaves,
Watching till she wake.
By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
If any man so daring
As dig them up in spite,
He shall find their sharpest thorns
In his bed at night.
Up the airy mountain,
Down the rushy glen,
We daren’t go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl’s feather!
GEORGE MAC DONALD
1824-1905
That Holy Thing
THEY all were looking for a king
To slay their foes and lift them high:
Thou cam’st, a little baby thing
That made a woman cry.
O Son of Man, to right my lot
Naught but Thy presence can avail;
Yet on the road Thy wheels are not,
Nor on the sea Thy sail!
My how or when Thou wilt not heed,
But come down Thine own secret stair,
That Thou mayst answer all my need—
Yea, every bygone prayer.
DANTE GABRIEL ROSSETTI
1828-1882
The Blessèd Damozel
THE blessèd Damozel lean’d out
From the gold bar of Heaven:
Her blue grave eyes were deeper much
Than a deep water, even.
She had three lilies in her hand,
And the stars in her hair were seven.
Her robe, ungirt from clasp to hem,
No wrought flowers did adorn,
But a white rose of Mary’s gift
On the neck meetly worn;
And her hair, lying down her back,
Was yellow like ripe corn.
Herseem’d she scarce had been a day
One of God’s choristers;
The wonder was not yet quite gone
From that still look of hers;
Albeit, to them she left, her day
Had counted as ten years.
(To one it is ten years of years:
... Yet now, here in this place,
Surely she lean’d o’er me,—her hair
Fell all about my face....
Nothing: the Autumn-fall of leaves.
The whole year sets apace.)
It was the terrace of God’s house
That she was standing on,—
By God built over the sheer depth
In which Space is begun;
So high, that looking downward thence,
She scarce could see the sun.
It lies from Heaven across the flood
Of ether, as a bridge.
Beneath, the tides of day and night
With flame and darkness ridge
The void, as low as where this earth
Spins like a fretful midge.
But in those tracts, with her, it was
The peace of utter light
And silence. For no breeze may stir
Along the steady flight
Of seraphim; no echo there,
Beyond all depth or height.
Heard hardly, some of her new friends,
Playing at holy games,
Spake, gentle-mouth’d, among themselves,
Their virginal chaste names;
And the souls, mounting up to God,
Went by her like thin flames.
And still she bow’d herself, and stoop’d
Into the vast waste calm;
Till her bosom’s pressure must have made
The bar she lean’d on warm,
And the lilies lay as if asleep
Along her bended arm.
From the fixt lull of Heaven, she saw
Time, like a pulse, shake fierce
Through all the worlds. Her gaze still strove,
In that steep gulf, to pierce
The swarm; and then she spoke, as when
The stars sang in their spheres.
‘I wish that he were come to me,
For he will come,’ she said.
‘Have I not pray’d in solemn Heaven?
On earth, has he not pray’d?
Are not two prayers a perfect strength?
And shall I feel afraid?
‘When round his head the aureole clings,
And he is clothed in white,
I’ll take his hand, and go with him
To the deep wells of light,
And we will step down as to a stream
And bathe there in God’s sight.
‘We two will stand beside that shrine,
Occult, withheld, untrod,
Whose lamps tremble continually
With prayer sent up to God;
And where each need, reveal’d, expects
Its patient period.
‘We two will lie i’ the shadow of
That living mystic tree
Within whose secret growth the Dove
Sometimes is felt to be,
While every leaf that His plumes touch
Saith His name audibly.
‘And I myself will teach to him,—
I myself, lying so,—
The songs I sing here; which his mouth
Shall pause in, hush’d and slow,
Finding some knowledge at each pause,
And some new thing to know.’
(Alas! to her wise simple mind
These things were all but known
Before: they trembled on her sense,—
Her voice had caught their tone.
Alas for lonely Heaven! Alas
For life wrung out alone!
Alas, and though the end were reach’d?...
Was thy part understood
Or borne in trust? And for her sake
Shall this too be found good?—
May the close lips that knew not prayer
Praise ever, though they would?)
‘We two,’ she said, ‘will seek the groves
Where the lady Mary is,
With her five handmaidens, whose names
Are five sweet symphonies:—
Cecily, Gertrude, Magdalen,
Margaret and Rosalys.
‘Circle-wise sit they, with bound locks
And bosoms coverèd;
Into the fine cloth, white like flame,
Weaving the golden thread,
To fashion the birth-robes for them
Who are just born, being dead.
‘He shall fear, haply, and be dumb.
Then I will lay my cheek
To his, and tell about our love,
Not once abash’d or weak:
And the dear Mother will approve
My pride, and let me speak.
‘Herself shall bring us, hand in hand,
To Him round whom all souls
Kneel—the unnumber’d solemn heads
Bow’d with their aureoles:
And Angels, meeting us, shall sing
To their citherns and citoles.
‘There will I ask of Christ the Lord
Thus much for him and me:—
To have more blessing than on earth
In nowise; but to be
As then we were,—being as then
At peace. Yea, verily.
