NICHOLAS GRIMALD
1519-62
A True Love
WHAT sweet relief the showers to thirsty plants we see,
What dear delight the blooms to bees, my true love is to me!
As fresh and lusty Ver foul Winter doth exceed—
As morning bright, with scarlet sky, doth pass the evening’s weed—
As mellow pears above the crabs esteemèd be—
So doth my love surmount them all, whom yet I hap to see!
The oak shall olives bear, the lamb the lion fray,
The owl shall match the nightingale in tuning of her lay,
42. fray] affright.
OR I my love let slip out of mine entire heart,
So deep reposèd in my breast is she for her desart!
For many blessèd gifts, O happy, happy land!
Where Mars and Pallas strive to make their glory most to stand!
Yet, land, more is thy bliss that, in this cruel age,
A Venus’ imp thou hast brought forth, so steadfast and so sage.
Among the Muses Nine a tenth if Jove would make,
And to the Graces Three a fourth, her would Apollo take.
Let some for honour hunt, and hoard the massy gold:
With her so I may live and die, my weal cannot be told.
ALEXANDER SCOTT
1520?-158-
A Bequest of His Heart
HENCE, heart, with her that must depart,
And hald thee with thy soverane!
For I had liever want ane heart.
Nor have the heart that dois me pain.
Therefore, go, with thy luve remain,
And let me leif thus unmolest;
And see that thou come not again,
But bide with her thou luvis best.
Sen she that I have servit lang
Is to depart so suddenly,
Address thee now, for thou sall gang
And bear thy lady company.
43. hald] keep. sen] since.
FRA she be gone, heartless am I,
For quhy? thou art with her possest.
Therefore, my heart, go hence in high,
And bide with her thou luvis best.
Though this belappit body here
Be bound to servitude and thrall,
My faithful heart is free entier
And mind to serve my lady at all.
Would God that I were perigall
Under that redolent rose to rest!
Yet at the least, my heart, thou sall
Abide with her thou luvis best.
Sen in your garth the lily quhyte
May not remain amang the laif,
Adieu the flower of whole delite!
Adieu the succour that may me saif!
Adieu the fragrant balme suaif,
And lamp of ladies lustiest!
My faithful heart she shall it haif
To bide with her it luvis best.
Deploir, ye ladies cleir of hue,
Her absence, sen she must depart!
And, specially, ye luveris true
That wounded bene with Luvis dart.
For some of you sall want ane heart
As well as I; therefore at last
Do go with mine, with mind inwart,
And bide with her thou luvis best!
belappit] downtrodden. perigall] made equal to, privileged. garth] garden-close. laif] rest. with mind inwart] with inner mind, i.e. in spirit.
A Rondel of Love
LO, quhat it is to love
Learn ye that list to prove,
By me, I say, that no ways may
The ground of grief remove,
But still decay both nicht and day:
Lo, quhat it is to love!
Love is ane fervent fire
Kindlit without desire,
Short pleasure, long displeasure,
Repentance is the hire;
Ane pure tressour without measour;
Love is ane fervent fire.
To love and to be wise,
To rage with good advice;
Now thus, now than, so gois the game,
Incertain is the dice;
There is no man, I say, that can
Both love and to be wise.
Flee always from the snare,
Learn at me to beware;
It is ane pain, and double trane
Of endless woe and care;
For to refrain that danger plain,
Flee always from the snare.
ROBERT WEVER
c. 1550
In Youth is Pleasure
IN a harbour grene aslepe whereas I lay,
The byrdes sang swete in the middes of the day,
I dreamèd fast of mirth and play:
In youth is pleasure, in youth is pleasure.
Methought I walked still to and fro,
And from her company I could not go—
But when I waked it was not so:
In youth is pleasure, in youth is pleasure.
Therefore my hart is surely pyght
Of her alone to have a sight
Which is my joy and hartes delight:
In youth is pleasure, in youth is pleasure.