‘Yea, verily; when he is come
We will do thus and thus:
Till this my vigil seem quite strange
And almost fabulous;
We two will live at once, one life;
And peace shall be with us.’
She gazed, and listen’d, and then said,
Less sad of speech than mild,—
‘All this is when he comes.’ She ceased:
The light thrill’d past her, fill’d
With Angels, in strong level lapse.
Her eyes pray’d, and she smiled.
(I saw her smile.) But soon their flight
Was vague ’mid the poised spheres.
And then she cast her arms along
The golden barriers,
And laid her face between her hands,
And wept. (I heard her tears.)
GEORGE MEREDITH
1828-1909
Love in the Valley
UNDER yonder beech-tree single on the green-sward,
Couch’d with her arms behind her golden head,
Knees and tresses folded to slip and ripple idly,
Lies my young love sleeping in the shade.
Had I the heart to slide an arm beneath her,
Press her parting lips as her waist I gather slow,
Waking in amazement she could not but embrace me:
Then would she hold me and never let me go?
. . .
Shy as the squirrel and wayward as the swallow,
Swift as the swallow along the river’s light
Circleting the surface to meet his mirror’d winglets,
Fleeter she seems in her stay than in her flight.
Shy as the squirrel that leaps among the pine-tops,
Wayward as the swallow overhead at set of sun,
She whom I love is hard to catch and conquer,
Hard, but O the glory of the winning were she won!
. . .
When her mother tends her before the laughing mirror,
Tying up her laces, looping up her hair,
Often she thinks, were this wild thing wedded,
More love should I have, and much less care.
When her mother tends her before the lighted mirror,
Loosening her laces, combing down her curls,
Often she thinks, were this wild thing wedded,
I should miss but one for many boys and girls.
. . .
Heartless she is as the shadow in the meadows
Flying to the hills on a blue and breezy noon.
No, she is athirst and drinking up her wonder:
Earth to her is young as the slip of the new moon.
Deals she an unkindness, ’tis but her rapid measure,
Even as in a dance; and her smile can heal no less:
Like the swinging May-cloud that pelts the flowers with hailstones
Off a sunny border, she was made to bruise and bless.
. . .
Lovely are the curves of the white owl sweeping
Wavy in the dusk lit by one large star.
Lone on the fir-branch, his rattle-note unvaried,
Brooding o’er the gloom, spins the brown evejar.
Darker grows the valley, more and more forgetting:
So were it with me if forgetting could be will’d.
Tell the grassy hollow that holds the bubbling well-spring,
Tell it to forget the source that keeps it fill’d.
. . .
Stepping down the hill with her fair companions,
Arm in arm, all against the raying West,
Boldly she sings, to the merry tune she marches,
Brave is her shape, and sweeter unpossess’d.
Sweeter, for she is what my heart first awaking
Whisper’d the world was; morning light is she.
Love that so desires would fain keep her changeless;
Fain would fling the net, and fain have her free.
. . .
Happy happy time, when the white star hovers
Low over dim fields fresh with bloomy dew,
Near the face of dawn, that draws athwart the darkness,
Threading it with colour, like yewberries the yew.
Thicker crowd the shades as the grave East deepens
Glowing, and with crimson a long cloud swells.
Maiden still the morn is; and strange she is, and secret;
Strange her eyes; her cheeks are cold as cold sea-shells.
. . .
Sunrays, leaning on our southern hills and lighting
Wild cloud-mountains that drag the hills along,
Oft ends the day of your shifting brilliant laughter
Chill as a dull face frowning on a song.
Ay, but shows the South-west a ripple-feather’d bosom
Blown to silver while the clouds are shaken and ascend
Scaling the mid-heavens as they stream, there comes a sunset
Rich, deep like love in beauty without end.
. . .
When at dawn she sighs, and like an infant to the window
Turns grave eyes craving light, released from dreams,
Beautiful she looks, like a white water-lily
Bursting out of bud in havens of the streams.
When from bed she rises clothed from neck to ankle
In her long nightgown sweet as boughs of May,
Beautiful she looks, like a tall garden-lily
Pure from the night, and splendid for the day.
. . .
Mother of the dews, dark eye-lash’d twilight,
Low-lidded twilight, o’er the valley’s brim,
Rounding on thy breast sings the dew-delighted skylark,
Clear as though the dewdrops had their voice in him.
Hidden where the rose-flush drinks the rayless planet,
Fountain-full he pours the spraying fountain-showers.
Let me hear her laughter, I would have her ever
Cool as dew in twilight, the lark above the flowers.
. . .
All the girls are out with their baskets for the primrose;
Up lanes, woods through, they troop in joyful bands.
My sweet leads: she knows not why, but now she loiters,
Eyes the bent anemones, and hangs her hands.
Such a look will tell that the violets are peeping,
Coming the rose: and unaware a cry
Springs in her bosom for odours and for colour,
Covert and the nightingale; she knows not why.
. . .
Kerchief’d head and chin she darts between her tulips,
Streaming like a willow gray in arrowy rain:
Some bend beaten cheek to gravel, and their angel
She will be; she lifts them, and on she speeds again.
Black the driving raincloud breasts the iron gateway:
She is forth to cheer a neighbour lacking mirth.
So when sky and grass met rolling dumb for thunder
Saw I once a white dove, sole light of earth.
. . .
Prim little scholars are the flowers of her garden,
Train’d to stand in rows, and asking if they please.
I might love them well but for loving more the wild ones:
O my wild ones! they tell me more than these.
You, my wild one, you tell of honied field-rose,
Violet, blushing eglantine in life; and even as they,
They by the wayside are earnest of your goodness,
You are of life’s, on the banks that line the way.
. . .
Peering at her chamber the white crowns the red rose,
Jasmine winds the porch with stars two and three.
Parted is the window; she sleeps; the starry jasmine
Breathes a falling breath that carries thoughts of me.
Sweeter unpossessed, have I said of her my sweetest?
Not while she sleeps: while she sleeps the jasmine breathes,
Luring her to love; she sleeps; the starry jasmine
Bears me to her pillow under white rose-wreaths.
. . .
Yellow with birdfoot-trefoil are the grass-glades;
Yellow with cinquefoil of the dew-gray leaf;
Yellow with stonecrop; the moss-mounds are yellow;
Blue-neck’d the wheat sways, yellowing to the sheaf.
Green-yellow, bursts from the copse the laughing yaffle;
Sharp as a sickle is the edge of shade and shine:
Earth in her heart laughs looking at the heavens,
Thinking of the harvest: I look and think of mine.
. . .
This I may know: her dressing and undressing
Such a change of light shows as when the skies in sport
Shift from cloud to moonlight; or edging over thunder
Slips a ray of sun; or sweeping into port
White sails furl; or on the ocean borders
White sails lean along the waves leaping green.
Visions of her shower before me, but from eyesight
Guarded she would be like the sun were she seen.
. . .
Front door and back of the moss’d old farmhouse
Open with the morn, and in a breezy link
Freshly sparkles garden to stripe-shadow’d orchard,
Green across a rill where on sand the minnows wink.
Busy in the grass the early sun of summer
Swarms, and the blackbird’s mellow fluting notes
Call my darling up with round and roguish challenge:
Quaintest, richest carol of all the singing throats!
. . .
Cool was the woodside; cool as her white dairy
Keeping sweet the cream-pan; and there the boys from school,
Cricketing below, rush’d brown and red with sunshine;
O the dark translucence of the deep-eyed cool!
Spying from the farm, herself she fetch’d a pitcher
Full of milk, and tilted for each in turn the beak.
Then a little fellow, mouth up and on tiptoe,
Said, ‘I will kiss you’: she laugh’d and lean’d her cheek.
. . .
Doves of the fir-wood walling high our red roof
Through the long noon coo, crooning through the coo.
Loose droop the leaves, and down the sleepy roadway
Sometimes pipes a chaffinch; loose droops the blue.
Cows flap a slow tail knee-deep in the river,
Breathless, given up to sun and gnat and fly.
Nowhere is she seen; and if I see her nowhere,
Lightning may come, straight rains and tiger sky.
. . .
O the golden sheaf, the rustling treasure-armful!
O the nutbrown tresses nodding interlaced!
O the treasure-tresses one another over
Nodding! O the girdle slack about the waist!
Slain are the poppies that shot their random scarlet
Quick amid the wheat-ears: wound about the waist,
Gathered, see these brides of Earth one blush of ripeness!
O the nutbrown tresses nodding interlaced!
. . .
Large and smoky red the sun’s cold disk drops,
Clipped by naked hills, on violet shaded snow:
Eastward large and still lights up a bower of moonrise,
Whence at her leisure steps the moon aglow.
Nightlong on black print-branches our beech-tree
Gazes in this whiteness: nightlong could I.
Here may life on death or death on life be painted.
Let me clasp her soul to know she cannot die!
. . .
Gossips count her faults; they scour a narrow chamber
Where there is no window, read not heaven or her.
‘When she was a tiny,’ one agèd woman quavers,
Plucks at my heart and leads me by the ear.
Faults she had once as she learn’d to run and tumbled:
Faults of feature some see, beauty not complete.
Yet, good gossips, beauty that makes holy
Earth and air, may have faults from head to feet.
. . .
Hither she comes; she comes to me; she lingers,
Deepens her brown eyebrows, while in new surprise
High rise the lashes in wonder of a stranger;
Yet am I the light and living of her eyes.
Something friends have told her fills her heart to brimming,
Nets her in her blushes, and wounds her, and tames.—
Sure of her haven, O like a dove alighting,
Arms up, she dropp’d: our souls were in our names.
. . .
Soon will she lie like a white frost sunrise.
Yellow oats and brown wheat, barley pale as rye,
Long since your sheaves have yielded to the thresher,
Felt the girdle loosen’d, seen the tresses fly.
Soon will she lie like a blood-red sunset.
Swift with the to-morrow, green-wing’d Spring!
Sing from the South-west, bring her back the truants,
Nightingale and swallow, song and dipping wing.