RICHARD EDWARDES
1523-66
Amantium Iræ
IN going to my naked bed as one that would have slept,
I heard a wife sing to her child, that long before had wept;
She sighèd sore and sang full sweet, to bring the babe to rest,
That would not cease but crièd still, in sucking at her breast.
She was full weary of her watch, and grievèd with her child,
She rockèd it and rated it, till that on her it smiled.
Then did she say, Now have I found this proverb true to prove,
The falling out of faithful friends renewing is of love.
Then took I paper, pen, and ink, this proverb for to write,
In register for to remain of such a worthy wight:
As she proceeded thus in song unto her little brat,
Much matter utter’d she of weight, in place whereas she sat:
And provèd plain there was no beast, nor creature bearing life,
Could well be known to live in love without discord and strife:
Then kissèd she her little babe, and sware by God above,
The falling out of faithful friends renewing is of love.
She said that neither king nor prince nor lord could live aright,
Until their puissance they did prove, their manhood and their might.
When manhood shall be matched so that fear can take no place,
Then weary works make warriors each other to embrace,
And left their force that failèd them, which did consume the rout,
That might before have lived their time, their strength and nature out:
Then did she sing as one that thought no man could her reprove,
The falling out of faithful friends renewing is of love.
She said she saw no fish nor fowl, nor beast within her haunt,
That met a stranger in their kind, but could give it a taunt:
Since flesh might not endure, but rest must wrath succeed,
And force the fight to fall to play in pasture where they feed,
So noble nature can well end the work she hath begun,
And bridle well that will not cease her tragedy in some:
Thus in song she oft rehearsed, as did her well behove,
The falling out of faithful friends renewing is of love.
I marvel much pardy (quoth she) for to behold the rout,
To see man, woman, boy and beast, to toss the world about:
Some kneel, some crouch, some beck, some check, and some can smoothly smile,
And some embrace others in arm, and there think many a wile,
Some stand aloof at cap and knee, some humble and some stout,
Yet are they never friends in deed until they once fall out:
Thus ended she her song and said, before she did remove,
The falling out of faithful friends renewing is of love.
GEORGE GASCOIGNE
1525?-77
A Lover’s Lullaby
SING lullaby, as women do,
Wherewith they bring their babes to rest;
And lullaby can I sing too,
As womanly as can the best.
With lullaby they still the child;
And if I be not much beguiled,
Full many a wanton babe have I,
Which must be still’d with lullaby.
First lullaby my youthful years,
It is now time to go to bed:
For crookèd age and hoary hairs
Have won the haven within my head.
With lullaby, then, youth be still;
With lullaby content thy will;
Since courage quails and comes behind,
Go sleep, and so beguile thy mind!
Next lullaby my gazing eyes,
Which wonted were to glance apace;
For every glass may now suffice
To show the furrows in thy face.
With lullaby then wink awhile;
With lullaby your looks beguile;
Let no fair face, nor beauty bright,
Entice you eft with vain delight.
And lullaby my wanton will;
Let reason’s rule now reign thy thought;
Since all too late I find by skill
How dear I have thy fancies bought;
With lullaby now take thine ease,
With lullaby thy doubts appease;
For trust to this, if thou be still,
My body shall obey thy will.
Thus lullaby my youth, mine eyes,
My will, my ware, and all that was:
I can no more delays devise;
But welcome pain, let pleasure pass.
With lullaby now take your leave;
With lullaby your dreams deceive;
And when you rise with waking eye,
Remember then this lullaby.
ALEXANDER MONTGOMERIE
1540?-1610?
The Night is Near Gone
HEY! now the day dawis;
The jolly cock crawis;
Now shroudis the shawis
Thro’ Nature anon.
The thissel-cock cryis
On lovers wha lyis:
Now skaillis the skyis;
The nicht is neir gone.
The fieldis ouerflowis
With gowans that growis,
Quhair lilies like low is
As red as the rone.
48. shroudis] dress themselves. shawis] woods. skaillis] clears. gowans] daisies. low] flame. rone] rowan.
THE turtle that true is,
With notes that renewis,
Her pairty pursuis:
The nicht is neir gone.
Now hairtis with hindis
Conform to their kindis,
Hie tursis their tyndis
On ground quhair they grone.
Now hurchonis, with hairis,
Aye passis in pairis;
Quhilk duly declaris
The nicht is neir gone.
The season excellis
Through sweetness that smellis;
Now Cupid compellis
Our hairtis echone
On Venus wha waikis,
To muse on our maikis,
Syne sing for their saikis—
‘The nicht is neir gone!’
All courageous knichtis
Aganis the day dichtis
The breist-plate that bright is
To fight with their fone.
The stonèd steed stampis
Through courage, and crampis,
Syne on the land lampis:
The nicht is neir gone.
pairty] partner, mate. tursis] carry. tyndis] antlers. grone] groan, bell. hurchonis] hedgehogs, ‘urchins.’ maikis] mates. fone] foes. stonèd steed] stallion. crampis] prances. lampis] gallops.
THE freikis on feildis
That wight wapins weildis
With shyning bright shieldis
At Titan in trone;
Stiff speiris in reistis
Ouer corseris crestis
Are broke on their breistis:
The nicht is neir gone.
So hard are their hittis,
Some sweyis, some sittis,
And some perforce flittis
On ground quhile they grone.
Syne groomis that gay is
On blonkis that brayis
With swordis assayis:—
The nicht is neir gone.
48. freikis] men, warriors. wight wapins] stout weapons. at Titan] over against Titan (the sun), or read ‘as.’ flittis] are cast. blonkis] white palfreys.
WILLIAM STEVENSON
1530?-1575
Jolly Good Ale and Old
I CANNOT eat but little meat,
My stomach is not good;
But sure I think that I can drink
With him that wears a hood.
Though I go bare, take ye no care,
I nothing am a-cold;
I stuff my skin so full within
Of jolly good ale and old.
Back and side go bare, go bare;
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.
I love no roast but a nut-brown toast,
And a crab laid in the fire;
A little bread shall do me stead;
Much bread I not desire.
No frost nor snow, no wind, I trow,
Can hurt me if I wold;
I am so wrapp’d and thoroughly lapp’d
Of jolly good ale and old.
Back and side go bare, go bare, &c.
And Tib, my wife, that as her life
Loveth well good ale to seek,
Full oft drinks she till ye may see
The tears run down her cheek:
Then doth she trowl to me the bowl
Even as a maltworm should,
And saith, ‘Sweetheart, I took my part
Of this jolly good ale and old.’
Back and side go bare, go bare, &c.
Now let them drink till they nod and wink,
Even as good fellows should do;
They shall not miss to have the bliss
Good ale doth bring men to;
And all poor souls that have scour’d bowls
Or have them lustily troll’d,
God save the lives of them and their wives,
Whether they be young or old.
Back and side go bare, go bare;
Both foot and hand go cold;
But, belly, God send thee good ale enough,
Whether it be new or old.
ANONYMOUS (SCOTTISH)
16th Cent.
When Flora had O’erfret the Firth
QUHEN Flora had o’erfret the firth
In May of every moneth queen;
Quhen merle and mavis singis with mirth
Sweet melling in the shawis sheen;
Quhen all luvaris rejoicit bene
And most desirous of their prey,
I heard a lusty luvar mene
—‘I luve, but I dare nocht assay!’
‘Strong are the pains I daily prove,
But yet with patience I sustene,
I am so fetterit with the luve
Only of my lady sheen,
Quhilk for her beauty micht be queen,
Nature so craftily alway
Has done depaint that sweet serene:
—Quhom I luve I dare nocht assay.
‘She is so bricht of hyd and hue,
I luve but her alone, I ween;
Is none her luve that may eschew,
That blinkis of that dulce amene;
So comely cleir are her twa een
That she mae luvaris dois affray
Than ever of Greece did fair Helene:
—Quhom I luve I dare nocht assay!’
o’erfret] adorned. shawis] woods. sheen] beautiful. mene] mourn. hyd] skin. blinkis] gets a glimpse. dulce amene] gentle and pleasant one. mae] more.