. . .
Soft new beech-leaves, up to beamy April
Spreading bough on bough a primrose mountain, you
Lucid in the moon, raise lilies to the skyfields,
Youngest green transfused in silver shining through:
Fairer than the lily, than the wild white cherry:
Fair as in image my seraph love appears
Borne to me by dreams when dawn is at my eyelids:
Fair as in the flesh she swims to me on tears.
. . .
Could I find a place to be alone with heaven,
I would speak my heart out: heaven is my need.
Every woodland tree is flushing like the dogwood,
Flashing like the whitebeam, swaying like the reed.
Flushing like the dogwood crimson in October;
Streaming like the flag-reed South-west blown;
Flashing as in gusts the sudden-lighted whitebeam:
All seem to know what is for heaven alone.
Phœbus with Admetus
WHEN by Zeus relenting the mandate was revoked,
Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
Who: and what a track show’d the upturn’d sod!
Mindful were the shepherds, as now the noon severe
Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
Sister of his own, till her rays fell wide.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
Chirping none, the scarlet cicalas crouch’d in ranks:
Slack the thistle-head piled its down-silk gray:
Scarce the stony lizard suck’d hollows in his flanks:
Thick on spots of umbrage our drowsed flocks lay.
Sudden bow’d the chestnuts beneath a wind unheard,
Lengthen’d ran the grasses, the sky grew slate:
Then amid a swift flight of wing’d seed white as curd,
Clear of limb a Youth smote the master’s gate.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
Water, first of singers, o’er rocky mount and mead,
First of earthly singers, the sun-loved rill,
Sang of him, and flooded the ripples on the reed,
Seeking whom to waken and what ear fill.
Water, sweetest soother to kiss a wound and cool,
Sweetest and divinest, the sky-born brook,
Chuckled, with a whimper, and made a mirror-pool
Round the guest we welcomed, the strange hand shook.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
Many swarms of wild bees descended on our fields:
Stately stood the wheatstalk with head bent high:
Big of heart we labour’d at storing mighty yields,
Wool and corn, and clusters to make men cry!
Hand-like rush’d the vintage; we strung the bellied skins
Plump, and at the sealing the Youth’s voice rose:
Maidens clung in circle, on little fists their chins;
Gentle beasties through push’d a cold long nose.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
Foot to fire in snowtime we trimm’d the slender shaft:
Often down the pit spied the lean wolf’s teeth
Grin against his will, trapp’d by masterstrokes of craft;
Helpless in his froth-wrath as green logs seethe!
Safe the tender lambs tugg’d the teats, and winter sped
Whirl’d before the crocus, the year’s new gold.
Hung the hooky beak up aloft, the arrowhead
Redden’d through his feathers for our dear fold.
God! of whom music
And song and blood are pure,
The day is never darkened
That had thee here obscure.
Tales we drank of giants at war with gods above:
Rocks were they to look on, and earth climb’d air!
Tales of search for simples, and those who sought of love
Ease because the creature was all too fair.
Pleasant ran our thinking that while our work was good,
Sure as fruits for sweat would the praise come fast.
He that wrestled stoutest and tamed the billow-brood
Danced in rings with girls, like a sail-flapp’d mast.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
Lo, the herb of healing, when once the herb is known,
Shines in shady woods bright as new-sprung flame.
Ere the string was tighten’d we heard the mellow tone,
After he had taught how the sweet sounds came.
Stretch’d about his feet, labour done, ’twas as you see
Red pomegranates tumble and burst hard rind.
So began contention to give delight and be
Excellent in things aim’d to make life kind.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
You with shelly horns, rams! and, promontory goats,
You whose browsing beards dip in coldest dew!
Bulls, that walk the pastures in kingly-flashing coats!
Laurel, ivy, vine, wreathed for feasts not few!
You that build the shade-roof, and you that court the rays,
You that leap besprinkling the rock stream-rent:
He has been our fellow, the morning of our days;
Us he chose for housemates, and this way went.
God! of whom music
And song and blood are pure,
The day is never darken’d
That had thee here obscure.
Tardy Spring
NOW the North wind ceases,
The warm South-west awakes;
Swift fly the fleeces,
Thick the blossom-flakes.
Now hill to hill has made the stride,
And distance waves the without-end:
Now in the breast a door flings wide;
Our farthest smiles, our next is friend.
And song of England’s rush of flowers
Is this full breeze with mellow stops,
That spins the lark for shine, for showers;
He drinks his hurried flight, and drops.
The stir in memory seem these things,
Which out of moisten’d turf and clay,
Astrain for light push patient rings,
Or leap to find the waterway.
’Tis equal to a wonder done,
Whatever simple lives renew
Their tricks beneath the father sun,
As though they caught a broken clue:
So hard was earth an eyewink back;
But now the common life has come,
The blotting cloud a dappled pack,
The grasses one vast underhum.
A City clothed in snow and soot,
With lamps for day in ghostly rows,
Breaks to the scene of hosts afoot,
The river that reflective flows:
And there did fog down crypts of street
Play spectre upon eye and mouth:—
Their faces are a glass to greet
This magic of the whirl for South.