Lusty May
16th Cent.
O LUSTY May, with Flora queen!
The balmy dropis from Phoebus sheen
Preluciand beams before the day:
By that Diana growis green
Through gladness of this lusty May.
Then Esperus, that is so bricht,
Til woful hairtis castis his light,
With bankis that bloomis on every brae;
And schouris are shed forth of their sicht
Through gladness of this lusty May.
Birdis on bewis of every birth,
Rejoicing notis makand their mirth
Richt plesantly upon the spray,
With flourishingis o’er field and firth
Through gladness of this lusty May.
All luvaris that are in care
To their ladies they do repair
In fresh morningis before the day,
And are in mirth ay mair and mair
Through gladness of this lusty May.
51. sheen] bright. til] into. schouris] showers. bewis] boughs. birth] kind. 52. wiss] wish.
My Heart is High Above
16th Cent.
MY heart is high above, my body is full of bliss,
For I am set in luve as well as I would wiss
I luve my lady pure and she luvis me again,
I am her serviture, she is my soverane;
She is my very heart, I am her howp and heill,
She is my joy invart, I am her luvar leal;
I am her bond and thrall, she is at my command;
I am perpetual her man, both foot and hand;
The thing that may her please my body sall fulfil;
Quhatever her disease, it does my body ill.
My bird, my bonny ane, my tender babe venust,
My luve, my life alane, my liking and my lust!
We interchange our hairtis in others armis soft,
Spriteless we twa depairtis, usand our luvis oft.
We mourn when licht day dawis, we plain the nicht is short,
We curse the cock that crawis, that hinderis our disport.
I glowffin up aghast, quhen I her miss on nicht,
And in my oxter fast I find the bowster richt;
Then languor on me lies like Morpheus the mair,
Quhilk causes me uprise and to my sweet repair.
And then is all the sorrow forth of remembrance
That ever I had a-forrow in luvis observance.
Thus never I do rest, so lusty a life I lead,
Quhen that I list to test the well of womanheid.
Luvaris in pain, I pray God send you sic remeid
As I have nicht and day, you to defend from deid!
Therefore be ever true unto your ladies free,
And they will on you rue as mine has done on me.
heill] health. invart] inward. venust] delightful. glowffin] blink on awaking. oxter] armpit. a-forrow] aforetime.
NUMBERS
FROM
ELIZABETHAN MISCELLANIES & SONG-BOOKS
BY UNNAMED OR UNCERTAIN AUTHORS
A Praise of His Lady
Tottel’s Miscellany, 1557
GIVE place, you ladies, and begone!
Boast not yourselves at all!
For here at hand approacheth one
Whose face will stain you all.
The virtue of her lively looks
Excels the precious stone;
I wish to have none other books
To read or look upon.
In each of her two crystal eyes
Smileth a naked boy;
It would you all in heart suffice
To see that lamp of joy.
I think Nature hath lost the mould
Where she her shape did take;
Or else I doubt if Nature could
So fair a creature make.
She may be well compared
Unto the Phœnix kind,
Whose like was never seen or heard,
That any man can find.
In life she is Diana chaste,
In troth Penelopey;
In word and eke in deed steadfast.
—What will you more we say?
If all the world were sought so far,
Who could find such a wight?
Her beauty twinkleth like a star
Within the frosty night.
Her rosial colour comes and goes
With such a comely grace,
More ruddier, too, than doth the rose,
Within her lively face.
At Bacchus’ feast none shall her meet,
Ne at no wanton play,
Nor gazing in an open street,
Nor gadding as a stray.
The modest mirth that she doth use
Is mix’d with shamefastness;
All vice she doth wholly refuse,
And hateth idleness.
O Lord! it is a world to see
How virtue can repair,
And deck in her such honesty,
Whom Nature made so fair.
Truly she doth so far exceed
Our women nowadays,
As doth the jeliflower a weed;
And more a thousand ways.
How might I do to get a graff
Of this unspotted tree?
—For all the rest are plain but chaff,
Which seem good corn to be.
This gift alone I shall her give;
When death doth what he can,
Her honest fame shall ever live
Within the mouth of man.
? by John Heywood
To Her Sea-faring Lover
Tottel’s Miscellany, 1557
SHALL I thus ever long, and be no whit the neare?
And shall I still complain to thee, the which me will not hear?
Alas! say nay! say nay! and be no more so dumb,
But open thou thy manly mouth and say that thou wilt come:
Whereby my heart may think, although I see not thee,
That thou wilt come—thy word so sware—if thou a live man be.
The roaring hugy waves they threaten my poor ghost,
And toss thee up and down the seas in danger to be lost.
Shall they not make me fear that they have swallowed thee?
—But as thou art most sure alive, so wilt thou come to me.
Whereby I shall go see thy ship ride on the strand,
And think and say Lo where he comes and Sure here will he land:
54. neare] nearer.
AND then I shall lift up to thee my little hand,
And thou shalt think thine heart in ease, in health to see me stand.
And if thou come indeed (as Christ thee send to do!)
Those arms which miss thee now shall then embrace [and hold] thee too:
Each vein to every joint the lively blood shall spread
Which now for want of thy glad sight doth show full pale and dead.
But if thou slip thy troth, and do not come at all,
As minutes in the clock do strike so call for death I shall:
To please both thy false heart and rid myself from woe,
That rather had to die in troth than live forsaken so!
The Faithless Shepherdess
William Byrd’s Songs of
Sundry Natures, 1589
WHILE that the sun with his beams hot
Scorchèd the fruits in vale and mountain,
Philon the shepherd, late forgot,
Sitting beside a crystal fountain
In shadow of a green oak tree,
Upon his pipe this song play’d he:
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.
So long as I was in your sight
I was your heart, your soul, your treasure;
And evermore you sobb’d and sigh’d
Burning in flames beyond all measure:
—Three days endured your love to me,
And it was lost in other three!
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.
Another shepherd you did see,
To whom your heart was soon enchainèd;
Full soon your love was leapt from me,
Full soon my place he had obtainèd.
Soon came a third your love to win,
And we were out and he was in.
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.
Sure you have made me passing glad
That you your mind so soon removèd,
Before that I the leisure had
To choose you for my best belovèd:
For all my love was pass’d and done
Two days before it was begun.
Adieu, Love, adieu, Love, untrue Love!
Untrue Love, untrue Love, adieu, Love!
Your mind is light, soon lost for new love.
Crabbed Age and Youth
The Passionate Pilgrim, 1599
CRABBÈD Age and Youth
Cannot live together:
Youth is full of pleasance,
Age is full of care;
Youth like summer morn,
Age like winter weather;
Youth like summer brave,
Age like winter bare.
Youth is full of sport,
Age’s breath is short;
Youth is nimble, Age is lame;
Youth is hot and bold,
Age is weak and cold;
Youth is wild, and Age is tame.
Age, I do abhor thee;
Youth, I do adore thee;
O, my Love, my Love is young!
Age, I do defy thee:
O, sweet shepherd, hie thee!
For methinks thou stay’st too long.
? by William Shakespeare
Phyllida’s Love-Call
England’s Helicon, 1600
Phyllida. Corydon, arise, my Corydon!
Titan shineth clear.
Corydon. Who is it that calleth Corydon?
Who is it that I hear?
Phyl. Phyllida, thy true love, calleth thee,
Arise then, arise then,
Arise and keep thy flock with me!
Cor. Phyllida, my true love, is it she?
I come then, I come then,
I come and keep my flock with thee.
Phyl. Here are cherries ripe for my Corydon;
Eat them for my sake.
Cor. Here’s my oaten pipe, my lovely one,
Sport for thee to make.
Phyl. Here are threads, my true love, fine as silk,
To knit thee, to knit thee,
A pair of stockings white as milk.