A burly joy each creature swells
With sound of its own hungry quest;
Earth has to fill her empty wells,
And speed the service of the nest;
The phantom of the snow-wreath melt,
That haunts the farmer’s look abroad,
Who sees what tomb a white night built,
Where flocks now bleat and sprouts the clod.
For iron Winter held her firm;
Across her sky he laid his hand;
And bird he starved, he stiffen’d worm;
A sightless heaven, a shaven land.
Her shivering Spring feign’d fast asleep.
The bitten buds dared not unfold:
We raced on roads and ice to keep
Thought of the girl we love from cold.
But now the North wind ceases,
The warm South-west awakes,
The heavens are out in fleeces,
And earth’s green banner shakes.
Love’s Grave
MARK where the pressing wind shoots javelin-like,
Its skeleton shadow on the broad-back’d wave!
Here is a fitting spot to dig Love’s grave;
Here where the ponderous breakers plunge and strike,
And dart their hissing tongues high up the sand:
In hearing of the ocean, and in sight
Of those ribb’d wind-streaks running into white.
If I the death of Love had deeply plann’d,
I never could have made it half so sure,
As by the unblest kisses which upbraid
The full-waked sense; or failing that, degrade!
’Tis morning: but no morning can restore
What we have forfeited. I see no sin:
The wrong is mix’d. In tragic life, God wot,
No villain need be! Passions spin the plot:
We are betray’d by what is false within.
Lucifer in Starlight
ON a starr’d night Prince Lucifer uprose.
Tired of his dark dominion swung the fiend
Above the rolling ball in cloud part screen’d,
Where sinners hugg’d their spectre of repose.
Poor prey to his hot fit of pride were those.
And now upon his western wing he lean’d,
Now his huge bulk o’er Afric’s sands careen’d,
Now the black planet shadow’d Arctic snows.
Soaring through wider zones that prick’d his scars
With memory of the old revolt from Awe,
He reach’d a middle height, and at the stars,
Which are the brain of heaven, he look’d, and sank.
Around the ancient track march’d, rank on rank,
The army of unalterable law.
ALEXANDER SMITH
1829-1867
Love
THE fierce exulting worlds, the motes in rays,
The churlish thistles, scented briers,
The wind-swept bluebells on the sunny braes,
Down to the central fires,
Exist alike in Love. Love is a sea
Filling all the abysses dim
Of lornest space, in whose deeps regally
Suns and their bright broods swim.
This mighty sea of Love, with wondrous tides,
Is sternly just to sun and grain;
’Tis laving at this moment Saturn’s sides,
’Tis in my blood and brain.
All things have something more than barren use;
There is a scent upon the brier,
A tremulous splendour in the autumn dews,
Cold morns are fringed with fire.
The clodded earth goes up in sweet-breath’d flowers;
In music dies poor human speech,
And into beauty blow those hearts of ours
When Love is born in each.
Daisies are white upon the churchyard sod,
Sweet tears the clouds lean down and give.
The world is very lovely. O my God,
I thank Thee that I live!
Barbara
ON the Sabbath-day,
Through the churchyard old and gray,
Over the crisp and yellow leaves I held my rustling way;
And amid the words of mercy, falling on my soul like balms,
’Mid the gorgeous storms of music—in the mellow organ-calms,
’Mid the upward-streaming prayers, and the rich and solemn psalms,
I stood careless, Barbara.
My heart was otherwhere,
While the organ shook the air,
And the priest, with outspread hands, bless’d the people with a prayer;
But when rising to go homeward, with a mild and saint-like shine
Gleam’d a face of airy beauty with its heavenly eyes on mine—
Gleam’d and vanish’d in a moment—O that face was surely thine
Out of heaven, Barbara!
O pallid, pallid face!
O earnest eyes of grace!
When last I saw thee, dearest, it was in another place.
You came running forth to meet me with my love-gift on your wrist:
The flutter of a long white dress, then all was lost in mist—
A purple stain of agony was on the mouth I kiss’d,
That wild morning, Barbara.
I searched, in my despair,
Sunny noon and midnight air;
I could not drive away the thought that you were lingering there.
O many and many a winter night I sat when you were gone,
My worn face buried in my hands, beside the fire alone—
Within the dripping churchyard, the rain plashing on your stone,
You were sleeping, Barbara.
’Mong angels, do you think
Of the precious golden link
I clasp’d around your happy arm while sitting by yon brink?
Or when that night of gliding dance, of laughter and guitars,
Was emptied of its music, and we watch’d, through lattice-bars,
The silent midnight heaven creeping o’er us with its stars,
Till the day broke, Barbara?
In the years I’ve changed;
Wild and far my heart has ranged,
And many sins and errors now have been on me avenged;
But to you I have been faithful whatsoever good I lack’d:
I loved you, and above my life still hangs that love intact—
Your love the trembling rainbow, I the reckless cataract.
Still I love you, Barbara.
Yet, Love, I am unblest;
With many doubts opprest,
I wander like the desert wind without a place of rest.
Could I but win you for an hour from off that starry shore,
The hunger of my soul were still’d; for Death hath told you more
Than the melancholy world doth know—things deeper than all lore
You could teach me, Barbara.
In vain, in vain, in vain!
You will never come again.
There droops upon the dreary hills a mournful fringe of rain;
The gloaming closes slowly round, loud winds are in the tree,
Round selfish shores for ever moans the hurt and wounded sea;
There is no rest upon the earth, peace is with Death and thee—
Barbara!
CHRISTINA GEORGINA ROSSETTI
1830-1894
Bride Song
FROM ‘THE PRINCE’S PROGRESS’
TOO late for love, too late for joy,
Too late, too late!
You loiter’d on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate;
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leap’d.
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now there are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
We never saw her with a smile
Or with a frown;
Her bed seem’d never soft to her,
Though toss’d of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs show’d in her locks
That used to be so brown.
We never heard her speak in haste:
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo, we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread.
A Birthday
MY heart is like a singing bird
Whose nest is in a water’d shoot;
My heart is like an apple-tree
Whose boughs are bent with thick-set fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these,
Because my love is come to me.
Raise me a daïs of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
Song
WHEN I am dead, my dearest,
Sing no sad songs for me;
Plant thou no roses at my head,
Nor shady cypress tree:
Be the green grass above me
With showers and dewdrops wet;
And if thou wilt, remember.
And if thou wilt, forget.
I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain;
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.
Twice
I TOOK my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak
(O my love, O my love)—
Yet a woman’s words are weak;
You should speak, not I.
You took my heart in your hand
With a friendly smile,
With a critical eye you scann’d,
Then set it down,
And said, ‘It is still unripe,
Better wait awhile;
Wait while the skylarks pipe,
Till the corn grows brown.’
As you set it down it broke—
Broke, but I did not wince;
I smiled at the speech you spoke,
At your judgement I heard:
But I have not often smiled
Since then, nor question’d since,
Nor cared for cornflowers wild,
Nor sung with the singing bird.
I take my heart in my hand,
O my God, O my God,
My broken heart in my hand:
Thou hast seen, judge Thou.
My hope was written on sand,
O my God, O my God:
Now let thy judgement stand—
Yea, judge me now.
This contemn’d of a man,
This marr’d one heedless day,
This heart take thou to scan
Both within and without:
Refine with fire its gold,
Purge Thou its dross away—
Yea, hold it in Thy hold,
Whence none can pluck it out.
I take my heart in my hand—
I shall not die, but live—
Before Thy face I stand;
I, for Thou callest such:
All that I have I bring,
All that I am I give,
Smile Thou and I shall sing,
But shall not question much.
Uphill
DOES the road wind uphill all the way?
Yes, to the very end.
Will the day’s journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow, dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you waiting at that door.
Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.
Passing Away
PASSING away, saith the World, passing away:
Chances, beauty and youth sapp’d day by day:
Thy life never continueth in one stay.
Is the eye waxen dim, is the dark hair changing to gray
That hath won neither laurel nor bay?
I shall clothe myself in Spring and bud in May:
Thou, root-stricken, shalt not rebuild thy decay
On my bosom for aye.
Then I answer’d: Yea.
Passing away, saith my Soul, passing away:
With its burden of fear and hope, of labour and play,
Hearken what the past doth witness and say:
Rust in thy gold, a moth is in thine array,
A canker is in thy bud, thy leaf must decay.
At midnight, at cockcrow, at morning, one certain day,
Lo, the Bridegroom shall come and shall not delay:
Watch thou and pray.
Then I answer’d: Yea.
Passing away, saith my God, passing away:
Winter passeth after the long delay:
New grapes on the vine, new figs on the tender spray,
Turtle calleth turtle in Heaven’s May.
Though I tarry, wait for me, trust me, watch and pray.
Arise, come away; night is past, and lo, it is day;
My love, my sister, my spouse, thou shalt hear me say—
Then I answer’d: Yea.
Marvel of Marvels
MARVEL of marvels, if I myself shall behold
With mine own eyes my King in His city of gold;
Where the least of lambs is spotless white in the fold,
Where the least and last of saints in spotless white is stoled,
Where the dimmest head beyond a moon is aureoled.
O saints, my belovèd, now mouldering to mould in the mould,
Shall I see you lift your heads, see your cerements unroll’d,
See with these very eyes? who now in darkness and cold
Tremble for the midnight cry, the rapture, the tale untold,—
The Bridegroom cometh, cometh, His Bride to enfold!
Cold it is, my belovèd, since your funeral bell was toll’d:
Cold it is, O my King, how cold alone on the wold!
Is it Well with the Child?
SAFE where I cannot die yet,
Safe where I hope to lie too,
Safe from the fume and the fret;
You, and you,
Whom I never forget.
Safe from the frost and the snow,
Safe from the storm and the sun,
Safe where the seeds wait to grow
One by one,
And to come back in blow.