Cor. Here are reeds, my true love, fine and neat,
To make thee, to make thee,
A bonnet to withstand the heat.
Phyl. I will gather flowers, my Corydon,
To set in thy cap.
Cor. I will gather pears, my lovely one,
To put in thy lap.
Phyl. I will buy my true love garters gay,
For Sundays, for Sundays,
To wear about his legs so tall.
Cor. I will buy my true love yellow say,
For Sundays, for Sundays,
To wear about her middle small.
Phyl. When my Corydon sits on a hill
Making melody—
Cor. When my lovely one goes to her wheel,
Singing cheerily—
Phyl. Sure methinks my true love doth excel
For sweetness, for sweetness,
Our Pan, that old Arcadian knight.
Cor. And methinks my true love bears the bell
For clearness, for clearness,
Beyond the nymphs that be so bright.
Phyl. Had my Corydon, my Corydon,
Been, alack! her swain—
Cor. Had my lovely one, my lovely one,
Been in Ida plain—
say] soie, silk.
Phyl. Cynthia Endymion had refused,
Preferring, preferring,
My Corydon to play withal.
Cor. The Queen of Love had been excused
Bequeathing, bequeathing,
My Phyllida the golden ball.
Phyl. Yonder comes my mother, Corydon!
Whither shall I fly?
Cor. Under yonder beech, my lovely one,
While she passeth by.
Phyl. Say to her thy true love was not here;
Remember, remember,
To-morrow is another day.
Cor. Doubt me not, my true love, do not fear;
Farewell then, farewell then!
Heaven keep our loves alway!
A Pedlar
John Dowland’s Second Book of
Songs or Airs, 1600
FINE knacks for ladies! cheap, choice, brave, and new,
Good pennyworths—but money cannot move:
I keep a fair but for the Fair to view—
A beggar may be liberal of love.
Though all my wares be trash, the heart is true,
The heart is true.
Great gifts are guiles and look for gifts again;
My trifles come as treasures from my mind:
It is a precious jewel to be plain;
Sometimes in shell the orient’st pearls we find:—
Of others take a sheaf, of me a grain!
Of me a grain!
Hey nonny no!
Christ Church MS.
HEY nonny no!
Men are fools that wish to die!
Is’t not fine to dance and sing
When the bells of death do ring?
Is’t not fine to swim in wine,
And turn upon the toe,
And sing hey nonny no!
When the winds blow and the seas flow?
Hey nonny no!
Preparations
Christ Church MS.
YET if His Majesty, our sovereign lord,
Should of his own accord
Friendly himself invite,
And say ‘I’ll be your guest to-morrow night,’
How should we stir ourselves, call and command
All hands to work! ‘Let no man idle stand!
‘Set me fine Spanish tables in the hall;
See they be fitted all;
Let there be room to eat
And order taken that there want no meat.
See every sconce and candlestick made bright,
That without tapers they may give a light.
‘Look to the presence: are the carpets spread,
The dazie o’er the head,
The cushions in the chairs,
And all the candles lighted on the stairs?
Perfume the chambers, and in any case
Let each man give attendance in his place!’
Thus, if a king were coming, would we do;
And ’twere good reason too;
For ’tis a duteous thing
To show all honour to an earthly king,
And after all our travail and our cost,
So he be pleased, to think no labour lost.
But at the coming of the King of Heaven
All’s set at six and seven;
We wallow in our sin,
Christ cannot find a chamber in the inn.
We entertain Him always like a stranger,
And, as at first, still lodge Him in the manger.
The New Jerusalem
Song of Mary the Mother of
Christ (London: E. Alide), 1601
HIERUSALEM, my happy home,
When shall I come to thee?
When shall my sorrows have an end,
Thy joys when shall I see?
O happy harbour of the Saints!
O sweet and pleasant soil!
In thee no sorrow may be found,
No grief, no care, no toil.
There lust and lucre cannot dwell,
There envy bears no sway;
There is no hunger, heat, nor cold,
But pleasure every way.