Remember
REMEMBER me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go, yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann’d:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
Aloof
THE irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me:—
Aloof, aloof, we stand aloof, so stand
Thou too aloof, bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self-chain shall set thee free?
What heart shall touch thy heart? What hand thy hand?
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seem’d not so far to seek,
And all the world and I seem’d much less cold,
And at the rainbow’s foot lay surely gold,
And hope felt strong, and life itself not weak.
Rest
O EARTH, lie heavily upon her eyes;
Seal her sweet eyes weary of watching, Earth;
Lie close around her; leave no room for mirth
With its harsh laughter, nor for sound of sighs.
She hath no questions, she hath no replies,
Hush’d in and curtain’d with a blessèd dearth
Of all that irk’d her from the hour of birth;
With stillness that is almost Paradise.
Darkness more clear than noonday holdeth her,
Silence more musical than any song;
Even her very heart has ceased to stir:
Until the morning of Eternity
Her rest shall not begin nor end, but be;
And when she wakes she will not think it long.
THOMAS EDWARD BROWN
1830-1897
Dora
SHE knelt upon her brother’s grave,
My little girl of six years old—
He used to be so good and brave,
The sweetest lamb of all our fold;
He used to shout, he used to sing,
Of all our tribe the little king—
And so unto the turf her ear she laid,
To hark if still in that dark place he play’d.
No sound! no sound!
Death’s silence was profound;
And horror crept
Into her aching heart, and Dora wept.
If this is as it ought to be,
My God, I leave it unto Thee.
Jessie
WHEN Jessie comes with her soft breast,
And yields the golden keys,
Then is it as if God caress’d
Twin babes upon His knees—
Twin babes that, each to other press’d,
Just feel the Father’s arms, wherewith they both are bless’d.
But when I think if we must part,
And all this personal dream be fled—
O then my heart! O then my useless heart!
Would God that thou wert dead—
A clod insensible to joys and ills—
A stone remote in some bleak gully of the hills!
Salve!
TO live within a cave—it is most good;
But, if God make a day,
And some one come, and say,
‘Lo! I have gather’d faggots in the wood!’
E’en let him stay,
And light a fire, and fan a temporal mood!
So sit till morning! when the light is grown
That he the path can read,
Then bid the man God-speed!
His morning is not thine: yet must thou own
They have a cheerful warmth—those ashes on the stone.
My Garden
A GARDEN is a lovesome thing, God wot!
Rose plot,
Fringed pool,
Fern’d grot—
The veriest school
Of peace; and yet the fool
Contends that God is not—
Not God! in gardens! when the eve is cool?
Nay, but I have a sign;
’Tis very sure God walks in mine.
EDWARD ROBERT BULWER LYTTON, EARL OF LYTTON
1831-1892
A Night in Italy
SWEET are the rosy memories of the lips
That first kiss’d ours, albeit they kiss no more:
Sweet is the sight of sunset-sailing ships,
Altho’ they leave us on a lonely shore:
Sweet are familiar songs, tho’ Music dips
Her hollow shell in Thought’s forlornest wells:
And sweet, tho’ sad, the sound of midnight bells
When the oped casement with the night-rain drips.
There is a pleasure which is born of pain:
The grave of all things hath its violet.
Else why, thro’ days which never come again,
Roams Hope with that strange longing, like Regret?
Why put the posy in the cold dead hand?
Why plant the rose above the lonely grave?
Why bring the corpse across the salt sea-wave?
Why deem the dead more near in native land?
Thy name hath been a silence in my life
So long, it falters upon language now,
O more to me than sister or than wife,
Once ... and now—nothing! It is hard to know
That such things have been, and are not; and yet
Life loiters, keeps a pulse at even measure,
And goes upon its business and its pleasure,
And knows not all the depths of its regret....
Ah, could the memory cast her spots, as do
The snake’s brood theirs in spring! and be once more
Wholly renew’d, to dwell i’ the time that’s new,
With no reiterance of those pangs of yore.
Peace, peace! My wild song will go wandering
Too wantonly, down paths a private pain
Hath trodden bare. What was it jarr’d the strain?
Some crush’d illusion, left with crumpled wing
Tangled in Music’s web of twinèd strings—
That started that false note, and crack’d the tune
In its beginning. Ah, forgotten things
Stumble back strangely! and the ghost of June
Stands by December’s fire, cold, cold! and puts
The last spark out.—How could I sing aright
With those old airs haunting me all the night
And those old steps that sound when daylight shuts?
For back she comes, and moves reproachfully,
The mistress of my moods, and looks bereft
(Cruel to the last!) as tho’ ’twere I, not she,
That did the wrong, and broke the spell, and left
Memory comfortless.—Away! away!
Phantoms, about whose brows the bindweed clings,
Hopeless regret! In thinking of these things
Some men have lost their minds, and others may.
Yet, O for one deep draught in this dull hour!
One deep, deep draught of the departed time!
O for one brief strong pulse of ancient power,
To beat and breathe thro’ all the valves of rhyme!
Thou, Memory, with thy downward eyes, that art
The cup-bearer of gods, pour deep and long,
Brim all the vacant chalices of song
With health! Droop down thine urn. I hold my heart
One draught of what I shall not taste again
Save when my brain with thy dark wine is brimm’d,—
One draught! and then straight onward, spite of pain,
And spite of all things changed, with gaze undimm’d,
Love’s footsteps thro’ the waning Past to explore
Undaunted; and to carve in the wan light
Of Hope’s last outposts, on Song’s utmost height,
The sad resemblance of an hour or more.
Midnight, and love, and youth, and Italy!
Love in the land where love most lovely seems!
Land of my love, tho’ I be far from thee,
Lend, for love’s sake, the light of thy moonbeams,
The spirit of thy cypress-groves and all
Thy dark-eyed beauty for a little while
To my desire. Yet once more let her smile
Fall o’er me: o’er me let her long hair fall....
Under the blessèd darkness unreproved
We were alone, in that best hour of time
Which first reveal’d to us how much we loved,
’Neath the thick starlight. The young night sublime
Hung trembling o’er us. At her feet I knelt,
And gazed up from her feet into her eyes.
Her face was bow’d: we breathed each other’s sighs:
We did not speak: not move: we look’d: we felt.
The night said not a word. The breeze was dead.
The leaf lay without whispering on the tree,
As I lay at her feet. Droop’d was her head:
One hand in mine: and one still pensively
Went wandering through my hair. We were together.
How? Where? What matter? Somewhere in a dream,
Drifting, slow drifting down a wizard stream:
Whither? Together: then what matter whither?
It was enough for me to clasp her hand:
To blend with her love-looks my own: no more.
Enough (with thoughts like ships that cannot land,
Blown by faint winds about a magic shore)
To realize, in each mysterious feeling,
The droop of the warm cheek so near my own:
The cool white arm about my shoulder thrown:
Those exquisite fair feet where I was kneeling.
How little know they life’s divinest bliss,
That know not to possess and yet refrain!
Let the young Psyche roam, a fleeting kiss:
Grasp it—a few poor grains of dust remain.
See how those floating flowers, the butterflies,
Hover the garden thro’, and take no root!
Desire for ever hath a flying foot:
Free pleasure comes and goes beneath the skies.
Close not thy hand upon the innocent joy
That trusts itself within thy reach. It may,
Or may not, linger. Thou canst but destroy
The wingèd wanderer. Let it go or stay.
Love thou the rose, yet leave it on its stem.
Think! Midas starved by turning all to gold.
Blessèd are those that spare, and that withhold;
Because the whole world shall be trusted them.
The foolish Faun pursues the unwilling Nymph
That culls her flowers beside the precipice
Or dips her shining ankles in the lymph:
But, just when she must perish or be his,
Heaven puts an arm out. She is safe. The shore
Gains some new fountain; or the lilied lawn
A rarer sort of rose: but ah, poor Faun!
To thee she shall be changed for evermore.
Chase not too close the fading rapture. Leave
To Love his long auroras, slowly seen.
Be ready to release as to receive.
Deem those the nearest, soul to soul, between
Whose lips yet lingers reverence on a sigh.
Judge what thy sense can reach not, most thine own,
If once thy soul hath seized it. The unknown
Is life to love, religion, poetry.
The moon had set. There was not any light,
Save of the lonely legion’d watch-stars pale
In outer air, and what by fits made bright
Hot oleanders in a rosy vale
Searched by the lamping fly, whose little spark
Went in and out, like passion’s bashful hope.
Meanwhile the sleepy globe began to slope
A ponderous shoulder sunward thro’ the dark.
And the night pass’d in beauty like a dream.
Aloof in those dark heavens paused Destiny,
With her last star descending in the gleam
Of the cold morrow, from the emptied sky.
The hour, the distance from her old self, all
The novelty and loneness of the place
Had left a lovely awe on that fair face,
And all the land grew strange and magical.
As droops some billowy cloud to the crouch’d hill,
Heavy with all heaven’s tears, for all earth’s care,
She droop’d unto me, without force or will,
And sank upon my bosom, murmuring there
A woman’s inarticulate passionate words.
O moment of all moments upon earth!
O life’s supreme! How worth, how wildly worth,
Whole worlds of flame, to know this world affords.
What even Eternity can not restore!
When all the ends of life take hands and meet
Round centres of sweet fire. Ah, never more,
Ah never, shall the bitter with the sweet
Be mingled so in the pale after-years!
One hour of life immortal spirits possess.
This drains the world, and leaves but weariness,
And parching passion, and perplexing tears.
Sad is it, that we cannot even keep
That hour to sweeten life’s last toil: but Youth
Grasps all, and leaves us: and when we would weep,
We dare not let our tears fall, lest, in truth,
They fall upon our work which must be done.
And so we bind up our torn hearts from breaking:
Our eyes from weeping, and our brows from aching:
And follow the long pathway all alone.
The Last Wish
SINCE all that I can ever do for thee
Is to do nothing, this my prayer must be:
That thou mayst never guess nor ever see
The all-endured this nothing-done costs me.