Thy walls are made of precious stones,
Thy bulwarks diamonds square;
Thy gates are of right orient pearl,
Exceeding rich and rare.
Thy turrets and thy pinnacles
With carbuncles do shine;
Thy very streets are paved with gold,
Surpassing clear and fine.
Ah, my sweet home, Hierusalem,
Would God I were in thee!
Would God my woes were at an end,
Thy joys that I might see!
Thy gardens and thy gallant walks
Continually are green;
There grows such sweet and pleasant flowers
As nowhere else are seen.
Quite through the streets, with silver sound,
The flood of Life doth flow;
Upon whose banks on every side
The wood of Life doth grow.
There trees for evermore bear fruit,
And evermore do spring;
There evermore the angels sit,
And evermore do sing.
Our Lady sings Magnificat
With tones surpassing sweet;
And all the virgins bear their part,
Sitting about her feet.
Hierusalem, my happy home,
Would God I were in thee!
Would God my woes were at an end,
Thy joys that I might see!
Icarus
Robert Jones’s Second Book of
Songs and Airs, 1601
LOVE wing’d my Hopes and taught me how to fly
Far from base earth, but not to mount too high:
For true pleasure
Lives in measure,
Which if men forsake,
Blinded they into folly run and grief for pleasure take.
But my vain Hopes, proud of their new-taught flight,
Enamour’d sought to woo the sun’s fair light,
Whose rich brightness
Moved their lightness
To aspire so high
That all scorch’d and consumed with fire now drown’d in woe they lie.
And none but Love their woeful hap did rue,
For Love did know that their desires were true;
Though fate frownèd,
And now drownèd
They in sorrow dwell,
It was the purest light of heav’n for whose fair love they fell.
Madrigal
Davison’s Poetical Rhapsody, 1602
MY Love in her attire doth show her wit,
It doth so well become her;
For every season she hath dressings fit,
For Winter, Spring, and Summer.
No beauty she doth miss
When all her robes are on:
But Beauty’s self she is
When all her robes are gone.
How can the Heart forget her?
Davison’s Poetical Rhapsody, 1602
AT her fair hands how have I grace entreated
With prayers oft repeated!
Yet still my love is thwarted:
Heart, let her go, for she’ll not be converted—
Say, shall she go?
O no, no, no, no, no!
She is most fair, though she be marble-hearted.
How often have my sighs declared my anguish,
Wherein I daily languish!
Yet still she doth procure it:
Heart, let her go, for I can not endure it—
Say, shall she go?
O no, no, no, no, no!
She gave the wound, and she alone must cure it.
But shall I still a true affection owe her,
Which prayers, sighs, tears do show her,
And shall she still disdain me?
Heart, let her go, if they no grace can gain me—
Say, shall she go?
O no, no, no, no, no!
She made me hers, and hers she will retain me.
But if the love that hath and still doth burn me
No love at length return me,
Out of my thoughts I’ll set her:
Heart, let her go, O heart I pray thee, let her!
Say, shall she go?
O no, no, no, no, no!
Fix’d in the heart, how can the heart forget her?
Tears
John Dowland’s Third and Last
Book of Songs or Airs, 1603
WEEP you no more, sad fountains;
What need you flow so fast?
Look how the snowy mountains
Heaven’s sun doth gently waste!
But my Sun’s heavenly eyes
View not your weeping,
That now lies sleeping
Softly, now softly lies
Sleeping.
Sleep is a reconciling,
A rest that peace begets;
Doth not the sun rise smiling
When fair at even he sets?
Rest you then, rest, sad eyes!
Melt not in weeping,
While she lies sleeping
Softly, now softly lies
Sleeping.
My Lady’s Tears
John Dowland’s Third and Last
Book of Songs or Airs, 1603
I SAW my Lady weep,
And Sorrow proud to be advancèd so
In those fair eyes where all perfections keep.
Her face was full of woe;
But such a woe (believe me) as wins more hearts
Than Mirth can do with her enticing parts.
Sorrow was there made fair,
And Passion wise; Tears a delightful thing;
Silence beyond all speech, a wisdom rare:
She made her sighs to sing,
And all things with so sweet a sadness move
As made my heart at once both grieve, and love.
O fairer than aught else
The world can show, leave off in time to grieve!
Enough, enough: your joyful look excels:
Tears kill the heart, believe.
O strive not to be excellent in woe,
Which only breeds your beauty’s overthrow.
Sister, Awake!
Thomas Bateson’s First Set of
English Madrigals, 1604
SISTER, awake! close not your eyes!
The day her light discloses,
And the bright morning doth arise
Out of her bed of roses.
See the clear sun, the world’s bright eye,
In at our window peeping:
Lo, how he blusheth to espy
Us idle wenches sleeping!
Therefore awake! make haste, I say,
And let us, without staying,
All in our gowns of green so gay
Into the Park a-maying!
Devotion
Captain Tobias Hume’s The First
Part of Airs, &c., 1605
FAIN would I change that note
To which fond Love hath charm’d me
Long, long to sing by rote,
Fancying that that harm’d me:
Yet when this thought doth come,
‘Love is the perfect sum
Of all delight,’
I have no other choice
Either for pen or voice
To sing or write.
O Love! they wrong thee much
That say thy sweet is bitter,
When thy rich fruit is such
As nothing can be sweeter.
Fair house of joy and bliss,
Where truest pleasure is,
I do adore thee:
I know thee what thou art,
I serve thee with my heart,
And fall before thee.
Since First I saw your Face
Thomas Ford’s Music of
Sundry Kinds, 1607
SINCE first I saw your face I resolved to honour and renown ye;
If now I be disdainèd I wish my heart had never known ye.
What? I that loved and you that liked, shall we begin to wrangle?
No, no, no, my heart is fast, and cannot disentangle.
If I admire or praise you too much, that fault you may forgive me;
Or if my hands had stray’d but a touch, then justly might you leave me.
I ask’d you leave, you bade me love; is’t now a time to chide me?
No, no, no, I’ll love you still what fortune e’er betide me.
The Sun, whose beams most glorious are, rejecteth no beholder,
And your sweet beauty past compare made my poor eyes the bolder:
Where beauty moves and wit delights and signs of kindness bind me,
There, O there! where’er I go I’ll leave my heart behind me!
There is a Lady sweet and kind
Thomas Ford’s Music of
Sundry Kinds, 1607
THERE is a Lady sweet and kind,
Was never face so pleased my mind;
I did but see her passing by,
And yet I love her till I die.
Her gesture, motion, and her smiles,
Her wit, her voice my heart beguiles,
Beguiles my heart, I know not why,
And yet I love her till I die.
Cupid is wingèd and doth range,
Her country so my love doth change:
But change she earth, or change she sky,
Yet will I love her till I die.
Love not me for comely grace
John Wilbye’s Second Set of Madrigals, 1609
LOVE not me for comely grace,
For my pleasing eye or face,
Nor for any outward part,
No, nor for a constant heart:
For these may fail or turn to ill,
So thou and I shall sever:
Keep, therefore, a true woman’s eye,
And love me still but know not why—
So hast thou the same reason still
To doat upon me ever!
The Wakening
John Attye’s First Book of Airs, 1622
ON a time the amorous Silvy
Said to her shepherd, ‘Sweet, how do ye?
Kiss me this once and then God be with ye,
My sweetest dear!
Kiss me this once and then God be with ye,
For now the morning draweth near.’
With that, her fairest bosom showing,
Op’ning her lips, rich perfumes blowing,
She said, ‘Now kiss me and be going,
My sweetest dear!
Kiss me this once and then be going,
For now the morning draweth near.’
With that the shepherd waked from sleeping,
And spying where the day was peeping,
He said, ‘Now take my soul in keeping,
My sweetest dear!
Kiss me and take my soul in keeping,
Since I must go, now day is near.’